Eyestylist

  | Eyestylist 19th March 2026

Eyewear designer Nirvan Javan works with Alfredo Häberli

The designers have created a 3D printed collaboration collection

Developed to mark the 10th anniversary of the brand, NIRVAN JAVAN, this new collaboration collection pays homage to the two designers’ shared home city, Zurich.  The frames are described as following a strictly defined formal language, drawing on essential elements. Typographic principles and urban geometry serve as references: five geometric base shapes are varied, with that are proportions finely adjusted, and details providing interesting accents. Much like font design or typesetting, “the magic” of the frames is described by Nirvan Javan as “lying in the nuances”.

Designed, developed, and produced in Switzerland, these 3D printed models aim to marry technical consistency with creative finesse. Clean lines in 3D printing, seamless transitions, and a coherent materiality define the aesthetic while titanium temples merge with the organic fronts. Above: Nirvan Javan and Alfredo Häberli

Nirvan Javan x Alfredo Häberli

Swiss-Argentinian designer, Alfredo Häberli is renowned in the design world for his wide-ranging work, which includes furniture and lighting as well as everyday objects. As a designer he follows a clear aesthetic rooted in his personal credo: “Observing is the most beautiful form of thinking.” With his first eyewear designs, created in close collaboration with Nirvan Javan, a long-held passion project found its expression.

The collaboration between Nirvan Javan and Alfredo Häberli embodies an understanding of design as a cultural practice and exchange, locally rooted, yet internationally resonant. Find out more at www.nirvanjavan.com

This feature was written and published by Clodagh Norton. Eyestylist.com reviewed the collection first-hand pre launch at opti Munich in January 2026. All rights reserved.

  | Eyestylist 18th March 2026

Ransome + Jenkin: an independent eyewear label by British experts

Renowned spectacle maker, Lawrence Jenkin and Hampstead-based optometrist + spectacle maker, Jack Ransome launch small-batch artisan eyewear collection, founded on a shared passion for classical eyewear design and craftsmanship

The new venture, which proposes a collection of beautifully crafted classically styled cellulose acetate frames offers independent opticians a rare opportunity to provide eyewear customers with a quiet form of luxury eyewear, designed exclusively in London. Born out of the experience of two different generations, and bridging the gap between bespoke eyewear and mass production, the frames are distinctive in their proportions and fine timeless shapes, and carefully considered in every aspect, including comfort and fit.

Lawrence Jenkin, who during his career has worked at Anglo American Optical (his father’s company) and Algha Works (East London factory for Savile Row – https://www.eyestylist.com/2020/02/savile-row-london/),  is known as a legend in the world of frame-making. A designer, optician and craftsman, his work blends contemporary aesthetics with deep technical knowledge of eyewear construction. He has designed and created frames for celebrities around the world, among them Elton John, Christopher Reeve, Dame Edna Everage and Cher. Jenkin continues to share his knowledge and spectacle-making skills with young designers, RCA students and well-known optical ‘creatives’ across the optical field.

Jack Ransome, who became friends with Jenkin through their shared love of handmade eyewear, is an optometrist ‘with a craftsman’s heart’ – and owner of Ransome Optical. His passion for clinical excellence and craftsmanship bring a fresh vision to the profession in the UK, uniquely representing the new generation. Jack is the maker behind David Hockney’s distinctive yellow spectacles made in his practice located in Hampstead (https://www.ransomeoptical.com).  Above: portrait of Lawrence Jenkin and Jack Ransome (image courtesy of Ransome + Jenkin)

  | Eyestylist 17th March 2026

100% Optical 2026: a meeting point for the UK optical community

The UK optical industry event took place from 28th February – 2nd March at ExCel London – highlights included the 100% Studio, sponsored by Nikon Optical UK and featuring a host of independent labels including Linda Farrow, Tavat, ORGREEN Optics and Blackfin – as well as the annual Love Eyewear Awards

According to the show organisers, the event was attended by over 11,000 visitors of which 55% came from independent practices. This year’s figures were similar to those of previous years. Over 5000 brands were showcased in total across eyewear, contact lenses, lenses and technology products, and the education programme was said to be extremely popular and well attended.

The Love Eyewear Awards ceremony took place on the first evening of the event. Independent brands featured in the awards included Talla, with their style Belvedere, in the Men’s Sunglasses category, Clayton Franklin 659 in the Men’s Frame Category and Tohu Bohu by LAFONT in the Children’s Eyewear Category.  The Focal Rooms won the Eyewear Retailer of the Year. Above: the 100% catwalk continues to be a popular feature of the show

RES/REI, exhibited by The Eyewear Company – elegant bevelled acetate designs, made in Italy

Independent brands from around Europe were represented across the event, via distributors and stands in the 100% Studio. The independent eyewear showcase included Lafont Paris, RES/REI, Tree Spectacles, Hoffmann Natural Eyewear, GOTTI Switzerland, ORGREEN Optics, MOREL, TAVAT Eyewear and many more. A new high-quality UK brand – Ransome and Jenkin – was launched at the event (www.ransomeandjenkin.com).

The brands presented collections for Spring/Summer 2026 and in some cases the new styles coming for Autumn/Winter 2026. Key trends for the summer, including  oversized sunglasses, geometric frames, smaller shapes and designs with colourful tinted lenses were well represented while an eye-catching selection of beautifully crafted spectacles and sunglasses pointed to the consistent appreciation of fine eyewear design and luxury in the top independent practices in the UK.

Tree Spectacles at 100% Optical – 2026 Edition

In 2027, 100% Optical will take place from 27th February to 1st March. Organised in partnership with the Association of Optometrists (AOP), 100% Optical will continue to provide a platform to discover the latest in eyewear, contact lenses, technology, and business solutions. The event will also continue to offer opportunities to earn CPD points through a world-class programme curated by Dr Ian Beasley (AOP). Find out more at www.100percentoptical.com

  | Eyestylist 14th March 2026

Paloceras x S/S 2026 haute couture presentation by Robert Wun

Paloceras designs singular frame exclusively for Robert Wun’s Paris haute couture runway

The 3D printed design, which has a futuristic face-hugging wraparound shape, produced in three colours, was created as an integral part of the couture silhouette by Wun. Developed and hand-finished in Helsinki at the eyewear brand’s new MicroFactory, (https://www.eyestylist.com/2026/01/paloceras-3d-printed-limited-collections-now-made-in-helsinki/) the frame itself was conceived by Paloceras Design Director Alexis Perron-Corriveau, with collaborating designer Paris Koutsavelis – and produced under the direction of Erwin Laiho, Industrial Designer and Paloceras MicroFactory Lead with finishing carried out by Laiho to ensure material precision and coherence with the garments shown on the runway.

The initial intention for eyewear originated within Wun’s collection narrative. Paloceras was invited to design the piece as part of the overall look, with the eyewear conceived to belong to the outfit itself rather than function as an accessory or afterthought.

In their statement about the design, the Paloceras team added that there will be no commercial release of the catwalk frame itself, although elements developed through the project “may inform future work by Paloceras.” Above: the striking 3D printed couture frame, designed by Paloceras for Robert Wun – image courtesy of Paloceras.

Find out more at www.paloceras.com

This feature was written by Clodagh Norton on 14th March 2026. All rights reserved.

  | Eyestylist 12th March 2026

Makras Optical, Brisbane: “make the eyewear the hero”

Eyestylist Exclusive – Special content x Eyestylist 15th anniversary – a conversation with Mike Makras

Makras Optical in Brisbane is the latest optical project by Mike Makras, one of Australia’s leading optometrists + luxury eyewear retailers with expertise in curating some of the finest contemporary eyewear collections from around the world. Eyestylist first spoke to Mike in 2011 about one of his award-winning OPTIKO stores at 215 Queen Street, an eyewear destination which set the bar high with its exclusive atmosphere and focus on exclusive and even rare vintage eyewear design (https://www.eyestylist.com/2011/08/optiko-brisbane/). In 2026, Mike expresses the same commitment to client service and optical excellence with a continued passion for eyewear curation and unique design, in a completely new architect-designed contemporary setting – the store is located on James Street where one of the OPTIKO stores was operating back in 2012.

Mike, it’s great to reconnect after featuring your store OPTIKO in August 2011. Thanks for getting in touch and tell us more about your latest project? After selling my previous 2 stores (OPTIKO) to a group and finishing my 3-year contract with them, I realised that there is a real lack of genuine small independent owned eyewear stores. The general public often assume certain practices are independent when, often in reality many are owned by large corporate groups. The level of care and personal attention a client receives in an independent practice can easily far exceed anything in a corporate setting. Community engagement is incredibly important, you have to be present and connected to the community around you. For me independence allows that. Small can be incredibly powerful. In many ways I think small is the future.

Explain the interior concept in a few sentences and highlight what you really wanted to achieve in this new project. I was incredibly fortunate to have the opportunity to re-open in one of my original OPTIKO spaces, when it became available again. That felt quite special. We kept the basic bones, but wanted to reinterpret it in a more mature and considered way. The brief to the architects – Richards & Spence (www.richardsandspence.com) – was simple. “Make the eyewear the hero.”

So the architect wrapped the entire store in a high linen curtain, which softens the space and creates a sense of quiet enclosure. The floors are finished in a mushroom coloured wool carpet and the reception desk is formed from a huge slab of muted pink and grey Patagonian stone that sits somewhere between quartz and granite, anchoring the space. Above: the interior of Makras Optical – in a gallery-like atmosphere, the eyewear is placed in transparent displays, which highlight the designs and colours

Makras Optical:  linen curtains line the space
The display shelving now emits a very soft white glow from within, both above and below, which gently highlights the frames. We introduced brushed aluminium details  and vintage burgundy leather Cassina Cab chairs for warmth and character, used as a highlight; the vintage burgundy leather Cassina cab chairs round things off. Mirrors play a big part as always.

In contrast the exam room is painted in an almost hyper-clinical “Severance” blue….admittedly I am obsessed with the show! I intentionally wanted the showroom and the clinical spaces to feel quite different, as their purposes are incredibly different. I love that contrast.

How have you created complimentary spaces for dispensing/styling and eye testing this time around? We introduced internal curtains within the showroom to create two separate dispensing areas. These allow for more intimate one on one consults. At the same time the curtains can be easily drawn back so the entire space opens up for client events (product launches, trunk shows etc) so the space is super flexible.

What has changed since you created OPTIKO ? What is different about curating collections now compared to in 2011? The customer today is far more informed and sophisticated and people have access to an enormous amount of information online, so transparency has become essential.  What hasn’t changed though, is the value of converstaion and connection, taking the time to talk about the story behind the brand, the craft involved in building a frame, or the technicality of different lens designs and coatings. That dialogue is part of the experience for us.

Makras Optical: attention to detail sets the scene for the curated eyewear collections

Can you give us a taste of the independent brands/collections you are offering in store and how you curated these to achieve the ideal offer for your new store? For my customer I find it works best to have a spectrum from super classic and timeless, through to pieces that are unapologically avante-garde. But getting that balance right is crucial. The line up is always evolving; some of our current brands are: Thom Browne, Lapima, Cutler and Gross, Garrett Leight, Veronika Wildgruber, Anne & Valentin, Yoshinori Aoyama, Voa Collective…with more to come. So the collection is always shifting and evolving. That’s part of the fun.

What’s next Mike? The store is still quite young – less than 12 months old – so right now I’m simply enjoying watching it grow organically. I’m happy to let it evolve slowly and see where it goes. For me this feels like coming back to what I was meant to do.

Makras Optical, 9-19 James St, Fortitude Valley, 4006

An interview by Clodagh Norton / March 2026. All rights reserved.