Eyestylist

a Set of Pink and Purple Eyeglass Frames Arranged on a Color Swatch Sheet.  | Eyestylist 2nd September 2026

Blackfin Eyewear: succeeding through “passion, experience, and above all, people”

The CEO of Italian eyewear company Blackfin, Nicola del Din says his eyewear brand’s success today results from hard work and a long-standing commitment from every member of the team. Known for its titanium eyewear produced exclusively on site at its own manufactory in Northern Italy, the company has established itself not only as an independent eyewear reference in Italy as well as  a sustainable innovator with its headquarters achieving “CasaClima Work and Life” certification in recognition of its high standards of environmental sustainability, energy efficiency and workplace quality. Here del Din tells Eyestylist about his current aspirations for the brand…

Blackfin has built its reputation around titanium and Italian manufacturing. How do you continue to innovate and what have been the biggest design challenges along the way? Innovation for us is driven by three fundamental elements: passion, experience, and, above all, our people. Right now, we are experiencing what I can only describe as a truly magical moment at Blackfin. It is the beautiful result of years of relentless commitment, dedication, and hard work from our entire team. However, we absolutely do not feel like we have ‘arrived’ or reached the finish line. On the contrary, we see this as a brand-new starting point. There is an incredible energy in the company right now, a deep enthusiasm for the future, and our minds are full of new ideas just waiting to be realized.

When it comes to the design and operational challenges along the way, the main one is directly tied to our ambition. When your goal is to constantly raise the bar to establish yourself as an increasingly premium brand, seamlessly uniting advanced technical engineering and micro-mechanics becomes incredibly complex. You are constantly pushing the titanium, and the design, to their absolute limits.

Furthermore, because we proudly keep our entire production process strictly in-house, one of the most demanding tasks is cultural and operational alignment. It is not always easy to coordinate the manufacturing side and ensure that everyone fully understands and embraces this continuous, demanding journey toward absolute excellence. It requires a shared mindset to guarantee that every single person in the factory shares the same obsession with premium quality and extreme attention to detail. It is a challenging process, but bringing the whole team along on this upward trajectory is precisely what makes our product so unique. Above: Blackfin specialises in titanium eyewear

Modern dark gray office building with perforated panels, large glass windows, and a Blackfin sign on a grassy slope with alpine mountains in the background.
The Black Shelter: Blackfin’s state-of-the-art sustainable HQ and production facility in Northern Italy

You describe your product design, development – and production – as requiring a rigorous team effort, starting from R&D. How have you developed this process through the years? – how many people are now involved?  As I mentioned previously, our people, our company culture, and the strong interrelation between different departments are absolutely crucial to making this process work. I clearly remember years ago when the entire product and R&D team consisted of just myself and three other people. We were handling every single aspect of creation together.

Over the years, as the brand and our ambitions grew, this process had to evolve significantly. Today, we have expanded into a dedicated product development team of 8 to 9 people. But we realized that to truly push the boundaries of what is possible with titanium, we needed deeper specialization. That is why we instituted a specific R&D team of 6 people whose sole focus is engineering new technical ideas and mechanical solutions. Furthermore, because colour is such a defining element of the Blackfin DNA, we created a specialized color development team. Working with titanium requires extreme expertise, and this team’s specific mission is to research and achieve increasingly innovative chromatic effects, while ensuring an incredibly strong, long-lasting hold and durability on the metal. So today, we have all these specialized minds working under one roof. The rigour comes from how these teams communicate and challenge each other daily—blending design, mechanics, and colour into a single, cohesive vision.

What are key considerations when developing new ideas? When developing new ideas, our primary consideration is our continuous journey to elevate Blackfin as an increasingly premium brand. Therefore, every new concept we explore must be perfectly coherent with our brand identity and our core values. We are absolutely obsessed with the finer details, because in the premium segment, the smallest nuances make the biggest difference in the final product. To achieve this level of extreme precision, having our entire production in-house is absolutely strategic. When you are constantly raising the bar and refining every single aspect of a frame, from the initial technical sketch to the final colour application, you need uncompromising control over the entire process. If we didn’t have all these complex manufacturing steps under the exact same roof, it would be literally impossible to be the company we are today. Furthermore, it would be impossible to aim for the highly ambitious goals we have in mind for our future. The immediate connection between our development teams and our production line is what makes our vision a reality.

Person selecting a blue eyeglass frame over a white table with a color tray in the background
Colour is an important area for innovation at Blackfin

How long does the whole process take? Harmonizing aesthetics, engineering, and market demands takes time and a methodology that sees no shortcuts. From the initial concept to the final product, a full 11 months go by. Behind the purity of our design lies a long, complex development process entirely devoted to refining every single proportion. Every model is prototyped, evaluated, and modified countless times. We debate over tenths of a millimeter, adjust seemingly imperceptible curves, and recalibrate titanium thicknesses until we achieve absolute precision in every detail. The ultimate goal is one: reaching the perfect equilibrium between technical rigor and aesthetic elegance. When a Blackfin frame is finally presented to the market, it encapsulates the highest technological expression of titanium—but above all, it carries those 11 months of shared effort, the relentless pursuit of perfection, and the genuine dedication of the people who brought it to life.

Innovation often comes from questioning established processes. Can you describe a recent moment when your teams challenged a long-held assumption and the result changed the final product? “The perfect example of this is the recent creation of our new Vitra family. For years, our longest-held assumption—and our strict internal rule—was that Blackfin was 100% focused purely on titanium. It was the absolute center of our entire R&D vision. With Vitra, we completely challenged that paradigm. We introduced a frame featuring an incredibly resistant, innovative polymer front, perfectly combined with our signature titanium components. Stepping away from pure metal was entirely outside our traditional comfort zone, but we executed it in a way that is absolutely coherent with the Blackfin soul. Our R&D team applied the exact same rigorous, mechanical approach we use for titanium to this new polymer, ensuring there was zero compromise on design or robustness.

The launch was a success far beyond our highest expectations. But the most important takeaway for me isn’t just the product’s performance. It proved that Blackfin has reached a new level of maturity. It means that the trust of our clients is no longer tied solely to the specific material or the single product, but to the brand itself and our overall philosophy of premium excellence.

Blackfin: “From the initial concept to the final product, a full 11 months go by….”

How is a colour palette developed at BLACKFIN and what are your special capabilities in terms of colour techniques for titanium? As I hinted earlier, our approach to colour has undergone a massive evolution. Years ago, our color research was primarily instinctive and emotional. We developed new colors very quickly, focusing almost entirely on the immediate chromatic impact. The main goal was simply to excite the wearer.

Today, that artistic and emotional element hasn’t lost an ounce of its importance. In fact, since Blackfin is recognized as the benchmark brand for color on titanium, the search for highly evolved, sophisticated, and less ‘instinctive’ hues is more crucial than ever. However, the process behind it has become incredibly methodical, structured, and scientific. We now have a dedicated color team. To give you an idea of our rigor, our Scientific Director of Color Development is actually a Materials Engineer. When working with titanium, you need to understand color down to the molecular level to guarantee a finish that is not only beautiful but exceptionally strong and durable. We run endless technical tests and trials before a new tint or combination is ever approved for production.

To give you a sense of the sheer effort involved, today we manage 183 active base colours and 644 colour combinations in our portfolio. In the last year alone, we conducted 308 specific trials for new colors and ultimately created 163 brand-new color combinations. Managing this staggering level of scientific complexity and artistic freedom requires absolute control over every single variable. And once again, achieving this is only possible because we do absolutely everything in-house, under one roof.

What is your ultimate goal in terms of customer satisfaction regarding design and quality performance? When it comes to design, our ultimate goal is to continuously elevate our premium perception. We want our wearers to feel that uncompromising level of sophistication and excellence, not just in our most complex frames, but equally in our new minimal and timeless models. True premium design often speaks loudest through the purity of its most subtle details. Furthermore, as our business expands on an increasingly global scale, a major objective for us is to deeply understand and anticipate the unique expectations, cultural tastes, and color preferences of the diverse international markets we serve.

Person in a dark sweater holding and inspecting pink-rimmed eyeglasses with both hands.
Blackfin

Regarding technical quality and color performance, we are driven by an obsession with excellence, but we are also honest. We know that absolute perfection is technically impossible to reach—you can only continuously strive to get as close to it as humanly possible.

Because we are aware of this, our total in-house control becomes our greatest asset once again, extending beyond manufacturing and into customer care. Doing everything under one roof allows us to provide an enviable after-sales service directly from our headquarters here in Italy to all the markets we operate in worldwide. If a client needs support, we don’t have to rely on third-party suppliers; we manage it directly with the very same team that engineered and crafted their frame. For us, providing that profound, uncompromising reliability is the true definition of customer satisfaction.

When is your next big launch or collection presentation? Right now, our product portfolio across our existing families is extremely solid, mature, and comprehensive. So, our daily work isn’t about chasing loud ‘wow’ effects or temporary gimmicks. Instead, our goal is to surprise people through extreme sophistication in the details—subtle, highly refined craftsmanship that reveals itself upon closer inspection.

That being said, we have two major, high-impact launches tucked away in the drawer for next year. Both are limited editions designed to raise the bar to the absolute top and showcase the ultimate expression of what Blackfin is capable of achieving. The first will be officially presented at MIDO, and it is a prestigious project born from a collaboration of absolute international excellence. The second will premiere at SILMO—a brand-new limited edition following in the footsteps of our current Prometheus series, created to push our engineering and artistic boundaries even higher. We can’t wait to reveal them to the market.

Find out more at https://www.blackfin.eu

This is an Eyestylist Exclusive – all rights reserved. This content was not created using AI.

Child Holds a Large Photo Frame with Oversized Pink Glasses in Front of Her Face Against an Orange Background.  | Eyestylist 1st September 2026

SILMO 2026 Preview: FACE A FACE announces Marker

The gesture of sketching, transformed in the frame

The French eyewear label, FACE A FACE is previewing its brand new collection, Marker – showing later in the month at Silmo Paris. The collection plays with contrasts, between boldness and finesse,taking inspiration from the way in which the tip of a marker pen can alternate between precise lines and broad strokes. The effect in the frames is described as “fast, irreverent lines running from one temple to the other, reinventing the contours of the face”.

Exciting colour contrasts add to the effect. The fronts and temples feature bold, almost electric colours, informed by the marks of a highlighter on a freshly drawn sketch. Above: the campaign for Marker, a new line from FACE A FACE – the sculpted two-tone laminated acetate model Soul 2 has a luminous line that frames the eyes

FACE A FACE: Bocca Twine frames in the Marker collection

Featuring a bevelled flex temple aligned with a ribbon-style endpiece, the Bocca Twine style is distinguished by beautiful gradient colour where two shades intertwine like alcohol blending in a cocktail – mixing and merging seamlessly. The gradient colours have been created exclusively for the collection, while the technique of angled milling and bonding reveals the constrasting colours.

FACE A FACE will show the full collection at Silmo from 25th to 28th September 2026. Find out more at www.faceaface-paris.com

Woman with Purple Oversized Glasses Resting Her Cheek on Her Hand Against a Bright Yellow Backdrop, Wearing a Burgundy Blazer.  | Eyestylist 27th August 2026

Eyewear trends: lilac and purple

The colour purple – a universally flattering shade for the face – is back in frame fashion this season

In eyewear fashion, purple tends to crop up regularly. In our 15 years online, we’ve seen this colour and all its lilac and violet variants return in different seasons – every three to four years, at the very least. Colour experts in general say purple is flattering and versatile precisely because it mixes blue and red, cool and hot tones, and for the face the effect can be impactful or more subtle depending on the saturation of the shade and the different effects of transparency and opacity.. Above and below: WOOW Eyewear’s new model ‘On Off’: strong and expressive – this interesting asymmetrical frame comes in a bold transparent violet paired with temples in a delicate Havana print

Purple oversized square-frame eyeglasses with orange temples and tortoiseshell side panels, front view.

 

Purple oversized sunglasses with multicolored spike accents along the frame, view from side. (Informative product shot)
From Spain, something spectacular from NINA MÛR created with the artist OKUDA San Miguel

 

Spanish eyewear brand NINA MÛR loves this colour palette, and features it in their Limited Edition with the Spanish artist OKUDA San Miguel. For the natural plywood frames, the tone has a striking vibrancy, rendered in matt and matched with bright details corresponding to OKUDA’s distinctive and colourful style. The collection was announced this summer and will be on show for the first time at SILMO PARIS, find out more at .https://www.eyestylist.com/2026/06/artist-collaboration-okuda-x-nina-mur/ and www.ninamur.com

Tucana by ARCUS Paris – an eyewear brand with a jewellery concept –  the frames are hand-drilled and pierced with decorative elements by the designer, Amanda Cheng

From the French brand Arcus, the Tucana sunglasses are bold and edgy and come in this bright violet shade with the signature silver piercings. Arcus Paris has just announced a partnership with Marc Le Bihan and will have their eyewear collection in their stores; a launch pop-up event in Paris at 39 rue Etienne Marcel (28th October to 6th October) will mark the launch of the optical line. ARCUS Paris was founded in 2023 by Amanda Cheng, a Malaysian-born designer. Find out more at www.arcusparis.com

This is an Eyestylist Exclusive and AI was not used to write the feature. The frames featured are new and current for the new season.

Several Eyeglasses on a Dark Studio Surface with Extra Small Frames Nearby.  | Eyestylist 26th August 2026

Japanese Bauhaus-inspired eyewear: TVR®504 TOY – personal and playful

A brand new release for Autumn/Winter 2026, TVR®OPT presents the TVR®504 TOY Special Edition—a collection inspired by childhood memories, Bauhaus design, and the timeless joy of play – made in Sabae

Created to be more than eyewear, the TVR®504 TOY is designed to accompany its owner much like a favourite childhood toy: not simply as a functional object, but as something personal—an object that gathers stories, memories and meaning over time. For the first time in TVR®OPT history, the colours of the collection have intentionally been left unnamed. Accompanying the collection is Poddy, a tiny companion or home for the frame. Above: the new special Edition by the Japanese eyewear label, TVR®OPT 

Two pairs of eyewear rest on a reflective glass display: a large dark-framed pair with blue-tinted lenses and a smaller round-frame pair in front, set against a black background.”,
TVR®OPT presents the handcrafted TVR®504 TOY Special Edition – designed to be treasured for years to come

The Bauhaus movement was an important inspiration for the collection. The philosophy of play, simplicity and timelessness underpin the concept and its exceptional craftsmanship, reimagining eyewear as something beyond function, an object of everydaylife, gradually forming a relationship with the person who is wearing it. The playful spirit of Bauhaus toys and educational objects of the time also became an important source of visual inspiration. Bold expressive colours take centre stage, bringing the clean geometric forms to life and transforming Bauhaus principles into a vivid, contemporary language.

In its commitment to craftsmanship and exceptional design, for the TOY Collection, TVR®OPT introduces a newly developed temple construction inspired by the geometry of a triangular prism. Different layers of premium Japanese acetate are carefully laminated around a wide, vintage-inspired inner temple construction. As light passes through the material, subtle layers of colour emerge, creating changing expressions of depth, transparency, and contrast from different angles. Just as a prism transforms a single beam of light into a spectrum of colours, the smallest details can reveal unexpected beauty.

The frame is completed with TVR®OPT’s revered 3D-Sun Platinum Metal rivets, adding a refined metallic accent to the playful colour composition of the TOY Collection.  Inspired by historic Japanese metalwork, the rivets bring a sense of permanence and craftsmanship to a design built around memory, colour and play.

A special release with the new Edition: PODDY

Each frame in the release comes with Poddy (pictured above), a miniature wearable holder featuring a small piece of TVR®OPT’s signature Woody Carved acetate. TVR says it is conceived as  a “playful object created to celebrate the emotional connection between people and the things they choose to keep close”.

Find out more about the new collection at www.tvropt.com and on Instagram at https://www.instagram.com/tvropt/

Read our interview with the makers at TVR®OPT’ on the link: https://www.eyestylist.com/2023/07/tvr-opt-japan-an-interview-with-the-master-craftsmen/

A feature by Eyestylist.com. All rights reserved. AI was not used to write this feature.

Crowded Convention Floor with Exhibitor Booths, a Black Stage, and a Long Led Video Wall Showing Fashion Portraits Above the Crowd.  | Eyestylist 24th August 2026

DaTE returns in September

The Italian event celebrating contemporary eyewear and independent brands returns next month, taking place for the first time in Napoli, Italy

DaTE with take place from 12th to 14th September in the historic Salone Margherita, Napoli (Italy). The show organisers have announced that more than 130 brands have confirmed their presence from Italy and further afield. A delegation of around 30 buyers from Europe will attend, thanks to the event’s collaboration with the Italian Trade Agency (ITA). The organisers say that the international presence confirms the show’s growing global reach and its success in bringing companies and industry professionals from across Italy and abroad to the new city venue.

A complete list of exhibitors is available online at https://dateyewear.com/espositori  Above: DaTE offers a lively yet intimate meeting point for the optical industry with  some of the most prestigious independent eyewear brands exhibiting
DaTE 2026 will welcome a variety of brands, including Ahlem, ANNU, Blackfin, Capote Eyewear, JF Rey, Maybach, MYKITA, Rolf and Randolph Engineering
Hand holding pale pink square-frame sunglasses with dark lenses, among display boxes of colorful eyewears in a store
Independent eyewear collections from around the world exhibit at DaTE

Taking place for the first time in Napoli, the new venue has been selected as a perfect embodiment of the spirit of the DaTE event. Salone Margherita is a symbol of the Neapolitan Belle Époque, and  its elegance and charm will provide, say the organisers, a setting capable of turning the visitor experience into something that goes beyond that of a traditional trade show.

“DaTE was created to build connections between people, ideas and inspiration. That is why every choice is an integral part of the project,” says Davide Degl’Incerti Tocci, President of DaTE. “Last year we chose Riccione, this year Napoli, an ideal setting to encourage the cross-pollination of creativity, design and business that today creates value for the entire industry.”

This year’s event in Napoli promises collections from Europe, the US and Asia

On Saturday, 12th September from 8 p.m., the Salone Margherita will also host the DaTE Party, an opportunity for companies, designers, opticians, buyers, journalists and industry professionals to meet and connect. During the evening, the 2027 dates and the city that will host the next edition will be announced. The party registration opens on 2nd September 2026 at: https://dateyewear.com/party

 DaTE is a free-entry event reserved for industry professionals, opticians, buyers and journalists.Visitors should register in advance at https://dateyewear.com/en/visitatori