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Alicia Hartman : celebrating 15 years at EyeQ Stylist Opticians, Barbados

Eyestylist and EyeQ Stylist Opticians both began their journeys 15 years ago, growing side by side in a fast-evolving eyewear world. EyeQ first discovered us in the early days of Instagram, and what started as a few exchanged messages quickly blossomed into a creative partnership fuelled by shared passion, ideas, and a love of the boldest, most luxurious eyewear. Since then, we’ve stayed closely connected—meeting whenever we could (for a quick shot of rum!) and collaborating on an unforgettable London shoot that perfectly captured the spirit of Alicia’s eyewear brand, Peoples from Barbados. To celebrate our shared milestone anniversary, we caught up with Alicia to talk about the exciting projects and inspiring achievements shaping EyeQ today as the business continues to flourish and redefine eyewear in Barbados and beyond.

Like Eyestylist EyeQ have been celebrating the business’ 15th anniversary. Can you describe your journey so far, mentioning a few special highlights? My entrepreneurial journey began with a simple but bold vision: to reimagine optical retail by introducing a completely new concept to the island culture — the personal eyewear shopper and stylist.

I come from a background rooted in a family-owned optical business, where glasses were primarily viewed as a medical necessity. From a very young age, I was immersed in the professional tools, discipline, and skills of optics. Yet I always believed eyewear could be both functional and fashionable, a true extension of one’s personal style. I wanted to prove that vision care and self-expression could coexist beautifully.

This was a bold undertaking, especially at that stage of my life. I was just starting my young family — my son was barely a year old, and I was pregnant with my second. I was incredibly fortunate to have the unwavering support of my family and husband, who encouraged me to create a space rooted in personality, experience, and connection.

EYE Q Stylist Opticians: interior in 2018

At the time, I was among the first to introduce niche, high-end eyewear brands to the island, challenging a culture that largely selected frames solely for their brand name. We began with Face à Face, Oliver Peoples, Retrosuperfuture, and MYKITA — though, of course, I had to include Miu Miu, Ray-Ban and Tom Ford so people would actually walk through the door.

What followed exceeded all expectations. Clients fell in love with the personal-shopper approach, the “sip and shop” concept, and the immersive experiences we curated. Eye Q became known for its events, storytelling, and sense of community. Soon, we had created an eyewear culture — a space where everyone wanted to be seen wearing Eye Q spectacles. Customers would return from their travels proudly saying, “I got them in Barbados,” and share their eyewear stories with us.

One unforgettable moment came when Tarrence Lackran spotted me on Instagram — I was wearing a yellow dress, champagne in hand, under a coconut tree at one of our Eye Q beach parties. That moment led to our store being nominated in 2018 as one of the world’s best independent eyewear retailers. Our clientele spanned every walk of life, from fishermen to the Prime Minister.

Over the years, as I told the stories of global eyewear brands and listened deeply to the stories of my clients, one truth became clear: the Caribbean was not represented in eyewear — not authentically, not proudly, not through our own lens.

That realization gave birth to Peoples From Barbados — a brand created to showcase the culture, lifestyle, and beauty of Caribbean people through a new perspective: ours. Our ambition, our pride, our resilience, our warmth, and our beauty are embedded in every frame.

Our campaign by local photographer Adrian Richards went on to win the cover of 2020 Magazine in 2019 — a moment of immense pride. The recognition went beyond glossy postcard clichés and instead captured the true soul of Caribbean people. Since then, the brand has continued to evolve, including collaborations with Linda Farrow — blending high-end luxury with Caribbean soul and warmth.

For the past 15 years, I have not stopped — balancing family life, retail leadership, brand ownership, and my role as an optometrist. When I reflect, I’m often amazed at how unconventional my journey has been. I didn’t rely solely on the ease of my clinical skillset or position my business around medical necessity. Instead, I led with culture, style, and experience.

Ironically, because I am so closely associated with style and storytelling, people often forget what I am truly exceptional at: being an optometrist.

In 2026, Eye Q will place a stronger spotlight on our clinical role. We have been quietly saving sight for years, and we are committed to aligning with the WHO 2030 goals to make eyecare accessible to all. I have recently been elected as President of the Barbados Optometry Association, and I am deeply excited about this new chapter. I look forward to helping transform the landscape of optometric care — expanding scope of practice, regulating and protecting our industry, and ultimately ensuring better eyecare for all Barbadians. Above: Alicia Hartman with friends, celebrating 15 years of her business

Linda Farrow x EYE Q

How has the business changed in your eyes? At its core, people have always wanted — and will always want — to feel special and truly seen. Increasingly, clients are seeking connection to a community and a culture, not just a product. The value now lies less in what is purchased and more in the lifestyle, experience, and emotional resonance that surround it.

There is also a growing awareness that eyewear has the power to transform one’s entire look. It is no longer secondary, but the number one accessory. As a result, luxury, well-crafted eyewear — rooted in quality and craftsmanship — is once again taking centre stage. Unique limited-edition collections are a thing! At the same time, heightened environmental consciousness means the era of “buy cheap, wear briefly, and discard” is wearing thin.

We are witnessing a return to nostalgia and feel-good brands — businesses that value authenticity, purpose, and human connection. Equally important are business models that prioritize employee well-being, work-life balance, and a genuine sense of belonging. Brands that nurture their people are the ones capable of creating lasting stories and enduring relevance.

Longevity today is built on products designed to last, retail spaces that create memorable experiences, and meaningful partnerships between brands and independent retailers.

While there has been a noticeable shift toward direct-to-consumer and online models, the independent retailer is far from dead. On the contrary, we serve as portals to culture and community. Brick-and-mortar retail is returning with renewed purpose — grounded in touch, feel, heritage, and shared experience.

Celebrating 15 years of beautiful eyewear at EYE Q Stylist Opticians

Do you remember when you first started collaborating with Eyestylist and why you were so enthusiastic, it meant a lot to us to be in touch in those early days! It all began with a simple “like” on Instagram 15 years ago. Our Xmas ‘show’ window! A decal of glasses falling from the sky like snow onto a tiny Xmas tree. Simple, minimalist but effective so much so to catch the eye of the Eyestylist 100s of miles off the shores of Barbados. I had been following Eyestylist obsessively since I opened my doors. I admired Clodagh’s eye for eyewear and her impeccable taste. I loved the clean aesthetic of the page but the depth and detail of the eyewear stories told. So I was super “chuffed “ by the “like” . What followed was me tagging Eyestylist in many posts not just eyewear but our lifestyle and culture in Barbados. I really felt connected. My island shop to Europe portal! This shared relationship evolved and Eyestylist started featuring manny of our eyewear stories (link to an EYE Q story in 2018: https://www.eyestylist.com/2018/12/eye-q-stylist-optician-barbados/). From the launch of our brand (https://www.eyestylist.com/2021/03/the-spirit-of-barbados-peoples-from-barbados-sunglass-chic/), our pop ups around the Caribbean, me at crop over ( our carnival) and what I had for breakfast lol… I felt energetically connected and we brought the excitement of our Caribbean culture to more people via Eyestylist.com. Our journey of 15 years seems somehow connected , Eyestylist secretly now has Caribbean flair and sass .. haha, not to mention Clodagh gets a bottle of rum and pepper sauce whenever we meet at the shows lol…. Thank you for telling our stories.

What have you learnt along the way Alicia, and what has surprised you most as an optical retailer? I am pleasantly surprised — perhaps even manifesting it — that brick-and-mortar retail is making a meaningful return. You can feel it. As an optical retailer, trust your instincts and your vision. Trust in humanity, and remember that everything moves in cycles. Don’t be intimidated by the noise. Run your business with integrity and a deep belief in craftsmanship. People still want to feel special. They want to be seen. And that is why creating experiences and nurturing community is no longer optional — it is essential to the survival and evolution of our industry.

The independent retailer is here to stay. True luxury is not defined by price alone, but by how something makes you feel. The greatest retailers understand this. They know how to connect with people, tell meaningful stories, and leave their customers feeling genuinely good.

Curated eyewear selection at EYE Q

What do you think is the key to being a successful optical retailer in this new era? Create experiences that are truly memorable. Treat your retail space as a carefully curated emporium — intentional, personal, and immersive. Pair this environment with beautifully crafted products and a highly skilled, professional team who understand both the art and the purpose behind what they offer.

Build teams who don’t simply work for the brand, but genuinely fall in love with it — people who feel a sense of ownership and pride, and who see themselves as part of the brand’s success. At the same time, nurture strong, respectful relationships between retailers and brands. True partnership — built on trust, support, and shared values — is essential. In curation, less is more. Avoid overcrowded shelves. Be selective. Do not allow brands to compete with one another; instead, let them complement each other. Offer choice, but ensure it is intentional — each brand carefully chosen, clearly defined, and designed to serve a distinct purpose. Every brand within the space should offer a different perspective, contributing to a cohesive eyewear culture rather than visual noise. When done well, the store becomes more than a place to shop — it becomes a cultural hub. Community builds loyalty. Trust sustains it. That is the true key to longevity in retail.

What is your view of the independent eyewear segment at this point, and how do you select collections and new designs? Are you travelling to fairs as much as before? Our brand selection is curated to bring a truly global perspective to the shop. We showcase the best eyewear from around the world—each brand chosen for its unique story, uncompromising craftsmanship, and exceptional fit. Barbados is culturally diverse, and that diversity demands a meticulous eye for detail, comfort, and quality. Every collection must offer a distinct point of view, blending cultural storytelling with technical excellence.

We love LAPIMA, a brand from Brazil that embodies tropical flair with bold, architectural sculptural forms. Their designs feel instinctively right for Caribbean faces—as if they were made for us. MATSUDA transports us to Japan, where hand-engraved titanium, precision engineering, and unmatched craftsmanship result in frames that are truly works of art.

THEO brings joy through colour, creativity, and individuality—frames that brighten faces and express personality without compromise. Jacques Marie Mage (JMM) delivers LA’s refined Hollywood attitude: confident, collectible, and unapologetically bold..LG.R takes us on a journey to Africa, interpreted through an Italian lens—heritage-driven designs that balance exploration, culture, and timeless elegance.

LINDA FARROW represents high-end sophistication and fashion-forward luxury. This pairs beautifully with our own brand, Peoples From Barbados, which brings Caribbean soul, colour, and expression you didn’t know you needed.

The partnership between LINDA FARROW and Eye Q is one of the strongest brand–retailer relationships in the industry. Simon truly understands the value of the independent retailer, and we continue to grow together through close collaboration and shared vision. We inspire each other—and we’re excited to share that a new collaboration is on the horizon. Find out more about Alicia Hartman and Eye Q Stylist Opticians at https://eyeqstylistopticians.com

This Eyestylist Exclusive interview feature first appeared on Eyestylist.com on 23rd February 2026. All rights reserved.

Piero Massaro: couture eyewear, made in Italy

The new collection by Piero Massaro explores couture refinement in eyewear as a “sculptural form”

Qualities such as proportion, colour balance, material depth, and sartorial discipline lie at the heart of Piero Massaro’s design philosophy. In the latest collection, the Italian eyewear designer turns his attention to the sculptural potential of frame design, reaffirming a vision shaped by his formative years in the Milan fashion scene and refined since the founding of his own atelier in the Veneto in 2002.

In Couture Visiva, the new collection, the frames are conceived not as mere accessories, but as wearable design objects. Produced in limited, numbered editions and crafted from meticulously selected Mazzucchelli acetate – “developed according to specific requirements defined by the Creative Director, Piero Massaro”, each piece shows a commitment to material excellence and artisanal expertise. Unveiled at the Mido eyewear show in Milan, the collection reflects the designer’s longstanding conviction that eyewear should return to its original context: one rooted in tailoring, craftsmanship, and expressive cultural gesture. Above: the Couture Visiva collection is characterised by bold, sculptural forms in fine acetate, pictured, model PM952 – each style is produced in a limited and numbered edition of 100 pieces

Detail: Piero Massaro – transparent tortoiseshell acetate with green insert on temple, model PM952

About the brand: founded in Italy in 2002, Piero Massaro Eyewear has developed its own distinctive identity rooted in Italian design culture and influenced, says the designer, by the Mediterranean light and Sicilian landscape. The brand, which produces small batch collections exclusively, is distributed through a selected network of premium optical boutiques worldwide. In 2014, Massaro won the Jury’s Special Prize at the Silmo d’or event in Paris for his frame, PM415.  He also won the Japan Eyewear Award in the Ladies’ Eyewear Category in 2020. For more information visit www.pieromassaro.it

Piero Massaro was last featured on Eyestylist in 2018 in our Silmo review: www.eyestylist.com/2018/09/silmo-parisian-style/

This feature was written by Clodagh Norton and AI was not used in the writing of the words. 

100% Optical 2026, Excel London

For 2026, independent eyewear brands LINDA FARROW, MYKITA, Ørgreen Optics, Blackfin, and more will be showcasing new collections at 100% Optical. The organisers of the event promise footfall, inspiration and design showcases, catwalk shows and a line-up of brand new winners in the Love Eyewear Awards…

Taking place from 28th February to 2nd March 2026 at Excel in London, this will be the 12th Edition of the 100% Optical trade only event, promising to highlight everything related to optics – from cutting-edge eyewear design, style and innovation in lenses and technology – as well as providing CPD-accredited sessions throughout the 3-day event. The optical exhibition, co-located with 100% Ophthalmology, is partnering with the Association of Optometrists (AOP) to deliver the education programme. Featuring more than 100 hours of sessions, the three day event will offer a wealth of learning opportunities for both optometrists and dispensing opticians. Above: 100% Optical, London is in its 12th year

Macy Vista sunglasses by Linda Farrow, pictured in wine: the British brand returns to 100% for the 2026 Edition

100% Optical has announced a shortlist for the popular Love Eyewear Awards, which includes a varied selection of categories, from Men’s Sunglasses of the Year right through to ‘Most Engaging Practice Window’.

First launched in 2020, the Awards are now judged by eyewear experts from across the industry, including optician/influencer Kayla Heersink (@opticalistyle), Dispensing Optician, Alison Price, and for the first time, EYECON show founder, Tarrence Lackran. The shortlists this year include entries from world-class independent eyewear brands: among them are  LAFONT (Children’s category), l.a. eyeworks (Men’s + Luxury Frame of the Year category), Götti Switzerland (Men’s + Luxury Frame of the Year), MOREL (Men’s Frame of the Year) and Albert I’mStein (Men’s Sunglasses of the Year). See the full line-up of shortlisted companies on the link below.

The winners of the Love Eyewear Awards will be announced on the first day of 100% (28th February 2026)  at 5pm on the Main Stage.

For more information on 100% Optical to register, and read about Love Eyewear Awards shortlist visit, www.100percentoptical.com/

Sharp geometric design work at FACE A FACE

The 3.0 collection features sharp lines, standout volumes and curves which clash with angles

FACE A FACE introduces a selection of new styles for Spring/Summer, designed to turn heads with an assertive, colourful presence. Femininity is interpreted as sharp, powerful and unapologetic, while the bold approach to form presents standout volumes where curves clash with angles and lines feel slick and sharp.

New concepts like MINDS and ETTO embody this boldness of design: the sculpted, geometric frames are characterised by unexpected colours and colour combinations, from futuristic green to ultraviolet and a striking burnt orange. Every detail, every flash of colour, and every concept of form and structure reveals something new and bold in character. Above: model Minds 1 by FACE A FACE explores a play of facets reminiscent of a kaleidoscope. The shape is described as “a hexagon turning within a hexagon”

Bocca Chance 1 by FACE A FACE

Taking a new step for the Bocca concept at FACE A FACE, Bocca Chance 1 has an organic shape with a sharp, striking geometric look. A luminous effect is created through the elegant acetate where transparency comes into play along with temples which offer contrast through a light and milky pastel pink. The style is described by the design team as “burning with incandescence”. The traditional Bocca concept of the footwear design for temple tips is, for this model, interpreted as a miniature black boot with tiny high heel.

ETTO 1 by FACE A FACE features a unique temple design

Model Etto 1 is both colourful and chic. The frame has a round eye shape, and a particular temple detail described as a rectangular section clamped into the frame front as if it were being held in a  carpenter’s bench vise – creating a point of tension and the opening of the eye shape. The refreshing colours include the lilac patterned tortoise proposal above and a beautiful “mandarin crystal” with pink temple detail. Find out more about the new collection at www.faceaface-paris.com

Fabian Burgard, fashion photographer, co-founder, Burbas

Fabian Burgard co-founded Burbas with Max Bastian as a full-service creative studio based in Cologne. Working across photography and video, the team produces content ranging from e-commerce shoots to major campaigns for clients in Germany and abroad, with a growing presence in the eyewear sector. With AI beginning to influence how the perfect frame is captured, Eyestylist asked Burgard to share his perspective on photography, eyewear, and the future of image-making in luxury fashion.

When did you start specialising in eyewear and how does this style of photography fit with your expertise? I first worked for an eyewear brand in 2019. It fits well with what I do, as I also shoot in other areas of fashion. Outside of work I also developed a big interest in the fashion industry as well (even if my own outfit looks pretty much the same most days). A real “expertise” for eyewear came over time. Glasses are a tricky product: they’re reflective, often super delicate, and the photographed angle makes a huge difference. Over the years, I think I developed a feel for what makes a frame look right, how to place and light it. So it’s something that really grew through doing it and will probably keep growing.

What is your view on AI and photography campaigns? Are you using AI at Burbas and what advantages have you seen? AI is a great tool, when it actually makes sense. We’ve been developing workflows that let us keep the product design consistent, to use when it serves the concept. That can make it possible to create more complex looks without blowing the budget, which is a win for a lot of brands. At the same time, it’s very client- and brand-dependent. Above: Fabian Burgard, photographer @burbas.de

Coblens Eyewear campaign 2026 – shot by Fabian Burgard at Burbas

We actually still produce full analog shoots, and we even have our own in-house darkroom for film development. The main thing for me is that AI shouldn’t override a brand’s authenticity. If a label is rooted in tradition or draws from specific decades and craft, you need to reflect that honestly and sometimes that means AI simply isn’t the right tool (at least right now). In the end, I don’t think you should ignore AI either or use it just because it is new or even hyped at the moment.

What was the latest campaign you worked on? Our latest campaign was actually a special one. It was for Coblens Eyewear (https://www.coblens.com), a label from my hometown, they make beautiful frames. We shot it at the Gerling Quarter in Cologne, a 1950s building from the post-war modern era. The location as part of the building is run by a university that’s also one of our clients, so we were able to produce there. And the architecture matched the frames perfectly, so visually it feels like a match.

Besides the video assets, we produced a fully analog photo series: shot on film, then we made hand prints in our darkroom and scanned those for the final files. It’s a workflow I love, but in this case it also fits the brand so well because it has that crafted, handmade character. With a great team, it turned into one of those productions that’s just really fun from start to finish.

Do you also do still life work and what is your opinion of still life photography for eyewear? Yes we do still life, and I love it. It’s such a strong (and easy) tool for building brand identity, especially in eyewear. For me, still life works best when it’s reduced and focused — not overloaded with as many beautiful objects as possible. Sometimes texture and framing is already enough to set the tone. Putting frames on a material that fits the brand can do a lot. Technical frames on stainless steel, brands with a heritage feel on materials that reference older interiors or architecture, whether that’s marble, a specific carpet, or something similar. If the concept is more modern or playful, you can also go in a slightly more unexpected direction. I recently saw a jewelry campaign where the product was photographed on baking paper, super minimal, and it looked amazing. In the end, I think smart, reduced choices often make the frame look stronger than an overloaded set.

Coblens Eyewear campaign, shot by Fabian Burgard  at Burbas

What’s your work goal/ambition for 2026? For 2026, we’ve got many goals. On the main side, we want us to keep producing strong work. Staying current, pushing new ideas, and doing more creative productions. We are happy to work with new brands. Partly because it’s creatively exciting to build visuals for different brand identities, and yes, also because working with new clients is always a motivating part of the job.

And then there are the smaller, personal goals: pushing my own ongoing documentary work, refining my style, and finding a few dream locations I’ve been wanting to shoot at for a long time. Right now, I’m trying to get access to a museum space in Wuppertal that I’m completely obsessed with. So if anyone there is reading this… feel very free to reach out, and maybe we’ll end up seeing that shoot on Eyestylist.com very soon.

Coblens Eyewear campaign shot by Fabian Burgard at Burbas

What is the future of photography for eyewear brands? Digital. Or Analog and Digital? I’m pretty sure it’s going to be both. AI will keep getting better, which makes it a great match for a lot of brands, and it’ll definitely lower the barrier for newer brands to create strong visuals. But at the same time, I don’t think the handcrafted side of production will ever fully disappear, especially when it comes to creative campaign assets. In marketing, it’s not only about the final image. Often, it’s also about how it was made, who was involved, and the human side of the process. That “made by real people” aspect has always been part of what brands communicate. Whether it’s a collaboration with a bigger artist people identify with, or just creatives in general behind the scenes. That human process often matters, because it helps sell the feeling around the product. Realistically, the balance will probably keep shifting further toward digital work because the possibilities are growing so fast, but I don’t see the traditional, hands-on side of production completely vanishing. There will always be brands that look for authenticity in craft and character not only in what they produce, but in how they communicate it.

To find out more about Burbas.de, click on the link: https://burbas.de