Joan

RG0008

RIGARDS

Craftsmanship and enduring beauty are keynote at RIGARDS – and their latest natural horn collection is exciting and directional. Ti Kwa likes to blend old and new in one instrument, with inspirations that are fluid and eclectic. But at the core, vintage references are translated to eyewear in a modern yet non-conformist way, as elegantly expressed in RG0008, pictured above. www.rigards.com JG

Stranger No. 18

Adrian Marwitz

German eyewear designer Adrian Marwitz has just launched a new frame in featherweight Titanium, that is part of his Urban Stranger series. The graceful, contemporary shape in Stranger No. 18 – all handcrafted in Germany – is particularly stunning in a lustrous, shiny finish – a colour that is a lovely blend of copper and gold. www.adrianmarwitz.com JG

Enlightenment: Carte Blanche à Christian Lacroix

1st February 2015 The Musée Cognacq-Jay in Paris is absolutely a little gem. Founded in 1928 by the founder of the La Samaritaine Department Store (sadly, now closed) Ernest Cognacq assembled an amazing collection of emblematic eighteenth-century art works. They are on display in a beautifully renovated sixteenth-century townhouse in the Marais. M. Cognacq chose items that would be representative of “the artistic décor of French life”… and include a stunning collection of portrait miniatures, superb paintings, busts, Meissen porcelains and furniture.

 

Lacroix fantasy at Musée Cognacq Jay Paris
Lacroix fantasy at Musée Cognacq Jay Paris Dessins Christian Lacroix Copyright: Monsieur Christian Lacroix

To celebrate the re-opening of the Musée Cognacq-Jay, Christian Lacroix, the peripatetic fashion and interior designer,  was offered a “carte blanche”  – a dual challenge of re-imagining the “guiding narrative” of the exhibition spaces, while exploring a concept which has shaped his own approach to his art – the fascination exerted by the eighteenth century. Lacroix has curated contributions from over forty contemporary artists, invited to reflect upon ten key themes identified in Ernest Cognacq’s collections. Some of the themes include: 18th century taste; Show, balls and sociability; Paris, capital of the Enlightenment; Fables, stories and novels; and Europe’s artistic economy. Lacroix’s selections have been assembled with a view to enhancing our understanding of the Age of Enlightenment, and its continued relevance in our own era.

 

Marie-Louise Elisabeth Vigée-Lebrun (1755-1842) Portrait de Marie-Louise Adelaide-Jacquette de Robien,Vicomtesse de Mirabeau 1774
Marie-Louise Elisabeth Vigée-Lebrun (1755-1842) Portrait de Marie-Louise Adelaide-Jacquette de Robien, Vicomtesse de Mirabeau 1774

Enlightenment: Carte Blanche à Christian Lacrox is an innovative exhibition, enhanced with Lacroix’s inimitable flair. The exhibition continues through 19th April 2015.

www.cognacq-jay.paris.fr JG

Photo credits: Vigée Lebrun: Musée Cognacq-Jay /Roger-Viollet

All photos: Agence Roger Viollet “Press Photo”

 

 

 

Hand Polished By ?

Eyewear with a Personal Touch by Götti

1st February 2015 Authentic Eyewear has been the philosophy of Sven Götti since he created his first collection twenty years ago. To reach the highest standard of a Götti acetate frame, it requires a skillful interaction of various processes. Götti thought of how they could summarize all these facts in a personal way – right to the beholder of Götti eyewear. The inscription “Hand polished by…” on the inside of the temple reflects the high quality of the material used from the best acetate Italian producer, plus it illustrates the specific Götti process. Manufacturing the frames is a success thanks to many years of a close partnership with experienced workers, who know every detail and how the accomplish the perfect technique.

 

Acetate Elegant and Beauty - Suse by Götti Switzerland
Acetate Elegance and Beauty – Suse by Götti Switzerland

Hand polishing eyewear is comparable with cutting a diamond. It takes years to perfect and develop the proper hand technique for the polishing. With a gentle touch of the chief polishers, details and colours radiate and become more intense. With talent and precision, they use trained movements to polish the unmistakable Götti shine on acetate eyeglasses. The design details and colour combinations are assembled with sensitivity, and the colours are produced exclusively for Götti. The label “hand polished by…” is the essence of all the puzzle pieces, that stand behind the design and colour brilliance. It is a quality seal that stands for a personal story.

 

The Perfect Technique - Hand polisher Barbara at Götti
The Perfect Technique –
Hand polisher Barbara at Götti

Hand polisher Barbara at Götti commented: “Every quality of acetate and every shape of the glasses is a new challenge. It is in my hands to optimize the motion sequences so that I can reach the perfect result. I put a lot of passion into the detail and it is always a glorious moment when I hold the finished frame in my hands.” www.gotti.ch JG

 

 

A New Year Launches…

and at Eyestylist we’re happy to celebrate wonderful new eyewear discoveries – both beautiful and exciting – for 2015. This month we again feature outstanding International Designers in REVIEWS; visit an über-chic boutique in Amsterdam, meet a globally acclaimed craftsman in Designer of the Month; and visit an exceptional fashion exhibition in New York City. Eyestylist wishes the happiest and healthiest New Year to our sponsors and readers!

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