Eyestylist

  | Eyestylist 17th February 2026

100% Optical 2026, Excel London

For 2026, independent eyewear brands LINDA FARROW, MYKITA, Ørgreen Optics, Blackfin, and more will be showcasing new collections at 100% Optical. The organisers of the event promise footfall, inspiration and design showcases, catwalk shows and a line-up of brand new winners in the Love Eyewear Awards…

Taking place from 28th February to 2nd March 2026 at Excel in London, this will be the 12th Edition of the 100% Optical trade only event, promising to highlight everything related to optics – from cutting-edge eyewear design, style and innovation in lenses and technology – as well as providing CPD-accredited sessions throughout the 3-day event. The optical exhibition, co-located with 100% Ophthalmology, is partnering with the Association of Optometrists (AOP) to deliver the education programme. Featuring more than 100 hours of sessions, the three day event will offer a wealth of learning opportunities for both optometrists and dispensing opticians. Above: 100% Optical, London is in its 12th year

Macy Vista sunglasses by Linda Farrow, pictured in wine: the British brand returns to 100% for the 2026 Edition

100% Optical has announced a shortlist for the popular Love Eyewear Awards, which includes a varied selection of categories, from Men’s Sunglasses of the Year right through to ‘Most Engaging Practice Window’.

First launched in 2020, the Awards are now judged by eyewear experts from across the industry, including optician/influencer Kayla Heersink (@opticalistyle), Dispensing Optician, Alison Price, and for the first time, EYECON show founder, Tarrence Lackran. The shortlists this year include entries from world-class independent eyewear brands: among them are  LAFONT (Children’s category), l.a. eyeworks (Men’s + Luxury Frame of the Year category), Götti Switzerland (Men’s + Luxury Frame of the Year), MOREL (Men’s Frame of the Year) and Albert I’mStein (Men’s Sunglasses of the Year). See the full line-up of shortlisted companies on the link below.

The winners of the Love Eyewear Awards will be announced on the first day of 100% (28th February 2026)  at 5pm on the Main Stage.

For more information on 100% Optical to register, and read about Love Eyewear Awards shortlist visit, www.100percentoptical.com/

  | Eyestylist 13th February 2026

THE LONDON i Volume VII: a larger edition emerges for March

The new Edition of the luxury eyewear event organised by Francesca Chapman will take place on 1st and 2nd March (1030 to 20.00). In an exclusive interview Chapman told Eyestylist.com: “THE LONDON i offers value by cutting through the noise – in an exclusive, curated setting….”

THE LONDON i, a luxury brand event, which presents niche and luxury eyewear labels in an intimate setting in the UK capital, confirms its next Edition for early March, on the same weekend as 100% Optical, and at an industrial-style venue, in close proximity. Previously located in a gallery showroom in Fitzrovia (https://www.eyestylist.com/2025/07/save-the-date-the-londoni-returns-in-september/), the new larger Spring Edition, in collaboration with NIKON LENSWEAR UK, will take place at Protein Studios – across Studio 1, 2 and 3, – in Shoreditch. (A full list of brands can be found at the end of this article). Above: Francesca Chapman, event organiser and co-founder of  CP Agency London

THE LONDON i in 2025 – the growing event is evidence of the continued popularity of the table-top format and a more intimate setting for eyewear showcases

Francesca says that the event has grown into a meeting place and reference for leaders in the UK independent luxury eyewear market. “I first started the event at my showroom, to help build connections. I invited other agents/brands as I was new to the optical industry. From five of us originally, we now have 21 brands showcasing this year. We saw a clear need in the UK for a more intimate design-led environment where brands and opticians could genuinely connect.

Our agency works closely with luxury and independent eyewear brands in the UK, supporting everything from market entry and sales strategy to brand building and long-term growth. THE LONDON i has become an extension of that – a curated space built around relationships, quality and community.”

Francesca adds: “The UK market is becoming more selective and more considered. Buyers are looking for fewer, stronger brands with clear identity and long-term relevance. THE LONDON i offers value by cutting through the noise – in an exclusive curated setting where opticians can discover collections with purpose, meet the people behind the brands, and make confident buying decisions in a calm, inspiring environment…”

Sestini, the Italian eyewear brand by Carlo Sestini, will return to THE LONDON i this March

Exhibitors at the March Edition of THE LONDON i include: Akoni, Balmain, Cazal, Cutler and Gross, Ffin Eyewear, Finlay & Co, Hoet Couture, Hug Spectacles, Garrett Leight, L.G.R, Lapima, Matsuda, Maybach Eyewear, SALT. Optics, Sebastien Geslin Eyewear, Sestini, T Henri, VOA, Yellows Plus, Y. Neuman and Yoshinori Aoyama.

A social event will take place on the Sunday evening (time and location to be confirmed). A driver will be available to transport guests between 100% Optical and THE LONDON i. Find out more and register to attend at the new website: www.thelondoni.co.uk

This article was written by Clodagh Norton. All rights reserved. AI was not used in the writing of this feature.

  | Eyestylist 12th February 2026

Sharp geometric design work at FACE A FACE

The 3.0 collection features sharp lines, standout volumes and curves which clash with angles

FACE A FACE introduces a selection of new styles for Spring/Summer, designed to turn heads with an assertive, colourful presence. Femininity is interpreted as sharp, powerful and unapologetic, while the bold approach to form presents standout volumes where curves clash with angles and lines feel slick and sharp.

New concepts like MINDS and ETTO embody this boldness of design: the sculpted, geometric frames are characterised by unexpected colours and colour combinations, from futuristic green to ultraviolet and a striking burnt orange. Every detail, every flash of colour, and every concept of form and structure reveals something new and bold in character. Above: model Minds 1 by FACE A FACE explores a play of facets reminiscent of a kaleidoscope. The shape is described as “a hexagon turning within a hexagon”

Bocca Chance 1 by FACE A FACE

Taking a new step for the Bocca concept at FACE A FACE, Bocca Chance 1 has an organic shape with a sharp, striking geometric look. A luminous effect is created through the elegant acetate where transparency comes into play along with temples which offer contrast through a light and milky pastel pink. The style is described by the design team as “burning with incandescence”. The traditional Bocca concept of the footwear design for temple tips is, for this model, interpreted as a miniature black boot with tiny high heel.

ETTO 1 by FACE A FACE features a unique temple design

Model Etto 1 is both colourful and chic. The frame has a round eye shape, and a particular temple detail described as a rectangular section clamped into the frame front as if it were being held in a  carpenter’s bench vise – creating a point of tension and the opening of the eye shape. The refreshing colours include the lilac patterned tortoise proposal above and a beautiful “mandarin crystal” with pink temple detail. Find out more about the new collection at www.faceaface-paris.com

  | Eyestylist 11th February 2026

Fabian Burgard, fashion photographer, co-founder, Burbas

Fabian Burgard co-founded Burbas with Max Bastian as a full-service creative studio based in Cologne. Working across photography and video, the team produces content ranging from e-commerce shoots to major campaigns for clients in Germany and abroad, with a growing presence in the eyewear sector. With AI beginning to influence how the perfect frame is captured, Eyestylist asked Burgard to share his perspective on photography, eyewear, and the future of image-making in luxury fashion.

When did you start specialising in eyewear and how does this style of photography fit with your expertise? I first worked for an eyewear brand in 2019. It fits well with what I do, as I also shoot in other areas of fashion. Outside of work I also developed a big interest in the fashion industry as well (even if my own outfit looks pretty much the same most days). A real “expertise” for eyewear came over time. Glasses are a tricky product: they’re reflective, often super delicate, and the photographed angle makes a huge difference. Over the years, I think I developed a feel for what makes a frame look right, how to place and light it. So it’s something that really grew through doing it and will probably keep growing.

What is your view on AI and photography campaigns? Are you using AI at Burbas and what advantages have you seen? AI is a great tool, when it actually makes sense. We’ve been developing workflows that let us keep the product design consistent, to use when it serves the concept. That can make it possible to create more complex looks without blowing the budget, which is a win for a lot of brands. At the same time, it’s very client- and brand-dependent. Above: Fabian Burgard, photographer @burbas.de

Coblens Eyewear campaign 2026 – shot by Fabian Burgard at Burbas

We actually still produce full analog shoots, and we even have our own in-house darkroom for film development. The main thing for me is that AI shouldn’t override a brand’s authenticity. If a label is rooted in tradition or draws from specific decades and craft, you need to reflect that honestly and sometimes that means AI simply isn’t the right tool (at least right now). In the end, I don’t think you should ignore AI either or use it just because it is new or even hyped at the moment.

What was the latest campaign you worked on? Our latest campaign was actually a special one. It was for Coblens Eyewear (https://www.coblens.com), a label from my hometown, they make beautiful frames. We shot it at the Gerling Quarter in Cologne, a 1950s building from the post-war modern era. The location as part of the building is run by a university that’s also one of our clients, so we were able to produce there. And the architecture matched the frames perfectly, so visually it feels like a match.

Besides the video assets, we produced a fully analog photo series: shot on film, then we made hand prints in our darkroom and scanned those for the final files. It’s a workflow I love, but in this case it also fits the brand so well because it has that crafted, handmade character. With a great team, it turned into one of those productions that’s just really fun from start to finish.

Do you also do still life work and what is your opinion of still life photography for eyewear? Yes we do still life, and I love it. It’s such a strong (and easy) tool for building brand identity, especially in eyewear. For me, still life works best when it’s reduced and focused — not overloaded with as many beautiful objects as possible. Sometimes texture and framing is already enough to set the tone. Putting frames on a material that fits the brand can do a lot. Technical frames on stainless steel, brands with a heritage feel on materials that reference older interiors or architecture, whether that’s marble, a specific carpet, or something similar. If the concept is more modern or playful, you can also go in a slightly more unexpected direction. I recently saw a jewelry campaign where the product was photographed on baking paper, super minimal, and it looked amazing. In the end, I think smart, reduced choices often make the frame look stronger than an overloaded set.

Coblens Eyewear campaign, shot by Fabian Burgard  at Burbas

What’s your work goal/ambition for 2026? For 2026, we’ve got many goals. On the main side, we want us to keep producing strong work. Staying current, pushing new ideas, and doing more creative productions. We are happy to work with new brands. Partly because it’s creatively exciting to build visuals for different brand identities, and yes, also because working with new clients is always a motivating part of the job.

And then there are the smaller, personal goals: pushing my own ongoing documentary work, refining my style, and finding a few dream locations I’ve been wanting to shoot at for a long time. Right now, I’m trying to get access to a museum space in Wuppertal that I’m completely obsessed with. So if anyone there is reading this… feel very free to reach out, and maybe we’ll end up seeing that shoot on Eyestylist.com very soon.

Coblens Eyewear campaign shot by Fabian Burgard at Burbas

What is the future of photography for eyewear brands? Digital. Or Analog and Digital? I’m pretty sure it’s going to be both. AI will keep getting better, which makes it a great match for a lot of brands, and it’ll definitely lower the barrier for newer brands to create strong visuals. But at the same time, I don’t think the handcrafted side of production will ever fully disappear, especially when it comes to creative campaign assets. In marketing, it’s not only about the final image. Often, it’s also about how it was made, who was involved, and the human side of the process. That “made by real people” aspect has always been part of what brands communicate. Whether it’s a collaboration with a bigger artist people identify with, or just creatives in general behind the scenes. That human process often matters, because it helps sell the feeling around the product. Realistically, the balance will probably keep shifting further toward digital work because the possibilities are growing so fast, but I don’t see the traditional, hands-on side of production completely vanishing. There will always be brands that look for authenticity in craft and character not only in what they produce, but in how they communicate it.

To find out more about Burbas.de, click on the link: https://burbas.de

  | Eyestylist 9th February 2026

Mido 2026: success in Milan

The lively energy of the Milan event confirmed ongoing opportunity in – and success of – in-person international eyewear shows

The show organisers reported approximately 42,000 attendees, from more than 160 countries, and 1,200 exhibitors, of which approximately 930 were international, in 7 halls, across 8 exhibit areas. As in 2025, Europe – with strong representation from Germany, France, and Spain – proved its significance. Particularly noteworthy were attendance numbers from Africa (Tunisia, Algeria, South Africa), the Middle East (Syria, Oman, Saudi Arabia), and Asia (South Korea, Singapore, Indonesia, India, China), confirming these emerging markets as an important, growing area for commercial development, they said. Participation from North America remained stable, a positive signal given the current economic climate and ongoing tariff-related tensions. In contrast, attendance from Italy showed a slight decline, reflecting the impact of the current economic context on investment decisions by industry professionals in the domestic market. Above: Mido 2026, Milan (Image: Mido Milan)

Anne and Valentin 2026: launch of Krafties at Mido (Image: Anne and Valentin)

Design and trend forecast by Mido Mido offers commentators and journalists an opportunity to study the evolution of eyewear design across categories, including independent eyewear brands, luxury labels and artisan design collections. The organisers reported that this year “the collections highlighted increasingly lightweight and high-performance frames, state-of-the-art and sustainable materials, and the integration of artificial intelligence–based solutions for design, customization and vision comfort. Eyewear continues to establish itself firmly as both a technological platform and an aesthetic object.”

From a stylistic perspective, eyewear is emerging as a form of identity and individuality, balancing minimalism and experimentation, heritage and modern design. Trends range from luminous transparencies and interplays of light, to intense, organic textures derived from urban and international inspirations. Bio-acetates, recycled materials and lightweight metals take centre stage, the Mido report states –  alongside reinterpreted timeless icons – aviator, cat-eye, panto and navigator shapes – in sophisticated colour palettes that encompass everything from natural and crystal-clear shades to bolder accents. Mido upholds its reputation as the place where innovations take shape and trends begin to define the face of eyewear for the seasons ahead, organisers also added.

MASSADA: cold-rolled frame sculpted as an “Objet d’art” in Japan (Image by: EYESTYLIST.COM)

Eyestylist observations During the event Eyestylist talked with exhibitors and attendees (optical retailers) and took part in launch events and talks arranged to promote debate and reflection on the industry in 2026, and how it is changing. The Vision Stage hosted sessions dedicated to this sharing of views and discussion topics. Key speakers at this edition included Monica Maggioni, Alec Ross and Dario Fabbri. Significant space was also devoted to industry trends, new trends in consumer behaviour, sustainability, inclusion and eye health.

LA LOOP: new statement chain design with matching bracelet, shown at Mido 2026 – https://laloop.com (Image by EYESTYLIST.COM)

Our top ten highlights include design trends that we identified during the show:

  • Mazzucchelli 1849 x Peclers Paris – the two companies launched an Eyewear trend book ’27 presenting a refined vision of colours, materials, shapes and insights tailored to the eyewear market, www.mazzuchelli1849.it
  • The Lens of Time, an exhibition about the history of Italian eyewear, which was adapted for Mido 2026 and beautifully presented in a unique space
  • Frame The Future – the responsible eyewear alliance presented key findings in “The State of Sustainability in Eyewear” – the Catalyst Study, at the Mido event
  • the rise of smart glasses was a topic of interest at the event: MODO launched Eyefly, a product designed to look like everyday glasses and featuring open-ear audio and hands-free connectivity
  • 3D printed eyewear innovators raise the bar in quality and design potential – at brands like Hoet, YOU MAWO, Götti Switzerland and ROLF, the evolution of quality, precision and originality is evident in 3D printed frames produced either in titanium or materials like high-quality polyamide and castor-bean based materials. These brands are responsible for leading this change
  • Innovators in the field of design and fine aesthetics: numerous eyewear designers from around the world exhibit at Mido. Work includes collections made by hand, collections produced according to new technological breakthroughs and, for example, frames created with new groundbreaking scientific procedures and technical accomplishments such as the White Circle, Metastable + cold-rolled frame (Limited Edition) by Massada (www.massada.com). Other highlights included Anne & Valentin’s launch of the Krafties, a captivating acetate collection which appears as if it has been “handcrafted from glass, shaped by time”
  • Colour evolution – the eyewear showcased across the event showed that colour palettes in eyewear are shifting rapidly – two key stories were evident – consistent experimentation in bright tones and neons – alongside a very widespread growing focus on timeless, flattering natural tones, and a palette of light, translucent neutrals, brown variations and tones such as burnt umber, sienna, mocca, cappuccino-like shades… plus a notable variety of soft and natural greens, including sage, olive, and increasingly, khaki
  • Material innovations – frame designers are working with a wide variety of exceptional materials – they include titanium, acetate, natural buffalo horn, aluminium, fibre glass, natural wood and ply wood, carbon fibre, and surgical grade stainless steel
  • High-quality optical accessories at the top end of the market are showing much innovation and introducing new design products; ompanies like Diffuser Tokyo, Valrose and La Loop showed that eyewear accessories in 2026 are sophisticated and thoughtfully designed – using high-class materials – conceived with care with the eyewear aficionado in mind…. 
  • Luxury brands were well represented at the event, and included some of the finest European companies such as Hoffmann Eyewear (https://www.eyestylist.com/2026/01/mido-2026-hoffmann-natural-eyewear-understatement-as-a-statement/) and Thierry Lasry,  as well as popular names like AHLEM, LAPIMA, Garrett Leight, Blackfin, Press Eyewear (https://www.eyestylist.com/2026/02/press-eyewear-luxury-collection-launches-at-mido-2026/), MATSUDA, DITA, LINDA FARROW, L.G.R, AKONI GROUP, RES/REI, LAFONT PARIS, John Dalia, l.a. eyeworks and Cutler and Gross.

The next edition of MIDO will take place from 6 to 8th February, 2027, at the same location, Fiera Milano Rho. Find out more at www.mido.com. This feature was compiled, researched and written by Clodagh Norton who attended the event in person. AI was not used to write this content. All rights reserved.