Boutiques

Award-winning optical retail: The Eye Piece, Sydney

With a new store at 200 George Street, opened in August/September 2025, and established stores in Hunter Street (Sydney), Wahroonga, and Balmain, The Eye Piece is one of Australia’s most highly regarded independent eyewear stores and advanced eye care destinations. The Eye Piece is a Finalist in the 2026 Australian Small Business Champion Awards. Eyestylist talked to Paul Lee, Founder of The Eye Piece.

Congratulations on your Small Business Award 2026. What does this mean for The Eye Piece? Thank you. This award means a great deal to us because it recognises something we have always believed in: an independent, family-owned business can stand alongside the biggest players in the industry through dedication, innovation, and genuine care for customers.

For our team, it is also a recognition of the people behind the brand. With many of our staff having been with us for more than a decade, it brings a deep sense of pride and ownership to what they do every day. We often say that people make the brand, and this award reflects the collective effort and commitment of our entire team. From the beginning, our philosophy has been to think global and act local. We look to the world for inspiration in craftsmanship, technology  and design, but we deliver it in a way that feels personal and meaningful to the customers we serve. The optical industry has changed significantly over the years, with many independents being absorbed by large corporations. To be recognised while remaining proudly independent reminds us that there is still strong value in craftsmanship, relationships and personalised care. At the same time, we are very excited about the future of our industry. We are witnessing the emergence of smart glasses and new optical technologies that will change how people interact with eyewear. This recognition also gives us a wonderful platform to share our vision for what’s next and to continue contributing to the evolution of our industry. Above: The Eye Piece, 200 George Street, Sydney – a new “eyewear” destination in Australia – also featuring an Essilor Vision Centre

The Eye Piece, Sydney

Since opening in 2007, can you explain how the business has developed and grown. How many stores do you now have in total? How are they all different? When we opened our first practice in 2007, our ambition was very clear: we wanted to become Australia’s finest optometrist, combining exceptional clinical care with thoughtfully curated eyewear. In those early years, we realised quickly that customers were looking for something more than just a pair of glasses. They wanted expertise, individuality, and a team they could trust. Since then, the business has grown steadily and organically. Today, we operate four locations across Sydney: Wahroonga, Balmain, and two practices in the CBD. Our newest location is our 200 George Street flagship, which represents the next chapter of our journey and reflects how far the business has come. What makes our practices unique is that each one is shaped by the community and market around it. Each team runs its store with a strong sense of ownership and curates the services and brands specifically for its clientele. Because of this, we intentionally hold different eyewear collections across our stores, ensuring each location reflects the style and needs of the local market.

Design is also an important part of how we express each practice’s identity. None of our stores are designed the same. We try to tie each location to a story connected to its surroundings. For example, our Balmain practice features extensive stone elements, inspired by the suburb’s history with stone quarries. Our Hunter Street practice draws from the heritage architecture of the building, allowing the space to honour its surroundings while housing modern eye care technology. When we first started the business, our motto was “See the Difference.” As the business has grown and our vision has expanded, that philosophy has evolved into “True Vision Starts Here.” It reflects not only the clinical care we provide, but also our belief that expertise, experience, and people all play a role in helping customers see differently. Across all our practices, the common thread remains the same: personalised service, clinical excellence, and carefully curated eyewear that reflects craftsmanship and individuality.

What are the biggest changes and challenges you have seen since opening in 2007, and what surprises you about what the modern eyewear customer now looks for both in terms of specialist care and style? One of the biggest changes has been the consolidation of the optical industry. Large corporations now dominate many markets, which has made it more challenging for independents to stand out. At the same time, it has also created an opportunity for businesses like ours to focus on what corporates often cannot offer: deep expertise, authentic relationships, and carefully curated eyewear. Another major shift has been the role of eyewear itself. Years ago, glasses were often seen as purely functional. Today, they are both a health necessity and a personal statement. Customers are far more informed and curious. They want to understand lens technology, eye health, and the craftsmanship behind the frames they wear.We are also seeing a new level of curiosity emerging with the arrival of smart glasses and new wearable technologies. As these products begin to enter the market, customers are increasingly interested in how eyewear may evolve beyond vision correction into something that interacts with everyday life. At the same time, people are looking for greater individuality. Many customers now seek limited editions, customisation, and products that feel personal to them rather than mass-produced. They appreciate knowing the story behind a brand, where a frame is made, and the expertise of the person helping them choose it.We have been fortunate that over nearly twenty years we have built strong relationships with our global suppliers. These relationships allow us to access unique collections, limited releases, and innovative products that we can bring to our clients. In many ways, those long-term partnerships have become an important part of how we continue to deliver something different and meaningful to the modern eyewear customer. Perhaps most reassuring is that in a world that is becoming increasingly digital, people still value genuine human guidance when it comes to their vision and personal style.

AHLEM Eyewear at The Eye Piece, 200 George Street

200 George Street is a superb example of fine eyewear curation in a special setting. Who is behind the design of the store, and what design features are you especially happy with? The idea for the store had been in my mind for some time. I wanted to create a space that reflected the same values we believe in as a business: precision, craftsmanship, and understated elegance. The design itself was a collaborative effort between our team and architect Ricci Bloch, who has been involved with our stores since the very beginning and understands the philosophy behind The Eye Piece. For this project, Ricci also collaborated closely with the LINDBERG architects, which made the process particularly interesting. It was quite a challenging project because it represents one of the first examples of a mono-brand Lindberg concept within an independent optical practice. The goal was to ensure that the LINDBERG identity sat naturally within The Eye Piece environment rather than feeling separate from it. What I am most pleased about is how seamlessly the two design languages came together. We managed to incorporate the LINDBERG shop-in-shop concept while still maintaining the overall identity of The Eye Piece. It feels cohesive rather than divided, which was very important to us. Another feature we are proud of is how the space balances clinical precision with a welcoming retail environment. Advanced eye care technology sits alongside carefully curated eyewear displays, allowing customers to experience both expertise and design in the same space. We also made conscious choices around materials and sustainability, including the use of recycled corn-based flooring, which gives the appearance of stone while reducing environmental impact. Ultimately, the intention was to create a space where people feel comfortable spending time, discovering eyewear, and engaging in meaningful conversations about their vision.

What collections are you most proud of and excited by for this year in this store? We are fortunate to work with some extraordinary brands, but a few collections stand out this year. Our partnership with LINDBERG is particularly meaningful, especially through the LINDBERG by The Eye Piece concept. LINDBERG represents an exceptional level of Danish engineering and minimalist design, and in many ways, it is ahead of the industry in how it approaches technology, materials, and precision. It resonates strongly with customers who appreciate subtle sophistication and innovation.We are also very proud of our relationship with Jacques Marie Mage. Their frames are produced in limited editions and feel more like collectible pieces than traditional eyewear. The level of craftsmanship, storytelling, and attention to detail is extraordinary, and each collection continues to elevate the conversation around what eyewear can be.

Another area that excites us is the emergence of AI and smart glasses. We believe this is a new frontier for the industry, and we have been fortunate to be at the forefront of introducing these technologies to our customers. For nearly two years, we have been offering Even Realities with digital lenses, along with innovations such as Nuance and Meta, and we are seeing increasing curiosity from clients who want to explore what the future of eyewear might look like.

LINDBERG by The Eye Piece concept

Chrome Hearts has also seen incredible momentum recently, with its bold identity and strong presence across the global fashion and social media landscape attracting a new generation of collectors.We are also particularly excited to be launching our own eyewear brand later this quarter. It is something we have been developing quietly, drawing from nearly two decades of experience in the industry. So I would say—keep an eye out.

Finally what’s next  in 2026, and what do you hope for in your business development for the next few years? Looking ahead, our focus remains much the same as when we first began. We are always challenging ourselves to rethink what it really means to provide exceptional customer service and experience. It is not something static; it constantly evolves as technology, design, and customer expectations change.We are now standing at what feels like the dawn of a new era in eyewear, particularly with the emergence of AI-driven and smart glasses. Our aim is to be ready for that future while staying grounded in the values that built our business: expertise, craftsmanship, and genuine human connection.

A big part of our development will come from asking how we can amplify what we do through our partners. Over nearly two decades, we have built strong relationships with global suppliers and innovators, and these collaborations allow us to bring new ideas, technologies, and experiences to our customers. When those partnerships work well, the result is something greater than what any one brand or retailer could create alone. At the same time, we remain careful about growth. We are not driven simply by opening more locations. Expansion only makes sense when we have the right people who share our values and are ready to carry the story of the brand forward. For us, people truly make the brand. If we can continue challenging ourselves, nurturing our partnerships, and balancing global insight with genuine local care, then I believe the future for The Eye Piece—and for independent optometry—will be incredibly exciting.

The Eye Piece, Sydney, 10 Hunter & 200 George Street, Sydney / Wahroonga / Balmain – find out more at www.theeyepiece.com.au

This interview was written and researched by Clodagh Norton at Eyestylist.com. All rights reserved.

Makras Optical, Brisbane: “make the eyewear the hero”

Eyestylist Exclusive – Special content x Eyestylist 15th anniversary – a conversation with Mike Makras

Makras Optical in Brisbane is the latest optical project by Mike Makras, one of Australia’s leading optometrists + luxury eyewear retailers with expertise in curating some of the finest contemporary eyewear collections from around the world. Eyestylist first spoke to Mike in 2011 about one of his award-winning OPTIKO stores at 215 Queen Street, an eyewear destination which set the bar high with its exclusive atmosphere and focus on exclusive and even rare vintage eyewear design (https://www.eyestylist.com/2011/08/optiko-brisbane/). In 2026, Mike expresses the same commitment to client service and optical excellence with a continued passion for eyewear curation and unique design, in a completely new architect-designed contemporary setting – the store is located on James Street where one of the OPTIKO stores was operating back in 2012.

Mike, it’s great to reconnect after featuring your store OPTIKO in August 2011. Thanks for getting in touch and tell us more about your latest project? After selling my previous 2 stores (OPTIKO) to a group and finishing my 3-year contract with them, I realised that there is a real lack of genuine small independent owned eyewear stores. The general public often assume certain practices are independent when, often in reality many are owned by large corporate groups. The level of care and personal attention a client receives in an independent practice can easily far exceed anything in a corporate setting. Community engagement is incredibly important, you have to be present and connected to the community around you. For me independence allows that. Small can be incredibly powerful. In many ways I think small is the future.

Explain the interior concept in a few sentences and highlight what you really wanted to achieve in this new project. I was incredibly fortunate to have the opportunity to re-open in one of my original OPTIKO spaces, when it became available again. That felt quite special. We kept the basic bones, but wanted to reinterpret it in a more mature and considered way. The brief to the architects – Richards & Spence (www.richardsandspence.com) – was simple. “Make the eyewear the hero.”

So the architect wrapped the entire store in a high linen curtain, which softens the space and creates a sense of quiet enclosure. The floors are finished in a mushroom coloured wool carpet and the reception desk is formed from a huge slab of muted pink and grey Patagonian stone that sits somewhere between quartz and granite, anchoring the space. Above: the interior of Makras Optical – in a gallery-like atmosphere, the eyewear is placed in transparent displays, which highlight the designs and colours

Makras Optical:  linen curtains line the space
The display shelving now emits a very soft white glow from within, both above and below, which gently highlights the frames. We introduced brushed aluminium details  and vintage burgundy leather Cassina Cab chairs for warmth and character, used as a highlight; the vintage burgundy leather Cassina cab chairs round things off. Mirrors play a big part as always.

In contrast the exam room is painted in an almost hyper-clinical “Severance” blue….admittedly I am obsessed with the show! I intentionally wanted the showroom and the clinical spaces to feel quite different, as their purposes are incredibly different. I love that contrast.

How have you created complimentary spaces for dispensing/styling and eye testing this time around? We introduced internal curtains within the showroom to create two separate dispensing areas. These allow for more intimate one on one consults. At the same time the curtains can be easily drawn back so the entire space opens up for client events (product launches, trunk shows etc) so the space is super flexible.

What has changed since you created OPTIKO ? What is different about curating collections now compared to in 2011? The customer today is far more informed and sophisticated and people have access to an enormous amount of information online, so transparency has become essential.  What hasn’t changed though, is the value of converstaion and connection, taking the time to talk about the story behind the brand, the craft involved in building a frame, or the technicality of different lens designs and coatings. That dialogue is part of the experience for us.

Makras Optical: attention to detail sets the scene for the curated eyewear collections

Can you give us a taste of the independent brands/collections you are offering in store and how you curated these to achieve the ideal offer for your new store? For my customer I find it works best to have a spectrum from super classic and timeless, through to pieces that are unapologically avante-garde. But getting that balance right is crucial. The line up is always evolving; some of our current brands are: Thom Browne, Lapima, Cutler and Gross, Garrett Leight, Veronika Wildgruber, Anne & Valentin, Yoshinori Aoyama, Voa Collective…with more to come. So the collection is always shifting and evolving. That’s part of the fun.

What’s next Mike? The store is still quite young – less than 12 months old – so right now I’m simply enjoying watching it grow organically. I’m happy to let it evolve slowly and see where it goes. For me this feels like coming back to what I was meant to do.

Makras Optical, 9-19 James St, Fortitude Valley, 4006

An interview by Clodagh Norton / March 2026. All rights reserved.

Alicia Hartman : celebrating 15 years at EyeQ Stylist Opticians, Barbados

Eyestylist and EyeQ Stylist Opticians both began their journeys 15 years ago, growing side by side in a fast-evolving eyewear world. EyeQ first discovered us in the early days of Instagram, and what started as a few exchanged messages quickly blossomed into a creative partnership fuelled by shared passion, ideas, and a love of the boldest, most luxurious eyewear. Since then, we’ve stayed closely connected—meeting whenever we could (for a quick shot of rum!) and collaborating on an unforgettable London shoot that perfectly captured the spirit of Alicia’s eyewear brand, Peoples from Barbados. To celebrate our shared milestone anniversary, we caught up with Alicia to talk about the exciting projects and inspiring achievements shaping EyeQ today as the business continues to flourish and redefine eyewear in Barbados and beyond.

Like Eyestylist EyeQ have been celebrating the business’ 15th anniversary. Can you describe your journey so far, mentioning a few special highlights? My entrepreneurial journey began with a simple but bold vision: to reimagine optical retail by introducing a completely new concept to the island culture — the personal eyewear shopper and stylist.

I come from a background rooted in a family-owned optical business, where glasses were primarily viewed as a medical necessity. From a very young age, I was immersed in the professional tools, discipline, and skills of optics. Yet I always believed eyewear could be both functional and fashionable, a true extension of one’s personal style. I wanted to prove that vision care and self-expression could coexist beautifully.

This was a bold undertaking, especially at that stage of my life. I was just starting my young family — my son was barely a year old, and I was pregnant with my second. I was incredibly fortunate to have the unwavering support of my family and husband, who encouraged me to create a space rooted in personality, experience, and connection.

EYE Q Stylist Opticians: interior in 2018

At the time, I was among the first to introduce niche, high-end eyewear brands to the island, challenging a culture that largely selected frames solely for their brand name. We began with Face à Face, Oliver Peoples, Retrosuperfuture, and MYKITA — though, of course, I had to include Miu Miu, Ray-Ban and Tom Ford so people would actually walk through the door.

What followed exceeded all expectations. Clients fell in love with the personal-shopper approach, the “sip and shop” concept, and the immersive experiences we curated. Eye Q became known for its events, storytelling, and sense of community. Soon, we had created an eyewear culture — a space where everyone wanted to be seen wearing Eye Q spectacles. Customers would return from their travels proudly saying, “I got them in Barbados,” and share their eyewear stories with us.

One unforgettable moment came when Tarrence Lackran spotted me on Instagram — I was wearing a yellow dress, champagne in hand, under a coconut tree at one of our Eye Q beach parties. That moment led to our store being nominated in 2018 as one of the world’s best independent eyewear retailers. Our clientele spanned every walk of life, from fishermen to the Prime Minister.

Over the years, as I told the stories of global eyewear brands and listened deeply to the stories of my clients, one truth became clear: the Caribbean was not represented in eyewear — not authentically, not proudly, not through our own lens.

That realization gave birth to Peoples From Barbados — a brand created to showcase the culture, lifestyle, and beauty of Caribbean people through a new perspective: ours. Our ambition, our pride, our resilience, our warmth, and our beauty are embedded in every frame.

Our campaign by local photographer Adrian Richards went on to win the cover of 2020 Magazine in 2019 — a moment of immense pride. The recognition went beyond glossy postcard clichés and instead captured the true soul of Caribbean people. Since then, the brand has continued to evolve, including collaborations with Linda Farrow — blending high-end luxury with Caribbean soul and warmth.

For the past 15 years, I have not stopped — balancing family life, retail leadership, brand ownership, and my role as an optometrist. When I reflect, I’m often amazed at how unconventional my journey has been. I didn’t rely solely on the ease of my clinical skillset or position my business around medical necessity. Instead, I led with culture, style, and experience.

Ironically, because I am so closely associated with style and storytelling, people often forget what I am truly exceptional at: being an optometrist.

In 2026, Eye Q will place a stronger spotlight on our clinical role. We have been quietly saving sight for years, and we are committed to aligning with the WHO 2030 goals to make eyecare accessible to all. I have recently been elected as President of the Barbados Optometry Association, and I am deeply excited about this new chapter. I look forward to helping transform the landscape of optometric care — expanding scope of practice, regulating and protecting our industry, and ultimately ensuring better eyecare for all Barbadians. Above: Alicia Hartman with friends, celebrating 15 years of her business

Linda Farrow x EYE Q

How has the business changed in your eyes? At its core, people have always wanted — and will always want — to feel special and truly seen. Increasingly, clients are seeking connection to a community and a culture, not just a product. The value now lies less in what is purchased and more in the lifestyle, experience, and emotional resonance that surround it.

There is also a growing awareness that eyewear has the power to transform one’s entire look. It is no longer secondary, but the number one accessory. As a result, luxury, well-crafted eyewear — rooted in quality and craftsmanship — is once again taking centre stage. Unique limited-edition collections are a thing! At the same time, heightened environmental consciousness means the era of “buy cheap, wear briefly, and discard” is wearing thin.

We are witnessing a return to nostalgia and feel-good brands — businesses that value authenticity, purpose, and human connection. Equally important are business models that prioritize employee well-being, work-life balance, and a genuine sense of belonging. Brands that nurture their people are the ones capable of creating lasting stories and enduring relevance.

Longevity today is built on products designed to last, retail spaces that create memorable experiences, and meaningful partnerships between brands and independent retailers.

While there has been a noticeable shift toward direct-to-consumer and online models, the independent retailer is far from dead. On the contrary, we serve as portals to culture and community. Brick-and-mortar retail is returning with renewed purpose — grounded in touch, feel, heritage, and shared experience.

Celebrating 15 years of beautiful eyewear at EYE Q Stylist Opticians

Do you remember when you first started collaborating with Eyestylist and why you were so enthusiastic, it meant a lot to us to be in touch in those early days! It all began with a simple “like” on Instagram 15 years ago. Our Xmas ‘show’ window! A decal of glasses falling from the sky like snow onto a tiny Xmas tree. Simple, minimalist but effective so much so to catch the eye of the Eyestylist 100s of miles off the shores of Barbados. I had been following Eyestylist obsessively since I opened my doors. I admired Clodagh’s eye for eyewear and her impeccable taste. I loved the clean aesthetic of the page but the depth and detail of the eyewear stories told. So I was super “chuffed “ by the “like” . What followed was me tagging Eyestylist in many posts not just eyewear but our lifestyle and culture in Barbados. I really felt connected. My island shop to Europe portal! This shared relationship evolved and Eyestylist started featuring manny of our eyewear stories (link to an EYE Q story in 2018: https://www.eyestylist.com/2018/12/eye-q-stylist-optician-barbados/). From the launch of our brand (https://www.eyestylist.com/2021/03/the-spirit-of-barbados-peoples-from-barbados-sunglass-chic/), our pop ups around the Caribbean, me at crop over ( our carnival) and what I had for breakfast lol… I felt energetically connected and we brought the excitement of our Caribbean culture to more people via Eyestylist.com. Our journey of 15 years seems somehow connected , Eyestylist secretly now has Caribbean flair and sass .. haha, not to mention Clodagh gets a bottle of rum and pepper sauce whenever we meet at the shows lol…. Thank you for telling our stories.

What have you learnt along the way Alicia, and what has surprised you most as an optical retailer? I am pleasantly surprised — perhaps even manifesting it — that brick-and-mortar retail is making a meaningful return. You can feel it. As an optical retailer, trust your instincts and your vision. Trust in humanity, and remember that everything moves in cycles. Don’t be intimidated by the noise. Run your business with integrity and a deep belief in craftsmanship. People still want to feel special. They want to be seen. And that is why creating experiences and nurturing community is no longer optional — it is essential to the survival and evolution of our industry.

The independent retailer is here to stay. True luxury is not defined by price alone, but by how something makes you feel. The greatest retailers understand this. They know how to connect with people, tell meaningful stories, and leave their customers feeling genuinely good.

Curated eyewear selection at EYE Q

What do you think is the key to being a successful optical retailer in this new era? Create experiences that are truly memorable. Treat your retail space as a carefully curated emporium — intentional, personal, and immersive. Pair this environment with beautifully crafted products and a highly skilled, professional team who understand both the art and the purpose behind what they offer.

Build teams who don’t simply work for the brand, but genuinely fall in love with it — people who feel a sense of ownership and pride, and who see themselves as part of the brand’s success. At the same time, nurture strong, respectful relationships between retailers and brands. True partnership — built on trust, support, and shared values — is essential. In curation, less is more. Avoid overcrowded shelves. Be selective. Do not allow brands to compete with one another; instead, let them complement each other. Offer choice, but ensure it is intentional — each brand carefully chosen, clearly defined, and designed to serve a distinct purpose. Every brand within the space should offer a different perspective, contributing to a cohesive eyewear culture rather than visual noise. When done well, the store becomes more than a place to shop — it becomes a cultural hub. Community builds loyalty. Trust sustains it. That is the true key to longevity in retail.

What is your view of the independent eyewear segment at this point, and how do you select collections and new designs? Are you travelling to fairs as much as before? Our brand selection is curated to bring a truly global perspective to the shop. We showcase the best eyewear from around the world—each brand chosen for its unique story, uncompromising craftsmanship, and exceptional fit. Barbados is culturally diverse, and that diversity demands a meticulous eye for detail, comfort, and quality. Every collection must offer a distinct point of view, blending cultural storytelling with technical excellence.

We love LAPIMA, a brand from Brazil that embodies tropical flair with bold, architectural sculptural forms. Their designs feel instinctively right for Caribbean faces—as if they were made for us. MATSUDA transports us to Japan, where hand-engraved titanium, precision engineering, and unmatched craftsmanship result in frames that are truly works of art.

THEO brings joy through colour, creativity, and individuality—frames that brighten faces and express personality without compromise. Jacques Marie Mage (JMM) delivers LA’s refined Hollywood attitude: confident, collectible, and unapologetically bold..LG.R takes us on a journey to Africa, interpreted through an Italian lens—heritage-driven designs that balance exploration, culture, and timeless elegance.

LINDA FARROW represents high-end sophistication and fashion-forward luxury. This pairs beautifully with our own brand, Peoples From Barbados, which brings Caribbean soul, colour, and expression you didn’t know you needed.

The partnership between LINDA FARROW and Eye Q is one of the strongest brand–retailer relationships in the industry. Simon truly understands the value of the independent retailer, and we continue to grow together through close collaboration and shared vision. We inspire each other—and we’re excited to share that a new collaboration is on the horizon. Find out more about Alicia Hartman and Eye Q Stylist Opticians at https://eyeqstylistopticians.com

This Eyestylist Exclusive interview feature first appeared on Eyestylist.com on 23rd February 2026. All rights reserved.

Independent optical retailers + flagship stores: highlights 2025

These stores, including some new openings or redesigns, have caught our eye in 2025. From Seoul to Los Angeles, Lyon to Tokyo, Milan to Mexico City, we have selected some of the most striking interior concepts that have come to our attention either thanks to our researchers behind the scenes or via contacts we are lucky to have nurtured over the years. These stores highlight the interior design focus and direction this year, and a desire to create unique spaces for optical retail and the presentation of the finest independent and luxury eyewear collections.

Eyestylist.com continues to invite store founders and entrepreneurs in the optical retail scene to get in touch with updates about the most avantgarde and uniquely designed optical stores around the globe. We’ve highlighted 8 favourite concepts this year…to refresh your memory on all the stores we have written about in 2025, visit our Boutiques section at https://www.eyestylist.com/category/boutiques/

1.reworks120, Seoul, South Korea (image above)

First opened in 2019, in Garosu-gil, Gangnam, Seoul — a well-known fashion district in the city, premium optical store reworks120 is a special find in this area that is also home to impressive flagship stores such as Gentle Monster. “The shop has an intentionally cozy and curated atmosphere,” Sean Lee told Eyestylist.com. “There are two floors, each designed with a different concept….read the feature: https://www.eyestylist.com/2025/11/south-korea-reworks120-seoul/

Loulou Opticiens, Lyon – an exceptional redesign

2. Loulou Opticiens, Lyon, France

The French independent store LOULOU has created a fresh high-end space with attention paid to every detail – a space to present some of the world’s most prestigious collections of eyewear. We talked to Michael Lalande, Loulou’s founder about setting up shop in 2017, and his latest project in rue Gasparin. Read the feature: https://www.eyestylist.com/2025/12/loulou-opticiens-lyon-a-new-minimalist-interior/

tö eyewear lab – Tokyo, Japan

3 tö, Setagaya City , Tokyo

Styled after Hiromi Toh’s Japanese name Tou, the optical store, tö eyewear lab is more like a gallery than a traditional eyewear shop. After a career as an eyewear stylist in mass media, Toh created the space with the idea of proposing a new world of eyewear, where consultations are by appointment only. The eyewear enthusiast is invited to discover this creative world quietly, at their own pace, without the noise and distraction of a more common retail space.

Located in a residential area outside central Tokyo, there are no signboards on the building and no traditional shop front. tö is located along a quiet street, close to a temple, and like an art gallery features a large glass window displaying special eyewear designs as works of art. Find out more at https://www.eyestylist.com/2025/08/to-setagaya-city-tokyo-japan/

Interior: l.a. eyeworks’ new retail campus in Los Angeles

4. l.a. eyeworks, Los Angeles, US

Comprising two buildings connected by a pergola-covered walkway, the new l.a. eyeworks’ retail campus is set on a corner property that includes on-site parking for customers. “We needed room for the expanding width of our ideas,” notes Director of Communications Brent Zerger. “We refer to it as a campus in the sense of a place to exchange ideas and make discoveries.” In development for nearly two years, the project was designed by Frank Escher and Ravi GuneWardena, principals of L.A.-based Escher GuneWardena Architecture – find out more on the link: https://www.eyestylist.com/2025/10/l-a-eyeworks-an-impressive-new-retail-campus-has-opened-in-los-angeles/

La Belle Vue Opticien: colour, energy, individual character

5. La Belle Vue Opticien, SW France

La Belle Vue, choosing frames is an experience that is pleasurable, interactive and perfectly lovely. Here, you enter a pastel-toned world that the owners describe as inspired by California, “a mix of chill, lifestyle, and fashion under the South Western French sun”. Disco balls, pretty neon lights, quirky tubular seats and soft white swivel armchairs all come together in a fresh pastel-toned interior trimmed with light green and black leopard print drawers and soft, elegant satin curtains. Find out more at https://www.eyestylist.com/2025/11/french-optical-boutique-la-belle-vue-opticien-sw-france/

Vava flagship store in Oporto, Portugal, showcasing the complete collection by the avantgarde eyewear brand

6. Vava flagship store, Oporto, Portugal

Vava’s impressive 300m2 concept store is located on the historic Passos Manuel at number 66, and has three distinctive levels. Conceived as an expansive and experimental space, Silva describes it more as an art installation than a store, lit by neon lights and lined with mirror walls and details such as gradient colour palettes and fluo tones…find out more at https://www.eyestylist.com/2025/03/vava-eyewear-concept-store-porto/

Dr. York has featured many times on Eyestylist.com: this year we wrote about the installation in the Mexico City store

7. Dr. York, Mexico City, Mexico

Mexico City’s Dr. York shared their installation project by renowned Mexican artists Pablo Kobayashi & Lucia Aumann . The installation created a bold statement for the store which expressed their commitment to arts collaborations and close integration with the Dr. York community.
“We decided at the end of 2024 to begin defining possible ideas,” the artists explain. “The final piece acts as a ‘modulator’ of the dynamics that José and Laura generate [in the store] and that uniquely define the characteristic atmosphere of the place.
A series of characters manifest behind the curtain asynchronously, suggesting that something is happening. In a constant game of colours that intensify and attenuate with each change in pressure, you see something regardless of whether it is visually perceived as a defined silhouette. The curtain does not divide. It rather suggests other layers, other depths, and other presences.” Find out more….https://www.eyestylist.com/2025/09/mexico-artists-kobayashi-aumann-at-dr-york-optical-boutique/
Punto Ottico Humaneyes, new Milan interior

8. Punto Ottico Humaneyes, Milan, Italy

In Autumn 2025, Punto Ottico Humaneyes reopened in Milan following an extensive re-design. The 88 m² space was reimagined with a new contemporary aesthetic, enhancing the functionality and efficiency of the interior and focusing on the customer, who is invited to experience a light and harmonious atmosphere. Elegant and minimal, the interior features include fine oak panelling, delicate marble finishes, an eye-catching eyewear display made of lightweight painted steel with integrated LED strips and vertical mirrors, and luxurious leather armchairs by Flexform. Find out more at https://www.eyestylist.com/2025/10/punto-ottico-humaneyes-milan/

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LOULOU Opticiens, Lyon: ‘haute lunetterie’ at its best

The French independent store LOULOU has created a fresh high-end space with attention paid to every detail – a space to present some of the world’s most prestigious collections of eyewear. Eyestylist.com spoke to Michael Lalande, Loulou’s founder about setting up shop in 2017, and his latest project in rue Gasparin.

“I first opened LOULOU in 2017 in the very heart of Lyon, on Place des Célestins, facing the theatre of the same name — a charming square with a village feel, slightly removed from the city’s main bustle,” Michael told Eyestylist, in conversation. “As the store quickly became too small, I began looking for a new space nearby. I explored several options and even considered taking over a colleague’s shop. But when I learned that the footwear brand FEELANCE was leaving its beautiful location, I knew immediately that it was the right place. Its exceptional visibility, with 5-metre-high windows, was simply irresistible.”

Today this location on rue Gasparin has been redesigned and presented in a new way, with a striking shop front and contemporary interior, by architecture studio, Johany Sapet. Lalande wanted a minimalist aesthetic with metallic features and exposed stone walls. Upstairs the store has a tranquil lounge-like space where the eye exams take place.

“For the first LOULOU, I wanted a dark, elegant atmosphere with brass and marble accents. The long, narrow shape of the space had led us to turn that constraint into a defining feature, with a visual path that drew customers toward the back — a design many fellow opticians later took inspiration from. This time, I wanted something completely different.” Above: the exposed brick wall is a feature of the new interior design at Loulou Opticiens

The new interior at LOULOU designed by Studio Johany Sapet

“My aim is to offer a high-end yet relaxed client experience, inspired by luxury hospitality — where nothing is ever a problem,” says Michael enthusiastically. “I like to shift the focus of buying eyewear away from the medical aspect, and toward the pleasure of a beautiful object. We pay close attention to sensory details — sound, scent, light — leaving nothing to chance.”

Interior: focusing on presentation and details, the store showcases some of the finest young and emerging eyewear designers

“When I opened Loulou,” says Michael, “I wanted to bring something new to Lyon’s already rich landscape of independent boutiques. I was the first to carry Ahlem in the region and have kept that spirit of discovery ever since, trusting young brands that inspire us. I’m proud to have been the first optician in Europe to offer Lapima. My latest crush is Paloceras, a very innovative new label. To connect with the creative community, I’ve often hosted art exhibitions and events in the store — even transforming it once into a bright red pop-up for LPLR.”

Among the new details, several particular features stand out from the striking black seats to the artistic references and minimal furniture. The frame display has been produced from repurposed parking ventilation grids. “We created unique metal panels to support the slim metallic shelves.” The effect is both industrial and refined.

Loulou Opticiens is run by Michael Lalande, and a team of three, opticians Marie Burton and Juliette Valero, and Diego, the miniature dachsund and store mascot! The inauguration of the renovated store took place on 27th November 2025. Find out more about the store and their selection of independent eyewear brands at www.loulouopticiens.fr

14 rue Gasparin 69002 Lyon – France