With a backdrop of blue skies marking the first feeling of Spring, London Fashion Week opened on Friday. Alongside the main catwalk events and the colourful street style scenes off the catwalks – one of the highlights are the Designer Showrooms on The Strand, offering a diverse, handpicked showcase of over 50 smaller, up-and-coming international brands, a valuable platform for exposure and introductions to the world of fashion in the UK. – Above: buffalo horn frame detail, Delirious Eyewear. Photography: G. D’Elia
“Showcasing within the LFW Designer Showrooms allows brands to develop relationships with globally influential stores and helps to increase their exposure to top international journalists, publications and stylists.”
Representing the eyewear category at the Showrooms and premiering in the UK is Delirious Eyewear from Italy, an exclusive design label recognised by Vogue Italia’s “Who’s on next” awards (2018). Created by young entrepreneur Marco Lanero, the collection is produced in titanium and beta titanium, and the finest acetates and natural Indian buffalo horn, and is currently designed and made in Italy, with focus on traditional Cadore craftsmanship and expertise, rigorously monitored to ensure a unique and accomplished finish.
Buffalo horn remains a popular luxury material in eyewear, and Delirious aims high, using lengthy techniques in the production and final “tumbling” and polishing by hand. Their expertise in this material has attracted the attention of the fashion industry, through an ability to use the traditional techniques and merge them with contemporary design elements.
The Delirious Eyewear collections go into stores in London this season. The definition of luxury eyewear, their alternative design focus brings a contemporary look to the most classical aspects of traditionally made spectacles, as well as providing an impeccable comfort and fit. For more information about Delirious Eyewear visit the company in Milan (Mido trade fair) from 23-25th February 2019 or visit their website at www.deliriouseyewear.comCN Photography by Gennaro D’Elia exclusively for Eyestylist.com. All rights reserved.
Falvin’s Signature Eyewear – launching for the Spring/Summer season – combines Danish design expertise and exquisite Japanese crafting in contemporary shapes in lightweight titanium. The frames celebrate a passion for a Copenhagen landmark – the Crystal – a building from which founder Birgitte Falvin takes inspiration, for an eloquent direction in line and form. Above: released at the German trade fair opti last month, the new Falvin model Stellar. New additions are coming for the Mido trade fair, Milan. The brand exhibits in the prestigious Lab Academy ( Pav 6 / Stand LA 47) where up-and-coming designers and innovators showcase their collections.
Model Stellar (above and in featured video) is a contemporary version of the traditional cat’s eye frame, offering a supreme level of comfort and a statement shape in the state-of-the-art material. Using techniques that can only be mastered by hand, the beautiful two-tone base silhouette offers a luxury expression with black, white or champagne Wesselton diamond settings to create a personalized look. A trained jewellery designer, Birgitte Falvin has studied this element for the finishing of her distinctive eyewear, creating a one-off luxury detail that is both gentle yet sparkling – to catch the beholder’s eye.
The innovative diamond setting is of the highest quality, assembled by a top jeweler in Denmark, appointed by Falvin Eyewear. Find out more about the luxury designs for men and women by the Danish label at www.falvineyewear.com CN
The ways we wear colour in eyewear are always changing, and the impact can be subtle or powerful, depending on many nuances, material combinations and the work on the details and structure of the frame itself. Impactful designs this season include sunglass designs in one single colour for frame and lens. The accomplished innovative fashion brands are doing it – many others are set to follow.
In Europe, Ørgreen Optics is one of eyewear’s trendsetters in colour directions: their Yoko design is defined by the over-sized, circular lenses and elegant details. New vibrant colours of the Yoko include saturated lemon, blue or dusty pink. Above – Yoko in mat vibrant lemonade with yellow contrast lens. www.orgreenoptics.com
Like Ørgreen, Mykita’s new sunglass collections for Spring/Summer 19 open the door to fresh and fruity colour proposals. The impact of the tone-on-tone effect is seen in their Mykita + Maison Margiela model MMESSE023 – in Baywatch red with matching red lens – as well as the eye-catching tone this style has a bold, eye-catching shape – the experimental flat diamond aviator (1990s inspired) has a very narrow reduced stainless steel framework. www.mykita.com
Finest Seven’s fantastic Zero 14 is a fashionista must-have in this colour genre: luxuriously light to wear, in stunning brights such as shocking pink and baby blue, with the brand’s trademark narrow metal bridge and sinuous temples acting as a a balance to the thin bright blue rim and coordinated lens tone. To find more of their statement colour combos, visit www.finestseven.comCN
Over the years, eyewear for the young set has evolved into an inspiring sector with frame designs that are exciting and innovative, plus incorporating the latest production technology. Frames are crafted from fine quality, hypoallergenic materials, in appealing colours, plus safety factors for notorious tumbles and playground antics. Fashion statement frames also ignite a life-long connection – and identity to – exceptional, intelligent eyewear design. JF Rey has a superb Kids & Teen collection with fresh styling and bright colours. Hannah (above image) happily wears a charming round design – Oasis – created with an exclusive acetate component. www.jfrey.fr
Götti Switzerland’s chic Dimension collection for adults is also available in cool looks for kids – Dimension Next. Luxurious 3-D printing, streamlined styling and sophisticated colourations appeal to emerging fashionistas. Designer Sven Götti approached the designs with an imaginative understanding of the important specifications required for children’s glasses. www.gotti.ch
Trendy, sporty and charismatic designs for youngsters are a speciality at Lafont Paris. Polka dots are timeless, and Lafont features a delightful variation in Devinette in black and white, and a subtle salute to the cat-eye shape. www.lafont.com
Mini-version of sought-after adult styles are skilfully adapted for youngsters in Original Penguin Jr designs. The Mungarutal Jr is a relaxed, carefree, round shape in a contemporary tortoiseshell variation. www.kenmarkeyewear.com
Children’s frame specialist Zoobug London has launched flattering, diverse and desirable designs for spring/summer that will enchant kids. ZB 1039 is a hexagonal silhouette in vivid, bouncy colours of Red, Neon Yellow and Navy (above). Ideal for youngsters 5-9 years old. Photo by Lol Johnson – All Rights Reserved. www.zoobug.com
Exacting craftsmanship, beautiful materials, and styles that children will enjoy wearing highlight frames at award-winning Danish label LINDBERG KIDS. An awesome little shape in air titanium is wonderfully comfortable on young faces, plus frame attributes of durability, lightness and flexibility. www.lindberg.comJG
Consider the eyewear accessory here to stay – a much underplayed fashion item in the past, start-ups and fashion industry creatives have refocused on this element of eyewear to fit perfectly with our insatiable desire to create an individual “style of our own”.
Milan’s Federica Moretti launched Huma Sunglasses + accessories in 2017. Inspired to reflect and embrace the creativity and extravagance of the fashion industry, the hat designer came up with a new eyewear collection idea in a range of clean, “basic” sunglass designs (made in Italy) to be worn with “captivating” decorative accessories – with special fastenings that clip onto temples.
These decorative elements can be worn depending on where your mood takes you. The choice includes small jewellery items that fasten to the ring in the temple, crystals, silks, and decorative stones, through to extravagant slightly humorous acrylic “hair pieces” for those who choose to dress to be seen.
Moretti’s imagination has literally run wild with the hair extensions producing an eccentric look in crazy colours. In contrast, some of the designs are subtle and delicate designed as chic jewellery embellishments, perfect for evenings out, special occasions or a gift for the accessory enthusiast with a taste for all things new and different. For more details about Huma and designer Federica Moretti visit Huma Sunglasses on Instagram: @humasunglasses. Available at I Visionari in Florence https://ivisionari.com/collections/humaCN
Growing in size and stature, the 2019 edition of opti – the German trade fair – offered a vast experience of eyewear from all corners of the earth. It’s hard to know where to start and where to look, and 3 days was barely sufficient to discover the most interesting design directions and innovations of the year.
Our focus was drawn particularly to artisan works addressing a purposeful design thinking, where natural materials are highlighted, incorporated with other materials, and inspiring an extraordinarily interesting study into surfaces and finishes – as in other design disciplines.
Above: Rigards – by Ti Kwa – continues to explore new ways to work with unusual materials. Their gorgeous copper patina finishes are now available in a variety of ‘rust’ and jasper/jade colorations and combinations with the signature miniature lock-in sun clip. Pictured – Model RG1911CU / for Ziggy Chen. www.rigards.com
In a new departure, using wood and metal, Spanish label Nina Mûr pays homage to deconstructivism and the maximum exponent of this movement in Spain, The Guggenheim Museum in Bilbao. The collection consists of two models, Mikel and Izorne (above) in three versions. Following their much loved Memphis inspired collection with Abet Laminati, the Deseraiki launch represents a mature and refined release marked by constructive nuances, textures and materials. www.ninamur.com
Italian label Pugnale has an interesting collection for 2019, following their excellent collaboration in 2018 with architect Hani Rashid. The extensive range this year includes multiple materials such as buffalo horn, leather, mother of pearl and precious silks and several eye-catching pieces such as the square Esaedro which has a metal insert on the bridge. www.pugnaleeyewear.com
Hapter from Italy has an exciting year ahead. A patented hinge – the 8-GON hinge – previewed at opti for the very first time – is to be introduced through the collections. Their extraordinary work with surfaces – in tactile rubber and carefully selected fabric – continues to place them at the forefront of the design led companies in eyewear. www.hapter.it
In the fast growing field of 3d printed eyewear (there are already more than 40 3D printed brands we are aware of), opti offered an expansive overview of the current directions: from the sculptured “creative” look of Impressio (www.impressio.lu) to the minimal luxe of Gotti Dimension (www.gotti.ch) high-precision range in Polyamide and Rolf Spectacles’ new 3d printed titanium Skyline collection – which is printed, with additive manufacturing techniques, in Germany and hand finished in Austria. Rolf’s second Skyline edition offers fine silhouettes in natural colours with textured surfaces that are perfectly in tune with the focus on tactile, “raw” earthy finishes. www.rolf-spectacles.com
The opti boxes are always an ideal location to find new ideas. The collective ‘We are Annu’ were a highlight amongst the start-ups with their paper clip inspired glasses made “half by machine and half by hand”. The innovation lies in the easy modular construction of the frames – made of 3D printed nylon fronts with titanium wire temples (in 3 colour choices) and put together with a simple screwless hinge concept; not forgetting an attentive focus on fit with customizable nose pads and temples. It comes as no surprise that an independent optician is among the co-founders. More details at: www.weareannu.com
Eyestylist.com will identify other key trends discovered at opti in the edits we have coming up through Spring 2019. opti munich returns in January 2020 – save the date -10th to 12th January – www.opti.de CN
Dreary, cold, damp winter days bring thoughts of warm, tropical environments; a sunny ambience: rest, relaxation, and fun! Fashion designers salute and celebrate the Resort/Cruise season with stunning outfits, and eyewear creators ensure ensembles are memorably complete with glamorous sunglasses. Treat yourself to new and ravishing sun specs with exceptional quality; tech-savvy materials; sleek styling; and glorious colours. American designer Zac Posen launches new sun styles that include Dolly (top image), a charming and appealing acetate cat eye with trendy narrow proportions in Peach fade – a colour that harmonises with a glowing suntan. www.kenmarkeyewear.com
Resort holidays and clothing have a distinct and notable glamour – so do sunglasses! Express your inner diva in this charismatic design – style 039 C1 – by Sol Sol Ito in Switzerland. The voluminous square shape in two-tone acetate with surgical stainless steel sides is bold, adventurous, and irresistible. www.solsolito.com
FLEYE Copenhagen’s Flowers of Denmark campaign enlivens sunglass designs that are expertly crafted in stunning new acetate patterns and colourations. The multiple-award winning Danish label endorses graphic elements, as seen in Cloud (above). The sun style is among seventeen new designs from FLEYE’s Signature collection. www.fleyecopenhagen.dk
Seductive sunglasses by Anna-Karin Karlsson are expressive and dramatic. Voluminous and finely sculpted in acetate, Bang Bang Baby makes an alluring impression in subtle colourations and 24-caret gold plating with twinkling crystals on the sides. www.annakarinkarlsson.com
One of the most elegant and classical materials in eyewear is Indian Water Buffalo Horn. Delirious Eyewear, luxuriously crafted in Italy under the watchful eyes of founder Marco Lanero, utilises ethically sourced Buffalo Horn. Their sunglasses manifest generous proportions and uncluttered lines. Quality Zeiss lenses with reflective coatings ensure beauty as well as sun protection. www.deliriouseyewear.com
For Resort and Cruise – and visions of a glorious, sun-drenched summer – JF Rey in Marseille presents a beautiful alloy frame with stylistic details and aesthetics of refined metal craftsmanship, plus gold engravings that distinguish this silhouette. www.jfrey.comJG
Countdown to the opening of opti19 in Munich is only a few days away. Eager visitors are able to view imaginative, innovative, and stylish eyewear at the three-day event that takes place 25th-27th January, at the Munich Fairground. The exhibitors this year are irresistible and exuberant as designers and companies from around the globe showcase their creativity and ingenuity with fascinating eyewear. Inspiration and imagination for sleek and sophisticated eyewear spring from many sources.
Birgitte Falvin at Falvin Eyewear is captivated and enamoured with the streamlined beauty of The Crystal Building in Denmark. The elegant structure derived from its light, crystalline form rests only on a single point and single line – with commanding views of the Kalvebod Bygge waterfront. She has integrated this vision into her new collection of cutting-edge designs, including Zodiac (top image) combined with artisan components, and Japanese craftsmanship. Schmidt Hammer Lassen, an international architectural firm acknowledged for their distinctive buildings, libraries and art galleries, designed the environmentally-friendly structure. Discover FALVIN at opti in Hall C1 Stand 516. www.falvineyewear.com
An innovative application of 3D printing united with the airiness of rimless, creates a sophisticated interplay of finesse and elegance in Perspective BOLD from Götti Switzerland. The designs have unique character with the silky-matte 3D trim combined with lens transparency. The frame is constructed without soldering and screws. Gorgeous colours too! Learn more about Perspective BOLD in Hall C1 Stand 126. www.gotti.ch
Karmoie interprets the Japanese art of Origami with its decorative shapely contours. The artisan independent Norwegian label crafts fine acetate into a sleek silhouette that is particularly effective for small faces. Shown in Nimbus, Origami is also available in four additional colours that reflect the beauty of Norwegian waters and forests. Karmoie is in Hall C1 Stand 632 www.karmoie.com
Vinylize Eyewear in Budapest presents their latest innovation in frames with a Special Edition crafted from AC/DC’s 2009 Black Ice album. The specs feature a layered interior lamination visible only when viewed from certain angles. Visit Vinylize at opti in Hall C2 Stand 629, and see their complete collection of creative eyewear crafted with vinyl records. www.vinylize.com
Soft, spring green is elegantly infused onto Monoqool’s chic design – Tattoo. Advanced technology with innovative 3D printing and high fashion, creatively unite with Monoqool’s launch of twelve sleek optical styles they are presenting at opti. The frames are featherweight, crafted without screws for the ultimate in comfort and durability. The Danish brand offers a unique selection of shapes and colours – discover them all in Hall C2 Stand 635. www.monoqool.com
Hints of champagne – little bubbles reminiscent of the effervescent sparkling drink – cheerfully accent Mille + 64 from theo in Belgium. Eight different and dynamic colours highlight the panto shape in stainless steel. See the entire Mille +64 collection and other ingenious and visionary theo designs in Hall C2 Stand 330. www.theo.be
Luxury metals, dramatic shapes, and comfort embrace the finely crafted designs by Jesse Stevens and Ainjali Fine at Finest Seven. The glamorous designs were photographed in the cult bar “Bananas” in Barcelona (above) including Zero 17: distinguished and impressive aviator with gold mirrored lenses, and on-trend double bridge. Visit Finest Seven at opti Munich in Hall C1 Stand 125. www.finestseven.com
Tortoiseshell frames in fabulous new colourations encapsulate the appeal of a material that is treasured in eyewear designs. Claire Goldsmith’s optical collection includes three new striking tortoiseshell variations with Robinson – Green, Blue, and Black. The contemporary, sleek shape is also ideal for sunny conditions with the addition of a polarised sun clip, to enjoy the mystique of a commanding design statement. Both Claire Goldsmith and Oliver Goldsmith optical and sun creations can be discovered in Hall C1 Stand 222. www.clairegoldsmith.com
The beautiful “Flowers in Denmark” campaign by FLEYE Copenhagen, unveils the summer version with stunning styles, lovely flower-related engravings and subtle colourations. Among the new optical designs is Himmel, with its intriguing, flattering angles. The entire FLEYE collection will be on display at opti in Hall 1 Stand 619. www.fleyecopenhagen.com
For a spirited display of eyewear, opti Munich is the place to be – and to be seen – this weekend – 25th-27th January. More details at www.opti.de JG
At the 100% fair in London, the UK showcase for all things optical, the year kicked off with diverse eyewear statements, bountiful colour and a mix of individual collections and new accessories that suggest an eclectic trend forecast for the year. It was a chance for some smaller labels to launch and be seen in the UK, alongside annual exhibitors and historic eyewear companies that have a strong and established following in the UK.
Above: model Bert in corn, from The Centena Collection by Kirk & Kirk, eye-catching shapes and dynamic colours. The brand has just launched their new campaign. www.kirkandkirk.com
Accessories label Le Kevin, by Michele Quastel, launched a range of colourful unisex leather glasses holders at 100% Optical. The materials featured range from 100% luxury leather to vegan leather-look designs. This is a lovely practical wearable accessory, that would make an ideal gift. We expect to see much more of this brand in the months ahead: www.lekevin.co.uk
Von Arkel is a luxury eyewear company from Switzerland, established in Europe, and ready to expand into new markets. With contemporary style, the company has developed their own technical hinges inspired by Swiss watchmaking. New innovations are coming for 2019…keep an eye on www.vonarkel.com
The quirky cateye is still enjoying a revival, and judging by the examples we saw in London, many new versions are coming in 2019, in metal or in acetate, in classic or bright tones. This narrow model Ezra by Andy Wolf stood out as a nice choice for those who love the classic colorations and the upswept feature of this glamorous feline classic. www.andywolf.com
The rise in interest in ecological brands, as concerns heighten over the devastating effects of plastic waste, was evident at 100% Optical with several exhibitors showing a sustainable focus including BIRD, Pala Eyewear and Sea2See. The founder of Sea2See – Francois van den Abeele – has created his own eyewear material out of recycled ocean plastic collected from the Catalan coast. The injection molded frames are made in Italy and offer a simple minimal design with classic colours which include havana and matt black. More details at www.sea2see.org
The Royal College of Art Design competition – run in a collaboration with 100% Optical – celebrated optical talent and achievement with six finalists showing creative eyewear projects for the future. Annie Foo came first in the design competition with ‘Party on Face’, using music and fashion as expression and making glasses light up and flash in time to music.
As innovation in 3D printing moves forward with leaps and bounds, in eyewear, new design directions focus on the extraordinary lightness and comfort of the Polyamide material and, increasingly, its adaptability to produce different, more creative eyewear designs. Specialists in 3D printed frames, Danish company Monoqool continues to work in this field with a particular focus on the perfect balance of comfort and astute contemporary style. With an architectural aesthetic and an underlying passion for Danish design, Monoqool has taken their collection forward with combination styles featuring Polyamide fronts and fine metal temples in a palette of eye-catching modern colours from ochre and violet through to a light, dusty green.
Above: The spectacular Ragnarock Museum of Rock in Roskilde (http://museumragnarock.dk/besoeg/), Denmark was selected as the venue for the Spring/Summer campaign. The setting is a colourful, unusual building designed by Cobe Architects (http://www.cobe.dk) – inspired by the 70s looks of Danish designer Verner Panton (http://verner-panton.com), who shocked the world with his colourful space age design.
For SS19, the Danish brand launches 12 eyewear shapes and four new sunglasses. “We aimed for a mix of frames, from the colourful and extraordinary to the classically cool,” says Allan Petersen, founder of Monoqool. “Four new colours are added to the already considerable line of 3D printed frames.”
The line up of frames features the popular Monoqool Slider series with a flat horizontal temple and screwless hinge. The Slider frames are made in ultra lightweight 3D printed polyamide material, which results in a frame weighing only 4 grams. It is in the Monoqool DNA to make frames with a high degree of comfort and which are easy to adjust and give a perfect fit – as well as offering contemporary design and an accomplished attention to detail.
Monoqool will exhibit the new collection at opti Munich in Germany from 25th to 27th January 2019. For more details about the latest designs, visit their website at www.monoqool.com. CN
Munich’s expanding international fair for optical professionals – opti – takes place in a few weeks at Fairground Munich. Known for its wide variety of exhibitors and impressive line up of independent designers, the event is one of the highlights of the optical year in Europe, and is increasingly attended by retailers and business professionals from inside and outside Europe.
This year, the fair offers an exceptional mix of creative designers and distinctive eyewear collections from as far afield as Hong Kong, the US, Swedish Lapland and Canada. First time exhibitors include Rapp, Nirvan Javan, Frency and Mercury and Specs Lab Zurich.
A selection of start-ups and small labels will show in the OPTI Boxes (Hall C2), some, such as Lightbird (Italy), showing product for the first time. Above: Young label PORTRAIT Eyewear from Italy will show their new artistic Glitch Series (opti BOXES). The Interface sunglasses (above) are a tribute to Peter Campus, the American pioneer video artist. www.portraiteyewear.com
Oliver Goldsmith pioneered the idea of “winter sunglasses” in 1966, according to Claire Goldsmith. In an article written about them in the 60s in the UK, the concept was explained: “The idea was that these designs should be worn in the winter months as there was insufficient sun-light to warrant wearing dark lensed summer sunglasses.” Originally, the lenses were made from precision ground optical glass and were very pale in density making them ideal for wearing indoors as well as outside on dull winter days.” Re-exploring the concept with special releases for opti19, the new styles offer the statement style of Goldsmith designs and are fitted with state-of-the-art soft hued lenses by Divel Italy for exceptional comfort and protection. www.olivergoldsmith.com
Always bold and decorative, J F REY’s BOZ collection continues to offer surprising shapes and eccentric combinations, designed with sophisticated creative touches. The BOZ collection will be exhibited with JF REY, 1985, and the much praised leather line – Le Cuir – at the opti fair. www.jfrey.fr
Tavat Eyewear has launched a series of exciting designs in recent months. Their ability to use innovative construction in multiple designs and material combinations continues to develop through a strong commitment to original design and artisan excellence. Find them at opti and visit their website at www.tavateyewear.com
Titanium experts Blackfin return to the fair in Germany with new styles in the Black Edition, where a special treatment – Blackfin Nano-Plating™ – creates shiny finishes on the advanced material. Find out more at www.blackfineyewear.eu
opti Munich takes place atFairground Munich from 25th to 27th January 2019. The show will offer an extensive new layout as it expands to include Halls C5 and C6. For full details and a full list of exhibitors, visit www.opti.de CN
As the first fairs of the 2019 Spring season approach, eyewear companies will reveal the trends of the months ahead, fresh innovations in design, and expressive new colour codes to explore and inspire. 100% Optical, the UK’s optical fair – which takes place at ExCel exhibition centre will set the scene for the Spring optical calendar from 12th to 14th January 2019 and promises a selection of independent eyewear designers as part of the line-up which also includes innovative lenses and technology. Above: From Denmark, LINDBERG is one of the leading independent luxury companies exhibiting at 100% this year. Their collections include fine materials such as titanium, wood and buffalo horn. www.LINDBERG.com
British label Kirk & Kirk are staunch supporters of the UK fair and return with their colourful Centena collection in January, designed by Jason Kirk in celebration of his family’s 100 years in optics. This line is unique in its 10mm acrylic material which is flattering, bold yet – at the same time – surprisingly light to wear. The sculptural look of the frames is part and parcel of their unique appeal. Check out www.kirkandkirk.com
Ørgreen Optics has an exceptionally strong and varied selection of eyewear collections to show for 100%: as well as the new acetates in the latest Minimal Vintage Collection, they have just announced a 3rd Quantum collection, which features their exceptional spherical hinge design and showcases their design skills in combining Polyamide and titanium. Visit www.orgreenoptics.com
Part of The Eyewear Design Group, Woow Eyewear will exhibit with other exceptional collections in this portfolio of brands which also includes FACE A FACE. Woow is colourful, exuberant in character and always injects humour and fun! www.wooweyewear.com
neubau’s latest sunglasses edition offers a homage to Bauhaus founder Walter Gropius and the painter Wassily Kandinsky. The shape of the model is based on the Bauhaus philosophy of “form follows function” while the design and material choices are directly inspired by the movement, with a titanium frame based on bent steel tubes combined with fade tint mirror lenses recalling the facade of Walter Gropius’ Bauhaus school building in Dessau. neubau will exhibit their new optical and sun collections alongside sister company Silhouette Eyewear at the London fair. For more details about the brand, visit www.neubau-eyewear.com.
Just released a few days ago the new Elevate collection by Monkey Glasses also goes on show this month – this sustainable brand is one of several to exhibit at the London show (Bird Eyewear and Pala), and highlights the growing interest in recycling in the frame business. The brand has begun to use packaging in recycled paper as part of its eco action to go plastic free. For more details visit www.monkeyglasses.com.
Arranged by the fair organisers, this year’s RCA Eyewear design competition’s theme is 2020 Vision in Motion. The competition asked the Royal College of Art students to design and make a maquette of a new vision device, which functions as a health aid/ protection as well as a style statement we are opening up the range to possibly include; viewfinder/ device/ VR headset. Six finalists have been chosen by the judging panel and their work will be on show during the 3-day event : Andrew Cullo, Annie Foo, Fi Grew, Giulia Lombardi, Loy Chen and Sunny Kitfung. The winner will be announced during the fair.
When a titanium specialist like Ørgreen announces a new departure in acetate, all eyes are upon them: the material is different to work with, unique in its colour possibilities, transparency and design focus when compared to the characteristic pared back look of metal frames.
Launched in Spring 2018, the Minimal Vintage Collection strives to uphold the same quality and minimalist design typical of the Danish design company whilst adding a vintage feel with nostalgic design references suited to the acetate material. It has taken painstaking research and study – and the commitment and unreserved enthusiasm of the young entrepreneurs behind the label who set out to achieve a high-level wearable fashion collection, with individual, innovative touches. The acetate launch signifies an important step for the business that has grown successfully in the titanium eyewear field since Henrik Ørgreen and the co-founders first set up in 1997. Above: model Michelle, a shape within a shape – daring, playful and easy to wear.
“The Michelle frame is not your regular cats eye throw-back design, the colours are much more graphic with unique details on the corners…”
For the current season, men’s and women’s styles have launched including models Jose and Michelle pictured, paying attention to the refined aspects of transparent colours such as nude, rose and blush and blending them with more concentrated tones to allow for definitive accents at certain points on the frames.
An independent label, Ørgreen is based in Copenhagen – the frames are available worldwide from high level opticians and include models in titanium, acetate and state-of-the-art 3D printed Polyamide. All the latest models are now available in selected stores and through Ørgreen’s flagship store (Copenhagen). Find more details atwww.orgreenoptics.comCN
Glittering holiday events present magical possibilities for fun and fashion flourishes – and eyewear is no exception! Designers concur – as frames are beautifully crafted with luxurious diamonds, sparkling crystals, and captivating accents. The exceptional designs are not only holiday oriented: shapes and exquisite colours are destined to be worn beyond this glorious period, and will enliven and brighten your days – and attitude – throughout the year. Celebrations start early for Finest Seven and Frame Chain, where their brilliant designs were photographed at the trendy cult bar – “Bananas” – in Barcelona (above image). Finest Seven’s glamorous, lightweight sunglass designs provide luxury, comfort and elegance. www.finestseven.com The prestigious UK brand Frame Chain ensures your frames are protected with sophisticated and practical chains in plaited silver and gold. www.framechain.co.uk
If the holidays take you to sunny climes, the dramatic shaping that characterises The Emperor, by award-winning Swedish designer Anna-Karin Karlsson, is certain to dazzle. The bold silhouette features crystals set in Japanese Titanium, plated in White Gold with Carl Zeiss lenses. www.annakarinkarlsson.com
Twinkling Swarovski crystals adorn a stunningly sculptured shape with Art Deco echoes on the frame sides. Capeline by Lafont Paris is available in a lovely selection of colours. www.lafont.com
The beauty and flexibility of acetate is splendidly featured in l.a. Eyeworks Pancha – clear acetate with a delightful, confetti-peppered motif in vivid colours. www.laeyeworks.com
For merry and bright occasions, JF Rey proposes Havane – a spirited design with its stunning round shape, stylish colourations and intricate details with sleek gold engraving. www.jfrey.fr
Buffalo horn is a traditional favourite for the embodiment of fine frames. LINDBERG luxury and flourish are captured in the latest designs teamed with white gold. www.lindberg.com
Jono Hennessy in Australia embraces the jubilant mood of Carnivale – with fabric-patterned frames in joyous colours. Discover the variations of The Carnivale Collection at www.jonohennessy.comJG
Italian craftsmanship is long revered in fine accessories…often viewed as an art form. Luca Gnecchi Ruscone (above photo) – the creative force behind L.G.R – combines the tradition of superb workmanship with his deep love of and passion for Italy and Africa. These elements ensure eyewear with artistic flair, purity of line, and subtle elegance.
The latest collection of stunning eyewear designs for men and women includes expressive eyewear shapes with timeless chic.
The finest quality hand-polished materials in acetate and metals are transformed into sunglass and optical designs that are equally comfortable for city and country pursuits.
The enduring beauty of tortoiseshell and the interplay of subtle interpretations in neutral tones gives the frames distinctive finesse.
L.G.R eyewear designs are sold internationally in style savvy opticians and boutiques. The frames are also available in the smart, sophisticated, L.G.R boutique on Corso Garibaldi in Milan. Explore and experience the individualistic eyewear artistry of L.G.R at www.lgrworld.comJG
Eyewear from across the globe will find its way to London in January for 100% Optical, the UK’s premier optical event (for trade), now in its sixth year. The event is a showcase for new and established eyewear collections, as well as the latest innovations and cutting-edge technology – and takes place at ExCel exhibition centre in East London. The fast expanding independent eyewear design collections are represented each year by a selection of highly regarded companies including Andy Wolf, Tavat Eyewear, Silhouette and Francis Klein. Above: Tavat Eyewear returns to 100% in 2019: their collection continues to expand with striking designs in premium materials and a much praised and innovative ‘sandwich frame design’ called “SoupCan”. www.tavat-eyewear.com
FACE A FACE will bring chic colour to the London fair and new 2019 sunglasses with an audacious character in their interpretation of light and colour.
“Our new collection is all about exploring colours and the dynamic movement created by sculpting with light,” explains Pascal Jaulent, Head of Design at FACE A FACE. “Playful transparencies highlight the contrasts between being and not being, challenging the viewer and creating optical illusions.” www.faceaface-paris.com
Newcomers to the London event will include Lafont Paris, a label which has long been appreciated in the UK for its quality, elegance and design excellence. For those unfamiliar with Lafont, this Paris based company has an exciting history, originating in the 1920s. Their expertise continues to evolve with extraordinary creativity under the direction of brothers Matthieu and Thomas Lafont. www.lafont.com
Another notable addition to the London fair for January – and a must-see – is the Swiss label Von Arkel. Currently Von Arkel’s innovations and extraordinary design precision in the luxury eyewear segment is propelling the business quickly into new markets and the most exclusive optician’s stores, internationally. Their secret ingredient is there successful “marriage of eyewear manufacturing and Swiss watchmaking inspired hinges.” Find out more at www.vonarkel.com
Swiss label Gotti is a regular exhibitor in London, successful across the country for its appeal both technologically and in terms of its unique comfortable materials and design competence. As well as gorgeous titanium collections, they also highlight achievements in 3D printed eyewear, as one of few labels that has mastered a sophistication in the 3D printing process and combination designs using Polyamide and other materials – the resulting designs are impressive and a delight to wear. More information at www.gotti.ch.
100% takes place at London’s ExCel from 12th to 14th January 2019. The event has announced the launch of “Eyewear Week” from 7th to 13th January to further raise the profile of eyewear as a fashion accessory. To find out more visit https://www.100percentoptical.com/ CN
Paul Smith and Cutler and Gross are to join forces as eyewear partners, with a first collection launch planned for March 2019. The British eyewear brand will utilise its traditional production expertise that spans almost 50 years to create Paul Smith eyewear and sunglasses with a luxurious finesse in the metal and acetate materials and subtle design details that will tie in with the fashion designer’s colours and tailoring. Marie Wilkinson, long serving Design Director for the London eyewear brand will oversee the creation and development of the frames in collaboration with Smith’s design experts.
In a statement, Paul Smith explained: “I’ve always had enormous admiration for Cutler and Gross. Before we sadly lost him, Tony Gross was a personal friend of mine. The attention to detail and expertise that Tony practiced is still absolutely central to the work the company are doing today. I’m delighted to be collaborating with Cutler and Gross and look forward to an exciting and creative future.”
The frames, which will feature high quality Dalloz sun lenses, will be on show to retailers at Mido Milan – the Italian trade fair – in February. They will then be available from Paul Smith and Cutler and Gross outlets and a selection of premium stores and opticians globally. For more details about Cutler and Gross visit www.cutlerandgross.comCN
LINDBERG Precious embellishes winter festivities with the opulence and beauty of their handcrafted eyewear. The award-winning Danish label – who just received the German Design Award for 2019 in the Lifestyle and Fashion Category – celebrates this wonderful season with frame designs in 18 carat gold with splendid diamond highlights.(Above image: 18 carat solid rose gold with a 0.33 carat baguette cut pink diamond, and a 0.38 carat baguette cut purplish pink diamond)
The frames exude masterful engineering with silhouettes that are exquisitely shaped to the contours of the face. Pink is fashion’s energetic and spirited colour of the season, and LINDBERG extols its virtues with the highest quality diamonds in alluring pink – as well as exclusive options in black, and raw uncut, clear diamond accents.
With minimalist construction, the frames are featherweight, yet durable, and each frame is individually crafted. The distinguished collection includes designs for men and women.
Treat yourself this holiday season, and just as importantly – your eyes – to the dramatic brilliance of a LINDBERG Precious design – a gift that truly keeps on giving – with its timeless, sophisticated beauty. www.lindberg.comJG
Simplicity is sublime and nobly emulates in the streamlined eyewear designs by Von Arkel in Switzerland. Complex engineering by master craftsmen combined with traditional spectacle making techniques, ensure that Von Arkel frames accentuate innovation; lightness; unparalleled flexibility; and comfort.
Switzerland excels in watchmaking, and certain elements unique to that industry are also reflected in Von Arkel designs – such as chamfers (cut-aways to make a symmetrical sloping edge) and the intricate, meticulous polishing – so respected and renowned for Swiss watches. These characteristics are beautifully expressed in Calibre 4 Outline designs.
Buffalo horn has long been considered amongst the most regal of eyewear materials; used in spectacle making for centuries. However, Von Arkel has a modern, environmentally-aware take on Buffalo horn – using only horn from domesticated Indian buffalos that have passed away. Warm, rich tones of Buffalo horn united with Von Arkel’s intricate, precise crafting results in a luxurious design that will be appreciated – and enjoyed – by the discerning wearer.
Superb gemstones opulently accent frames that are exquisitely crafted with unprecedented quality and distinction. Shimmering diamonds sparkle on a Calibre 8 Steelmaster design that embraces the apex of sophisticated gracefulness.
The Calibre 9 Entourage collection includes sleek silhouettes with enticing details: no rivets, no soldering or setting – and no screws. The Calibre 9 has a complex, hidden mechanism featuring a friction-controlled movement – a hinge that is durable, and a frame exceptionally comfortable to wear. Discover more of the illustrious and exquisite spirit of Von Arkel Switzerland at www.vonarkel.comJG
The rise of the eyewear chain continues as our love affair with decorative details, chunky gold jewellery and semi-precious stones moves forward into the new season. The UK’s no. one company in this department – Frame Chain – has come over all glam for 2019 – proposing a wide selection of new designs as the finishing touch for any outfit – for women, and yes, men too. Above: Classic pearls are a feature of the new season collection at Frame Chain.
With the launch of their new campaign, designers Vanessa Harrington and Ann-Margret Kearney demonstrate the complete versatility of the chains, which are equally as beautiful worn as a necklace (top image) or suspended from the frame itself (see above). We also love the bling effect of two or three worn together!
All the designs come with two sets of attachments in black and white, to coordinate with your chosen eyewear, and feature a small statement Frame Chain logo plaque. More styles can be found at www.framechain.co.uk as well as Selfridges, Matches and Liberty of London. CN
Campaign Credits: Photography by Alastair Strong / Stylist Ailsa Jane Miller/ MUA Anna Gibson / Creative WE ARE DISCO/ Models Nejilka & Paige Saffron.
The passion to create original and imaginative eyewear creatively flows in the Goldsmith genetic code. The family-run business – now under the leadership of dynamic Claire Goldsmith – is embracing new horizons for the nearly century-old British company. Claire comments on the creation of her own innovative collection – Claire Goldsmith Optical.
Please tell us how you perceived and envisioned the concept that developed and evolved into CG Optical? “CG evolved through an inner ambition to pursue something for myself. Initially all the OG designs we made were replicas of styles held in our archive. They were relics brought back to life in beautiful new colour ways and modern acetates. We’ve since developed the collection to include new original designs, but at the conception of the relaunch there wasn’t a platform for me to create new styles. I was dubious about doing so under the Oliver Goldsmith name. It was so iconic and historically treasured. I wanted something of my own to create, and so the natural evolution was to launch my own brand.” (Above image:Claire Goldsmith)
Was your inspiration or motivation influenced by fashion trends; art or architecture; travel; or other appealing circumstances? “My initial inspiration certainly came from my heritage and the incredible brand my great grandfathers had created and the legacy they left behind. OG was at its peak during the 1960’s and 70’s – and these decades continue to be enormously influential to me: from fashion, car design, architecture…there is something so cool about that period of time that I am forever drawn to the fantasy of the era – the celebrity, the clothes, the apposition of both frivolity and attention to detail – in detail. But CG is a new brand, and much as I enjoy looking to the past for inspiration, it is today’s customer we are dressing, and as a Londoner (myself) and as a London brand, I am lucky to be continually inspired by the city, and the people who live within it.”
What are your favourite materials and colours in which to create a collection? “OG is an acetate brand, and so it’s very much what I know best. It’s a material I understand, and I love the joy of creating new materials through laminates or changing the thickness of a frame to reveal the richness of its colour. For me, acetate is part of our identity, whether we are talking OG or CG. I adore super light stainless steel frames; I think they are beautiful, but you can’t be every brand to every person and it’s exhausting trying to be. I dabble with metals and combination frames, but my core material will always be acetate – other brands already do metals or wood or vinyl so well – I’ll stick to what I know and do best!”
What is the demographic profile of the CG Optical wearer? “I don’t really think demographics exist in the same way they once did. The CG customer is varied, simply because of the incredible cities and stores around the world where we are represented. Our frames are contemporary classics, and our customers tend to revere the values of the brand rather than because they fit into a particular demographic. We’ve dressed the eyes of so many different people, and so many age groups, and I love that.”
What shapes and colours do customers most desire this season? “When I purchase something I want it to last more than a season, and I like to think my customers buy into CG as a lifestyle rather than a seasonal piece. Personal style is so – well – personal – and if my frames can help someone express themselves or become an integral part of their image, then that makes me happy. I truly don’t design to fit into trends. Of course, I’m conscious of what fashion is dictating, but what someone wears on their face doesn’t always correlate with what they wear on their body. There are some amazing brands producing incredibly modern and fashion forward eyewear who dictate micro trends within the eyewear industry, but the colours and shapes we produce at CG focus more on longevity.”
You love to create and have an enterprising spirit. Are there possible creative design thoughts or ideas being cultivated? “Definitely! We are living in such an entrepreneurial era, with the internet and social media providing a platform for almost anyone to launch a brand or concept. I find this both incredibly inspiring and at times, overwhelming, but I do like the idea of being able to be creative in other industries: to dabble or delve into different projects as I see fit. For now, CG an OG keep me more than busy, but who knows, perhaps that enterprising spirit will need exercising at some point!” www.clairegoldsmith.comJG
“Since 2012, we have held Die Brillenmesse Stuttgart at Motorworld in Boblingen,” said organiser Nathanaël Wenger, “and this year we decided to change the venue to the centre of Stuttgart, where we found a beautiful, historical building – Haus der Wirtschaft. (Top image:Lars Malmsten Vasuma Eyewear and Nathanaël Wenger)
“Quality, independent labels were present – including among others – Blackfin; Orgreen; Von Arkel; Vasuma; Nirvan Javan; Didier Voirol; Götti; Coblens; and neubau. However, we were disappointed with the number of opticians that visited during the two days – which was below our projected expectations. Perhaps the rivalry of superb weather; Stuttgart’s Octobefest; shops open on Sunday; and Stuttgart’s challenging traffic contributed to fewer shops visiting.
“It has always been our goal to bring independent designer brands and opticians together. We have so enjoyed our years of involvement with Die Brillenmesse Stuttgart, but have now decided not to continue for 2019, and will focus on Hall of Frames Zurich for next year. We look forward to seeing you in Switzerland!” www.hallofframes.chJG
Jubilee festivities resonate – as Kirk & Kirk salutes the 100th anniversary of the renowned British brand, with a stunning new range of beautiful designs in exquisite colours – The Centena Collection. Jason and Karen Kirk – the guiding force bringing the label and its optical history into the next century – commented: “The Centena Collection is important to Kirk & Kirk, as it is an embodiment of the celebration of the Kirk family’s one hundred year history in optics. (Top image: Dennisin in Crystal; Sarah in Walnut; Esme in Crimson; Cecil in Tiger; Sidney in Corn from The Centena Collection)
“Ever since Sidney and Percy Kirk converted a sewing machine into a lens cutter back in 1919, the Kirk family has innovated eyewear, offering technical or stylistic approaches that are designed to excite and inspire. The Centena Collection mirrors this enthusiasm with its use of acrylic, an unconventional, avant-garde material that is featherweight – and incredibly comfortable to wear. We have used 10mm acrylic for this collection which has been such fun to work with. Each frame is like an individual sculpture featuring beautiful angles to exploit the glasslike properties of the material.”
Acrylic is not only lightweight – it is strong and durable. The colours are luxurious – Iris, Tiger, Corn, Crystal, Crimson, Walnut, Sage and Royal. Designs are bold and strong manifesting the confident colours that re-enforce Jason and Karen Kirk’s philosophy that fine eyewear is made to be experienced – and enjoyed. Visit www.kirkandkirk.com for more CENTENA details – and other optical and sunglass designs. JG
Celebrations accompanied the 10th anniversary edition of Hall of Frames Zurich, which took place in “Papiersaal” in Sihlcity in the centre of town. Organiser Nathanaël Wenger noted: “Forty-four exhibitors presented their autumn designs over two floors with the urban style of the former paper mill relating well with the design claim of Hall of Frames. Almost all Swiss Eyewear brands were present, including Newcomers Baselli; Fussungswerk; Specs Lab and Nirvan Javan, and interior designer Martha Arenas. Others are well established like Götti; Didier Voirol; Einstoffen and Von Arkel.(above image left to right) Marco and Rico Rihm Specs Lab Zurich; Martha Arenas Interior Designer; Nathanaël Wenger HOF Zurich organiser; Joan Grady Co-Founder Eyestylist.com; Sven Götti Götti Switzerland; Birgitte Falvin Falvin Eyewear
“It’s great that the designers use Hall of Frames to show their work together with other well-known international eyewear designers.” Among others participating included: Any Di from Germany; Rolf Spectacles, Andy Wolf and neubau from Austria; Falvin and Orgreen from Scandinavia; Vasuma from Sweden; Blackfin in Italy; Vinylise from Budapest, and Face à Face in France.
The occasion was highlighted with a celebration dinner on the Sunday evening, organised by Nath Wenger with superb food, in the atmospheric restaurant “Rüsterei” in the Papiersaal venue. “Approximately fifty opticians and exhibitors shared and enjoyed a pleasant evening together,” said Nath, “with a relaxed atmosphere, and exhibitors and visitors felt very comfortable in the location.”
With the positive feedback, the show will again be held in Papiersaal for the 2019 event. Note the dates now – 22nd and 23rd September 2019 – one week before Silmo Paris.
In the meantime, Eyestylist will keep you up to date on events and exhibitors for next year’s Hall of Frames Zurich at Papiersaal. www.hallofframes.ch JG Photos exclusively for Hall of Frames Zurich by Robert Gose All Rights Reserved
Eyewear colour has realised new heights and horizons this season with boldness, creativity and the surprisingly unexpected. Whether you favour serene and subdued, or bright and energetic colourations – the vast selection of eyewear hues affords endless possibilities for spectacle wearers. Res/Rei celebrates colour (above) with unique combinations in custom-crafted acetates, all handmade in Italy. Ortensia is the latest addition to the Res/Rei collection of stunning optical and sunglass designs. www.resrei.com
Exclusive colour tint lenses by Carl Zeiss take centre stage at Anna-Karin Karlsson with her glamorous Full Moon sunglasses, inspired by the colour of the sky where Anna-Karin lives in the Stockholm Archipelago. www.annakarinkarlsson.com
Nowadays, Graffiti is everywhere – so why not eyewear? Theo has the solution with The Graffiti Collection designed by Serge Bracké that implements fabulous colourations that automatically stimulates the ultimate street cred. www.theo.be
Finest Seven brings spirited colour to their plated surgical stainless steel sun specs – Zero 14 – with a striking inner acetate rim in bright orange. Voluminous in shape, the frames are superbly lightweight. Visit www.finestseven.com for more sleek designs.
Soft shades of pink with a hint of rose feature in eyewear with Sandbridge by Blackfin – suggesting a delicate yet dramatic, expressive style. The unique titanium frame structure with its sophisticated colouration is totally handcrafted by Italian artisans. www.blackfin.euJG
The New York eyewear scene continues to see a healthy surge in creativity and directional trends. This month sees the launch of yet another newcomer called SpiltMilk Eyewear, set up with the creative input from the NYC based designer Vidal Erkohen (RVS Eyewear). Made in Japan, with focus on quality standards and innovative design concepts with a global inspiration, the collection is proposing some experimental ideas “to represent the conjunction between fashion and culture” and builds from a high-energy colour palette – on point for SS19.
In the mix for the launching collections of sunnies are designs that combine two shapes in one (Bali), a super round shape with inner rim connected with an open wire mesh (Bora Bora), a detailed aviator statement piece (Maldives) and a narrow elongated trendy wire form that is slightly upswept – in chic combos such as lime with scarlet and pastel pink with black (Phi Phi).
The new brand has been under development since 2017, and is owned by Saif Ghobash (London) and Judge Khanna (NYC) – a New York based accessories designer. Spilt Milk launches its first sunglasses collection at the end of October and goes online shortly at www.spiltmilkeyewear.com. CN
The award winning Austrian label – Rolf Spectacles – excels in moving beyond barriers to create new possibilities and horizons. When the company launched, Tyrol woods were crafted into superb quality frames. Then there were unique designs in stone, and luxurious buffalo horn frames. For their latest eyewear adventure, Rolf has launched a Titanium collection with fresh innovations.
The Titanium Skyline Collection includes sixteen designs for prescription glasses, and six sun styles. Technical engineering is evident with intricate detailing, so finely optimised, and the frames are amazingly slim and light. The glasses are made with only three major components, so therefore, highly flexible, as well as sturdy. Finishes are smooth and sleek, or beautifully textured.
Rolf stated: “Our mission is to follow our vision, to create new things never seen before, and to set new trends while remaining true to our roots.” For more information on the distinctive Titanium Skyline Collection – visit www.rolf-spectacles.com JG
Creative highlights from this year’s Paris eyewear event
There’s one thing we are always in search of at the international eyewear event, SILMO: and that’s innovation with a clearly defined creative or technical achievement in the construction, design or overall concept. This year the stands were loaded with forward-thinking design work and original collections, for the most part, with a strong infusion of interesting colour, exquisite tonal and material combinations, and increasingly daring shapes – which sat alongside very minimal pared back collections where the focus is clearly on lightness and comfort.
Key shapes included elongated cateyes and new 90s-inspired ovals, but the shape story is not confined to these statement looks and we found many geometric forms, octagonal or hexagonal shapes, and a strong trend for complex shapes or constructions that require accomplished design tricks with layering, cutting and colour. Above: a new collection by FACE A FACE with imagery which explores the phenomenon of Synaesthesia. The frames play with contrasts of colour and materials, taking inspiration from the world of fine art.www.faceaface-paris.com
Ørgreen’s state-of-the-art Quantum collection saw the addition of the first Sun styles – a brilliant collection of 5 unisex, male and female designs, with futuristic cases fitted uniquely with the specific form of two of the statement styles.
Pictured above, 3.11 is one of the statement pieces among the designs: an oversize sun style for women which takes strong visual inspiration from the classics of the 1970s – a key theme at SILMO. The low bridge contrasts with large rectangular tinted lenses recall acetate frames from a bygone era, while the titanium and polyamide material add an urban and modern touch. 3.11 is available in three refreshing colours contrasting frame and lenses – from Black/Gun with an amber hue lens to Red Wine / Gold with a light grey and bronze tinted lens. www.orgreenoptics.com
Exceptional handcrafting in precious materials is always a highlight at the fair. From the Netherlands, Alexanian has a devoted following of customers who look for craftsmanship and luxury refinement in rimless and full rim designs created to perfection in solid gold, and in many cases studded boldly with jewels, on frame and even nose pads. The frame with a sculptural detail on the rim above in their new collection is inspired by watches and comes in white gold and 18kt gold. www.alexanian.nl
French eyewear creativity is well represented across the fair, and a handful of young designers are following the traditional spectacle making techniques making use of classic materials and features. The classical style was beautifully conveyed at Meg Eyewear, a label that produces frames in Oyonnax. The designs, specifically for women, offer high quality and sophisticated elegance in ‘sober’ iconic colour tones. www.megeyewear.com
Designers have also paid much attention to the effect of layering rims in different colours or materials on the front of the frame, to play with light and structure. A super example is the Theodore by SALT. Optics, where the round titanium rim features a delicate crystal inner rim in acetate. www.saltoptics.com
Also in our highlights this year is Portrait Eyewear, run by a young delightful brother and sister team, based in Milan, with a genuine passion for art and eyewear. There new Glitch concept is based on the glitch-art movement most often related to video art and photography. The frame surface reproduces the digital and analog interference with an unexpectedly glamorous effect on the face. Find out more at www.portraiteyewear.com