Creative spirits

Shoes with Flair and Originality

1st February 2014 The maze of little Parisian streets in The Marais is always fun to visit and enjoy a stroll. So much French history can be explored in this area, plus there are many irresistible cafe’s, galleries and shops! Sometimes, a new treasure is discovered, which I found recently while scurrying down the rue de Parc Royal. Nestled in between an art gallery and a café, and only steps away from Musée Picasso and Musée Cognac Jay, is a charming boutique – Zoe Lee Shoes. Peering into the shop, it was evident that the designs were beautifully crafted and lovingly created.

The talented woman behind these must-have shoes is a cosmopolitan young lady, the daughter of a Japanese mother and Canadian father. Zoe Lee studied fashion design at Central St. Martin’s in London. However, she became interested in shoes, and continued her design studies at The Royal College of Art, where she was mentored by the shoe-king, Manolo Blahnik. Her impressive story includes working with Alexander McQueen, Vivienne Westwood, Betty Jackson and John Rocha, plus she spent several years designing in Barcelona. Then she moved back to London, and during a visit to Paris, happened to find this boutique that was available. Lee successfully navigated infamous French bureaucracy to open her little boutique jewel last October.

“I’m inspired by everything – travel, exhibitions and seeing beautiful materials,” says Lee, “and I love leather and enjoy sourcing fabrics for the shoes. When I design, I like to cover different types of people who would like to wear the designs.” Family owned companies in Italy, who have been crafting fine shoes for three and four generations, make the shoes. The materials used in Zoe Lee shoes are luxurious and creative. Printed kidskin, bronzed patent, brushed linen, nubuck with laser techniques, and incredibly soft suede are all included in her shoe designs. I tried on several pairs and they feel wonderful – like a cosy hug for your feet. Zoe Lee’s innovative interpretations in materials add to the pleasure of wearing the shoes.

Zoe Lee is among the discerning accessory designers who value and appreciate haute couture quality, beautiful materials, and expert craftsmanship. When in Paris, definitely pop into her shop, and her shoes can be ordered online. Zoe also commented that her mother is an eyewear collector – Eyestylist looks forward to meeting her! www.zoelee.co.uk JG

Creative Director, Rigards, Hong Kong

1st January 2014 “My background is in apparel design and manufacturing, a somewhat logical extension of my lifelong interest in fashion and the technical construction of things,” says Ti Kwa, Creative Director of the buffalo horn specialist label, Rigards. “I started Rigards with my business partner Jean-Marc Virard, a French recording artiste, currently based in Los Angeles. Jean-Marc and I share a vision that combines the love for design and an appreciation for handcrafted eyewear. We met doing what we both enjoy— snooping around an old antique store, and now we’ve joined forces.”

Rigards first came to our attention in 2012 and since that time we are delighted to have seen the brand shooting to the attention of the optical sector, as well as the fashion industry, with specialist stockists appearing across the globe.
“I have been wearing glasses since I was 8 so I guess it’s no surprise that I’ve parlayed my boyhood fascination with how to make things into Rigards,” explains Ti. After a ton of research—we don’t claim to be experts but we certainly have learnt a few things,
having also experimented with acetate and wood—and we took the plunge with horn. With horn, we saw an opportunity to produce our eyeglasses under conditions we felt were optimal: traditional craftsmanship, exclusivity, and sustainability.”

Rigards represents not only artisanal craftsmanship, but also a desire to try new and different techniques. “Horn is a material that translates our aesthetic into a physical object, yes, of course,” – explains Kwa, “it’s also a medium that presents unparalleled textural possibilities—the freedom to go where our creative imaginings can take us. Each piece of horn is absolutely beautiful in its own way and as unique as your fingerprint. Horn is warm to the touch and allergen-free, and therefore very comfortable to wear. Working with horn is a painstaking, labour intensive and time-consuming process, but the result is incredibly satisfying. Understanding the aesthetics and behaviour of horn has enabled us to use a conventional material in unconventional ways, to create frames that are both compelling in their beauty and complementary to the times.”

“In the Japanese spirit of “kaizen”, our emphasis is also to improve on what we’ve done previously, to refine our collection on all fronts: superior lenses, hinges, techniques. Gradual steps rather than abrupt leaps. We also have a couple of collaborative projects in development—the who and how of which I’m going to keep under wraps for the moment.”

Rigards exhibits at Paris Fashion Week at least twice a year. The fashion forward audience appreciates their avant-garde designs and showing in Paris helps them to maintain a good relationship with the fashion industry. “The pleasures enlivened by traveling,” says Kwa, “and meeting old friends and new ones, and the city during the buzz of PFW, of course, never fail to be an enriching source of inspiration too.”

Asked about his interests outside eyewear, Kwa has many that are linked to design. “I have an obsession with collecting vintage finds: modernist furniture, 1940s phantom heads and, of course, antique eyewear. Travelling is what I do quite a bit these days and as tiring as that can get, it’s also invigorating to step out of my everyday routine to see and experience something foreign. I also enjoy discovering independent labels (a long-time favourite is Sarpaneva Watches from Finland), perhaps because we ourselves are an indie label. I like the idea of small-time designers with a stronger dedication to originality and quality being quiet revolutionaries in a culture of consume-and-discard. So my design aesthetic, I suppose, is influenced by a conglomeration of them all: my eclectic taste, my quasi-wanderlust, my affinity for good old craftsmanship.”

“We will be kicking off 2014 with a presentation at Opti Munich (Jan 10-12, Messe München, Hall C4 Booth 608). There’s always something special about the first time so we’re eagerly looking forward to the event—even if the weather forecasts suggest it will be bitterly cold. We’re also equally excited to be returning to our private showroom in Paris— please join us at Galerie de Thorigny on 1 place de Thorigny from January  16-20  2014. All in all, we couldn’t have asked for a better start to the year. Happy 2014 to everyone, may all your new ventures be a galloping success!

www.rigards.com

 

 

 

 

 

Suzanne Klemm – Suzy Glam – The Netherlands

1st December 2013 This month Eyestylist visits with Suzanne Klemm, designer at Suzy Glam, who launched her label earlier this year. Why did you decide to create eyewear? “My first education was as an optician. I was seventeen, and listened to my parent’s advice not to study (like I wanted) design, but instead learn a “real job” where I could be financially independent. I used this profession as a side job next to my later profession as a jewellery designer. I studied jewellery and exhibition design at Zurich University of Arts, and I have a Bachelor of Arts from the University of Utrecht. In the optical shop in Amsterdam where I work part-time, I met Etienne Frederiks. Quite soon it was clear that we wanted to start our own label. We combined our interests and talents, and developed over a period of more than one year our first collection. Now it seems very logical to us that we took this step.” Inspiration: What are your sources – travel, art, architecture, your jewellery background?  “Nature is an endless source of inspiration to me. I try to materialize my observations. On the other hand, visiting art installations and sculptures gives me a drive to work. Some of my ideas are going in the direction of jewellery, some in the direction of eyewear. Sometimes I use shape or technical solutions for eyewear from my jewellery experiences. I create a concept that helps me to give a sense to each creation, and a coherency between every single piece. In other words, I like to think in series.”

As a newcomer to the optical world, were there any challenges/obstacles to start? “Starting is always hard and uncomfortable. At the same time, it was one of the reasons why we took this step – starting something new is extremely exciting. Every step is a step on unknown territory. The fact that Etienne had so much experience and contacts in the optical world helped us a lot. Everyone we knew supported us and we are very thankful for that.” What materials are your favourite in which to create frames? Do you have a “wish list” for materials that you would like to use? “I love acetate. I love plastics in general, also for jewellery. It’s warm, colourful, soft to touch, translucent and it gives me the possibility to shape it very three-dimensionally. I know it would be a good time to create in metal, but at the moment I express myself the best in acetate.”

What advice would you give to designers/students who wish to enter the optical design world today? “What advice? Hmmm…same as for every design direction student; keep it close to you. I don’t believe in marketing research. Sure it can work out for earning money, but for satisfaction…..besides that, you can compare it to fashion: a trend is always coming out of a fresh, creative mind, and never out of marketing.” Anything else you would like to include? “About your site: I’m happy that this kind of platform exists, before I designed eyewear, I wasn’t aware of that. It helps to pull the optical world out of the traditionally, dusty profession, where it sometimes still is.” www.suzyglam.com  JG Photos: Image of Susanne Klemm and Etienne Frederiks exclusively for Eyestylist by Gilles Stüssi Frame photo: Dick Kikstra

Mondelliani Eyewear – Rome

1st November 2013 The vibrant, lively colours of the Mediterranean pulsate through the Mondelliani eyewear collections. The Rome-based company has a long history of an optical presence in this fabled city. Forty years ago a boutique was opened by Giancarlo Mondello, which now has cult status in the city with its wonderful collections of Mondelliani styles, as well as acclaimed independent designers, including Theo, Anne et Valentin, Lindberg, and Yellow Plus among others. The family legacy continues today with Giancarlo’s wife Rosaria, and son Federico heading the Mondelliani team. Above photo: “Work in Progress” at Mondelliani

Giancarlo Mondello was interested in photography, with a stylised ‘lens eye’ enabling him to understand design. Everything in the Mondelliani collection is linked to colour – “Our attitude to colour is closely related to our being Italian,” says Federico Mondello. Gorgeous, superb quality acetate hues of green, ocean blue, vibrant orange, champagne, and aquamarine are among the delectable tones available in the frames.

Expansion of the Mondelliani brand began eight years ago with the launch of a second shop. Then in 2009, there was the debut of the frame collection.  The delightful, sunny colours take their cue from the proximity to the Mediterranean, and the lovely Aeolian Islands in the south of Italy, near Sicily. Inspiration for the beautifully crafted designs for men and women is also gleaned from customers who visit the shops. Quality is keynote at Mondelliani – eveerything is handmade in Italy, with fine Zeiss lenses. The frame tones and lens tint colours co-ordinate – and the harmonious results are stunning. www.mondelliani.it JG

Paulino Spectacles, Portugal

1st October 2013 We first met founder of Paulino Spectacles, Ramiro Paulino, in London around this time last year. Since then we have been delighted to see their fantastic progress into international specialist stores, and so we asked to catch up with Ramiro and colleague John in Paris just a few days ago….

From what we see, Paulino Spectacles is growing quickly. How is everything going? The feedback we have been having has been beyond expectation, and things have moved very quickly for us. As a new, small independent brand the idea was to take things one step at a time, but without any major marketing strategy our frames are now available in London, Paris, Madrid, Barcelona, Oviedo, Lisbon and Porto. The collections will also be available further afield very soon…..we are delighted to have a new distribution coming up in Asia.

You continue to concentrate on handcrafting and traditional spectacle making techniques using exclusive, very elegant acetate? My aim is to go against the grain of mass production, and continue my grandfather’s traditions. Every frame we make is produced in the only remaining factory of its kind on the Iberian Peninsula. With not one single computer in sight, the frames are tooled by hand using very fine organic acetate from Mazzucchelli. We insist on a level of finish that matches our vision and design qualities.

This production process is arduous and takes several days. From the hand made tools that start off the production process – using rasps, saws and files – through to the manually operated pantograph that cuts our frames, one by one, to the tumbling – a process that takes at least 48 hours – which smooths the surface and prepares the frame for hand polishing. We use vintage pins on the hinges, some of which are over 30 years old. This gives me great pleasure and a certain sadness at the same time, as one day they will run out. In any event, it all takes time and makes for a high-end product. I really believe the end result is worth it  – frames with their own unique personality and comfort, which mass production can never match in terms of that hand finished quality.

Explain when you are launching your collections each year – you have a slightly different concept in mind I think?  My idea is not to launch collections as such but to release new models throughout the year. We have just launched a new model this September and for October, we are on track to release three new models and three further ones before the end of the year. We are also looking to increase our range by launching our first metal frames within the first part of 2014. So we’re pretty busy on the launch front.

Where are your biggest successes so far? Which styles have been a hit? The Alberto, Martim and Sara models were the first models to come out and they have been the bestselling ones overall. Since it came out in February, there has also been a lot of interest in our Filipa model. Though vintage and feminine, it is very up-to-date. It was also a pleasure for me to design it. I was inspired by a model Jacqueline Bisset wore in 1973. It was a metal model and what caught my eye was the ring/circle over the bridge. I ended up designing “Filipa” which is a cateye of course, but differentiated by having the open ring in the bridge.

 Could you explain about the cork you use for the accessories cases? Is it sourced locally in Portugal? Yes, the cork is a local product. The idea for the accessories is, of course, to match the quality and philosophy of the frames – handcrafted and made by artisans using old fashioned tools. Cork was a natural starting point for us, as it is very much a Portuguese product and it is organic. Even here, though, we are looking to try new things. We already have in place a new material that we’ll start using this month – Burel, also a 100% Portuguese product made from natural wool. The factory is located in the “Serra da Estrela” (Star Mountain – Portugal’s highest point) and is also made in the traditional handcrafted way. My idea is always to look at the possibility of adding new natural products that are unique to our country and that fit with the Paulino philosophy.

What do you expect in 2014 or what are your hopes for Paulino Spectacles? I expect and hope to consolidate on the very fast paced 2013, so to speak. And I have an idea to add a metal collection soon. As mentioned, things have moved quickly for Paulino Spectacles – a great sign that our collection strikes a chord. But my wish is not to mass market Paulino Spectacles. We just hope to bring the quality and interest of the label to people who wish to try it, whereever they are.

www.paulinospectacles.com CN