Boutiques

Looking back: outstanding eyewear destinations that continue to thrive

In our reporting through 15 years, Eyestylist has visited and written about a large number of unique optical stores. Here are some of the outstanding ones that continue to do something bold and unique….

1 La Shaperie –  featured on Eyestylist.com on 1st November 2014

It’s a brilliant edgy concept “for Shaves, Shades & Shapes” in the centre of Paris, where you can have a cool Parisian cut and select your next favourite frame. Located off the busy Rue de Rivoli in a cosy village-like atmosphere with several interesting bars and restaurants, the owners of La Shaperie are optical people with a terrific passion for independent labels….. Above: the store is still located in this central Paris location.  Read the feature : https://www.eyestylist.com/2014/11/la-shaperie/

2 Gogosha has featured on Eyestylist.com multiple times in the last 15 years

Julia Gogosha’s Echo Park flagship is now close to 8 years old. When we talked to her for a feature in 2020, she described it with a twinkle in her eye. “A Tetris cathedral artspace playground is how I imagined it…with different sources of inspiration, including artists, sculptors and works of art for which I am passionate….” Read the Eyestylist feature from 2020: https://www.eyestylist.com/?s=Gogosha

3 Eyewear by Olga, Ontario – one of the first stores to appear on Eyestylist.com

Eyewear by Olga featured on Eyestylist.com in 2011 and in 2021. A luxury eyewear retailer, or – as owner Olga Trentin likes to call it – an ‘EYE PAD’ it was first founded in 2011. The ‘PAD’ is located in the centre of Mississauga, Canada in the neighbourhood of Port Credit. The interior of the store itself is a feast for the eyes; packed with colour, exploding with textiles and featuring artisanal furnishings throughout. Read the feature at  https://www.eyestylist.com/2021/10/eyewear-by-olga-2/

4 Optica Toscana – another of the first stores to appear on Eyestylist.com in 2011

We first wrote about Optica Toscana when the designer of the Eyestylist website had just returned from a weekend in Madrid, and took some pictures for us. It has always been one of the stores in Europe that is consistently mentioned and recommended for its style and atmosphere and incredible selection of specs. The old-fashioned flagship shop (above – C/ de Hortaleza, 70 central Madrid) is a former seed store full of tiny old wooden drawers, bursting with exciting-looking frames. Blasts of colour are dotted around the wood displays.

Since 2011 we have visited Optica Toscana’s stunning Barcelona store and written about the shop in Mallorca which opened in 2015. Read the feature about the Madrid store at https://www.eyestylist.com/2011/11/optica-toscana-madrid/

5 reVOLVER Ibiza featured in July 2015

We always remember writing this feature in July 2015  as we got a really sensational response from Jean-Paul when we suggested it. Created in 2008 by husband and wife team Jean-Paul and Catherine Sanchez, reVOLVER has become a reference point for cutting-edge fashion and style on the Mediterranean island of Ibiza with a carefully curated brand mix and a fantastic choice of fine sunglasses… today the store is located at Carrer del Bisbe Azara 1, 07800 Ibiza. Read the feature: https://www.eyestylist.com/?s=revolver

To find more recommended and leading stores around the world featured on Eyestylist.com, visit our boutiques section: https://www.eyestylist.com/category/boutiques/

StureOptikern opens second store in Stockholm

Boutique news, Europe: Sofia Johansson Opazo announces the opening of her new independent Stockholm “galleria”, specialising in luxury sunglasses: “the idea was to create something a bit more edgy and 100% focused on sunglasses”

The new StureOptikern store provides a curated selection of sunglasses by StureOptikern in a neighbouring area of Stockholm. Located less then 10 minutes by foot from the original store, the new space is designed for a different clientele. “Our small cosy sunglasses galleria is in a perfect location for lunch and shopping, a destination for the ones who really know what they want!”

We asked Sofia how she selected brands for the space. She told Eyestylist: “We more or less asked our best and closest suppliers who wanted to jump onboard for  this project – it was a little bit “last man standing” and “if you snooze you loose!” We had some brands who actually did and now they regret it. But then, we also know our brands and customers very well. For example, we carry a lot of brands that are not really “approved” by our business in general. Less independent brands are left in our store and that is for two reasons – they have opened too many doors too close to us and aren’t that “selective”. They are always quite hard to work with, we need fast decisions, high marketing interest and social media awareness – we need them to be very aware of our Nordic market and our sense of fashion because we are very early adopters.”
Sofia says the dream is 100% that this new location will be a hot spot for all seasons coming, anything from the latest sunglasses to ski googles! “The location and interior is also quite unique”, she says, “I really hope people will find the new place to widen their sunglass wardrobe!” Above: Sofia Johansson Opazo in the new galleria in Stockholm

Linda Farrow and ALPAGOTA are featured in the new store alongside a mix of luxury fashion labels and independent eyewear brands

Asked to brief us on the key trends customers are looking for she told Eyestylist: “To be totally honest, we don’t really do trends! Our customer is so brand aware and also very driven about what we think and recommend, therefore I’m very proud of my confident team. The whole minimalistic “MiuMiu” trend more or less started in our store, we had a big event with two of Sweden and the Nordics’ biggest influencers and after that the trend exploded – in Europe, but as I said – we are early adopters!
Every brand has its own DNA and for us we need to find OUR customer in each brand – that means everything can’t look the same. We have to select what type of person the brand stands for in our store. Therefore the selection can look different in our store versus others. We hate it when the agents says: “This is a bestseller! A big NO-from us then!”

Sofia is consistent in her deep research of the optical market and connection with eyewear brands around the world and she travels to multiple international eyewear events and showrooms throughout the year to stay apace of what’s happening from a global perspective. We asked about designs she has her eye on for the new season: “Overall I would say that I’m a sucker for a big pilot with a gradient lens, you can never go wrong with that, but as I said, it depends on the look you are going for! You need a wardrobe of 3-4 pieces to match with the rest of your wardobe, because let’s be real, you don’t have one pair of shoes or one handbag!”

An attention to detail in store: providing an ambience for Stockholm’s influencers and luxury eyewear customers

The store is big on collabs and several of the very latest launches are already available in the new store – sometimes they are created with input from StureOptikern to fit the demographic perfectly. “We have dropped a limited edition Loewe frame in a special colour, and we are releasing a very very limited edition with Oscar Magnuson in Havana. In June, I have sourced a colour that has never been made by Moscot – with an aperitivo lens that’s also photochromic….
That collab actually took place in my head last summer when I really felt that Latin music was coming back for 2026.  I was right! Bad Bunny onstage for Super Bowl and Karol G killing it at Coachella this year really spoke to my gut feeling. Inspired by vibes from Latin America, the colour “Tequila” took its form and will land on our shelves in early June!”

Find out more about the new StureOptikern store in Stockholm at www.https://stureoptikern.se 

Photography by StureOptikern. All rights reserved.

StureOptikern/ MOOD City, Regeringsgatan 48 11144 Stockholm, Sweden

“A different approach”: SIX SIX, Melbourne

Female founders Emma Buckley and Dr Natalie Boffa present a new optical experience in their elegant architect-designed eyewear destination in central Melbourne – SIX SIX opened in early 2026

Located on Little Collins Street at the Paris end of Melbourne’s Central Business District, SIX SIX wanted to propose a new kind of optometry experience that brings together eye care, retail and hospitality. SIX SIX operates as an end-to-end eyewear and eye-care destination, offering a curated roster of leading international and independent brands alongside on-site optometry services for all vision needs within one seamless journey, from consultation and fitting through to aftercare. The experience unfolds within a considered architectural environment where colour, materiality and spatial sequencing are used to reshape expectations of what an optometry space can feel like.

Female founders, Emma Buckley and Dr Natalie Boffa combine more than 25 years of wholesale, retail and clinical optometry experience, bringing deep industry knowledge and clinical rigour to create a fresh model for optical retail.

“At SIX SIX, we wanted to create a new kind of optometry experience – one that is elevated and deeply considered, where eye care feels personal rather than transactional. It’s a space designed to slow things down, allowing time, care and connection to shape the experience,” said Dr Natalie Boffa, Co-Founder & Optometrist. Above: more like a gallery than a retail store: an imposing entrance with tall windows  – the interior was designed by Kennedy Nolan (www.kennedynolan.com.au)

Luxury eyewear collections displayed at SIX SIX: each brand is given space across optical and sun – featured brands include AHLEM, Thierry Lasry,  Garrett Leight and MYKITA

Interior design features include the gold and yellow colour used throughout by Melbourne-based architecture studio Kennedy Nolan. The colour creates an immersive backdrop with warmth, intensity and what the founders describe as “a subtle sense of theatre throughout”. Carefully controlled lighting and moments of visual intrigue signal that this is not a conventional optometry setting, but a place where design, experience and eye care intersect.

Comprehensive eye examinations are available on site and are supported by advanced diagnostic technology, including OCT and ultra-widefield retinal imaging, diabetic and glaucoma eye exams, dry eye assessment and treatment, contact lens fitting and more. An in-store mini lab supports a faster, more flexible service model, with same-day lenses and custom tinting available in many cases. Lens options include premium AI-optimised designs, Japanese lenses and Australian-made CR lenses, ensuring performance, comfort and quality are prioritised without pressure or urgency.

Space to review collections in a comfortable elegant setting, with ‘theatre’ curtains that enhance the luxurious space

The boutique is conceived as an immersive environment that signals a new approach to optical retail from the moment customers step inside. Carefully considered displays, mirrors and sightlines guide movement through the store, while lighting supports both styling and clinical needs. Diagnostic equipment is discreetly concealed, maintaining atmosphere and privacy while preserving the overall sense of luxury.

“Our aim was to design a space that immediately signals a different approach – one that feels immersive and memorable, using colour, light and theatre to shift expectations of what an optometry visit can be,” said Patrick Kennedy, Director, Kennedy Nolan.

Elegant interior details at SIX SIX

SIX SIX is situated within one of Melbourne’s most dynamic commercial and cultural precincts, surrounded by luxury retailers, corporate offices and destination venues, while operating as a drawcard for style-conscious shoppers, professionals, visitors and students who value quality, service and considered design.

112 Little Collins St, Melbourne, VIC 3000 Australia / For more information visit www.sixsixstore.com

All images provided courtesy of SIX SIX via Kennedy Nolan / Photography by Anson Smart. All rights reserved. This feature was researched and written by Clodagh Norton.

Award-winning optical retail: The Eye Piece, Sydney

With a new store at 200 George Street, opened in August/September 2025, and established stores in Hunter Street (Sydney), Wahroonga, and Balmain, The Eye Piece is one of Australia’s most highly regarded independent eyewear stores and advanced eye care destinations. The Eye Piece is a Finalist in the 2026 Australian Small Business Champion Awards. Eyestylist talked to Paul Lee, Founder of The Eye Piece.

Congratulations on your Small Business Award 2026. What does this mean for The Eye Piece? Thank you. This award means a great deal to us because it recognises something we have always believed in: an independent, family-owned business can stand alongside the biggest players in the industry through dedication, innovation, and genuine care for customers.

For our team, it is also a recognition of the people behind the brand. With many of our staff having been with us for more than a decade, it brings a deep sense of pride and ownership to what they do every day. We often say that people make the brand, and this award reflects the collective effort and commitment of our entire team. From the beginning, our philosophy has been to think global and act local. We look to the world for inspiration in craftsmanship, technology  and design, but we deliver it in a way that feels personal and meaningful to the customers we serve. The optical industry has changed significantly over the years, with many independents being absorbed by large corporations. To be recognised while remaining proudly independent reminds us that there is still strong value in craftsmanship, relationships and personalised care. At the same time, we are very excited about the future of our industry. We are witnessing the emergence of smart glasses and new optical technologies that will change how people interact with eyewear. This recognition also gives us a wonderful platform to share our vision for what’s next and to continue contributing to the evolution of our industry. Above: The Eye Piece, 200 George Street, Sydney – a new “eyewear” destination in Australia – also featuring an Essilor Vision Centre

The Eye Piece, Sydney

Since opening in 2007, can you explain how the business has developed and grown. How many stores do you now have in total? How are they all different? When we opened our first practice in 2007, our ambition was very clear: we wanted to become Australia’s finest optometrist, combining exceptional clinical care with thoughtfully curated eyewear. In those early years, we realised quickly that customers were looking for something more than just a pair of glasses. They wanted expertise, individuality, and a team they could trust. Since then, the business has grown steadily and organically. Today, we operate four locations across Sydney: Wahroonga, Balmain, and two practices in the CBD. Our newest location is our 200 George Street flagship, which represents the next chapter of our journey and reflects how far the business has come. What makes our practices unique is that each one is shaped by the community and market around it. Each team runs its store with a strong sense of ownership and curates the services and brands specifically for its clientele. Because of this, we intentionally hold different eyewear collections across our stores, ensuring each location reflects the style and needs of the local market.

Design is also an important part of how we express each practice’s identity. None of our stores are designed the same. We try to tie each location to a story connected to its surroundings. For example, our Balmain practice features extensive stone elements, inspired by the suburb’s history with stone quarries. Our Hunter Street practice draws from the heritage architecture of the building, allowing the space to honour its surroundings while housing modern eye care technology. When we first started the business, our motto was “See the Difference.” As the business has grown and our vision has expanded, that philosophy has evolved into “True Vision Starts Here.” It reflects not only the clinical care we provide, but also our belief that expertise, experience, and people all play a role in helping customers see differently. Across all our practices, the common thread remains the same: personalised service, clinical excellence, and carefully curated eyewear that reflects craftsmanship and individuality.

What are the biggest changes and challenges you have seen since opening in 2007, and what surprises you about what the modern eyewear customer now looks for both in terms of specialist care and style? One of the biggest changes has been the consolidation of the optical industry. Large corporations now dominate many markets, which has made it more challenging for independents to stand out. At the same time, it has also created an opportunity for businesses like ours to focus on what corporates often cannot offer: deep expertise, authentic relationships, and carefully curated eyewear. Another major shift has been the role of eyewear itself. Years ago, glasses were often seen as purely functional. Today, they are both a health necessity and a personal statement. Customers are far more informed and curious. They want to understand lens technology, eye health, and the craftsmanship behind the frames they wear.We are also seeing a new level of curiosity emerging with the arrival of smart glasses and new wearable technologies. As these products begin to enter the market, customers are increasingly interested in how eyewear may evolve beyond vision correction into something that interacts with everyday life. At the same time, people are looking for greater individuality. Many customers now seek limited editions, customisation, and products that feel personal to them rather than mass-produced. They appreciate knowing the story behind a brand, where a frame is made, and the expertise of the person helping them choose it.We have been fortunate that over nearly twenty years we have built strong relationships with our global suppliers. These relationships allow us to access unique collections, limited releases, and innovative products that we can bring to our clients. In many ways, those long-term partnerships have become an important part of how we continue to deliver something different and meaningful to the modern eyewear customer. Perhaps most reassuring is that in a world that is becoming increasingly digital, people still value genuine human guidance when it comes to their vision and personal style.

AHLEM Eyewear at The Eye Piece, 200 George Street

200 George Street is a superb example of fine eyewear curation in a special setting. Who is behind the design of the store, and what design features are you especially happy with? The idea for the store had been in my mind for some time. I wanted to create a space that reflected the same values we believe in as a business: precision, craftsmanship, and understated elegance. The design itself was a collaborative effort between our team and architect Ricci Bloch, who has been involved with our stores since the very beginning and understands the philosophy behind The Eye Piece. For this project, Ricci also collaborated closely with the LINDBERG architects, which made the process particularly interesting. It was quite a challenging project because it represents one of the first examples of a mono-brand Lindberg concept within an independent optical practice. The goal was to ensure that the LINDBERG identity sat naturally within The Eye Piece environment rather than feeling separate from it. What I am most pleased about is how seamlessly the two design languages came together. We managed to incorporate the LINDBERG shop-in-shop concept while still maintaining the overall identity of The Eye Piece. It feels cohesive rather than divided, which was very important to us. Another feature we are proud of is how the space balances clinical precision with a welcoming retail environment. Advanced eye care technology sits alongside carefully curated eyewear displays, allowing customers to experience both expertise and design in the same space. We also made conscious choices around materials and sustainability, including the use of recycled corn-based flooring, which gives the appearance of stone while reducing environmental impact. Ultimately, the intention was to create a space where people feel comfortable spending time, discovering eyewear, and engaging in meaningful conversations about their vision.

What collections are you most proud of and excited by for this year in this store? We are fortunate to work with some extraordinary brands, but a few collections stand out this year. Our partnership with LINDBERG is particularly meaningful, especially through the LINDBERG by The Eye Piece concept. LINDBERG represents an exceptional level of Danish engineering and minimalist design, and in many ways, it is ahead of the industry in how it approaches technology, materials, and precision. It resonates strongly with customers who appreciate subtle sophistication and innovation.We are also very proud of our relationship with Jacques Marie Mage. Their frames are produced in limited editions and feel more like collectible pieces than traditional eyewear. The level of craftsmanship, storytelling, and attention to detail is extraordinary, and each collection continues to elevate the conversation around what eyewear can be.

Another area that excites us is the emergence of AI and smart glasses. We believe this is a new frontier for the industry, and we have been fortunate to be at the forefront of introducing these technologies to our customers. For nearly two years, we have been offering Even Realities with digital lenses, along with innovations such as Nuance and Meta, and we are seeing increasing curiosity from clients who want to explore what the future of eyewear might look like.

LINDBERG by The Eye Piece concept

Chrome Hearts has also seen incredible momentum recently, with its bold identity and strong presence across the global fashion and social media landscape attracting a new generation of collectors.We are also particularly excited to be launching our own eyewear brand later this quarter. It is something we have been developing quietly, drawing from nearly two decades of experience in the industry. So I would say—keep an eye out.

Finally what’s next  in 2026, and what do you hope for in your business development for the next few years? Looking ahead, our focus remains much the same as when we first began. We are always challenging ourselves to rethink what it really means to provide exceptional customer service and experience. It is not something static; it constantly evolves as technology, design, and customer expectations change.We are now standing at what feels like the dawn of a new era in eyewear, particularly with the emergence of AI-driven and smart glasses. Our aim is to be ready for that future while staying grounded in the values that built our business: expertise, craftsmanship, and genuine human connection.

A big part of our development will come from asking how we can amplify what we do through our partners. Over nearly two decades, we have built strong relationships with global suppliers and innovators, and these collaborations allow us to bring new ideas, technologies, and experiences to our customers. When those partnerships work well, the result is something greater than what any one brand or retailer could create alone. At the same time, we remain careful about growth. We are not driven simply by opening more locations. Expansion only makes sense when we have the right people who share our values and are ready to carry the story of the brand forward. For us, people truly make the brand. If we can continue challenging ourselves, nurturing our partnerships, and balancing global insight with genuine local care, then I believe the future for The Eye Piece—and for independent optometry—will be incredibly exciting.

The Eye Piece, Sydney, 10 Hunter & 200 George Street, Sydney / Wahroonga / Balmain – find out more at www.theeyepiece.com.au

This interview was written and researched by Clodagh Norton at Eyestylist.com. All rights reserved.

Makras Optical, Brisbane: “make the eyewear the hero”

Eyestylist Exclusive – Special content x Eyestylist 15th anniversary – a conversation with Mike Makras

Makras Optical in Brisbane is the latest optical project by Mike Makras, one of Australia’s leading optometrists + luxury eyewear retailers with expertise in curating some of the finest contemporary eyewear collections from around the world. Eyestylist first spoke to Mike in 2011 about one of his award-winning OPTIKO stores at 215 Queen Street, an eyewear destination which set the bar high with its exclusive atmosphere and focus on exclusive and even rare vintage eyewear design (https://www.eyestylist.com/2011/08/optiko-brisbane/). In 2026, Mike expresses the same commitment to client service and optical excellence with a continued passion for eyewear curation and unique design, in a completely new architect-designed contemporary setting – the store is located on James Street where one of the OPTIKO stores was operating back in 2012.

Mike, it’s great to reconnect after featuring your store OPTIKO in August 2011. Thanks for getting in touch and tell us more about your latest project? After selling my previous 2 stores (OPTIKO) to a group and finishing my 3-year contract with them, I realised that there is a real lack of genuine small independent owned eyewear stores. The general public often assume certain practices are independent when, often in reality many are owned by large corporate groups. The level of care and personal attention a client receives in an independent practice can easily far exceed anything in a corporate setting. Community engagement is incredibly important, you have to be present and connected to the community around you. For me independence allows that. Small can be incredibly powerful. In many ways I think small is the future.

Explain the interior concept in a few sentences and highlight what you really wanted to achieve in this new project. I was incredibly fortunate to have the opportunity to re-open in one of my original OPTIKO spaces, when it became available again. That felt quite special. We kept the basic bones, but wanted to reinterpret it in a more mature and considered way. The brief to the architects – Richards & Spence (www.richardsandspence.com) – was simple. “Make the eyewear the hero.”

So the architect wrapped the entire store in a high linen curtain, which softens the space and creates a sense of quiet enclosure. The floors are finished in a mushroom coloured wool carpet and the reception desk is formed from a huge slab of muted pink and grey Patagonian stone that sits somewhere between quartz and granite, anchoring the space. Above: the interior of Makras Optical – in a gallery-like atmosphere, the eyewear is placed in transparent displays, which highlight the designs and colours

Makras Optical:  linen curtains line the space
The display shelving now emits a very soft white glow from within, both above and below, which gently highlights the frames. We introduced brushed aluminium details  and vintage burgundy leather Cassina Cab chairs for warmth and character, used as a highlight; the vintage burgundy leather Cassina cab chairs round things off. Mirrors play a big part as always.

In contrast the exam room is painted in an almost hyper-clinical “Severance” blue….admittedly I am obsessed with the show! I intentionally wanted the showroom and the clinical spaces to feel quite different, as their purposes are incredibly different. I love that contrast.

How have you created complimentary spaces for dispensing/styling and eye testing this time around? We introduced internal curtains within the showroom to create two separate dispensing areas. These allow for more intimate one on one consults. At the same time the curtains can be easily drawn back so the entire space opens up for client events (product launches, trunk shows etc) so the space is super flexible.

What has changed since you created OPTIKO ? What is different about curating collections now compared to in 2011? The customer today is far more informed and sophisticated and people have access to an enormous amount of information online, so transparency has become essential.  What hasn’t changed though, is the value of converstaion and connection, taking the time to talk about the story behind the brand, the craft involved in building a frame, or the technicality of different lens designs and coatings. That dialogue is part of the experience for us.

Makras Optical: attention to detail sets the scene for the curated eyewear collections

Can you give us a taste of the independent brands/collections you are offering in store and how you curated these to achieve the ideal offer for your new store? For my customer I find it works best to have a spectrum from super classic and timeless, through to pieces that are unapologically avante-garde. But getting that balance right is crucial. The line up is always evolving; some of our current brands are: Thom Browne, Lapima, Cutler and Gross, Garrett Leight, Veronika Wildgruber, Anne & Valentin, Yoshinori Aoyama, Voa Collective…with more to come. So the collection is always shifting and evolving. That’s part of the fun.

What’s next Mike? The store is still quite young – less than 12 months old – so right now I’m simply enjoying watching it grow organically. I’m happy to let it evolve slowly and see where it goes. For me this feels like coming back to what I was meant to do.

Makras Optical, 9-19 James St, Fortitude Valley, 4006

An interview by Clodagh Norton / March 2026. All rights reserved.