Boutiques

Makras Optical, Brisbane: “make the eyewear the hero”

Eyestylist Exclusive – Special content x Eyestylist 15th anniversary – a conversation with Mike Makras

Makras Optical in Brisbane is the latest optical project by Mike Makras, one of Australia’s leading optometrists + luxury eyewear retailers with expertise in curating some of the finest contemporary eyewear collections from around the world. Eyestylist first spoke to Mike in 2011 about one of his award-winning OPTIKO stores at 215 Queen Street, an eyewear destination which set the bar high with its exclusive atmosphere and focus on exclusive and even rare vintage eyewear design (https://www.eyestylist.com/2011/08/optiko-brisbane/). In 2026, Mike expresses the same commitment to client service and optical excellence with a continued passion for eyewear curation and unique design, in a completely new architect-designed contemporary setting – the store is located on James Street where one of the OPTIKO stores was operating back in 2012.

Mike, it’s great to reconnect after featuring your store OPTIKO in August 2011. Thanks for getting in touch and tell us more about your latest project? After selling my previous 2 stores (OPTIKO) to a group and finishing my 3-year contract with them, I realised that there is a real lack of genuine small independent owned eyewear stores. The general public often assume certain practices are independent when, often in reality many are owned by large corporate groups. The level of care and personal attention a client receives in an independent practice can easily far exceed anything in a corporate setting. Community engagement is incredibly important, you have to be present and connected to the community around you. For me independence allows that. Small can be incredibly powerful. In many ways I think small is the future.

Explain the interior concept in a few sentences and highlight what you really wanted to achieve in this new project. I was incredibly fortunate to have the opportunity to re-open in one of my original OPTIKO spaces, when it became available again. That felt quite special. We kept the basic bones, but wanted to reinterpret it in a more mature and considered way. The brief to the architects – Richards & Spence (www.richardsandspence.com) – was simple. “Make the eyewear the hero.”

So the architect wrapped the entire store in a high linen curtain, which softens the space and creates a sense of quiet enclosure. The floors are finished in a mushroom coloured wool carpet and the reception desk is formed from a huge slab of muted pink and grey Patagonian stone that sits somewhere between quartz and granite, anchoring the space. Above: the interior of Makras Optical – in a gallery-like atmosphere, the eyewear is placed in transparent displays, which highlight the designs and colours

Makras Optical:  linen curtains line the space
The display shelving now emits a very soft white glow from within, both above and below, which gently highlights the frames. We introduced brushed aluminium details  and vintage burgundy leather Cassina Cab chairs for warmth and character, used as a highlight; the vintage burgundy leather Cassina cab chairs round things off. Mirrors play a big part as always.

In contrast the exam room is painted in an almost hyper-clinical “Severance” blue….admittedly I am obsessed with the show! I intentionally wanted the showroom and the clinical spaces to feel quite different, as their purposes are incredibly different. I love that contrast.

How have you created complimentary spaces for dispensing/styling and eye testing this time around? We introduced internal curtains within the showroom to create two separate dispensing areas. These allow for more intimate one on one consults. At the same time the curtains can be easily drawn back so the entire space opens up for client events (product launches, trunk shows etc) so the space is super flexible.

What has changed since you created OPTIKO ? What is different about curating collections now compared to in 2011? The customer today is far more informed and sophisticated and people have access to an enormous amount of information online, so transparency has become essential.  What hasn’t changed though, is the value of converstaion and connection, taking the time to talk about the story behind the brand, the craft involved in building a frame, or the technicality of different lens designs and coatings. That dialogue is part of the experience for us.

Makras Optical: attention to detail sets the scene for the curated eyewear collections

Can you give us a taste of the independent brands/collections you are offering in store and how you curated these to achieve the ideal offer for your new store? For my customer I find it works best to have a spectrum from super classic and timeless, through to pieces that are unapologically avante-garde. But getting that balance right is crucial. The line up is always evolving; some of our current brands are: Thom Browne, Lapima, Cutler and Gross, Garrett Leight, Veronika Wildgruber, Anne & Valentin, Yoshinori Aoyama, Voa Collective…with more to come. So the collection is always shifting and evolving. That’s part of the fun.

What’s next Mike? The store is still quite young – less than 12 months old – so right now I’m simply enjoying watching it grow organically. I’m happy to let it evolve slowly and see where it goes. For me this feels like coming back to what I was meant to do.

Makras Optical, 9-19 James St, Fortitude Valley, 4006

An interview by Clodagh Norton / March 2026. All rights reserved.

Alicia Hartman : celebrating 15 years at EyeQ Stylist Opticians, Barbados

Eyestylist and EyeQ Stylist Opticians both began their journeys 15 years ago, growing side by side in a fast-evolving eyewear world. EyeQ first discovered us in the early days of Instagram, and what started as a few exchanged messages quickly blossomed into a creative partnership fuelled by shared passion, ideas, and a love of the boldest, most luxurious eyewear. Since then, we’ve stayed closely connected—meeting whenever we could (for a quick shot of rum!) and collaborating on an unforgettable London shoot that perfectly captured the spirit of Alicia’s eyewear brand, Peoples from Barbados. To celebrate our shared milestone anniversary, we caught up with Alicia to talk about the exciting projects and inspiring achievements shaping EyeQ today as the business continues to flourish and redefine eyewear in Barbados and beyond.

Like Eyestylist EyeQ have been celebrating the business’ 15th anniversary. Can you describe your journey so far, mentioning a few special highlights? My entrepreneurial journey began with a simple but bold vision: to reimagine optical retail by introducing a completely new concept to the island culture — the personal eyewear shopper and stylist.

I come from a background rooted in a family-owned optical business, where glasses were primarily viewed as a medical necessity. From a very young age, I was immersed in the professional tools, discipline, and skills of optics. Yet I always believed eyewear could be both functional and fashionable, a true extension of one’s personal style. I wanted to prove that vision care and self-expression could coexist beautifully.

This was a bold undertaking, especially at that stage of my life. I was just starting my young family — my son was barely a year old, and I was pregnant with my second. I was incredibly fortunate to have the unwavering support of my family and husband, who encouraged me to create a space rooted in personality, experience, and connection.

EYE Q Stylist Opticians: interior in 2018

At the time, I was among the first to introduce niche, high-end eyewear brands to the island, challenging a culture that largely selected frames solely for their brand name. We began with Face à Face, Oliver Peoples, Retrosuperfuture, and MYKITA — though, of course, I had to include Miu Miu, Ray-Ban and Tom Ford so people would actually walk through the door.

What followed exceeded all expectations. Clients fell in love with the personal-shopper approach, the “sip and shop” concept, and the immersive experiences we curated. Eye Q became known for its events, storytelling, and sense of community. Soon, we had created an eyewear culture — a space where everyone wanted to be seen wearing Eye Q spectacles. Customers would return from their travels proudly saying, “I got them in Barbados,” and share their eyewear stories with us.

One unforgettable moment came when Tarrence Lackran spotted me on Instagram — I was wearing a yellow dress, champagne in hand, under a coconut tree at one of our Eye Q beach parties. That moment led to our store being nominated in 2018 as one of the world’s best independent eyewear retailers. Our clientele spanned every walk of life, from fishermen to the Prime Minister.

Over the years, as I told the stories of global eyewear brands and listened deeply to the stories of my clients, one truth became clear: the Caribbean was not represented in eyewear — not authentically, not proudly, not through our own lens.

That realization gave birth to Peoples From Barbados — a brand created to showcase the culture, lifestyle, and beauty of Caribbean people through a new perspective: ours. Our ambition, our pride, our resilience, our warmth, and our beauty are embedded in every frame.

Our campaign by local photographer Adrian Richards went on to win the cover of 2020 Magazine in 2019 — a moment of immense pride. The recognition went beyond glossy postcard clichés and instead captured the true soul of Caribbean people. Since then, the brand has continued to evolve, including collaborations with Linda Farrow — blending high-end luxury with Caribbean soul and warmth.

For the past 15 years, I have not stopped — balancing family life, retail leadership, brand ownership, and my role as an optometrist. When I reflect, I’m often amazed at how unconventional my journey has been. I didn’t rely solely on the ease of my clinical skillset or position my business around medical necessity. Instead, I led with culture, style, and experience.

Ironically, because I am so closely associated with style and storytelling, people often forget what I am truly exceptional at: being an optometrist.

In 2026, Eye Q will place a stronger spotlight on our clinical role. We have been quietly saving sight for years, and we are committed to aligning with the WHO 2030 goals to make eyecare accessible to all. I have recently been elected as President of the Barbados Optometry Association, and I am deeply excited about this new chapter. I look forward to helping transform the landscape of optometric care — expanding scope of practice, regulating and protecting our industry, and ultimately ensuring better eyecare for all Barbadians. Above: Alicia Hartman with friends, celebrating 15 years of her business

Linda Farrow x EYE Q

How has the business changed in your eyes? At its core, people have always wanted — and will always want — to feel special and truly seen. Increasingly, clients are seeking connection to a community and a culture, not just a product. The value now lies less in what is purchased and more in the lifestyle, experience, and emotional resonance that surround it.

There is also a growing awareness that eyewear has the power to transform one’s entire look. It is no longer secondary, but the number one accessory. As a result, luxury, well-crafted eyewear — rooted in quality and craftsmanship — is once again taking centre stage. Unique limited-edition collections are a thing! At the same time, heightened environmental consciousness means the era of “buy cheap, wear briefly, and discard” is wearing thin.

We are witnessing a return to nostalgia and feel-good brands — businesses that value authenticity, purpose, and human connection. Equally important are business models that prioritize employee well-being, work-life balance, and a genuine sense of belonging. Brands that nurture their people are the ones capable of creating lasting stories and enduring relevance.

Longevity today is built on products designed to last, retail spaces that create memorable experiences, and meaningful partnerships between brands and independent retailers.

While there has been a noticeable shift toward direct-to-consumer and online models, the independent retailer is far from dead. On the contrary, we serve as portals to culture and community. Brick-and-mortar retail is returning with renewed purpose — grounded in touch, feel, heritage, and shared experience.

Celebrating 15 years of beautiful eyewear at EYE Q Stylist Opticians

Do you remember when you first started collaborating with Eyestylist and why you were so enthusiastic, it meant a lot to us to be in touch in those early days! It all began with a simple “like” on Instagram 15 years ago. Our Xmas ‘show’ window! A decal of glasses falling from the sky like snow onto a tiny Xmas tree. Simple, minimalist but effective so much so to catch the eye of the Eyestylist 100s of miles off the shores of Barbados. I had been following Eyestylist obsessively since I opened my doors. I admired Clodagh’s eye for eyewear and her impeccable taste. I loved the clean aesthetic of the page but the depth and detail of the eyewear stories told. So I was super “chuffed “ by the “like” . What followed was me tagging Eyestylist in many posts not just eyewear but our lifestyle and culture in Barbados. I really felt connected. My island shop to Europe portal! This shared relationship evolved and Eyestylist started featuring manny of our eyewear stories (link to an EYE Q story in 2018: https://www.eyestylist.com/2018/12/eye-q-stylist-optician-barbados/). From the launch of our brand (https://www.eyestylist.com/2021/03/the-spirit-of-barbados-peoples-from-barbados-sunglass-chic/), our pop ups around the Caribbean, me at crop over ( our carnival) and what I had for breakfast lol… I felt energetically connected and we brought the excitement of our Caribbean culture to more people via Eyestylist.com. Our journey of 15 years seems somehow connected , Eyestylist secretly now has Caribbean flair and sass .. haha, not to mention Clodagh gets a bottle of rum and pepper sauce whenever we meet at the shows lol…. Thank you for telling our stories.

What have you learnt along the way Alicia, and what has surprised you most as an optical retailer? I am pleasantly surprised — perhaps even manifesting it — that brick-and-mortar retail is making a meaningful return. You can feel it. As an optical retailer, trust your instincts and your vision. Trust in humanity, and remember that everything moves in cycles. Don’t be intimidated by the noise. Run your business with integrity and a deep belief in craftsmanship. People still want to feel special. They want to be seen. And that is why creating experiences and nurturing community is no longer optional — it is essential to the survival and evolution of our industry.

The independent retailer is here to stay. True luxury is not defined by price alone, but by how something makes you feel. The greatest retailers understand this. They know how to connect with people, tell meaningful stories, and leave their customers feeling genuinely good.

Curated eyewear selection at EYE Q

What do you think is the key to being a successful optical retailer in this new era? Create experiences that are truly memorable. Treat your retail space as a carefully curated emporium — intentional, personal, and immersive. Pair this environment with beautifully crafted products and a highly skilled, professional team who understand both the art and the purpose behind what they offer.

Build teams who don’t simply work for the brand, but genuinely fall in love with it — people who feel a sense of ownership and pride, and who see themselves as part of the brand’s success. At the same time, nurture strong, respectful relationships between retailers and brands. True partnership — built on trust, support, and shared values — is essential. In curation, less is more. Avoid overcrowded shelves. Be selective. Do not allow brands to compete with one another; instead, let them complement each other. Offer choice, but ensure it is intentional — each brand carefully chosen, clearly defined, and designed to serve a distinct purpose. Every brand within the space should offer a different perspective, contributing to a cohesive eyewear culture rather than visual noise. When done well, the store becomes more than a place to shop — it becomes a cultural hub. Community builds loyalty. Trust sustains it. That is the true key to longevity in retail.

What is your view of the independent eyewear segment at this point, and how do you select collections and new designs? Are you travelling to fairs as much as before? Our brand selection is curated to bring a truly global perspective to the shop. We showcase the best eyewear from around the world—each brand chosen for its unique story, uncompromising craftsmanship, and exceptional fit. Barbados is culturally diverse, and that diversity demands a meticulous eye for detail, comfort, and quality. Every collection must offer a distinct point of view, blending cultural storytelling with technical excellence.

We love LAPIMA, a brand from Brazil that embodies tropical flair with bold, architectural sculptural forms. Their designs feel instinctively right for Caribbean faces—as if they were made for us. MATSUDA transports us to Japan, where hand-engraved titanium, precision engineering, and unmatched craftsmanship result in frames that are truly works of art.

THEO brings joy through colour, creativity, and individuality—frames that brighten faces and express personality without compromise. Jacques Marie Mage (JMM) delivers LA’s refined Hollywood attitude: confident, collectible, and unapologetically bold..LG.R takes us on a journey to Africa, interpreted through an Italian lens—heritage-driven designs that balance exploration, culture, and timeless elegance.

LINDA FARROW represents high-end sophistication and fashion-forward luxury. This pairs beautifully with our own brand, Peoples From Barbados, which brings Caribbean soul, colour, and expression you didn’t know you needed.

The partnership between LINDA FARROW and Eye Q is one of the strongest brand–retailer relationships in the industry. Simon truly understands the value of the independent retailer, and we continue to grow together through close collaboration and shared vision. We inspire each other—and we’re excited to share that a new collaboration is on the horizon. Find out more about Alicia Hartman and Eye Q Stylist Opticians at https://eyeqstylistopticians.com

This Eyestylist Exclusive interview feature first appeared on Eyestylist.com on 23rd February 2026. All rights reserved.

Independent optical retailers + flagship stores: highlights 2025

These stores, including some new openings or redesigns, have caught our eye in 2025. From Seoul to Los Angeles, Lyon to Tokyo, Milan to Mexico City, we have selected some of the most striking interior concepts that have come to our attention either thanks to our researchers behind the scenes or via contacts we are lucky to have nurtured over the years. These stores highlight the interior design focus and direction this year, and a desire to create unique spaces for optical retail and the presentation of the finest independent and luxury eyewear collections.

Eyestylist.com continues to invite store founders and entrepreneurs in the optical retail scene to get in touch with updates about the most avantgarde and uniquely designed optical stores around the globe. We’ve highlighted 8 favourite concepts this year…to refresh your memory on all the stores we have written about in 2025, visit our Boutiques section at https://www.eyestylist.com/category/boutiques/

1.reworks120, Seoul, South Korea (image above)

First opened in 2019, in Garosu-gil, Gangnam, Seoul — a well-known fashion district in the city, premium optical store reworks120 is a special find in this area that is also home to impressive flagship stores such as Gentle Monster. “The shop has an intentionally cozy and curated atmosphere,” Sean Lee told Eyestylist.com. “There are two floors, each designed with a different concept….read the feature: https://www.eyestylist.com/2025/11/south-korea-reworks120-seoul/

Loulou Opticiens, Lyon – an exceptional redesign

2. Loulou Opticiens, Lyon, France

The French independent store LOULOU has created a fresh high-end space with attention paid to every detail – a space to present some of the world’s most prestigious collections of eyewear. We talked to Michael Lalande, Loulou’s founder about setting up shop in 2017, and his latest project in rue Gasparin. Read the feature: https://www.eyestylist.com/2025/12/loulou-opticiens-lyon-a-new-minimalist-interior/

tö eyewear lab – Tokyo, Japan

3 tö, Setagaya City , Tokyo

Styled after Hiromi Toh’s Japanese name Tou, the optical store, tö eyewear lab is more like a gallery than a traditional eyewear shop. After a career as an eyewear stylist in mass media, Toh created the space with the idea of proposing a new world of eyewear, where consultations are by appointment only. The eyewear enthusiast is invited to discover this creative world quietly, at their own pace, without the noise and distraction of a more common retail space.

Located in a residential area outside central Tokyo, there are no signboards on the building and no traditional shop front. tö is located along a quiet street, close to a temple, and like an art gallery features a large glass window displaying special eyewear designs as works of art. Find out more at https://www.eyestylist.com/2025/08/to-setagaya-city-tokyo-japan/

Interior: l.a. eyeworks’ new retail campus in Los Angeles

4. l.a. eyeworks, Los Angeles, US

Comprising two buildings connected by a pergola-covered walkway, the new l.a. eyeworks’ retail campus is set on a corner property that includes on-site parking for customers. “We needed room for the expanding width of our ideas,” notes Director of Communications Brent Zerger. “We refer to it as a campus in the sense of a place to exchange ideas and make discoveries.” In development for nearly two years, the project was designed by Frank Escher and Ravi GuneWardena, principals of L.A.-based Escher GuneWardena Architecture – find out more on the link: https://www.eyestylist.com/2025/10/l-a-eyeworks-an-impressive-new-retail-campus-has-opened-in-los-angeles/

La Belle Vue Opticien: colour, energy, individual character

5. La Belle Vue Opticien, SW France

La Belle Vue, choosing frames is an experience that is pleasurable, interactive and perfectly lovely. Here, you enter a pastel-toned world that the owners describe as inspired by California, “a mix of chill, lifestyle, and fashion under the South Western French sun”. Disco balls, pretty neon lights, quirky tubular seats and soft white swivel armchairs all come together in a fresh pastel-toned interior trimmed with light green and black leopard print drawers and soft, elegant satin curtains. Find out more at https://www.eyestylist.com/2025/11/french-optical-boutique-la-belle-vue-opticien-sw-france/

Vava flagship store in Oporto, Portugal, showcasing the complete collection by the avantgarde eyewear brand

6. Vava flagship store, Oporto, Portugal

Vava’s impressive 300m2 concept store is located on the historic Passos Manuel at number 66, and has three distinctive levels. Conceived as an expansive and experimental space, Silva describes it more as an art installation than a store, lit by neon lights and lined with mirror walls and details such as gradient colour palettes and fluo tones…find out more at https://www.eyestylist.com/2025/03/vava-eyewear-concept-store-porto/

Dr. York has featured many times on Eyestylist.com: this year we wrote about the installation in the Mexico City store

7. Dr. York, Mexico City, Mexico

Mexico City’s Dr. York shared their installation project by renowned Mexican artists Pablo Kobayashi & Lucia Aumann . The installation created a bold statement for the store which expressed their commitment to arts collaborations and close integration with the Dr. York community.
“We decided at the end of 2024 to begin defining possible ideas,” the artists explain. “The final piece acts as a ‘modulator’ of the dynamics that José and Laura generate [in the store] and that uniquely define the characteristic atmosphere of the place.
A series of characters manifest behind the curtain asynchronously, suggesting that something is happening. In a constant game of colours that intensify and attenuate with each change in pressure, you see something regardless of whether it is visually perceived as a defined silhouette. The curtain does not divide. It rather suggests other layers, other depths, and other presences.” Find out more….https://www.eyestylist.com/2025/09/mexico-artists-kobayashi-aumann-at-dr-york-optical-boutique/
Punto Ottico Humaneyes, new Milan interior

8. Punto Ottico Humaneyes, Milan, Italy

In Autumn 2025, Punto Ottico Humaneyes reopened in Milan following an extensive re-design. The 88 m² space was reimagined with a new contemporary aesthetic, enhancing the functionality and efficiency of the interior and focusing on the customer, who is invited to experience a light and harmonious atmosphere. Elegant and minimal, the interior features include fine oak panelling, delicate marble finishes, an eye-catching eyewear display made of lightweight painted steel with integrated LED strips and vertical mirrors, and luxurious leather armchairs by Flexform. Find out more at https://www.eyestylist.com/2025/10/punto-ottico-humaneyes-milan/

This feature was written exclusively by the writers at Eyestylist.com. All rights reserved.

LOULOU Opticiens, Lyon: ‘haute lunetterie’ at its best

The French independent store LOULOU has created a fresh high-end space with attention paid to every detail – a space to present some of the world’s most prestigious collections of eyewear. Eyestylist.com spoke to Michael Lalande, Loulou’s founder about setting up shop in 2017, and his latest project in rue Gasparin.

“I first opened LOULOU in 2017 in the very heart of Lyon, on Place des Célestins, facing the theatre of the same name — a charming square with a village feel, slightly removed from the city’s main bustle,” Michael told Eyestylist, in conversation. “As the store quickly became too small, I began looking for a new space nearby. I explored several options and even considered taking over a colleague’s shop. But when I learned that the footwear brand FEELANCE was leaving its beautiful location, I knew immediately that it was the right place. Its exceptional visibility, with 5-metre-high windows, was simply irresistible.”

Today this location on rue Gasparin has been redesigned and presented in a new way, with a striking shop front and contemporary interior, by architecture studio, Johany Sapet. Lalande wanted a minimalist aesthetic with metallic features and exposed stone walls. Upstairs the store has a tranquil lounge-like space where the eye exams take place.

“For the first LOULOU, I wanted a dark, elegant atmosphere with brass and marble accents. The long, narrow shape of the space had led us to turn that constraint into a defining feature, with a visual path that drew customers toward the back — a design many fellow opticians later took inspiration from. This time, I wanted something completely different.” Above: the exposed brick wall is a feature of the new interior design at Loulou Opticiens

The new interior at LOULOU designed by Studio Johany Sapet

“My aim is to offer a high-end yet relaxed client experience, inspired by luxury hospitality — where nothing is ever a problem,” says Michael enthusiastically. “I like to shift the focus of buying eyewear away from the medical aspect, and toward the pleasure of a beautiful object. We pay close attention to sensory details — sound, scent, light — leaving nothing to chance.”

Interior: focusing on presentation and details, the store showcases some of the finest young and emerging eyewear designers

“When I opened Loulou,” says Michael, “I wanted to bring something new to Lyon’s already rich landscape of independent boutiques. I was the first to carry Ahlem in the region and have kept that spirit of discovery ever since, trusting young brands that inspire us. I’m proud to have been the first optician in Europe to offer Lapima. My latest crush is Paloceras, a very innovative new label. To connect with the creative community, I’ve often hosted art exhibitions and events in the store — even transforming it once into a bright red pop-up for LPLR.”

Among the new details, several particular features stand out from the striking black seats to the artistic references and minimal furniture. The frame display has been produced from repurposed parking ventilation grids. “We created unique metal panels to support the slim metallic shelves.” The effect is both industrial and refined.

Loulou Opticiens is run by Michael Lalande, and a team of three, opticians Marie Burton and Juliette Valero, and Diego, the miniature dachsund and store mascot! The inauguration of the renovated store took place on 27th November 2025. Find out more about the store and their selection of independent eyewear brands at www.loulouopticiens.fr

14 rue Gasparin 69002 Lyon – France

 

South Korea: reworks120, Seoul

With a fastidious approach to presentation and customer experience, reworks120 is an exemplary independent optical boutique located in the heart of one of Seoul’s leading fashion districts – Eyestylist.com spoke with the founder/CEO, Sean Lee

First opened in 2019, in Garosu-gil, Gangnam, Seoul — in a well-known fashion district in the city, premium optical store reworks120 is a special find in this area that is also home to impressive flagship stores such as Gentle Monster. “The shop has an intentionally cozy and curated atmosphere,” Sean Lee told Eyestylist.com. “There are two floors, each designed with a different concept. The reason for this is that each brand we carry has its own unique identity, and we wanted the displays to reflect those individual concepts.” Above: interesting textured flooring with a “gravel” effect – one of the many contemporary design features at reworks120

reworks120, Seoul: an impressive interior where modern materials and their colours and textures create an artistic gallery space – the eyewear is displayed on clear glass

On the first floor, and a section of the second floor, the interior features cool tones and bright white lighting. As you move deeper inside the space, the mood changes completely. “This interior space has been created to offer a warmer atmosphere. For the flooring we used herringbone-style tiles with a wood texture to evoke a classic feel, while the display areas were made with solid wood materials to give a more premium impression compared to other sections. This space – located at the very back of the second floor is the space that I am particularly pleased with…”

Interior – a sophisticated hidden space within the space is luxurious and beautifully presented with natural wood floor, fitted storage and stunning orange lantern lights
Overall, the store offers a sensational, curated selection of frame collections that is immediately eye-catching and indicative of a very astute approach to frame buying. Sean explains it precisely: “We are always looking for and discovering new brands. In Korea, many stores carry a wide range of Japanese and Korean brands. However, we are particularly drawn to the creativity, colours, and design of European brands. That’s why we attend MIDO and SILMO every year.”
Consumer trends have shaped the concept and the particular curation that matches changing tastes in fashion and design. “We prefer the brands that are not easily found in Korea or unique designs within those brands. As a result, our customers have quite sophisticated tastes, and we cater to a diverse clientele, including doctors, celebrities, and business professionals.” The store has also recognised certain evolving trends amongst its audience. “With changes in the high-end market, it seems that our customers’ expectations have risen even higher, Sean says. “As with many high-end brands, they tend to prefer well-made eyewear produced in Japan. In recent years, European brands have also started using high-quality titanium and meticulously crafted materials from Japan, and this  has slightly shifted the perception of European brands as well.”
Asked about other stores, Lee told us that reworks120 are also located in @boontheshop_official, a high-end concept store operated by the Shinsegae Group.
Find out more about reworks120 at the Instagram page : https://www.instagram.com/reworks120