May 2014

Stunning Sunglasses

Summer Adventures Begin with Super Sunglasses

1st May 2014 Beautiful design, glamour and imagination spotlight sunglasses this season. Colour is bold and glossy, and Tim Van Steenbergen for theo (above) embraces vivid tones and strong styling with Nina, in acetate and stainless steel. The exuberant colours found in the Red Sea inspired the frames that are certain to pump up  your wardrobe and brighten the street scene. www.theo.be

 

Reunion by LGR with "zero base" mirrored lenses
Reunion by LGR with “zero base” mirrored lenses

Mirrored lenses are high on the priority style list this season, and LGR presents a dramatic version – Reunion – in sleek matt black acetate with petroleum mirrored lenses. The unique lenses are called “zero base” as they are completely flat. The perfectly round voluminous shape is cutting edge, chic and modern, and handmade in Italy. Photographed in Italy on Sabaudia beach. www.lgr-sunglasses.com

 

Boombox Noize by ic! berlin
Boombox Noize by ic! berlin

Ic! berlin has collaborated with New York photographer Lyle Owerko to celebrate the absurdly gigantic, yet portable icon of the 1970’s and 80’s – the boombox! Owerko has designed sunglasses for ic! berlin that scream rebellion and demand attention – just as their namesake did on the streets of New York many years ago. Boombox Noize (above) is sun gold sheet metal with clear black nylon lenses, produced in the heart of Berlin. www.ic-berlin.de JG

Charles James: Beyond Fashion

Remembering an Iconic Designer

1st May 2014 The glamorous, elegant, sculptural designs by Charles James are the subject of a beautiful exhibition held in the newly renovated Tisch Gallery in the Anna Wintour Costume Center, at the Metropolitan Museum of Art in New York City. Complex cuts, extravagant draping, and luxurious materials were transposed into fabulous designs – magic that James performed with his imagination and scissors. James was born in Britain, and worked in Paris before arriving in New York in 1940, where he established permanent residence. His early clients included Diana Vreeland, iconic fashion editor, and society beauties Babe Paley and Millicent Rogers. In 1954, James married Nancy Lee Gregory, who frequently modeled his designs.

Babe Paley in Charles James Gown 1950
Babe Paley in Charles James Gown 1950

Charles James was the ultimate perfectionist, regarding each design as a work of art. Women responded to his dramatic seaming that enhanced the female form. James loved luxury, and his fabric choices were always sumptuous – silk velvets and chiffon, cotton organdy, creamy crepe, and fine wools. Charles James: Beyond Fashion is a fitting tribute to a designer who paved the way for many of America’s future couturiers. The exhibition runs from 8 May through 10 August 2014. www.metmusuem.org JG

Nancy James in Charles James Swan Gown 1955
Nancy James in Charles James Swan Gown 1955

Photos: Top: Charles James Ball Gowns 1948 Courtesy of The Metropolitan Museum of Art, Photograph by Cecil Beaton, Beaton/Vogue/Condé Nast Archive. Copyright Condé Nast

Babe Paley: Courtesy of The Metropolitan Museum of Art, Photograph by John Rawlings, Rawlings/Vogue/Condé Nast Archive. Copyright Condé Nast

Nancy James: Courtesy of The Metropolitan Museum of Art, Photograph by Cecil Beaton, The Cecil Beaton Studio Archive at Sotheby’s.

Prophilo

Boutique with Italian Charm and Style in Mestre Venice

1st May 2014 A special thank you to Gualtiero Coppe of Coppe+Sid for introducing Eyestylist to his lovely Venetian boutique. Prophilo Company began manufacturing optical frames and sunglasses in 1983, and the boutique opened a year ago – a family enterprise with Mario Di Bello and his wife Rossana, and their son Matteo. They chose Mestre as the location because Mario was born in Venice, and the family now lives on “the mainland”, just a few minutes from the centre of Venice.  “What we wanted,” says Mario, “is that the shop had a new image and that people feel like they are at home when entering the boutique.”

Italian Ambience at Prophilo
Italian Ambience at Prophilo

The shop interior is cosy, and oozes charm, warmth and character. “The interior renovation was created by architect Marcadella Alessandra, but overall we worked together, including the furniture research,” explains Mario, “and the wall that appears to be a fresco (above) is a particular wallpaper from Wall & Deco Co., but it really does look like an old fresco.” Vintage carpets, wood accessories and a working fireplace add to the delightful ambience.

Cosy Corner at Prophilo Mestre Venice
Cosy Corner at Prophilo Mestre Venice

“We don’t have many tourists in our shop,” says Mario,”as most of our customers are local people who look for new brands, fashion and something trendy. Together with some products by Prophilo, we have Coppe & Sid, Moscot, Barton Perreira, Conservatoire de Lunettes, Jacques Durand, Claire Goldsmith, Derapage, Etnia Barcelona, Paul Frank, Volte Face, Italia Independent and Spektre. In our shop we look for exclusive brands which give us emotion. Each label has its own space; we do not mix brands together. The trend this season is round shapes in optical designs, mirrored sunglasses, and two-tone gradient lenses. When we present a new eyewear collection, we usually have an event inside and outside the shop with music and cocktails. It’s really beautiful to take time to be together for a break.” www.prophilo.com JG

Zoobug

1st May 2014 Once upon a time, children who needed to wear glasses really didn’t want to. Styles and colours were limited, and frames just weren’t fun. Then, like a magic wand in a children’s fairy tale, there appeared a delightful collection of frames for youngsters with a catchy name – Zoobug – that appealed to little hearts and fashion desires. Eyestylist meets Dr. Julie Le, children’s eye surgeon – above with her daughter Prosper – who shares her story about the creation of Zoobug.

Was there a defining moment when you realised that there was a need for high quality protective eyewear for youngsters? “I saw a lot of UV related eye problems during my training as an ophthalmologist in the UK, but it only hit home when I tried to buy sunglasses for my one-year-old niece. There was little choice and the quality was very poor.

Daisy by Zoobug - Awarded the Silmo d'Or
Daisy by Zoobug – Awarded the Silmo d’Or

What are your design influences? “I design instinctively and draw inspiration from London life as we’ve got this amazing hub of creativity and style at our doorstep. I love experimenting with colours and strong shapes. But what looks good on paper may not always work on a child’s face; that’s why all my new ideas are prototyped and tested on actual children first. I am lucky I have many willing volunteers from family and friends. My quest for the perfect pair of sunglasses or ophthalmic frames lends itself to my progressive design method, where I am constantly tweaking and refining. It may take several seasons and versions to come up with a shape and fit that I am truly happy with. This is because children’s faces are so varied and pose the biggest challenge. I always design with a particular age range in mind, but even then, there are huge variations in shape and size. Now that children’s tastes are more sophisticated, it becomes harder as you need to understand what they are willing to wear at what age.”

Zoobug for Boys - cool shape, cool colour
Zoobug for Boys – cool shape, cool colour

Do you feel that parents are more aware nowadays about eye protection for children? “Yes definitely which is a great thing. We struggled in the early years but now there is much more public awareness for the need to protect children’s eyes and to spend a little more for quality.” What are the most fun aspects of creating eyewear for children – and the most challenging? “I am a big child at heart so if I get excited by a shape, design or colour , then I know kids will too. A good fitting frame that makes a child feel great and confident about themselves is the most rewarding aspect of my job. I’ve often been asked the question of why I left my surgical career to design eyewear for children. Well, I naively wanted to make a difference. In the UK, children had a raw deal when it came to the dreaded NHS frames, and it was unusual to think that children had any desire to look cool or stylish in their glasses. The issue of course, was the lack of public awareness to protect children’s eyes in the sun. I thought it would take 3-4 years to instigate change and return to my day job. Eight years on, and I’ve only just scratched the surface. In China, where we have just entered the market, parents don’t even believe in their children wearing glasses, fearing that it will make their vision worse and they will become dependent.” www.zoobug.com JG

Cocoa and Cream - new colourations from Zoobug
Cocoa and Cream – new colourations from Zoobug