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A new rimless capsule collection by the Spanish eyewear brand, Kaleos: distinctive, minimal, light to wear

The new collection explores the rimless trend in three sunglasses shapes, for a minimal expression that is lightweight and all about the lenses. Composed of three distinctive silhouettes – rectangular, oval and diamond-shaped, Unframed Summer proposes a fresh take on rimless eyewear which feels graphic and architectural, soft and fluid, sharp and unexpected, designed for women who approach summer with a sense of ease, character and instinct.

Five distinct colourways are highlighted, including selected photochromic options, alongside anti-reflective finishes that enhance clarity and comfort. The lenses are held by a minimal, precise structure, with the bridge and temples crafted from stainless steel, reinforcing the feeling of lightness while giving each piece a particular visual identity.

Kaleos is a Barcelona-based specialist eyewear brand, designed by Claudia Brotons. The collections are known for their trend-oriented styling and contemporary details, as well as featuring premium materials to ensure quality, comfort and durability. Kaleos has recently released a campaign with the actor Javier Rey. Find out more at www.kaleoscollection.com

Fearless sculpted and architectural forms, bold avant-garde statements and a fresh blast of artsy colour…..this summer’s optical frames leave plenty of room for expressive new styling for the face

Absolutely every fashion channel and influencer has flagged a sunglasses trend or two for the summer season, while optical frames have been all but ignored by mainstream press. Yet our feed of new optical frame launches and updates reveals a particularly fresh wave of expressive designs and ideas on colour  – offering a freedom of choice that feels liberating…

Eyestylist.com has selected six individual styles to illustrate the direction, frames that paint a picture of the boldest undercurrent in optical frame trends where breaking the rules allows for bold expression in colour and form. Above: Oscar Mamooi “avantgarde” optical model Neptune – inspired by the ephemeral ripples drawn by the wind on the sand. Mamooi’s shapes are dreamy and chic, always offering expressive yet flattering shapes and colourways – www.oscarmamooi.com

The Japanese brand, Masahiromaruyama releases unique frames based on the concept of unfinished art. This week, the brand has announced the new styles Monocle and Step, both with full-rim designs that have a striking presence. MM-0112 (above) has a refined structure with layered and distinctive detailing. The model features uniquely designed left and right end pieces on the reverse side, while the end pieces are fixed using only rivet pins. The ‘layered” effect from the front to the end pieces and temples creates added depth and character in this design. www.masahiromaruyama.com

Announced this week, Toppings by theo explores the interplay between softness, contrast and graphic elegance, playing with layering in both shape and material. The titanium structure of each frame creates precision and lightness, while the rounded acetate overlay adds softness, colour and expression. The contrast between the two materials creates a frame that feels graphic yet smooth, structured yet playful. Find out more about Toppings at www.theo.be

Nina Mûr’s Luminiers collection celebrates design as art. Each frame has an architectural structure, exploring completely new forms of aesthetic, technical and emotional expression. The collection is designed with colours for different seasons. Warm tones of lavender, ruby and yellow are suggested for summer. Nina Mûr uses its distinctive high-quality sustainable materials in Luminiers, transforming the glasses into objects of desire and contemplation—meant to be worn and displayed. https://ninamur.com/en/luminiers-collection/

For J.F. Rey, colour leads the way as the creative spark behind expressive designs. JF1599 – one of their many dazzling women’s optical styles with a summery vibe – is oversized with a geometric shape. Thhe layered acetate construction creates depth and relief. Transparencies and eye-catching colour contrasts form a graphic palette that is modern and expressive -. www.jfrey.fr

This feature was written by Clodagh Norton at Eyestylist.com. All rights reserved. AI was not used in the writing of this content.

One of Europe’s most accomplished bespoke spectacle makers (Maison d’Artisans), Elens showed a new marquetry frame at the event…..

As part of London Craft Week, the Belgian spectacle maker, Ludovic Elens, showed his bespoke spectacles at Scabal on Savile Row this month. The two companies have a close relationship and have developed a limited-edition collaboration collection of sunglasses, launched in 2025, noteworthy not only for its focus on quality and authenticity but also for its beautiful buffalo horn which is worked and polished exclusively by hand.

For the Craft Week event, Elens demonstrated the meticulous process for making bespoke spectacles to the public in a masterclass. Elens uses remarkable materials such as natural horn, antique wood, cellulose acetate from two exclusive Italian suppliers, and, in some designs, precious stones and special inlays, creating fine-fitting frames according to particular wishes and needs.

The new marquetry frame by the Maison d’Artisans – shown for the first time in London – is designed and crafted in buffalo horn, inlaid with the same precision used in cabinetmaking with  Cuban mahogany, boxwood and mother-of-pearl. The pieces have been assembled into a star pattern set into the natural horn base and the pattern has been engraved on the upper section of the lenses to create a truly surprising and unique decorative effect. Above: Ludovic Elens at Scabal, May 2026 – London Craft Week

Also exhibited during the masterclass event were frames in the Jazz Collection, a limited series of designs by the Maison d’Artisans, available in bespoke sizing, materials and colours, and some of the most unique pieces created by the artisans, including a design decorated with egg shell using the Japanese Rankaku “mosaic” lacquerware technique for the setting.

About Ludovic Elens – Founded in 2015, the Maison d’Artisans – led by Ludovic Elens – designs and creates bespoke spectacles in Brussels in an atelier in the Sabion area. Each piece is handcrafted from start to finish for single wearer, reflecting an exceptional level of craftsmanship, combining contemporary elegance with a personal approach that is now sought after worldwide. Find out more at www.ludovicelens.com

Read previous articles about Ludovic Elens at https://www.eyestylist.com/2019/01/lunetier-ludovic-brussels-belgium/ and https://www.eyestylist.com/2023/07/manalys-x-lunetier-ludovic-a-collaborative-work-of-art/

This feature was written by Clodagh Norton, who attended the Masterclass on Savile Row in May 2026. All rights reserved.

French eyewear company Morel has an eyewear legacy dating back to 1880. Today its history and world of craftsmanship is exhibited in a permanent exhibition at the company headquarters in the Jura in France. In a conversation with Amélie Morel in New York, Eyestylist asked about the curation of the precious materials and how the story of the company unfolds….

Inaugurated in early 2025, the exhibition of company archives and eyewear dating back to the 1880s has been curated inside Morel’s headquarters located in the Jura, the spectacle making region of France. On display is a selection of around 250 of the most representative frames from Morel’s heritage, including both optical frames and sunglasses. The exhibition also features a wide range of related communication materials such as point-of-sale displays, promotional items and catalogues, as well as a variety of objects which reflect the mood and design direction through different decades. Above: illustrating the history of the family-owned company, the exhibition includes company archives, iconic Morel frames and early advertising and promotional materials – a campaign image featuring Amélie and her brothers as children is included in the display

We asked Amélie to highlight her favourite piece amongst the displays. “It’s hard to choose just one favourite,” she said, — “146 years of history can’t be summed up in a single highlight. My three favourites come from different areas: product, communication, and events. First, on the product side, model Tydée, a Morel design which perfectly illustrates our eyewear expertise. This design was developed in multiple shapes, sizes, and colours, and has sold over one million units worldwide. Made from very fine goldfilled wire, it marked a real turning point in Morel’s success and international expansion, particularly in Asia.
I am also very fond of an image from a 1976 advertising campaign. My brothers and I took part as models, which makes it an exceptional personal memory. Even today, this campaign remains highly representative of Morel’s identity.
Finally, my third highlight here is all about SILMO. Since 1967, SILMO has set the pace for new product launches and provided opportunities to meet partners from around the world. It’s a place for connection, exchange, and discovery—and a joyful moment each year for all the Morel teams.”

A particular highlight in the space is a recreation of the original workshop of Jules Morel, dating back to 1880, which has been carefully preserved and presented with the original period tools, accounting books, and even the founder’s original business cards.

“What has been most interesting about creating this curated display is having a place entirely dedicated to our brand, where we can share our story—both as an industrial company and as a family. It has also allowed us to highlight the key moments, the people behind the company, and of course our craftsmanship….” Amélie Morel, Communications Director, Morel 

Asked to mention the most recent piece on display in the permanent exhibition, Amélie told Eyestylist: “It is a piece that dates from the 2000s featuring what were, at the time, highly innovative materials—such as wood, leather, wicker, carbon and even mother-of-pearl. These designs highlight the use of exceptional materials and showcase the craftsmanship and expertise of the artisans working here at Morel.”

Historically, Morel is perhaps particularly well-known by connoisseurs of eyewear for their gold-filled frames dating from around 1957. These wire rim designs were admired – and still are greatly – for their quality of design and refinement, using fine materials and authentic workmanship. Today the company is involved in many new directions in terms of developing their collections. They have an established collaboration collection with the world-famous architect Jean Nouvel and a relatively new line launched with the French designer, Constance Guisset.

Asked what feedback the company has received from visitors to the space so far since the opening last year, Amélie Morel observed:  “Visitors generally leave feeling impressed by the richness of our history and our know-how. Honestly, they love it! We are very proud of our heritage and every chance we get to share it with our partners.”

Images by Ben Becker, published by kind permission of Morel.  Find out more about the French eyewear company, Morel at https://morel.com.

Amélie Morel is Communications Director of Morel and President of SILMO Paris (since April 2017)  – https://www.silmoparis.com.

This is an exclusive feature written by Clodagh Norton following a conversation with Amelie Morel at LOFT in March 2026. All rights reserved.

A subtle yet spirited collection of titanium frames, designed to move along with the natural rhythm of everyday life

The Flow collection aims to offer a completely effortless eyewear experience, ever present and yet without demanding attention. Proposing timeless popular shapes which are precise and balanced, the frames are lightweight and flexible, with expressive gradient colourations. Using a hand-applied brush technique, the colours “flow” from intense to soft, creating a visual rhythm that feels organic and alive. Above: FLOW frames are light and minimal, while capturing the unique spirit of theo through expressive colours and cool gradients

Each frame in the FLOW collection has a name that reflects an essential element in our daily rituals: Breath, Eat, Speak, Sleep, Feel and Cheer. The shapes include a geometric design, several organic oval and modified round ‘classics’ and a large aviator. For more information about theo, visit www.theo.be