RCA x 100% Optical

London’s optical fair 100% has announced the shortlisted designs in its annual design competition in collaboration with the RCA. The finalists are: Tabitha Ringwood (1st Year Womenswear – Footwear); Annie Foo (1st Year Womenswear – Footwear); Hazel Stark (2nd Year Textiles – Print); Louis Alderson-Bythell (2nd Year Womenswear – Footwear); Alice Potts (1st Year Womenswear – Footwear) and Becky Hong (1st Year Millinery).

Visionary 2017 is an eyewear design project directed by Accessories, Footwear & Millinery tutor Flora McLean in collaboration with 100% Optical, to highlight new talent and creativity in the field of eyewear design. This year, the competition asked students to consider the wearer and their activities and lifestyle, by designing one piece for a specific person and specific usage.

Above: Project name: My Tribe – by Becky Hong

Out with our rose: by Tabitha Ringwood
Out With Our Rose by Tabitha Ringwood
The Positive Hacker by Louis Alderson-Bythell
The Positive Hacker by Louis Alderson-Bythell

In its fourth year, the competition is judged by a panel of eyewear experts from the British eyewear industry including Jason Kirk (of Kirk & Kirk), Tom Broughton (Cubitts) and Lawrence Jenkins (eyewear designer). The RCA finalists’ prototypes will be on display at 100% Optical in February when the winner will also be announced. For more information visit www.100percentoptical.com CN

Luc Tuymans: Glasses…National Portrait Gallery

Art frequently influences eyewear, and frames can be an inspiration for art. Belgian artist Luc Tuymans paints a range of subject matter from major historical events to the everyday. His latest work is the phenomenon of spectacles as his muse. As he says:”I have always enjoyed painting glasses. glasses bring a kind of distortion to the face…it is a strange instrument and practically a universal theme. The banality of glasses receives a different meaning when you paint them. When at a certain point I was looking through all the portraits I’ve painted up to now, I was amazed to discover that there were glasses in three quarters of them. This is certainly not a conscious choice…glasses radically change the physiognomy of a face, but are not perceived as a radical change.” Top image: Portrait by Luc Tuymans, 2000; Private Collection; Courtesy David Zwirner, New York/London

Portrait Old Man by Luc Tuymans, 2000; Private Collection Antwerp
Portrait Old Man by Luc Tuymans, 2000; Private Collection Antwerp

A larger exhibition of Tuymans work is concurrently on view at the Museum aan de Stroom in Antwerp. The artist is widely regarded as one of the most significant and influential contemporary painters working today. His work deals with how history and memory is translated into paint, and how we perceive people and things. The exhibition continues through 2 April 2017. www.npg.org.uk JG

Robert La Roche: Personal View at The MAK Vienna

A chance visit to the Austrian Museum of Applied Arts – The MAK – produced an unexpected and delightful surprise – a retrospective on Austrian eyewear designer Robert La Roche. From the early 1970’s to the turn of the century, the Vienna-born designer captivated the international fashion, film and eyewear world with his pioneering designs. Robert La Roche: Personal View effectively displays the ingenuity, craftsmanship, and creativity of his eyewear, with the unique colourations, shapes and textures that heralded a new direction in frame design.

Robert La Roche style 657 photo: Thomas Popinger,ca. 1995
Robert La Roche style 657 photo: Thomas Popinger,ca. 1995

In addition to hundreds of La Roche frames on display, design drawings, advertisements, magazine editorials and photographs are also included in the exhibit. Marketing was a forte of Robert La Roche, and some of his campaigns are now as legendary as the glasses themselves.

Christian Wolf, Christoph Egger and Robert La Roche at the MAK Forum Vienna
Christian Wolf, Christoph Egger and Robert La Roche at the MAK Forum Vienna

Another highlight was a series of talks and forums open to the public at the MAK. Participants in one event included Christian Wolf from ROLF Spectacles in The Tyrol. Christian and Christoph Egger from Gloryfy spoke on a panel with La Roche, and gave Austrian insight into creating eyewear in today’s marketplace. Christian commented: “It was an honour to be invited to have a discussion with Robert himself, an icon regarding eyewear design and distribution – not only in Austria. The discussion was very interesting as we sell different markets, the marketing is different, and we had a lot to share. There was also an eyewear show with designers from a Vienna school. For me, as marketing manager of ROLF, the exhibition is great because of his advertising campaigns; the collaborations with his work are inspiring. It was a great chance to get tips and tricks from Robert! For all eyewear addicts, I highly recommend this exhibition.”

Exhibition view at The MAK photo: MAK/Georg Mayer 2016
Exhibition view at The MAK photo: MAK/Georg Mayer 2016

On the occasion of the exhibition, La Roche commented: “I’d say I’ve had the pleasure of making four million customers not only see better, but also look better…it’s how I sum up my life’s work. Everyone of those frames bears my name, as well as the word ‘Vienne’ – a little reference to the city of their origin, a metropolis of creativity, culture and design.” Robert La Roche: Personal View continues at the MAK through 24th September. If readers are fortunate to visit Vienna and the MAK, you can also enjoy the enchanting Fashion Utopias: Haute Couture in the Graphic Arts. This is a charming collection of graphic artworks from the late 15th Century to the 1930’s. Haute Couture existed long before the 20th Century! More details on both exhibitions at www.MAK.at www.rolf-spectacles.com  JG

Photo: top image Robert La Roche sunglasses model S-49 Photo Gerhard Heller, ca. 1976

 

Undressed: A Brief History of Underwear

What goes on beneath beautiful designer fashion creations is sometimes even a more sensual, fascinating harmony of sumptuous materials and colours. The Victoria & Albert Museum in London explores the personal, fashionable journey of underwear’s roles in Undressed: A Brief History of Underwear.

Installation view from Undressed: A Brief History of Underwear
Installation view from Undressed: A Brief History of Underwear

More than two hundred examples of underwear for men and women are featured – from the homemade to the fabulously luxurious. On display are corsets (top image), hosiery, lingerie and nightwear, plus contextual fashion plates, photographs, advertisements and packaging.

Comfort at home: Loungewear
Comfort at home: Loungewear

Rare 18th Century  hooped petticoats are also featured alongside crinolines and bustles. Long cotton drawers worn by Queen Victoria’s mother; floral embroidered stockings worn by Queen Alexandra, wife of King Edward VII; and Schiaparelli nylon stockings from 1953 emphasise the practical, as well as the alluring. Designer pieces by Rigby and Peller, La Perla, Stella McCartney and Paul Smith are also highlighted. The exhibition also demonstrates how underclothes and nightclothes morphed into loungewear, with the continuing desire for comfort at home, and a blurring of the line between underwear and outerwear, public and private.

Cage Crinoline The Princess Louise Jupon patent 1871
Cage Crinoline The Princess Louise Jupon patent 1871

Edwina Ehrman, Curator of Textiles and Fashion at the V&A curated Undressed: A Brief History of Underwear. The intriguing presentation reveals how underwear can be created to transform or provoke, and it is impressive. The exhibition, sponsored by Agent Provocateur and Revlon, continues through 12 March 2017. www.vam.ac.uk/undressed JG

Photos: All images courtesy of Victoria & Albert Museum

LU.PA Studio at Villa Da Schio, Costozza

The elegant gardens of the Villa Da Schio and its much loved flower show – “Oltre il giardino” – provided the perfect surroundings for  designer Lucia Pasin’s collection of Flower Glasses and Sunglasses the weekend before last near Vicenza. LU.PA studio welcomed friends and opticians to the event which takes place in May each year and features flower stalls and exhibitors specialising in antiques, artisan gifts and handmade jewellery.

The original designs by LU.PA Studio, inspired by Pasin’s brightly coloured floral paintings, include statement cateye shapes and bold round frames – for men and women.

LU.PA Frames displayed at Villa Da Schio
LU.PA Frames displayed at Villa Da Schio

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Visitors try the new LU.PA sunglasses
Visitors try the new LU.PA sunglasses

LU.PA studio – from Belluno – was created in 2012 and the first collection, Antheia, was launched in February 2015, featuring six individualistic models in 24 colours/patterns. All the frames are designed and produced from start to finish in northern Italy. The 18th century Villa da Schio is a historic Venetian-style villa – home to the Trento and da Schio families for over 300 years – with splendid gardens and sculptures by Orazio Marinali.  For more information visit www.lupastudio.it / www.villadaschio.it CN

Sale of antique eyewear collection, London

An antique eyewear collection which includes 62 spectacles from Europe and China through the centuries will go on sale at the London International Antiquarian Book Fair at Olympia later this month. The earliest example in the historic collection is from circa 1790, whilst the latest spectacles included date from the 1940s. A few items described as “very rare examples”, include opticians’ diagnostic and measuring tools. The collection will be available to view on the Voyager Press stand at Olympia from the 26th to 28th May 2016 and carries a price tag of £4,950.

specstolarge4

Described as an unique opportunity to purchase a ready made collection of eyewear of the highest standard, it illustrates the history of spectacles from the late 1700s, through the 1800s and up to the mid-1900s. The collection covers the making of optical lenses and frames and the shifts in trends and mindsets towards eyewear over the centuries.

specstolarge9

specstolarge8

Highlights include some of the earliest tinted glasses and fold up spectacles, glasses which attached to the ear by a string, 10 pince-nez and a very rare pair of early 19th century surgeon’s magnifying glasses with large square lenses. For more information: www.voyager-press.com CN

Anatomy of a Collection

What devoted fashion follower wouldn’t love to roam in the archives of the Palais Galliera in Paris? Now the next best thing is possible. The Museum opens an exhibition on 14th May displaying a selection of garments with fashion and historical connections. The rich variety reflects the essence of the fashion treasures the museum has collected over the years.

Dress in Mousseline cotton worn by Empress Joséphine about 1805
Dress in Mousseline cotton worn by Empress Joséphine about 1805 Collection Palais Galliera Eric Poitevin/ADAGP 2016

Examples include items worn by Marie-Antoinette; Napoleon’s waistcoat; a dress belonging to George Sand; Sarah Bernhardt’s cape; an outfit by Givenchy for Audrey Hepburn; Tilda Swinton’s pyjama suit; and a dress from the Duchess of Windsor’s wardrobe – among other notable garments with historical associations.

Givenchy
Givenchy two-piece dress for Audrey Hepburn 1966 Collection Palais Galliera Eric Poitevin/ADAGP 2016

Accessories are also included in this collection, and the identification with people who wore them further highlights these heritage pieces. Anatomy of a Collection is at Palais Galliera 14th May through 23rd October 2016. More info at www.palaisgalliera.paris.fr JG

Top photo: Christian Dior by Yves Stain Laurent wedding dress for Geneviève Page 1959 Collection Palais Galliera Eric Poitevin/ADAGP 2016

Contemporary Art in New York

An intriguing exhibition – featuring a group of Contemporary Artists –  opens Friday 1st April in New York City in trendy TriBeCa. Painting, sculpture, and installations will feature in the event, with contributions by individualistic, international artists. The cultural diversity of the participants brings fresh, original perspective to each presentation. The event is held in collaboration with shhhim (www.shhhim.com) which encourages and supports artists in promoting their work. Mixed-media artist and sculptor Constance Chabieres has been involved with art programmes for UNICEF in Asia and Africa. Her work is inspired by nature, colour, light, street style and people on the streets. Movement and rhythm highlight her creations, including the bronze sculpture above. www.chabrieres.net

BORDERLESS by Sara Badr Schmidt
BORDERLESS by Sara Badr Schmidt

Swedish/Lebanese Sara Badr Schmidt is presenting a work that she began ten years ago and continues “as a work in progress”, says the Paris-based artist. The concept is to show the limits of borders, but also the enrichment that different cultures compound. Borderless – the title of the installation project – are photos printed on canvas and mounted on light boxes, with some enhanced by a sound track. www.sarabadrschmidt.com

Painting by Lebanese/Jordanian artist Rafik Majzoub
Painting by Lebanese/Jordanian artist Rafik Majzoub

Among other artists exhibiting are Jerry Atkins, Sami Basbous, Rafik Majzoub and Brett Wallace. The exhibition continues through 18th April at 481 Washington Street, New York City 10013. Tel: +1 917 621 63 89. JG

Silver speaks

A new exhibition opened at the V&A this week entitled Silver Speaks: Idea to Object. Curated by Corinne Julius, it celebrates the exceptional level of creativity and skill in British silversmithing. Presenting new works by 18 members of the Contemporary British Silversmiths (CBS), the objective is to offer visitors a snapshot of the craft in Britain today encompassing designs which show a variety of techniques and applications, from the traditional to the cutting edge. Above: Two Bowls – Hand raised and fabricated in Sterling Silver by Juliette Bigley – “Two bowls represents two contrasting interpretations of the archetypal bowl form playing particularly with ideas of inside and outside and the space that lies between these two opposites.”

Silver Speaks: Idea to Object takes place until 31st January 2017, in the Silver Galleries, V&A, London. Silver Speaks: Idea to Object is part of an 11-month programme of events organised by CBS. Further information at www.contemporarybritishsilversmiths.org/ and  www.vam.ac.uk CN

 

Vogue 100: A Century of Style

British Vogue Magazine – the arbiter of cutting-edge fashion – celebrates its 100th anniversary this year with a major exhibition at the National Portrait Gallery. Beauty and portrait photography are featured with over two hundred and eighty remarkable images from The Condé Nast archive.

 

Fashion is indestructible by Cecil Beaton, 1941 The Condé Nast Publications Ltd
Fashion is indestructible by Cecil Beaton, 1941 The Condé Nast Publications Ltd

Since 1916, British Vogue has continuously been at the forefront of communicating the latest in bon vivant style and elegance, as well as narrating the lively arts and society. Vintage prints from the early twentieth century, photos from renowned fashion shoots, and unpublished works are brought together for an exhilarating retrospective of this iconic magazine.

Claudia Schiffer in Paris by Herb Ritts, 1989 Herb Ritts Foundation/Trunk Archive
Claudia Schiffer in Paris by Herb Ritts, 1989 Herb Ritts Foundation/Trunk Archive

The twentieth-century shaped the fashion landscape with amazing photographers – including Lee Miller, Cecil Beaton, Irving Penn and Snowdon. Their works are included, along with celebrated photographers Mario Testino, Tim Walker, Patrick Demarchelier, Nick Knight, Herb Ritts and David Bailey. Through the decades, British Vogue reported on the upcoming and creative talents of the time – that defined the century’s progression in fashion, style and social trends.  From Henri Matisse to Francis Bacon; Lucian Freud; Marlene Dietrich; Lady Diana Cooper to Lady Diana Spencer; Fred Astaire to David Beckham; and fashion luminaries Christian Dior, Saint Laurent, and Alexander MeQueen, are just a few treasured experiences.

The Second Age of Beauty is Glamour by Cecil Beaton, 1946 The Condé Nast Publications Ltd
The Second Age of Beauty is Glamour by Cecil Beaton, 1946 The Condé Nast Publications Ltd

Vogue 100: A Century of Style is a memorable, imaginative journey through ten decades of exceptional photography capturing fashion, people and places with artistic style. Vogue 100: A Century of Style is at the National Portrait Gallery, London, from 11 February – 22 May 2016 sponsored by Leon Max www.npg.org.uk JG 

Top image: Kirsi Pyrhonen in Mongolia by Tim Walker, 2001 Copyright Tim Walker

Jacqueline de Ribes

Tall, elegant and aristocratic, Countess Jacqueline de Ribes (born 1929) is recognised as one of the celebrated fashion personas of the 20th Century. Her statuesque silhouette was a designer’s dream; and style was in her genes – as a child de Ribes loved to play “dress up”…and carried this radiant imagination into adulthood.

Jacqueline de Ribes in her own design,1983
Jacqueline de Ribes in her own design,1983

The Costume Institute at The Metropolitan Museum of Art in New York City is staging an exhibition of designs from the  Countess’s opulent personal wardrobe, including dresses that she created for her own company from 1982-1995. She was consistently on The Best Dressed List and respected for her originality and superb style and manner.

Jacqueline de Ribes in her own design, 1985
Jacqueline de Ribes in her own design, 1985

A multi-faceted woman, de Ribes was also a theatrical impresario, a TV producer, and she helped organise Museum and Charity events. Nature conservation and environmental protection were also among her pioneering projects. The exhibition also includes videos, photos and personal effects. Jacqueline de Ribes: The Art of Style is a fascinating glimpse into the life and boundless style of a truly elegant woman. Continues until 21st February 2016. www.metmuseum.org JG

Photos: Top image: Jacqueline de Ribes 1955 by Richard Avedon The Richard Avedon Foundation Middle image: Photograph by Victor Skrebneski, Skrebneski Photograph 1983 Bottom image: Photography by David Lees, David Lees/The LIFE Images Collection/Getty Images 

Picasso on porcelain

The paintings of the celebrated artist Pablo Picasso set world records at auctions. However, now there is a way to enjoy and cherish the master’s work at reasonable prices. Marc de Ladoucette is a porcelain specialist who has the authorisation of Mr Claude Picasso to use the Spanish artists’s work on products created from Limoges, renowned for finely crafted decorative objects since the 18th Century.

Top image: La-Joie-de-Vivre by Picasso – Galerie Marc de Ladoucette

Candle - Colombe by Picasso
Candle – Colombe by Picasso

Some of Picasso’s most important works – including “La Magie Picasso” – are translated on vases, plates – from dinner services to beautiful serving platters – candles and teacups. The items are available in Limited Editions – and sold in only a few prestigious shops around the world, including The Gagosian Gallery on Madison Avenue in New York City – www.gagosian.com – and Renby in Tel Aviv – www.renby.co.il Picasso on Porcelain – unique items to bring art, magic and elegance to your table and your home. www.marc-de-ladoucette.com JG

Historic Fashion Rediscovered

The Fabulous Wardrobe of Countess Greffulhe

Her wardrobe – as well as her life – was the toast and talk of Paris. Elisabeth, Countess Greffulhe (1860-1952) was the epitome of elegance, with an exquisite, enviable wardrobe, the focus of a stunning exhibition at Palais Galleria in Paris.  She was an avid patron of the arts, promoting and encouraging James Whistler; Auguste Rodin and Gustave Moreau; and the ballet impresario Diaghilev and his  Ballet Russes. The Countess was also a supporter of composer Gabriel Fauré, and his Pavane was premiered at a garden party in the Bois de Boulogne that she organised. In addition, she produced and promoted operas including Wagner’s Tristan and Isolde and Twilight of the Gods.

Charles FrÈderic Worth (1825-1895). Robe byzantine portÈe par la Comtesse Greffulhe pour le mariage de sa fille, 1904 - Taffetas lamÈ, soie et filÈ or, tulle de soie, application de paillettes. Galliera, musÈe de la Mode de la Ville de Paris.
Charles FrÈderic Worth (1825-1895). Robe byzantine portÈe par la Comtesse Greffulhe pour le mariage de sa fille, 1904 – Taffetas lamÈ, soie et filÈ or, tulle de soie, application de paillettes. Galliera, musÈe de la Mode de la Ville de Paris.

Proust immortalised her for posterity as the Duchess of Guermantes in Proust’s novel A La Recherche du Temps Perdu (In Search of Lost Time). The Countess captivated Parisian society with her tireless activities and her glorious wardrobe. She was a fascinating, slender figure in an alluring cloud of tulle, gauze, chiffon and feathers, or in her velvet coats and kimono jackets. The Palais Gallieria displays fifty dresses worn by the Countess, designed by grand couturiers including Fortuny, Worth, Lanvin and Babani.

Charles-Frederick Worth (1825-1895). Tea gown. Velours ciselÈ bleu foncÈ sur fond de satin vert. Dentelle de Valenciennes. Doublure en taffetas changeant vert et bleu, vers 1897. Galliera, musÈe de la Mode de la Ville de Paris.
Charles-Frederick Worth (1825-1895). Tea gown. Velours ciselÈ bleu foncÈ sur fond de satin vert. Dentelle de Valenciennes. Doublure en taffetas changeant vert et bleu, vers 1897. Galliera, musÈe de la Mode de la Ville de Paris.

There are evening and day dresses, coats, accessories, portraits, photographs and films. The exhibition is a marvellous invitation to go “in search of lost fashion”, and to become acquainted with the divine Countess, whose image was inescapably linked with her luxurious wardrobe. La Mode Retrouvée (Fashion Regained) Dresses of Elisabeth, Countess Greffulhe opens 7th November and continues until 20th March 2016. www.palaisgalliera.paris.fr JG 

Top image: Photographie de Otto, la comtesse Greffulhe dans une robe de bal, veers 1887 Copyright Otto/Galliera/Roger-Viollet

Irving Penn: Beyond Beauty

Iconic Photographer at Smithsonian Art Museum

Fashion, portrait and still life images by Irving Penn (1917-2009), are among the photography masterpieces in black-and-white and colour on display at the Smithsonian in Washington D.C. The exhibition is the first retrospective in twenty years of the photographer who captured street scenes from the American South; fine-art fashion photos; still life and celebrity portraits; and photos made for magazine editorials and commercial advertising; including previously unseen images.

Irving Penn: Ball Dress by Olivier Theyskens for Nina Ricci New York, 2007
Irving Penn: Ball Dress by Olivier Theyskens for Nina Ricci New York, 2007

Penn’s photographic career spanned nearly seventy years, and at Vogue magazine, Penn’s portraits and fashion images defined 1950’s elegance. There are approximately one hundred fifty photos, plus Super 8mm films of Penn in Morocco, made by his wife – who was a model – Lisa Fonssagrives-Penn – that add a dynamic insight into the artist at work.

 

Irving Penn: Young Boy, Pause Pause American South, 1941, printed 2001
Irving Penn: Young Boy, Pause Pause American South, 1941, printed 2001

Irving Penn: Beyond Beauty opens at The Smithsonian American Art Museum on 23rd October, and continues through 20th March 2016 – it will then travel to several cities across America. The exhibition beautifully celebrates Penn’s photographic legacy as a modern master of his craft. For info on The Smithsonian click on www. americanart.si.edu. For Exhibition details – www.americanart.si.edu/exhibitions/archive/2015/irving_penn/.  JG

Photos: Top image – Irving Penn Leontyne Price New York, 1961 Smithsonian American Art Museum Gift of The Irving Penn Foundation Copyright Condé Nast Ball Dress: Smithsonian American Art Museum Gift of The Irving Penn Foundation Copyright Condé Nast Young Boy: Smithsonian American Art Museum Gift of The Irving Penn Foundation Copyright The Irving Penn Foundation

Audrey Hepburn: Portraits of an Icon

National Portrait Gallery Celebrates Audrey Hepburn

1st September 2015 Actress, humanitarian, and icon – Audrey Hepburn is one of the most fascinating and memorable women of the 20th Century. Born in Holland, she began her career as a dancer and chorus girl in London’s West End. She evolved into an inspiring and glamorous international movie star, and teamed for years with Hubert de Givenchy in a famous style marriage. Her later life culminated in remarkable philanthropic work, including Goodwill Ambassador for the United Nations International Children’s Fund (UNICEF).

Audrey Hepburn wearing Givenchy by Norman Parkinson 1955
Audrey Hepburn wearing Givenchy by Norman Parkinson 1955

The National Portrait Gallery pays homage to this extraordinary woman with photos that span her life from a nine-year-old – through to her last major photo shoot in 1991. These are beautiful and reflective photos from leading photographers including Cecil Beaton, Richard Avedon, Irving Penn, Terry O’Neill, and Norman Parkinson.

Audrey Hepburn as Holly Golightly in Breakfast at Tiffany's by Howell Conant
Audrey Hepburn as Holly Golightly in Breakfast at Tiffany’s by Howell Conant

The exhibition has been organised with support from the Audrey Hepburn Estate and her sons, Luca Dotti and Sean Hepburn Ferrer. Audrey Hepburn: Portraits of an Icon is a memorable show that highlights a truly exceptional, iconic woman. Until 18th October. www.npg.org.uk JG 

Photos: Top image: Audrey Hepburn dressed in Givenchy with sunglasses by Oliver Goldsmith by Douglas Kirkland 1966 Copyright Iconic Images/Douglas Kirkland Audrey Hepburn in pink Givenchy Copyright Norman Parkinson Ltd/Courtesy Norman Parkinson Archive  Audrey Hepburn as Holly Golightly by Howell Conant, published on the cover of Jours de France, 27 January 1962

Greek Culinary Experience – NYC!

City Dining with Greek Island Ambience

25th August 2015 Opened nearly thirty years ago in New York City, Periyali restaurant continues to gather rave reviews. Proprietor Nicola Kotsoni, originally from the Greek island of Zakynthos, conveyed her love of the island’s cuisine…to the island of Manhattan. All the entrees are individually prepared, and diners can savour classic dishes that include: Spanakopita, Moussaka, and grilled Calamari – along with other Greek specialities. The wine list is extensive – with a wonderful collection of champagnes – including Dom Perignon- and superior Greek wines, plus American and international selections.

Classic Greek Cuisine at Periyali
Classic Greek Cuisine at Periyali

The ambience at Periyali (which means “seashore”) welcomes diners to the tranquility and beauty of the Greek Islands, with its fresh décor, and inviting sky lit garden. Nicola loves to entertain – and she personally oversees every detail – including selecting the most beautiful flowers for her famous and original designs. For traditional Greek cuisine, Periyali represents the best of culinary delights from the Hellenic Islands. www.periyali.com JG

Dior, The New Look Revolution

Exhibition at Dior’s Childhood Home

1st August 2015 Christian Dior revolutionized fashion history in 1947, when he presented his first haute couture collection. In a post-war era, where many countries were still on rations and rebuilding, Dior marked the start of a dramatic era and the triumph of femininity with his “New Look” and legendary silhouette. The Bar suit, with its black full skirt, and wasp waist ecru jacket, became both the manifesto and the icon. Marion Cotillard (above) wearing the Bar suit 2012 features in the museum poster.

 

Dior, The New Look Revolution published by Rizzoli featuring Dior's The Bar Suit, by Mats Gustafson
Dior, The New Look Revolution published by Rizzoli featuring Dior’s The Bar Suit, by Mats Gustafson

Dior’s childhood home – Villa les Rhumbs, in Granville, Normandy – with its beautiful garden and seaside location was an inspiration for him. The villa is now a museum and hosts the exhibition Dior, The New Look Revolution, which include photographs and archives, and reveals the complexity of the silhouette’s architecture. To celebrate the occasion, Laurence Benaïm has written a book Dior, The New Look Revolution, published by Rizzoli. It’s nearly seventy years since Dior introduced his “New Look” – however, his amazingly engineered silhouette, with its timeless feminine shape, is spot on trend in the latest Dior collection – a 21st Century interpretation of a legacy. The exhibition continues through 1st November 2015. www.musee-dior-granville.com JG

Photo of Marion Cotillard by Jean-Baptiste Mondino.

Global Fashion Capitals

Cities Highlighting The Fashion Industry

1st July 2015 Established fashion capitals – Paris, New York, Milan and London – make headlines each season as models strut the catwalk showing the latest creations by leading designers. These destinations and emerging cities that include among others, Berlin, Istanbul, Seoul, Stockholm, Russia, Mexico, and Sao Paulo – are the theme of an intriguing exhibition, Global Fashion Capitals, at The Museum at FIT (Fashion Institute of Technology) in New York City.

Agatha Ruiz de la Prada SS2014 Madird Gift of Agatha Ruiz de la Prada
Agatha Ruiz de la Prada SS2014 Madrid Gift of Agatha Ruiz de la Prada

The show examines the rise of emerging cities to global prominence, and supports the theory that fashion communicates identity and spreads cultural influence throughout the world. Fashion weeks continue to multiply as cities also realise the economic value of the fashion industry. More than seventy garments and accessories from designers including Coco Chanel, Chrsitian Dior, Prada, Yohji Yamamoto, Ralph Lauren, Donna Karan, John Galliano and Alexander McQueen,  Dries Van Noten, Alexandre Herchcovitch from Brazil, and Christian Louboutin’s amazing stilettos, demonstrates the scope and power of the fashion industry.

Christopher Kane Dress Fall 2014 London Musuem Purchase
Christopher Kane Dress Fall 2014 London Musuem Purchase

Global Fashion Capitals is a stylish tribute to the international reach of today’s fashion creators. Certainly an exhibition to visit if in New York City. Continues through 14th November 2015. www.fitnyc.edu  Top image: Homo Consommatus Ensembles Spring 2015 St. Petersburg Gift of Homo Consommatus JG

Carla fernandez Detail of Jacket 2009 Mexico City Gift of Carla Fernandez/Taller Flora
Carla fernandez Detail of Jacket 2009 Mexico City Gift of Carla Fernandez/Taller Flora

Shoes: Pleasure and Pain

Shoes to Dazzle and Delight at V&A

1st June 2015 “Shoes are one of the most telling aspects of dress. Beautiful, sculptural objects, they are also powerful indicators of gender, status, identity, taste and even sexual preference. Our choice in shoes can help project an image of who we want to be,” says Helen Persson, Exhibition Curator for Shoes: Pleasure and Pain. 

Roger Vivier for Christian Dior Evening shoe beaded silk and leather France 1958-60
Roger Vivier for Christian Dior Evening shoe beaded silk and leather, France 1958-60

Included in this splendid show are shoes from the unrivalled collection at the V& A, plus international collections, and wardrobes of private individuals. Shoes worn by or associated with high profile figures including Queen Victoria, Marilyn Monroe, Sarah Jessica Parker, David Beckham and the Hon Daphne Guinness, among others, are featured. The famous ballet slippers designed for Moira Shearer in the 1948 film The Red Shoes are on display. Footwear for men and women by seventy designers including Manolo Blahnik, Christian Louboutin, Vivienne Westwood and Jimmy Choo will also feature in the more than two-hundred pairs of shoes included in the exhibition.

Chopines, punched kid leather over carved pine, Venice, Italy c.1600
Chopines, punched kid leather over carved pine, Venice, Italy c.1600

Shoes from ancient Egypt, men’s shoes from India, shoe fashions from the European royal courts, and today’s trend-setting designers provide amazing examples of footwear through the centuries. Shoes: Pleasure and Pain is the latest in a continuing series of fascinating fashion presentations at the Victoria & Albert Museum. The exhibition opens on 13 June and continues until 31st January 2016. www.vam.ac.uk/shoes JG

Caroline Groves 'Parakeet' shoes, leather silk satin, solid silver talons and heel tips, with feathers.  2014 England
Caroline Groves ‘Parakeet’ shoes, leather silk satin, solid silver talons and heel tips, with feathers. 2014 England

Photos: Top image: Freed of London red ballet shoes made for Moira Shearer in The Red Shoes (1948) silk satin, braid and leather, England 1948. Photograph reproduced with the kind permission of Northampton Museums and Art Gallery; Roger Vivier for Christian Dior image Copyrighted Victoria and Albert Museum, London; Chopines: image copyrighted Victoria and Albert Museum, London; Parakeet Shoes: Photography by Dan Lowe 

Artisans in the spotlight

London Craft Week

5th May 2015 A new event showcasing exceptional craftsmanship takes place this week around the capital. Well-known luxury brands and lesser known labels will be featured in a journey-of-discovery programme involving specialist workshops, small-scale makers and artisans, famous shops, galleries and luxury brands. Above: Daniel Harris for London Cloth – www.londoncloth.com – who will be scarf-weaving at Daks, Old Bond Street / 7th May).

Eleanor Lakelin, Gourd form 2013
Eleanor Lakelin, Gourd form 2013 – Cockpit Arts Spring Open Studios

The line up includes varied events and demonstrations at London’s prestigious department stores including Fortnum & Mason, Selfridges and open studios – an exciting event at Cockpit Arts features independent designers and makers in varied disciplines including wood work, textiles, millinery and jewellery (Cockpit Arts, Cockpit Yard, Northington St, London WC1N 2NP / 9-10th May).

 

Luxury watch brand Vacheron Constantin
Luxury watch brand Vacheron Constantin

Vacheron Constantin, the founding partner of London Craft Week will show how their luxury watches are made and engraved, with experts demonstrating their craft at the flagship store on Old Bond Street.

London Craft Week takes place from 6-10 May, 2015. For more information visit www.londoncraftweek.com CN

What is Luxury?

V&A Exhibition Explores Ideas of Luxury

1st May 2015 The term “luxury” is a fascinating subject, as it can have many different interpretations, depending on the person. The Victoria and Albert Museum explores the concept of luxury with a new exhibition What is Luxury? Exceptional examples of contemporary design and craftsmanship are featured alongside conceptual projects that interrogate fundamental ideas of luxury, its production and future.

 

Second Space Travellers' Watch by George Daniels
Second Space Travellers’ Watch by George Daniels

Included in the presentation is an entirely handcrafted mechanical watch – The Second Space Travellers’ Watch – by British watch maker George Daniels. Fashion is represented with a laser-cut couture dress by innovative Dutch fashion designer Iris van Herpen (top photo), and more than 1000 hand-knitted nylon bubbles create the Bubble Bath necklace by Nora Fok.

 

Hair Highway by Studio Swine
Hair Highway by Studio Swine

The exhibition provokes thinking and debate through fictional scenarios that consider issues like privacy, resources and access that could determine present and future ideas of luxury. With over 100 remarkable objects, What is Luxury? takes visitors on a revealing journey, and prompts them to consider what luxury means and how it relates to their own lives. What is Luxury? a V&A and Crafts Council Exhibition, sponsored by Northacre, is at the V&A through 27 September 2015. www.vam.ac.uk/whatisluxury JG

Photo Credits: Top image: Voltage Dress, Iris van Herpen, 2013 Paris M. Zoeter x Iris van Herpen; Middle photo: The Second Space Travellers Watch George Daniels, 1983 Jasper Gough, Sotheby’s; Bottom photo: Combs, Hair Highway Studio Swine 2014 Studio Swine

A chance to buy…original fashion illustrations

by Irwin “Bud” Crosthwait

19th April 2015  The work of Canadian War Artist, Fashion Illustrator and Modern Painter Irwin ‘Bud’ Crosthwait (1914 – 1981) with go on sale at a special exhibition in London by GRAY M.C.A., later in the year. The exhibition will include more than 60 original works from private collections: War Art, Fashion Illustration & Modern Art with prices ranging from £350 to £10,000.

Coinciding with London Fashion Week (SS16), the exhibition will highlight Crosthwait’s work as one of Paris’s acclaimed Fashion Illustrators, commissioned by publications including Harpers Bazaar, Vogue, Elle, Jardin Des Modes, Herald Tribune, New York Times & Femina and designers Givenchy, Dior, Marc Vaughan, Pucci, Courrèges & Yves St Laurent. Above: Irwin Crosthwait 1977 St Emica Watercolour (£1,500). 

Gallery 8, 8 Duke Street, St James’s, London SW1. From 17th to 22nd September 2015. www.graymca.co.uk CN

Jeanne Lanvin

Paris Retrospective for Legendary French Designer

1st April 2015 A special chapter in French fashion history is highlighted with the intuitive creations of Jeanne Lanvin, now on display in the Palais Galliera. Curated in close collaboration with Alber Elbaz, artistic director of Maison Lanvin, the exhibition honours the oldest French fashion house still in business.  In 1889, the twenty-two year old designer Jeanne Lanvin opened her first shop in Paris, and launched her long career that demonstrated her artistry in materials, embroidery, topstitches, twists, spirols, and cut-outs – all the virtuosity of the couturière’s craft. For the period, Jeanne Lanvin was very entrepreneurial, opening shops in Deauville, Cannes, Biarritz, and Le Touquet, as well as abroad in Barcelona and Buenos-Aires.

Jeanne Lanvin - Streamlline Silhouette with Lavish Embellishments
Jeanne Lanvin – Streamlline Silhouette with Lavish Embellishments

Her voracious curiosity inspired her to create unusual fabrics, patterns and exclusive colours. Her favourite colour – blue – was inspired by the intense blue in frescoes by Fra Angelico, and marvelous shades of blue were always magnificently presented in her collections (top photo). Her lifelong muse was her daughter Marguerite, who was born in 1897. Mme Lanvin’s dresses flattered the female form, and often she mixed fabrics  – silk crêpe with silk tulle, or silk velvet with silvered metal sequin embroidery – with stunning results. She loved embroidery and beads, and used generous amounts in her designs.

 

Jeanne Lanvin's extensive library of art books inspired details and decoration in her designs
Jeanne Lanvin’s extensive library of art books inspired details and decoration in her designs

When Jeanne Lanvin introduced her perfume Arpège – from the musical term arpeggio –  the name was a tribute to the pianistic skills of her daughter, and for Marguerite’s 30th birthday, Jeanne dedicated her legendary perfume to her beloved daughter.

 

Jeanne Lanvin Exhibition at Palais Galliera Paris
Jeanne Lanvin Exhibition at Palais Galliera Paris

Jeanne Lanvin is the first Paris exhibition devoted to this discreet, visionary designer, and features more than one-hundred models from the amazing collections of the Palais Galliera and the Lanvin Heritage. Alber Elbaz said: “I think we have managed to create an exhibition around the dream of fashion. What I am hoping for is to hear people say ‘I love Jeanne Lanvin'”. Through 23 August 2015. www.palaisgalliera.paris.fr JG

Photos: Pierre Antoine All Rights Reserved

Alexander McQueen: Savage Beauty

Retrospective of  Visionary Fashion Designer

1st March 2015 The Victoria & Albert Museum in London is presenting an extraordinary show of one of the most innovative designers of his generation – Lee Alexander McQueen. Originated by the Costume Institute at the Metropolitan Museum of Art in New York, the V&A presentation will feature 30 additional garments, including some rare early pieces, lent by private individuals and collectors. McQueen courted controversy – his extravagant catwalk presentations, for which he was renowned, combined storytelling, music, film and theatrical performance.

 

Butterfly headdress of hand-painted turkey feathers by Philip Treacy  for Alexander McQueen
Butterfly headdress of hand-painted turkey feathers by Philip Treacy for Alexander McQueen

The thematic presentation includes the Cabinet of Curiosities, which showcases designs produced by McQueen in collaboration with fellow creatives such as milliner Philip Treacy. In total, the exhibition will showcase more than 200 ensembles and accessories, the largest number of individual pieces designed by McQueen and collaborators ever seen together.

 

Dress of dyed ostrich feathers and hand-painted microscopic slides by Alexander McQueen
Dress of dyed ostrich feathers and hand-painted microscopic slides by Alexander McQueen

McQueen always inspired – he combined a profound grasp of tailoring and eclectic range of influences with a relentless pursuit to challenge the boundaries of art and fashion, blending the latest technology with traditional craftsmanship. He was influenced by his Scottish heritage and the colonial past, plus his fascination with the animal world inspired him throughout his career.  Alexander McQueen: Savage Beauty is a landmark exhibition not to be missed! Opens 14 March until 02 August 2015. www.vam.ac.uk JG

Image credits: Top photo Tulle and lace dress with veil and antlers by Alexander McQueen Widows of Culloden A/W 2006 Model: Raquel Zimmermann, Viva London  Image: firstVIEW Butterfly Headress: La Dame Bleue S/S 2008 Model: Alana Zimmer copyright: Anthea Simms Dress of dyed ostrich feathers Voss S/S 2001 Model: Erin O’Connor Image:REX

Enlightenment: Carte Blanche à Christian Lacroix

1st February 2015 The Musée Cognacq-Jay in Paris is absolutely a little gem. Founded in 1928 by the founder of the La Samaritaine Department Store (sadly, now closed) Ernest Cognacq assembled an amazing collection of emblematic eighteenth-century art works. They are on display in a beautifully renovated sixteenth-century townhouse in the Marais. M. Cognacq chose items that would be representative of “the artistic décor of French life”… and include a stunning collection of portrait miniatures, superb paintings, busts, Meissen porcelains and furniture.

 

Lacroix fantasy at Musée Cognacq Jay Paris
Lacroix fantasy at Musée Cognacq Jay Paris Dessins Christian Lacroix Copyright: Monsieur Christian Lacroix

To celebrate the re-opening of the Musée Cognacq-Jay, Christian Lacroix, the peripatetic fashion and interior designer,  was offered a “carte blanche”  – a dual challenge of re-imagining the “guiding narrative” of the exhibition spaces, while exploring a concept which has shaped his own approach to his art – the fascination exerted by the eighteenth century. Lacroix has curated contributions from over forty contemporary artists, invited to reflect upon ten key themes identified in Ernest Cognacq’s collections. Some of the themes include: 18th century taste; Show, balls and sociability; Paris, capital of the Enlightenment; Fables, stories and novels; and Europe’s artistic economy. Lacroix’s selections have been assembled with a view to enhancing our understanding of the Age of Enlightenment, and its continued relevance in our own era.

 

Marie-Louise Elisabeth Vigée-Lebrun (1755-1842) Portrait de Marie-Louise Adelaide-Jacquette de Robien,Vicomtesse de Mirabeau 1774
Marie-Louise Elisabeth Vigée-Lebrun (1755-1842) Portrait de Marie-Louise Adelaide-Jacquette de Robien, Vicomtesse de Mirabeau 1774

Enlightenment: Carte Blanche à Christian Lacrox is an innovative exhibition, enhanced with Lacroix’s inimitable flair. The exhibition continues through 19th April 2015.

www.cognacq-jay.paris.fr JG

Photo credits: Vigée Lebrun: Musée Cognacq-Jay /Roger-Viollet

All photos: Agence Roger Viollet “Press Photo”

 

 

 

Death Becomes Her: A Century of Mourning Attire

Victorian & Edwardian Mourning Attire at Anna Wintour Costume Center New York City

1st January 2015 “She was beginning to find that everyone had an air of remoteness; she seemed to see people and life through the confusing blur of the long crape veil in which it was a widow’s duty to shroud her affliction.”  Edith Wharton, “New Year’s Day,” in Old New York (New York; D. Appleton, 1924

Mourning after the death of a loved one was an intricate part of social mores in the 19th Century. Throughout this period, the duty of wearing mourning fell primarily on women, whose sartorial choices were seen as a reflection of the family’s collective grief, as well as their social status, economic standing, and level of respectability. A woman in full mourning dress became the emblematic icon of bereavement in Europe and America. Mourning dress served as a visual symbol of grief and respect for the deceased.

 

Children were often put into mourning as well, participating in their family’s memorialization of the deceased.

The Metropolitan Museum of Art in New York traces the mores and fashions of this period in Death Becomes Her: A Century of Mourning Attire. The mourning period could be up to a year; however, after being widowed in 1861, Queen Victoria limited her public appearances, and dressed in shades of mourning for the remaining forty years of her life, presenting an image of chast widowhood, in her “widow’s weeds.” The thematic exhibition is organised chronologically and features mourning dress from 1815 to 1915, primarily from The Costume Institute’s collection.

 

Mourning and Fashion coexist - Elegant Harmonization -
Mourning and Fashion coexist – Elegant Harmonization –

Formal rituals of bereavement aided in memorializing the dead, and mourning attire was subject to increasingly complex codes of etiquette and fashion. For Queen Victoria, in her forty years of widowhood, her mourning never lightened. When King Edward, Victoria’s son died in 1910, The Palace issued messages that wedding celebrations should take place as scheduled. The weddings did take place, but most guests still wore black. Even in sadness and grief, fashion played an influential role. Death Becomes Her: A Century of Mourning Attire continues at the Metropolitan Museum of Art through 1st February 2015. www.metmuseum.org JG

All images: Gallery View Anna Wintour Costume Center, Lizzie and Jonathan Tisch Gallery Copyright: The Metropolitan Museum of Art

 

Lace, Silk and Ermine

Highlights from the Wardrobe of Elisabeth of Austria

1st December 2014 She was a European style legend in nineteenth-century Europe, with her imperial wardrobe, and cascades of long flowing hair, often studded with diamonds. Elisabeth of Austria was one of the most beautiful women of the day, and a mysterious, complex personality, who found the rigors of court life in Vienna restricting and suffocating. She was a woman ahead of her time – she believed in rigorous self-control and exercise.

Blue Dress worn by Elisabeth Empress of Austria
Blue Dress worn by Elisabeth Empress of Austria

 

To celebrate the tenth anniversary of The Sisi Museum in Vienna (The Empress was known as Sisi) – Soie, Dentelle et Hermine (Silk,Lace and Ermine) showcases personal items from the Empresses’ wardrobe, as she set the fashion trends of her era. The items shown are very rarely displayed for conservation purposes.

 

Sisi enjoyed wearing gowns that silhouetted her ultra-slim figure
Sisi enjoyed wearing gowns that silhouetted her ultra-slim figure

 

When visiting The Sisi Museum, it is also possible to see parasols, fans, gloves,The Empresses’ travelling medicine chest, and jewellery. On the ground floor of the museum, visitors can view in awe the elegant, luxurious Imperial Silver Collection, plus a magnificent golden dinner service that belonged to Napoleon.

 

Monogrammed Silk Stockings worn by Elisabeth Empress of Austria
Monogrammed Silk Stockings worn by Elisabeth Empress of Austria

Silk, Lace and Ermine is a fascinating glimpse into the private wardrobe of one of the most legendary figures of that time. To this day, Elisabeth of Austria continues to fascinate and charm with her individualism and refusal to conform. Exhibition continues until 1st February 2015. www.hofburg-wien.at JG

Photos: Top: Portrait of Elisabeth Empress of Austria by Franz Xaver Winterhalter Dresses: Alexander E. Koller Stockings: Edgar Knaak Copyright: Schloss Schöenbrunn Kultur-und Betriebs. Ges.m.b.H.

Women Fashion Power

High-Profile Women Celebrated at Design Museum

1st November 2014 Clothes have always been a powerful form of self-expression for women – from Elizabeth 1, to Margaret Thatcher, and Coco Chanel to Lady Gaga –  and an essential part of a sophisticated visual language. An exceptional new exhibition at London’s Design Museum brings together a fabulous showcase of clothing, photography, archive footage and interviews with twenty-five influential women who have used fashion to define and enhance their position in the world.

 

Margaret Thatcher Suit Courtesy of Christie's
Margaret Thatcher Suit Courtesy of Christie’s

Donna Loveday, Head of Curatorial at the Design Museum and co-curator of the exhibition said: “All of the women we invited to contribute to the exhibition were chosen because they are leaders in their field, and they understand that the clothes they wear are a part of the way that they communicate with the world.”

Joan Burstein Founder of Browns London photographed by Billie Sheepers
Joan Burstein Founder of Browns London photographed by Billie Sheepers

WOMEN FASHION POWER examines the last 150 years of women’s fashion from the restrictive boned corsets of the nineteenth century to the statement Louboutin heels of today. Included among the women profiled are: Joan Burstein, founder of Browns in London; Livia Firth, Creative Director of Eco Age; Princess Charlène of Monaco; Anne Hidalgo, Mayor of Paris; Charlotte Olympia, Designer; Dame Zandra Rhodes and Dame Vivienne Westwood, both designers. Archive clothes include a suit worn by Margaret Thatcher when she was elected leader of the Conservative party in 1975; and a dress worn by Diana, Princess of Wales on the occasion of  her 36th birthday, plus items from Elsa Schiaparelli, and Yves Saint Laurent.

 

Anne Hidalgo Mayor of Paris photographed by Jean-Baptiste Gurliat
Anne Hidalgo Mayor of Paris photographed by Jean-Baptiste Gurliat

Fashion commentator Collin McDowell observed: “This exhibition shows how women have used different approaches to dress in order to make statements which are unique to them and their personalities. They create their own wardrobes, not to be fashion plates but to demonstrate who and what they are.” WOMEN FASHION POWER at the Design Museum Shad Thames, London SE1 Through 26 April 2015 www.designmuseum.org JG

Top photo: Dame Zandra Rhodes photographed by John Swannell