October 16th to 28th, 2017 – London
Assouline Publishing will celebrate its collaboration with legendary French fashion designer Pierre Cardin and the launch of their new book, with an exclusive CARDIN pop-up shop from 16th to 28th October at the publishing houses’ flagship store, Maison Assouline (196A Piccadilly in St James’s, London).
A global figure, Cardin remains a vital personality today, with an essential brand established in 110 countries around the world. His unique and futuristic creations, from the Bubble dress to the Cosmocorps line, testify to his fierce appetite for experimentation and avant-garde style. Above: from the archives of Pierre Cardin.


During the pop-up, a selection of the icon’s most recognisable fashion pieces including, one-off items and limited-edition dresses, hats, jewellery, handbags and sunglasses will be available for purchase at Maison Assouline for a limited time period.
Pierre Cardin’s self-titled new book, created in collaboration with Assouline Publishing, celebrates 70 years of creation. Filled with images from the 1950s to today, the book represents the first showcase of the complete vision of Pierre Cardin from fashion to interior design, at a time when his creations are experiencing a resurgence. For more information visit www.pierrecardin.com CN

Balenciaga, L’Oeuvre au Noir at Musée Bourdelle
Luxurious simplicity united with artisan tailoring launched Cristobel Balenciaga into the rarefied world of global haute couture. The Palais Galliera pays homage to the couturiers’ couturier with the Spanish designer being celebrated at the elegant Musée Bourdelle in Paris, a superb museum that is home to extraordinary sculptures, photos and drawings.

The retrospective traces Balenciaga’s Spanish childhood that was the inspiration for many of his designs – particularly those in Black – that reflected the folklore and traditions of his upbringing. Balenciaga’s tailoring skills are legendary: he launched the balloon dress (1950), the tunic dress (1955), and the sack dress (1957).

The exhibition includes stunning examples of his suits, jackets, capes, and quiet understatement in evening outfits and cocktail dresses. Balenciaga’s designs were austere – almost monastic – yet were so powerful because of the construction in silk velvet, lace, silk taffeta and fine wools. Over one hundred pieces from The Galliera Collections and Maison Balenciaga archives are included in the exhibition. Both Balenciaga L’Oeuvre au Noir and Musée Bourdelle are a must see! Through 16 July 2017. www.bourdelle.paris.fr JG
Top image: Balenciaga Veste et robe 1965-1966 Collection Palais Galliera – Julien Vidal/Galliera/Roger-Viollet

RCA x 100% Optical
Shortlisted designs announced
London’s optical fair 100% has announced the shortlisted designs in its annual design competition in collaboration with the RCA. The finalists are: Tabitha Ringwood (1st Year Womenswear – Footwear); Annie Foo (1st Year Womenswear – Footwear); Hazel Stark (2nd Year Textiles – Print); Louis Alderson-Bythell (2nd Year Womenswear – Footwear); Alice Potts (1st Year Womenswear – Footwear) and Becky Hong (1st Year Millinery).
Visionary 2017 is an eyewear design project directed by Accessories, Footwear & Millinery tutor Flora McLean in collaboration with 100% Optical, to highlight new talent and creativity in the field of eyewear design. This year, the competition asked students to consider the wearer and their activities and lifestyle, by designing one piece for a specific person and specific usage. Above: Project name: My Tribe – by Becky Hong


In its fourth year, the competition is judged by a panel of eyewear experts from the British eyewear industry including Jason Kirk (of Kirk & Kirk), Tom Broughton (Cubitts) and Lawrence Jenkin (renowned eyewear designer). The RCA finalists’ prototypes will be on display at 100% Optical in February when the winner will also be announced. For more information visit www.100percentoptical.com CN

Luc Tuymans: Glasses…National Portrait Gallery
Art frequently influences eyewear, and frames can be an inspiration for art. Belgian artist Luc Tuymans paints a range of subject matter from major historical events to the everyday. His latest work is the phenomenon of spectacles as his muse. As he says:”I have always enjoyed painting glasses. glasses bring a kind of distortion to the face…it is a strange instrument and practically a universal theme. The banality of glasses receives a different meaning when you paint them. When at a certain point I was looking through all the portraits I’ve painted up to now, I was amazed to discover that there were glasses in three quarters of them. This is certainly not a conscious choice…glasses radically change the physiognomy of a face, but are not perceived as a radical change.” Top image: Portrait by Luc Tuymans, 2000; Private Collection; Courtesy David Zwirner, New York/London

A larger exhibition of Tuymans work is concurrently on view at the Museum aan de Stroom in Antwerp. The artist is widely regarded as one of the most significant and influential contemporary painters working today. His work deals with how history and memory is translated into paint, and how we perceive people and things. The exhibition continues through 2 April 2017. www.npg.org.uk JG

Robert La Roche: Personal View at The MAK Vienna
A chance visit to the Austrian Museum of Applied Arts – The MAK – produced an unexpected and delightful surprise – a retrospective on Austrian eyewear designer Robert La Roche. From the early 1970’s to the turn of the century, the Vienna-born designer captivated the international fashion, film and eyewear world with his pioneering designs. Robert La Roche: Personal View effectively displays the ingenuity, craftsmanship, and creativity of his eyewear, with the unique colourations, shapes and textures that heralded a new direction in frame design.

In addition to hundreds of La Roche frames on display, design drawings, advertisements, magazine editorials and photographs are also included in the exhibit. Marketing was a forte of Robert La Roche, and some of his campaigns are now as legendary as the glasses themselves.

Another highlight was a series of talks and forums open to the public at the MAK. Participants in one event included Christian Wolf from ROLF Spectacles in The Tyrol. Christian and Christoph Egger from Gloryfy spoke on a panel with La Roche, and gave Austrian insight into creating eyewear in today’s marketplace. Christian commented: “It was an honour to be invited to have a discussion with Robert himself, an icon regarding eyewear design and distribution – not only in Austria. The discussion was very interesting as we sell different markets, the marketing is different, and we had a lot to share. There was also an eyewear show with designers from a Vienna school. For me, as marketing manager of ROLF, the exhibition is great because of his advertising campaigns; the collaborations with his work are inspiring. It was a great chance to get tips and tricks from Robert! For all eyewear addicts, I highly recommend this exhibition.”

On the occasion of the exhibition, La Roche commented: “I’d say I’ve had the pleasure of making four million customers not only see better, but also look better…it’s how I sum up my life’s work. Everyone of those frames bears my name, as well as the word ‘Vienne’ – a little reference to the city of their origin, a metropolis of creativity, culture and design.” Robert La Roche: Personal View continues at the MAK through 24th September. If readers are fortunate to visit Vienna and the MAK, you can also enjoy the enchanting Fashion Utopias: Haute Couture in the Graphic Arts. This is a charming collection of graphic artworks from the late 15th Century to the 1930’s. Haute Couture existed long before the 20th Century! More details on both exhibitions at www.MAK.at www.rolf-spectacles.com JG
Photo: top image Robert La Roche sunglasses model S-49 Photo Gerhard Heller, ca. 1976
























