Eyestylist

Fashion Tips from Noted Men’s Stylist

17th January 2014 Our thanks to Brent Zerger at l.a.eyeworks for introducing us to Warren Alfie Baker – celebrated men’s stylist for magazines, TV and cinema. Baker offers suggestions and insights into what well-turned out males will be wearing in fashion and eyewear.

Do you see any definitive trends for men’s fashion in 2014? “I think for spring we are going to see men being a little more adventurous with bold prints and colours. A resurgence of the bold 1970’s colours like Burnt Oranges and Yellows, with some Fuchsia pinks. Also, I have seen some great pastel coloured suiting for men that I think will be a huge trend.”

Do you think that men are paying more attention to how they dress? “For sure, there are a good percentage of men that get fashion and follow trends, but there is also probably the same percentage of men that don’t care too much. A lot of my job is about education and how to make clothes work for a particular person’s body. I still think a lot of men are scared to try something new, but that is changing…..slowly.”

Who are your favourite men’s wear designers? “OK – so I’m a huge fan of Vivienne Westwood’s tailoring. They have superb fabrics and colours, not for everyone, but I love her designs. I love Ports 1961 – again great fabric choices with classic cuts. I love Sandro too, simple but super chic.”

What should men look for when selecting eyewear? “When I select glasses for my client I look for frames that will suit their personality and style. I think frame selection is an important one to get right, as they will be the one item that people look at constantly. Look at colour, and the shape to make sure it fits the frame of your face perfectly. I have these beautiful 50’s style frames from l.a.eyeworks that are metallic gold with a beautiful design (Silverman). They are simply amazing and I can’t go anywhere without them!” www.warrenalfiebaker.com www.laeyeworks.comJG

Men’s Frames with Character and Style

14th January 2014 Coppe and Sid – creators of fine eyewear – offer suggestions for men on how to choose frames that are elegant and smart, and suit the wearer.

“Think about your lifestyle and needs – will I be wearing these frames in the office? home? outdoors? work? Listen to your optician for advice on size, materials and how to choose suitable products, especially when high index/progressive lenses are required. Select a design with which you are comfortable, and a colour that best suits your style. Be unique without being eccentric! Pay attention to the quality of the product and look for where it is made. Just because a brand or style is popular, does not mean that it is the best style for you…so try on a variety of frames. And be aware of good value for money – the quality of the frame, the style, design and price. Because frames are “to see and to be seen!” www.eyedesignclub.com JG

Featured frame: Wellington 03 from the Oceania Routes Collection by Coppe and Sid. Handmade in Italy in fine quality acetate and titanium.

Factory 900

11th January 2014 If you haven’t seen this name already, then take a look. The super creative Factory 900 hailing from Japan have particular technical aptitude when it comes to voluminous plastic, and this translates into some out-of-the-ordinary colourful designs.

The round style with floating lens (above) fa-1111 won the Silmo d’Or in the Sunglasses Category last September, but alongside that, there are plenty of others that break the mould. Factory 900 has produced several avantgarde show pieces including a collaboration with Aoyama Kogaku and an unusual multicoloured stained glass window mask design, first launched in 2011.

We took a look at the label’s full collection recently, and were pleased to see a growing number of wearable styles featured throughout, including the two-tone full rim fa 1120 (above), which also comes in crystal with bright tone combinations. In 2013, the Belgian eyewear label THEO and Factory 900 created two models together – theo by Factory 900 – for more on this project visit:

https://www.eyestylist.com/2013/11/cutting-edge-collaboration/ CN

Artisan Eyewear Production in London

7th January 2014 London’s East End is abundant with history – from the Red Bull Inn (sadly demolished) mentioned in Charles Dickens’ Pickwick Papers, to George Orwell’s Down and Out in Paris and London. Manufacturing has been well established in The East End since the mid-18th century. So it was with anticipation that Clodagh and I made our way to a 100-plus year old building that specialises in bespoke eyewear. In 1932, Algha Works began its eyewear legacy when the entrepreneurial and then owner Max Wiseman, purchased German made optical machinery and had it shipped to London. The seeds were sown for innovative, ongoing eyewear history.

“All the machines here – built in Germany in 1921 – are still functioning today – they are antique but authentic”, says Peter Viner, Managing Director of Algha Works, who accompanied Clodagh and I on our tour, along with Jason Kirk, Business Development Director. Viner continued: “When I arrived here, it was like opening the door and there was Pandora’s box. There is a tradition of British eyewear production, and I want to see this expand, rekindle and recapture the spirit of British production. We have a small group of young people who are learning from the masters, and we want to create personalised, bespoke frames.” During the 1950’s, and several decades following, Algha was one of two suppliers who made spectacles for the NHS (National Health Service). In 1975, Algha Works made 1.5 million frames. However, new Government regulations in the 1980’s changed Algha’s fortunes, and in 1988 the brand Savile Row was born, to create individual, handmade frames, made in the Algha Works factory.

Nowadays, the company looks excitedly towards the future, with its superb quality frames, all bespoke, crafted from fine metals. “We use rolled gold in our designs, and each frame is hand pressed, not machined. There are 143 separate operations in each Savile Row frame”, says Viner. A new direction is to create eyewear from fabulous old acetate sheets in Algha’s collection. Keeping pace with history has seen Algha Works produce frames that were worn by John Lennon – now in The Beatles Museum in Liverpool; the designs are also a favourite of Eric Clapton; and the frames were featured in the Harry Potter movies. Algha Works and their Savile Row brand are bringing new dynamics to British eyewear manufacturing. www.algha.com JG