Eyestylist

Eyewear event: Hall of Frames (HOF), Lucerne

The event took place on Sunday, 14th September 2025 at the Swiss Museum of Transport

Hall of Frames, the annual Swiss eyewear event for opticians, took place in September at the Swiss Museum of Transport in Lucerne, a popular location in the picturesque city surrounded by mountains. The event attracted an array of beautiful new eyewear collections for the Autumn/Winter season, from creative designers and independent eyewear brands. HOF aims to offer visitors an overview of eyewear design and optical innovation, as a place that is relaxed and intimate for opticians to discover new styles and eyewear produced in trend-oriented materials. “Alongside established materials such as acetate, titanium and polyamide, eyewear made from carbon and horn was also on display,” the organisers said after the show. “Brands such as Marcus Marienfeld and ic! berlin (carbon) or Wollenweber and Marcus Marienfeld (horn) confirmed the continued demand for robust, lightweight and elegant frames. The selection also included the distinctive wooden spectacles from Rolf – made in the Tyrol. The oversized models from Coblens continue to be among the must-haves of the season, as do the striking and characterful shapes from Nirvan Javan, Moscot NYC and Ross & Brown,” they added. Above: Nathanaël Wenger and Eveline Perritaz, organisers of Hall of Frames

A photo shoot takes place during the event to showcase frames by exhibitors – frame by Wollenweber Hornline

Sports brands were also strongly represented in Lucerne this year. Out Of, Bollé and Evil Eye underlined the growing importance of functional eyewear, the organisers said. In addition, Swiss labels Didier Voirol, Einstoffen, Feller, Nirvan Javan and Marcus Marienfeld were in the spotlight, highlighting the close ties to the domestic eyewear scene. Among HOF’s valued partners in 2025 were Nikon – distributed by Reize Optik – as main partner, as well as Dynoptic, Beck Optikhandel and Studio Arenas.

Independent eyewear brands are the focus at Hall of Frames – offering a showcase of fine eyewear design and new directions – frame by Ørgreen Optics

In 2026, the HOF will take place in Zurich – at the Emil Frey Autocity Nord in Oerlikon. The concept of regular changes of scenery remains useful, the organisers have stated, and promises fresh impetus for the independent eyewear scene in Switzerland.

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About Hall of Frames: For almost 20 years, the Hall of Frames has been promoting independent optical retailers and eyewear designers. Around 50 national and international eyewear brands present their latest collections each year at this table-top exhibition, which features both established brands and promising newcomers. The HOF offers a comprehensive insight into current trends and innovations in the industry and is an important meeting place for professionals in the Swiss eyewear market.

Photography by Sarah Kim Hirschi (https://sarahkimstudio.ch/ Model: Lea Harder 

For more information about Hall of Frames in 2026 visit www.hallofframes.com Photography provided courtesy of Hall of Frames

British eyewear: Oliver Goldsmith Sunglasses – the iconic round shapes

New Limited Edition OG Icons are here!

The new Limited Editions from the British eyewear label, Oliver Goldsmith Sunglasses revisit the iconic round shapes, Oops and The 1930’s. These two round styles, which have remained in the collection since they first appeared, are reimagined with a bold triple-laminated acetate twist, delivering a striking colour pop that perfectly captures the season’s spirit. Above: the iconic Oops sunglasses by Oliver Goldsmith Sunglasses get an exciting makeover!

Limited Edition Oops by Oliver Goldsmith Sunglasses – a fusion of archive design and modern acetate innovation

The capsule is available in three unique colourways, produced in a strict “One and Done” run—meaning once they have gone, they’re gone forever. This exclusivity adds immediate collectible value, making each pair a coveted piece of Oliver Goldsmith history.

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The 1930’s in colour “Bonbon” combining deep Burgundy, olive green and crystal tones – b y Oliver Goldsmith Sunglasses – these sunglasses pay homage to the era of the silver screen and an iconic 1939 VOGUE magazine cover featuring the frame

True to the brand philosophy of “eyewear as an extension of personal style”, the exclusive release continues Oliver Goldsmith’s tradition of releasing bold, time-limited colourways. These sought-after editions are known to sell out quickly, with collectors and style devotees alike eager to secure a piece of design heritage. Find out more at www.olivergoldsmith.com

Autumn eyewear trends: artistic colour gradients

Gradient tones were frequently unveiled in our preview appointments at SILMO Paris..the tones are subtle, sophisticated and full of character and artistry

Sophisticated colour palettes and a beautiful exploration of the effects of gradients or graduated hues, the eyewear collections for Autumn/Winter served up some interesting new directions and colour mixes that felt creative and artistic, revisiting the shaded effects with new ideas and imaginative colour matches. Above: RSF Autumn/Winter – model Cherry Side Fade – model Cherry is an interpretation of the concept of street culture; the model recalls swimming goggles “which have evolved through a 90s rap video. The colour – with a special side fade – creates a new look compared to the more common vertical transition – www.retrosuperfuture.com

Andy Wolf – model Daisy – image by Fanette Guilloud

The Daisy sunglasses at Andy Wolf are a popular oversized cat-eye inspired shape. The gradient effect introduced explores three tones on the frame front, contrasting translucent and saturated colours for a dramatic result. www.andywolf.com

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Veronika Wildgruber – model Nick

Model Nick by Veronika Wildgruber is a new rectangular acetate frame with soft edges, defined by its subtle complexity. A double shift in thickness creates the gentle colour gradients, adding depth and movement. The straight bridge provides minimalist clarity, giving the frame its calm, contemporary character. Find out more about the new collection at www.veronikawildgruber.com

LOOK ‘Nil Xinox’ 5433 – the material is said to be ideal for everyday given its lightness and comfort

A sophisticated tribute to the 1990s, reinterpreted with a contemporary twist, this series by Italian eyewear company LOOK is known for its attention to detail and the red dots on the temples. The ‘NIL’ solid colour fronts alternate with elegantly nuanced hues (see above) that dialogue with compact, harmonious dimensions. It is the ideal choice for those who love a retro yet timeless aesthetic and is designed for the adult consumer with a smaller face. The versatility of the colour is “a nod to Gen Z consumers with delicately vibrant shades”. The colourway pictured is called shiny transparent purple-brown gradient – paired with sleek temples in a light shade of shiny gold. Find out more at www.lookocchiali.com

Jisco Eyewear celebrates 12 years of colour and Mediterranean essence

Francisco Marin, CEO told Eyestylist how the independent brand  – based in Barcelona – has preserved its identity and grown a following of customers around the world, as it celebrates its 12th birthday

JISCO is 12 years old. How do you reflect on the journey so far, and what are your priorities in terms of the design direction of the brand Yes, that’s right – this year JISCO celebrates 12 years. As CEO and as a Mallorcan, I have great pride to see how an idea inspired by the light, colour and lifestyle of the Mediterranean has grown into a brand with an international presence. Over this time, we have learned the importance of staying true to our essence: designing eyewear that conveys authenticity, optimism and personality, always with a strong connection to our customers.

In terms of design direction, our priority is to keep evolving without losing the Mediterranean identity that makes us unique. We are committed to innovation in materials, sustainability, and to creating collections that balance trend and timelessness, so that every person wearing JISCO feels they are expressing their individuality in a natural and elegant way.

Colour is integrated at JISCO with energy and passion. How do you find new directions and particular inspiration for each collection? Mention any recent campaigns. Colour has always been part of JISCO’s DNA. It’s not just a design element, it’s the way we express the vibrancy and optimism of the Mediterranean. Our inspiration comes above all from nature, the landscapes and the light of our home – the sea, the sky, the earthy tones of the coast, and the way these colours change with the seasons. From there, we translate this energy into eyewear that feels fresh, modern, and full of personality. Above: JISCO frames offer uplifting colourways and easy-to-wear “statement” shapes

Penelope by Jisco Eyewear

At the same time, we listen carefully to our customers and to the markets to understand how they want to express themselves. This dialogue helps us reinterpret colour in every new collection – whether through subtle, sophisticated tones or bold, statement combinations.

Our most recent campaign, Jiscotheque, is a good example of this philosophy. While it is divided into three chapters that follow the rhythm of the seasons, the entire concept is built under one unifying idea: the Mediterranean celebration. A party mood, fashion, and lifestyle all come together as an expression of joy and connection. Each chapter of the campaign introduces new models and colour palettes that reflect not only the season, but also the different moments of life throughout the year. This way, colour becomes a true bridge between our brand identity and the individuality of our customers.

Is there a frame style or look that you have had particular success with this year, and what has been successful in terms of new shapes and colours? While acetate frames remain essential in any eyewear collection – especially as acetate is a natural and, in our case, eco-friendly material – we have also invested strongly in developing new product families that expand our offer. One of the most successful this year has been our Comfort line, which combines stainless steel with Eco Trogamid, an eco-sustainable injected plastic.

This material allows us to design extremely lightweight frames with outstanding comfort, while still maintaining the distinctive JISCO personality in terms of colour and style. The Comfort line has been particularly successful across several markets because it bridges two worlds: the technical and functional side of eyewear, and the aesthetic and lifestyle values that define JISCO. For us, it represents a perfect balance between innovation, sustainability, and Mediterranean-inspired design.

Renan by Jisco Eyewear

Have you expanded into new markets (since our last interview in 2023) and do you find that the JISCO styles have global appeal? From the very beginning, JISCO was born with an international vocation. For us, Europe has always been our “local” market, and everything beyond Europe we see as international. This way of thinking comes naturally – our founders are from different parts of the world, so even though we are a small company in size, we have always felt big in spirit and in vision.

The years 2023 to 2025 have not been easy. Political tensions, conflicts and uncertainty have made markets more fragile, and consumers more careful in their choices. Our clients feel this reality every day, and we feel it with them. That is why we chose to focus on what we can do best: standing close to our strongest markets – Germany, France, Italy and Spain – and nurturing long-term relationships with our partners abroad. These relationships are not just business agreements; they are true partnerships built on trust and shared vision. They have been the key to ensuring that our growth continues in a stable and healthy way.

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Recently, we began a new collaboration in the UK, and the first six months have already been a wonderful success. For us, this is much more than a market expansion – it is proof that, even in difficult times, the Mediterranean soul of JISCO and our way of blending design, comfort and individuality connects with people everywhere. And in the end, that connection with people is what our brand is all about.

What has launched this month for SILMO and what is coming up in 2026 at Jisco? SILMO is always a very special moment for us – not only a trade show, but a place where we connect face to face with our clients, partners and friends in the industry. For JISCO, it’s the opportunity to share what we’ve been working on and, at the same time, to listen closely to the feedback and ideas that inspire our next steps.

This year we have presented a very exclusive capsule collection called Gaston. It is limited and numbered to just 100 pieces per colour, created for the most passionate JISCO fans – those who want to take one step further into design, colour and sophistication. Alongside this, we are also launching new models made entirely of titanium. This new titanium family is just the beginning, and in 2026 we will be developing it much further. We believe that working with this material in the JISCO way allows us to push our collection to a new level, combining technical excellence with Mediterranean style.

Bastian by Jisco Eyewear

Looking ahead, our vision for 2026 is to keep growing in a sustainable and human way, reinforcing our close relationships with partners in every market, and staying faithful to the values that define us. For us, the future is not just about trends or numbers, but about building a brand that people trust, enjoy and feel connected to. That is the spirit we bring to SILMO and to every step forward.

Trends in eyewear come and go…what do you think will be a lasting look that we will see trending in the months coming up and then on into Spring Summer 2026? Trends are important because they create movement and energy in our industry, but what truly lasts is when a trend connects with people on a deeper level. At JISCO, we believe that in the coming months and into Spring/Summer 2026, two elements will remain very strong: the search for individuality, and the desire for comfort.

Customers are looking for frames that allow them to express who they are – through colour, shape or material – but without giving up on lightness, functionality and sustainability. This is why we see acetate continuing as a timeless material, while technical innovations such as eco-friendly injected plastics and titanium will gain even more relevance. They allow us to design eyewear that is not only beautiful, but also responsible and extremely comfortable to wear.

In terms of aesthetics, we believe bold reinterpretations of classic shapes, vibrant colour combinations, and subtle details that make a frame unique will remain key. What will truly endure, however, is the Mediterranean approach that inspires us: eyewear as part of a lifestyle, full of light, joy and authenticity. That spirit, more than any passing trend, is what we see shaping the future.

To find out more about JISCO Eyewear visit www.jiscoeyewear.com

AHLEM: Paris Fashion Museum

A night at the Palais Galliera

Friends, partners and collaborators joined eyewear brand, AHLEM at the Musée de la Mode, Palais Galliera, for an intimate evening with Cravan Cocktails and live jazz. The night, which took place over the SILMO weekend in Paris, was a celebration of culture, creativity, and community. Above: Ahlem Manai-Platt, Founder of the eponymous eyewear brand

AHLEM evening at the Palais Galliera

About AHLEM – The brand was founded in Los Angeles in 2014. The designer wanted to create eyewear with a soul—objects of enduring beauty, uncompromising quality, and absolute integrity. From the beginning, her vision has been to design frames that transcend trend and season, pieces that feel as relevant in twenty years as they do today.

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“My approach is guided by a radical and poetic philosophy: radical minimalism, poetic craftsmanship, Japanese sobriety, Parisian clarity,” the designer explains.  “Every frame is entrusted to master artisans in France, guardians of techniques honed over generations. Their work is measured in hundreds of steps, in a patience that cannot be rushed. I believe that objects made with time, skill, and integrity carry a presence that cannot be replicated. Every AHLEM space is conceived as a sanctuary—both for the object and for the person discovering it. Every detail is intentional. Nothing shouts; everything invites slowing down, observing, and feeling.”

All event images courtesy of AHLEM / September 2025. Find out more at www.ahlemeyewear.com