Sustainable design

Otis Eyewear: the independent Australian brand is now certified B Corp

Last month, OTIS Eyewear recertified as a B Corp, alongside its parent company The Leisure Collective

The independent Australian-based sunglasses brand has improved its overall Impact Score to a highly commendable 94.6, an impressive confirmation that making small changes every single day adds up to a lasting, positive difference.
“This is the result of a huge effort from the entire team,” says Nathan Omodei, Director and CEO of The Leisure Collective. “Having the B Corp stamp is an incredible achievement, but we’ve realised its true value is the process, looking closely at the day-to-day and remembering why we do what we do. It’s both a pat on the back at what the team has achieved and a reminder that there’s so much more to be done. We will absolutely continue the good work.”

Sustainability is at the core of OTIS’s culture. Born on the rugged coast of Western Australia, the brand believes that protecting the environments which inspire them starts at the source. This recertification highlights several of their ongoing initiatives.
Mineral Glass: OTIS has been using endlessly recyclable mineral glass lenses since day one, saving almost a ton of plastic each year compared to standard lenses, they say. Made from non-toxic, natural materials like sand and soda ash, these lenses deliver exceptional clarity, permanent tinting, and high UV protection, lasting far longer than plastic alternatives. Above: Otis Eyewear campaign 

OTIS Eyewear: Jack Medland (Founder of Moonshine Surfboards) wears OTIS model Kingswood, an eco acetate design – featuring mineral glass lenses

Biodegradable and Bio-Based Frames: OTIS continue to evolve their Eco-Acetate range. These frames are made from renewable resources like cotton seeds and are certified biodegradable. The brand’s Eco-Grilamid frames are crafted from a bio-based resin derived from castor oil, reducing the use of fossil-fuels in production.

Hand reaching down to pick up bright red sunglasses from a sunlit sandy beach with small yellow flowers in the foreground.
Otis Eyewear – eco acetate Untitled frame

Plastic-Free Packaging: OTIS packaging is now 100% free from non-biodegradable plastic, earning a “Beyond Best Practice” rating from the Australian Packaging Covenant Organisation. They have also replaced single-use plastic sleeves with a recycled PET cleaning wrap for their glasses.
As a certified B Corp, OTIS continues to audit and refine its processes. They remain dedicated to creating premium, timeless eyewear that suits everyday adventure.

Find out more about OTIS Eyewear, an award-winning Australian eyewear brand, at https://eu.otiseyewear.com

Eyestylist’s 4 favourite booth designs at opti 2026

Stand design with a greater focus on sustainability and the use of cost-effective materials has visibly evolved in the last years in the optical world and companies and visitors we spoke to were enthusiastic about the more sustainable and innovative concepts on display. Reusable modular designs that can be customised reduce waste and highlight the innovative spirit and individuality of a company – and their brand values.

The Rolf stand, which was first launched at opti in January 2025, is welcoming and approachable with an open-plan modular design which uses minimal materials and interchangeable graphics and plants, making it easy to update and pack away or transport. The Rolf team designed the concept in-house. Find out more at https://www.eyestylist.com/2025/01/award-winning-natural-eyewear-brand-rolf-heads-to-munich/above, the ROLF stand at opti 2026, customised with a new campaign for the launch of substance aura – www.rolf-spectacles.com

Götti Switzerland: this year the brand presented the new collection Haute Contour inside their converted shipping  container

For some years, Götti Switzerland has combined the use of a container – designed  as an exhibition space and painted black – alongside an open plan area for meeting and greeting customers. The frames displayed in the container are arranged so that the feel of the space is that of a gallery. Additional displays in the ope plan space next to the container  showcase the eyewear beautifully using back-lit wall stands matching those inside the  container. www.gotti.ch

You Mawo: a fascinating architectural structure for the brand’s 10th anniversary

Celebrating 10 years, the 3D printed eyewear company You Mawo launched a new stand concept this weekend, bringing  the wow factor to opti. The organic shape of the “layered” architectural concept and its striking natural colour – was one of the highlights of the show. On the inside of the stand, a 10th anniversary “exhibition” showcased the German brand’s  early 3D printed prototypes and frames from various collections through the years. The folded form of the booth provided an inspiring backdrop for the launch of the new collection, Formation. www.youmawo.com

The Raydiant stand at opti – a recycled shipping container

3D printed eyewear brand, Raydiant also showcased their collection in a customised shipping container, with a display of frames on the exterior and an interior offering modular seating for meetings. Repurposed shipping containers have become quite popular as a sustainable choice for architectural use – both in commercial projects and domestic  builds where architects are stacking them to create a wide range of buildings. Raydiant Eyewear is an innovator in the field of 3D printed eyewear showcasing a magnetic clip system. Their latest collection features a noteworthy high-quality surface pattern effect. https://raydiant.de

This feature was written by Clodagh Norton. Not using AI. Copyright applies.

Paloceras: 3D printed limited collections “made in Helsinki”

The brand has created its own “MicroFactory” in Finland to be able to support new forms, bespoke work and artist-led collections

Paloceras has created a new set-up for the small-scale production of some of its most creative models, and invested in new technology by Genera, a pioneer in the development of 3D printing systems – from Austria.  Describing it  as a “MicroFactory”, the eyewear brand has successfully implemented the technology for printing the coloured material alongside a complete system for hand finishing (as well as polishing/tumbling)  the frames in the traditional way allowing for complete control in-house. Alexis Perron-Corriveau, Design Director told Eyestylist: “The MicroFactory is for the production of a part of our collection: the manufacturing of the more experimental pieces. Hydroceras, and  two other projects coming up – obviously this is separate from our main line and the Pebble Sun and Optical collections. We received a grant from the Finnish government and we were able to install the machines in September – and hired a full-time  industrial designer who has expertise in 3D printing….it’s super interesting for us as we are not limited by traditional manufacturing techniques. We can  do crazy frames and a lot of things are possible with this. It gives us another edge. In  our core acetate collections we are also using some technologies that have just been developed – that’s the press moulding of the acetate to create inflated shapes. With the new investment and the MicroFactory, again we feel we are able to do something very different, pushing eyewear design even further. We can say we are already planning to acquire an additional new machine from Genera  that will allow us to use custom colours on the spot.”

Paloceras production in Finland: “in the coming years, you will see production of this type becoming more common…” Alexis Perron-Corriveau

Paloceras will exhibit officially for the first time at MIDO 2026. The team told Eyestylist that they have a major new launch coming as well as other new projects to be revealed in the next weeks. They said: “We are looking forward to meeting our retail customers, some who we have never met face to face. We are both  looking forward to meeting people who are interested in our product as we believe  it is so different from anything that is exhibited at Mido or Silmo. So we will be excited to make new connections and show the product and see people smile.”

About Paloceras – Founded in Switzerland with creative roots in Finland and Portugal, Paloceras is an independent eyewear house set up by Alexis Perron-Corriveau, Design Director and Mika Matikainen, Creative Director. As praised by Vogue, Elle, Grazia, and Elite Daily, each Paloceras creation blends digital precision with hand-finished craftsmanship and draws on a rich visual language shaped by nature, memory, and quiet rebellion. Find out more: www.paloceras.com

Silmo Paris 2025: NINA MÛR previews Luminiers

SILMO PARIS 2025 preview: The Spanish independent brand’s capsule eyewear collection celebrates design as art

NINA MÛR’s Luminiers pays tribute to two groundbreaking movements that transformed the 20th century: the radical boldness and geometric irreverence of the Memphis Group, and the structural purity and poetic functionality of Bauhaus.

These spectacular designs are conceived as small pieces of architecture for the face. There are three distinctive silhouettes in the collection – each one exploring new forms of aesthetic, technical, and emotional expression. “Like miniature lamps or graphic pieces”, the glasses have been designed to challenge the boundary between the utilitarian and the artistic. Above and below: the new model Klee in the Luminiers Collection – showing at Silmo this weekend

Ziggy by NINA MÛR – one of three statement models in the new collection

Each model has its own name, its own soul, and a visual story where colour combinations surprise and unexpected geometries challenge the perception of eyewear design. The expressive model Lina, with an oval structure as its base shape, is inspired by Italian architect Lina Bo Bardi, and blends structure and fluidity in a clean elegant silhouette. Model Ziggy, a vibrant hexagonal shape, plays with volume and colour from a rebellious and graphic perspective. Designed with square, poetic lines, model Klee evokes the lyrical abstraction of the artist, Paul Klee.

Lina by NINA MÛR

About NINA MÛR – NINA MÛR’s handmade small-batch eyewear collections use distinctive high-quality sustainable materials, transforming the glasses into objects of desire and contemplation—meant to be worn and displayed. Luminiers is the latest capsule by the brand, and will launch at SILMO Paris 2025. Presented not just as functional pieces but as emotion, identity and art,  Luminiers is a collection that celebrates the intersection between gaze and object, everyday use and one-of-a-kind wearable art.

Each frame is created in refined natural materials and the signature lightweight birch wood material that is so loved by the brand. This material is sustainable, as well as having numerous functional properties including, lightness, durability, and high flexibility. The material colours beautifully, opening up a creative world where natural tones and brightly coloured shades can be explored like paints in an artist’s palette. NINA MÛR eyewear is designed by Lorena Serrano, Founder and Creative Director. Find our more about the history of the brand at https://www.eyestylist.com/2022/09/eyestylist-silmo-exclusive-nina-mur/ and visit the brand website at www.ninamur.com.

3D-printed eyewear

3-D printed: Rolf is multi-award winner

Alongside two Red Dot awards, sustainable brand Rolf has been awarded the Green Product Award in 2025 for their 3-D printed frames.

In May 2025, Rolf Spectacles announced that they had won two Red Dot Awards, recognising Product Design and Sustainable Design, in their 3-D printed collection – Wire. These 3-D printed frames are minimal and refined in design, and have a number of particular features – from being completely screwless, the production process has been developed at Rolf so that CO₂ emissions have been minimised. The styling of the frames is recognised as modern, minimal and fresh – furthermore, the sustainable eyewear products are also produced locally in Austria using 100% green electricity. Above: the Rolf frame Rais won the Green Product Award 2025

Product Design Winner – Trik in the 3-D printed eyewear collection Wire – won a Red Dot Award

Adding to this success story in 2025, the company has announced that it also won the Green Product Award for 2025. This is an award that recognises particularly innovative, sustainable products. The winning product was the Rais in the Substance collection. The Rolf frame Rais is characterised by its unusual shape and sustainable production. The natural raw material is processed in powder form and fulfils all technical requirements. It is environmentally friendly, and also durable. Combined with Rolf’s patented Flexlock hinge, which enables a screwless construction, the result is a pair of glasses that are flexible and stable. The focus on local production and a shortened supply chain emphasise the brand’s commitment to environmentally conscious manufacturing.

A sustainable focus in everything ‘Sustainability is not just a trend at Rolf, but a fundamental attitude’, the team said in their statement. In addition to environmentally friendly production, Rolf invested in the renovation of their production facility in 2023. This development will save more than 81 tonnes of CO₂ per year. The company has also focused on ergonomic workstations and sustainable office equipment for the benefit of employees. For more information about Rolf’s awards through the years, visit their website at www.rolf-spectacles.com

For more information about Rolf on www.eyestylist.com click on the link: https://www.eyestylist.com/2025/01/award-winning-natural-eyewear-brand-rolf-heads-to-munich/