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A-Morir makes ‘Anime-Eye’ statement sunglasses

Unveiled this month in New York: Chibi – a collector’s piece for 2026

Kerin Rose Gold has unveiled her latest eyewear creation this month, a ready to wear concept “at the intersections of joy, rebellion, inspiration and aspiration”! The oversized ‘anime’ eye (inspired by Japanese animation) is meticulously designed and handcrafted out of four premium acetates with a smoke lens pupil. Inlaid crystals accent the irises like the reflection of surreal sun beams, and the custom shape “joyfully thwarts facial recognition technology” says the designer – with pride.

The anime eye shape, inspired by Japanese animation, is always full of character and distinctive highlights. In Kerin Rose’s sunglass design, the shape and colour combinations reflect the signature audacity of the New York designer with the stylised black upper lashes and bold colour expression transforming the frames into a fresh, playful piece of wearable art. Above: the Chibi sunglasses in purple by A-Morir

A-Morir Chibi – a new original design by Kerin Rose Gold

Each frame comes with a branded cushioned leatherette pouch, cleaning cloth, certificate of authenticity and care card. Just 50 pieces of each colour have been produced. The frame has been launched on the A-Morir website (https://shop.a-morir.com)  and for optical retailers via Julia Gogosha – https://templeofframes.com.

About the brand / a-morir pioneered the 21st century trend for embellished eyewear by combining bespoke production and premium materials with sophisticated design. What began as custom work for musical artists and performers in 2008 has evolved into a true luxury brand seen on global stages and editorials around the world.

Eyewear designer Nirvan Javan works with Alfredo Häberli

The designers have created a 3D printed collaboration collection

Developed to mark the 10th anniversary of the brand, NIRVAN JAVAN, this new collaboration collection pays homage to the two designers’ shared home city, Zurich.  The frames are described as following a strictly defined formal language, drawing on essential elements. Typographic principles and urban geometry serve as references: five geometric base shapes are varied, with that are proportions finely adjusted, and details providing interesting accents. Much like font design or typesetting, “the magic” of the frames is described by Nirvan Javan as “lying in the nuances”.

Designed, developed, and produced in Switzerland, these 3D printed models aim to marry technical consistency with creative finesse. Clean lines in 3D printing, seamless transitions, and a coherent materiality define the aesthetic while titanium temples merge with the organic fronts. Above: Nirvan Javan and Alfredo Häberli

Nirvan Javan x Alfredo Häberli

Swiss-Argentinian designer, Alfredo Häberli is renowned in the design world for his wide-ranging work, which includes furniture and lighting as well as everyday objects. As a designer he follows a clear aesthetic rooted in his personal credo: “Observing is the most beautiful form of thinking.” With his first eyewear designs, created in close collaboration with Nirvan Javan, a long-held passion project found its expression.

The collaboration between Nirvan Javan and Alfredo Häberli embodies an understanding of design as a cultural practice and exchange, locally rooted, yet internationally resonant. Find out more at www.nirvanjavan.com

This feature was written and published by Clodagh Norton. Eyestylist.com reviewed the collection first-hand pre launch at opti Munich in January 2026. All rights reserved.

Makras Optical, Brisbane: “make the eyewear the hero”

Eyestylist Exclusive – Special content x Eyestylist 15th anniversary – a conversation with Mike Makras

Makras Optical in Brisbane is the latest optical project by Mike Makras, one of Australia’s leading optometrists + luxury eyewear retailers with expertise in curating some of the finest contemporary eyewear collections from around the world. Eyestylist first spoke to Mike in 2011 about one of his award-winning OPTIKO stores at 215 Queen Street, an eyewear destination which set the bar high with its exclusive atmosphere and focus on exclusive and even rare vintage eyewear design (https://www.eyestylist.com/2011/08/optiko-brisbane/). In 2026, Mike expresses the same commitment to client service and optical excellence with a continued passion for eyewear curation and unique design, in a completely new architect-designed contemporary setting – the store is located on James Street where one of the OPTIKO stores was operating back in 2012.

Mike, it’s great to reconnect after featuring your store OPTIKO in August 2011. Thanks for getting in touch and tell us more about your latest project? After selling my previous 2 stores (OPTIKO) to a group and finishing my 3-year contract with them, I realised that there is a real lack of genuine small independent owned eyewear stores. The general public often assume certain practices are independent when, often in reality many are owned by large corporate groups. The level of care and personal attention a client receives in an independent practice can easily far exceed anything in a corporate setting. Community engagement is incredibly important, you have to be present and connected to the community around you. For me independence allows that. Small can be incredibly powerful. In many ways I think small is the future.

Explain the interior concept in a few sentences and highlight what you really wanted to achieve in this new project. I was incredibly fortunate to have the opportunity to re-open in one of my original OPTIKO spaces, when it became available again. That felt quite special. We kept the basic bones, but wanted to reinterpret it in a more mature and considered way. The brief to the architects – Richards & Spence (www.richardsandspence.com) – was simple. “Make the eyewear the hero.”

So the architect wrapped the entire store in a high linen curtain, which softens the space and creates a sense of quiet enclosure. The floors are finished in a mushroom coloured wool carpet and the reception desk is formed from a huge slab of muted pink and grey Patagonian stone that sits somewhere between quartz and granite, anchoring the space. Above: the interior of Makras Optical – in a gallery-like atmosphere, the eyewear is placed in transparent displays, which highlight the designs and colours

Makras Optical:  linen curtains line the space
The display shelving now emits a very soft white glow from within, both above and below, which gently highlights the frames. We introduced brushed aluminium details  and vintage burgundy leather Cassina Cab chairs for warmth and character, used as a highlight; the vintage burgundy leather Cassina cab chairs round things off. Mirrors play a big part as always.

In contrast the exam room is painted in an almost hyper-clinical “Severance” blue….admittedly I am obsessed with the show! I intentionally wanted the showroom and the clinical spaces to feel quite different, as their purposes are incredibly different. I love that contrast.

How have you created complimentary spaces for dispensing/styling and eye testing this time around? We introduced internal curtains within the showroom to create two separate dispensing areas. These allow for more intimate one on one consults. At the same time the curtains can be easily drawn back so the entire space opens up for client events (product launches, trunk shows etc) so the space is super flexible.

What has changed since you created OPTIKO ? What is different about curating collections now compared to in 2011? The customer today is far more informed and sophisticated and people have access to an enormous amount of information online, so transparency has become essential.  What hasn’t changed though, is the value of converstaion and connection, taking the time to talk about the story behind the brand, the craft involved in building a frame, or the technicality of different lens designs and coatings. That dialogue is part of the experience for us.

Makras Optical: attention to detail sets the scene for the curated eyewear collections

Can you give us a taste of the independent brands/collections you are offering in store and how you curated these to achieve the ideal offer for your new store? For my customer I find it works best to have a spectrum from super classic and timeless, through to pieces that are unapologically avante-garde. But getting that balance right is crucial. The line up is always evolving; some of our current brands are: Thom Browne, Lapima, Cutler and Gross, Garrett Leight, Veronika Wildgruber, Anne & Valentin, Yoshinori Aoyama, Voa Collective…with more to come. So the collection is always shifting and evolving. That’s part of the fun.

What’s next Mike? The store is still quite young – less than 12 months old – so right now I’m simply enjoying watching it grow organically. I’m happy to let it evolve slowly and see where it goes. For me this feels like coming back to what I was meant to do.

Makras Optical, 9-19 James St, Fortitude Valley, 4006

An interview by Clodagh Norton / March 2026. All rights reserved.

AHLEM Eyewear’s Paris Collection, inspired by fine watchmaking

The new Limited Edition explores the engineering precision of fine watchmaking – guided by “architectural precision”

Produced in France, AHLEM releases the new models with its signature double-rim construction featuring hand-brushed and polished bevels which catch the light. These details are informed by the fine details and disciplined geometry of Calatrava watches, known for their pure lines and extraordinary technical virtuosity.

Like the balanced bezel and dial architecture of the classic watch, AHLEM creates two precisely milled circles fitting seamlessly together, articulating structure through proportion, contrast, and restraint. Each circle is sculpted from solid stainless steel to exacting dimensions, resulting in a structure of exceptional integrity. Above: AHLEM Paris designs are produced in Limited Edition batches of 600 units per colour

AHLEM Paris 04 – ultrafine bevels, milled with precision, showcase one surface polished to reflect the light and one surface hand brushed that absorbs the light

The beveled metal temples which also trace their origin to the language of classical watchmaking recall the elegant silhouette of Dauphine watch hands: finely faceted blades that capture light along the edge.Electro-dipped in 22k gold, the frames also achieve resilience and a refined character.

The V-groove lens channel allows the lens to sit seamlessly within the frame, while a concealed rim-lock system preserves structural stability without interrupting the purity of the line. Limited to 600 pieces per colour, the frames are available at selected stockists and at www.ahlemeyewear.com.

Images by Julien Deceroi – all rights reserved

Fine eyewear trends: Spring gradients + fade effects

Colourful gradients are popular in the Spring collections: some feature multiple colours in a single design, or elegant effects with crystal and bright colour contrasts

Gradients pop in the new optical and sunglasses collections for men and women. We last mentioned the trend in October 2025 (https://www.eyestylist.com/2025/10/autumn-eyewear-trends-artistic-gradients/), and since then we have seen more complex colour combinations and high-impact colour effects establishing the continuation of the trend in optical frames and sunglasses collections. Above: Model Flynn 2 by FACE A FACE: a men’s sunglass style with an imposing shape, this style explores a smoky masculine colour palette, www.faceaface-paris.com

KOMONO: complex graduated colours in acetate: model Iggy in Thyme Blush

Eyewear brand KOMONO uses soft gradients to bring movement and dimension to their styles in the new collection. Horizontal and vertical fades blur the lines between colours, creating a fluid effortless look with a contemporary edge. The imposing Iggy style, an oversized octagonal design, is powerful and feminine at the same time. www.komono.com

Hyland by Seraphin Eyewear

A men’s optical frame, model Hyland by Seraphin has a softly squared shape and lifted browline. The frame comes in three gradient finishes, the chestnut/chestnut fade pictured above, as well as navy/navy smoke or sienna/sienna ember fade. Seraphin Eyewear is available at www.ogieyewear.com

JF3120 by J.F. Rey

In the women’s collection at French eyewear label J.F. Rey, playful combinations and unexpected contrasts are a key theme, and subtle gradients in acetate make a beautiful special feature. The chromatic sophistication in this collection enhances the presence of each design, giving it a particular identity and artistic character through contrast. Model JF3120 is a metal and acetate design (square eye shape)  where the materials interact, as well as the colours, to offer “a refined sophistication”. Find out more about this colourful eyewear collection at www.jfrey.fr