Eyestylist

Designer insights: Laura Howard, Vera Wang eyewear

Behind the Vera Wang eyewear collection is a team of creatives with expertise in colour, shape and the technical precisions of a unique pair of spectacles. Eyestylist asked designer Laura Howard to talk about her approach to luxury product design and her thoughts on trends and choosing a new frame.

How long have you been working with Vera Wang eyewear? I first began working on the Vera Wang runway collection, VWX, in 2014, along with Kenmark’s CCO and Vera Wang optical collection designer, David Duralde. Vera has been fully involved from the beginning, so having all that history there when I started provided some valuable design groundwork and some major expectations to fulfil.

How do you turn Vera’s vision into an eyewear collection? Can you describe the process for each collection. Each season’s runway collection all starts with Vera! She is incredibly passionate about eyewear and spends a lot of time thinking about the point of view she wants her collection to have. We meet with Vera and her team to discuss trends, to gather inspiration and to get a read on her vision for the collection. She’ll often sketch a few ideas for shape or to show the scale and proportion she is looking for. I then take all of that and design many, many concepts for her to review and make further edits. She stays very involved after that by choosing every material, lens and finish for each frame. This collection is truly personal to her and she is creatively connected to each piece.

Laura works for Kenmark Eyewear in the US

From a personal point of view, what are your greatest passions in life, and does that impact on your work as a designer ? I have a real need to get out and experience the world. There aren’t many places that I wouldn’t go at least once! The takeaways from travel (even short weekend trips) have a lasting effect on my life and work. Just opening yourself up to new experiences allows for creativity to prosper. Being out in the world is also a reminder that there are faces other than my own. When designing, I obviously try everything on my face, so I constantly have to make sure I don’t end up with a collection that is tailor-made just for me.

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Do you think that women are more in tune with the benefits of eyewear styling and choosing styles/colors that are enhancing to the personality. If so, can you give any examples or advise on choosing a frame? I think women have always been in tune with their personal style, but now more than ever, fashionable eyewear is much more accessible. With so many new ways to shop and eyewear being offered at nearly every price tier, women have access to a lot more variety and endless ways to express themselves. With that, I think choosing just one frame is no longer necessary. And I’d say try on EVERYTHING! As designers at Kenmark, we put frames on lots of faces. I would say that most people we fit end up loving something they never would have tried on if we didn’t make them. Toss out the face shape chart and go with your gut!

Developing the new-season Vera Wang designs

What can we expect in 2020 in terms of design trends / style/colour trends and how have you interpreted those concepts in the new collections? Metal eyewear is still a very strong trend that I don’t see going anywhere anytime soon. Shapes are trending toward more utility styling with pieces like shields and sports wraps. I think micro sunglasses are slowing down, but a frame on the smaller and thinner side is still going strong. Moving into 2020, I think we’ll start to see acetate creep back in, but in thinner profiles and more translucent colorways. One of the defining features of the Vera Wang collection has been the showcasing of exposed structure, which really lends itself to the growing utilitarian trend. Through a series of prongs and screws, the strength and construction of those pieces are celebrated, not buried within the materials. This styling will be carried forward into the newest collection by creating new shapes in metal that boast this concept.

V547: a round, transparent semi-rimless – the style comes in a selection of pastel tones

What is it like to work with a couture designer on a collection, and what have been the most exciting moments for you in your career path so far? Working with someone like Vera Wang, who 30+ years into her career is still at the top of her game, is truly the most fascinating and invigorating experience. I’m incredibly inspired by her sense of self, the strength in her vision and her tenacity as a designer. One of the perks of being around someone like that is that you get a contact high from their energy. Just absorbing her ideas, philosophies and instincts is always time well spent. Seeing your frames walk the runway isn’t too shabby either! For more details about the Vera Wang Collection visit www.kenmarkeyewear.com CN For previous articles about Vera Wang click on the following link: https://www.eyestylist.com/2019/08/deryn-by-vera-wang/

Trends: Super square

Big is definitely beautiful when it comes to square frames. This shape has re-emerged in 2019 with bold retro-inspired depth and bulkiness – or a minimalist airiness – in a choice of ingeneous colorations, that beg to be worn as modern statement pieces.

Above: Essedue model Ecstasy in grey from the Italian label’s Prima collection, a handfinished line produced in a family factory in Irpinia near Naples. Prima sunglasses by Essedue are available direct from the Essedue website at www.esseduesunglasses.com

Fuz by Oliver Goldsmith Sunglasses

Frames with a classic retro flair are an easy bet for all-year-round styling, and the square designs are already being hyped for SS2020. Model Fuz from Oliver Goldsmith is one that has inspired many other sunglass designs. First created in London in 1966, the frame is still constructed with bold bevelled edges and paddle temples – and comes in lots of new colorways including black leopard (above) and black cherry. www.olivergoldsmith.com

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Percy from the Centena Collection by Kirk and Kirk

The UK label Kirk & Kirk always delivers a classic shape with a unique twist. The Percy is one of their acrylic optical styles in the Centena collection, providing a magnificently bold silhouette with the flash of transparent colour that lights up the face. www.kirkandkirk.com

Finest Seven Zero 09 in Burnt Champagne

In contrast, Finest Seven brings on the square with a special super fine structure. Their oversized Zero 09 has a large squareish lens with a neat double bridge. The frame is made of stainless steel wire and fitted with 100% UV 400 high quality Italian lenses. For more details visit www.finestseven.com CN

Folding eyewear: Balto by ROAV

Independent eyewear brand ROAV introduces Balto

Folding sunglasses have been around for decades. The Italian label Persol claim their 714 as the first-ever commercialised foldable design. Since then, beyond the classic designs and some iconic examples from the 1970s, new innovations in this area had been fairly scarce, until in 2017, the Californian start-up ROAV came along with a robust, screwless patented metal design, launching via Kickstarter, the crowdfunding platform.

ROAV frames are made from 0.6mm stainless steel – they say they are thinner than an iPhone – and have micro hinges “press-formed” into the metal. Folding at the nose bridge, sides and along the temples, the whole frame packs down to fit snugly into a soft, flexible ‘pouch’ or case that’s under 7 cms wide. Every detail is there to make them easy to pull out and put away and convenient for travellers, weekenders and those who love a slim tech design for practicality and ease with enough detail in the styling to make them wearable.

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Balto by ROAV – packs into a small pouch

For the most part, the shapes are straightforward and timeless and suit most faces, with regular black or gunmetal and a few more flashy colours such as gold (see above). The very flat TAC polarised sun lenses – which provide standard 100% UV400 protection (scratch and shatter resistant) vary from traditional hues for a tone-on-tone effect with matching frame to super bright acid mirror tones of red or green.

In conclusion, ROAV sunglasses are available online and, increasingly through opticians, and they come with a 2 year defect free warranty which means your style will be fixed or replaced during that time if you find any problems. For more information, visit www.roaveyewear.com or in the UK, go to www.roavuk.com CN

Japanese eyewear: True Vintage Revival TVR®

Introducing TVR®, an eyewear collection by skilled craftsmen from Sabae City, Fukui Prefecture, Japan

Japanese precision, tradition and artisanal craft: at the centre of the frame manufacturing region of Fukui, where artisans have worked for over 60 years in old family-owned workshops, today there are just a few traditional factories existing in Sabae who still produce handmade eyewear, and a handful of craftsmen and women of this age who continue to produce eyeglasses by hand. Some of them work exclusively with True Vintage Revival – TVR®, a small label dedicated to their extraordinary expertise through the revival of the historic “classic” shapes. Above: Artisan Yamada Mitsukazu, in his 70s, works with his wife in their traditional workshop. He has been making frames since he was 16 years old. Between them, they make around 100 frames a month.

Inside the Sabae factory where TVR® frames are produced

TVR® uses time-tested methods to create these high-quality “revival” designs as well as original tools and moulds which date from the 1920s to the 80s. They also use the  “Datum Expression Size” technique, a masterful method for measurement used during the 50s in Japan to obtain a subtle balance in the design for comfort, durability and lightness.

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Craftsman Yamada Mitsukazu: one of the TVR® collections is dedicated to Yamada

In the making of the TVR® classics, vintage design features including the keyhole-bridge, functional ‘spear’ rivets, 7-barrel hinges, and other traditional spectacle details are boldly executed with skill, passed down through these generations of craftsmen whose families were responsible for starting the production of Zylonite/celluloid spectacles in the early 1950s.

Model TVR®504: a shape made famous by James Dean

Today, TVR® produces a selection of collections in Japanese zyl and SPM Sun Platinum Metal – a metal material first used in Japan in the 1930s and a favourite of the former Emperor of Japan, Hirohito. The shapes are inspired by 50 rare and collectible frames the TVR® team found discarded in an old Sabae factory. The collections include the mainline TVR Collection and “YM” – the Yamada Mitsukazu collection. For details about frames in the collections launched for 2019, visit www.tvropt.com CN

Neo mint: Opal sunglasses by Lowercase

If you’ve never before tried pastel tones, the coming season is a good time to explore their beauty. In eyewear, transparent crystal, with just a dash of colour, has become an ideal companion for contemporary apparel, with soft pink, mint, blue or grey (on-trend now) infused in the acetate with subtlety and  modern appeal.

In tune with the mood, independent brand Lowercase has unveiled a set of modern tones in their made-in NYC collection, where mint green – a gorgeous hue in sync with the neo-mint palette – and tones like saffron are ideal choices for now – and months ahead.

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Opal sunglasses by Lowercase

Designed in collaboration with California based swimwear label NU SWIM, the Opal sunglasses (pictured in mint green) feature a soft oval shape and elegantly slim arms. For protection, the frame is fitted with Carl Zeiss CR-39 sun lenses with optional polarization and -100% UVA/UVB protection. Launched this month, the frame is available for pre-order in mint (as well as canary yellow, red or honey) direct from the Lowercase site by visiting https://lowercasenyc.com/products/opal?variant=12309584216144 CN – for more on colour and new trends click on the link: https://www.eyestylist.com/2019/07/kensington-goes-california-the-eye-est-london/