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Independent eyewear: Frames of 2023 – ‘R4’ Liquid Sky by Kuboraum

Inspired by the 80’s dystopian post-punk cult movie, the latest drop from independent eyewear label Kuboraum presents works that are highly textured and fanatical about detail – the R4 mask has a surprising, highly elaborate handcrafted finish

Taking its cues from the 80’s post-punk cult movie, the new Ltd. Edition ‘Liquid Sky’ from Kuboraum is dedicated to fluidity: fluidity of identities, gender, aesthetics, and narratives, the designers explain. Rejecting fixed structures and normative concepts “to embrace the metamorphic state of being”, the line expresses a signature style at Kuboraum where each mask is treated as a work of art, richly textured and made utterly unique by means of striking adornments and embellishments. Above + below: part of the new Liquid Sky drop at Kuboraum – mask R4 in Shiny Black finish

Above: part of the Liquid Sky drop – December 2023 – mask R4 with Matt Black handcrafted finish

The ‘masks’ unveil bold chunky acetate frames, meticulously handcrafted to accentuate their rich texture and uneven ‘sculpted’ surfaces. To elevate the allure, each structure is eventually adorned with refined metal embellishments or subtle sparkling elements, to cast an enchanting, shimmering aura through the design. One of several models in the series, mask R4 is produced in Mazzucchelli acetate and features in several finishes including Black Matt and Black Shine as part of the Liquid Sky drop. The frames are made exclusively in Italy. Find out more at www.kuboraum.com

10 questions: Elena Serrano Pelaez, Optica Rosal 21

On a mission to allow as many people as possible to see themselves through stunning frames, Elena Serrano Pelaez founded Optica Rosal 21 – a curated, unique and ambitious eyewear boutique based in Oviedo, Spain. Eyestylist speaks to the entrepreneurial, passionate founder…

1. Tell us a little bit about the road you took to establish Optica Rosal 21? From the first steps I took, my passion for design, fashion, and art has been unwavering. My godfather played a crucial role in intensifying these emotions, guiding me through art exhibitions and fashion shops when I could barely spell my own name. As a teenager, the desire to establish my own business and share my feelings with open-minded individuals already burned within me. Passing optical shops, a fascination with the intricacies of the nose prostheses that enhance vision compelled me to dedicate my life to designer eyewear. This bold decision, made 18 years ago, marked my leap into entrepreneurship. Selling my dream to the bank, I secured the funds to establish my vision—a unique optical design shop challenging the norms in the North of Spain. Fortuitously, the local emphasis on quality and added value became my advantage. The love for my job, coupled with curiosity, instinct, and a passion for travel, allowed me to broaden my horizons beyond Spain and create a distinctive optical design shop.

2. What is it about your business that sets it apart from the rest? My motto, “Think outside my house,” holds great importance to me. While I avoid scrutinising my competition, my eyes are wide open to global developments. I am a perpetual learner, observing, absorbing, and seeking inspiration everywhere I go. This approach fuels my daily commitment to enhancing my shop. Unlike many opticians hesitant about change, I actively embrace it. I seek shifts within our business and, more significantly, in external factors like fashion, music, and street culture. Simultaneously, I invest in personal growth through continuous participation in workshops and training. This enriching process allows me to adapt and mould my shop in response to constant evolution.

3. What is your favourite era / genre of design and why? My affinity for women’s glasses from the ’70s, characterised by oversized frames, smooth shapes, and gradient lenses, reflects my admiration for their femininity, humour, and power. Brands and designers inspired by that era always capture my attention. The trend for men emerged in the late ’80s and early ’90s, featuring small, round, oval, or geometrical frames. Iconic frames, like those designed by Matsuda, gained fame through the film industry, enhancing the personality of male actors in movies like Alien and Interview with the Vampire. Above + below: Elena Serrano Pelaez founder of Optica Rosal 21

4. How do you identify and define your customer base? My customers are individuals who appreciate being different and unique. While some lean towards modern styles, a significant portion prefers classic aesthetics. They seek frames that stand out, avoiding common choices. Trusting our carefully curated selection of brands, they value the time and professional dedication we invest in their choices. Whether avant-garde or classic, they desire an extraordinary frame that aligns with their personal style. The process of choosing new glasses involves comprehensive guidance, addressing potential insecurities. We precisely explain how their chosen frame will enhance their image, reflecting our shared appreciation for design, high quality, and craftsmanship.

5. Is there a specific process you take to select the brands or frames you stock in-store? Categorising customers into four types, each associated with a specific brand, demands excellence in quality and service. These brands must evoke genuine enthusiasm, leading to a personal connection where I fall in love and experience butterflies in my stomach. Equally important is their DNA and storytelling aligning with mine.

6. What pair of frames, if any, illustrates your personality best? Evolution is a constant in my personality, reflecting in my choice of frames. Currently favouring vibrant colours—a departure for me—oversized frames remain a consistent preference. If I were to define myself with a brand, it would undoubtedly be Theo. Like Theo, I am not merely fashion; I am simultaneously very fashionable. Our evolution over the years respects core values while adapting to changing times.

Exterior of Optica Rosal 21

7. Do you think social media is an integral part of owning an eyewear boutique these days? In my opinion, social media is the primary window that opticians have in 2023. It offers a platform to communicate and inform customers, showcasing my identity and values—a personal brand. The dedication to this endeavour involves regular collaboration with my social media coach, ensuring I stay abreast of the latest trends and evolutions. My advice emphasises quality over quantity—favouring fewer but genuinely interested and loyal followers who, in turn, become advocates within their social networks. This approach fosters organic growth, focusing on genuine connections.

8. Would you rather: coloured or monochrome frames? Colour holds immense power for me, defining individuals. Encouraging customers to shift from neutral to powerful colours or glasses with colour accents involves a process that challenges them to see themselves without filters. Collaboration with brands strong in colour facilitates this shift, and successfully convincing a customer to embrace a brightly coloured frame brings me immense satisfaction.

9. Do you have any exciting news or updates on the horizon? This question excites me, coming at the perfect time. I am convinced that Spain is ready for more high-end optical boutique shops, led by opticians with a clear vision. Rejecting the conventional image of medical professionals, I emphasise showcasing passion and personality in this beautiful profession. Consequently, I created a platform for opticians eager to elevate their practices. I am proud to announce the participation of a European university certifying my efforts. Through direct mentoring, I aim to guide shops and opticians toward enormous change and progress, sharing the experience and knowledge accumulated over the last 18 years.

10. What is the big dream for Optica Rosal 21? The grand dream for Optica Rosal 21 is to see people from Oviedo and beyond adorning themselves with beautiful designer frames, understanding the transformative effect and benefits of high-quality eyewear. I aspire for Optica Rosal to be recognised for enhancing the aesthetics of individuals, providing not just unique eyewear advice but making a style statement. Dreaming big extends to my academy, with a focus on elevating the quality of the optical business in Spain. I genuinely believe that exceptional service and the offering of high-quality brands will reshape public perceptions of our profession. In conclusion, my promise is that by infusing fun into the eyewear buying process and emphasising business development over routine operations, we can trigger a transformative shift in how customers perceive our profession, leading to the growth of our businesses. In essence, 1+1 equals 3. Visit the Optica Rosal to get inspired at https://opticarosal21.com

Images by kind permission of Elena Serrano Pelaez, Optica Rosal 21. This interview feature was written by Victoria G. L. Brunton exclusively for Eyestylist.com. All rights reserved.

Colour trends on Eyestylist: greens and browns are in

As the temperatures drop and we head towards the December holiday season, green and brown eyewear tones for men are enjoying a special moment

Whether it’s the ongoing love of nature-inspired colours in the world around us (leaf, stone, woodgrain, horn and earthy hues) or fashion’s influence – deep tones of green and brown for eyewear make an exquisite match for the menswear collections (tops, trousers, trainers “beef and broccoli” style) we’re seeing right now, and those warm heavier fabrics, cosy fleeces and thick knits in store. Above: in the Seraphin collection by OGI Eyewear, model Brookside illustrates how winter apparel can be perfectly styled with a new frame in tones which fuse with the overall look – think tortoise, brown, khaki, mocca and many close variations of these greens and browns. www.ogieyewear.com

Pacific by SALT. Optics

SALT. Optics perfectly replicates natural tones of the Californian scenery in the colour palette of their acetate styles. Model Pacific by SALT. Optics in Whiskey is informed by the grand scale of the beautiful Coast Mountains; the Pacific provides a bold oversized rectangular style that serves anyone looking to make a structured statement while maintaining a tailored silhouette and professional look. Handcrafted in Japan utilizing functional rivet hinges, the highest quality 8mm Japanese acetate, and featuring proprietary colours only found at SALT. www.saltoptics.com

Clyde in mocca by Götti Switzerland

Model Clyde is a 3D printed Polyamide frame in the Dimension collection at Götti Switzerland, with rounded edges and a narrow profile. The mocca colour appears frequently in the Götti Switzerland eyewear collections. www.gotti.ch

Wodso by MOREL France

For the Wodso style, MOREL places focus on craftsmanship and seamlessly combining three materials into a premium finish. The wooden temples incorporate a slim metal blade and acetate sleeves, offering a masculine, comfortable, well-crafted product. www.morel-france.com

Señor SNR by Oliver Goldsmith Sunglasses

The ‘Señor SNR’ sunglasses by Oliver Goldsmith Sunglasses bridge the gap between classic and contemporary, the subtle sixties styling carry it effortlessly into any twenty first century wardrobe for guys with a love of good design.  The frame is timeless and comfortable and the colours deliver as a compliment to this season’s most fashionable men’s apparel. Colours we’d recommend include Tortoise Split, Tokyo Tokyo (pictured) and the beautiful green variation, Seafoam + Champagne – www.olivergoldsmith.com

Larch Sun by Andy Wolf – the green tone is one that most people can wear and it is overtaking some more usual winter tones in eyewear right now

Andy Wolf’s focus on the big and bold looks with wide temples – for men and women – is further enhanced with a palette of warm or wintery colours such as green and brown – sun model Larch or optical style frame 4621 are good examples in this range of frames that are working this modern look and vibe. www.andy-wolf.com

This feature was written by Clodagh Norton for www.eyestylist.com – Copyright protected.

Anderson sunglasses by J.F. Rey

Men’s sunglasses in multi-materials

Part of a brand new sunglasses collection by the French creative team at J.F. Rey, the series of men’s designs in the edition propose multi-material constructions using acetate with carbon or glass fibre – revealed in layers. Above: model Anderson by J.F. Rey, one of the men’s styles in the new sunglasses collection that J.F. Rey has previewed for Spring/Summer 2024

The new Anderson sunglasses by J.F. Rey – the acetate appears to have been cut away on the upper section of the front to reveal the contrasting material below

This exclusive men’s series illustrates the unique qualities of J.F.REY’s design using the high-end materials with expertise and cutting-edge design techniques where layering and cutting away layers creates the architectural style. The combination of acetate with carbon or glass fibers lends a mix of special characteristics to the product, including strength and lightness as well as the aesthetic and focus on pattern and textural effects, with a likeness to the patterns of natural materials such as wood or horn. Find out more about the line at www.jfrey.fr

MYKITA: calling for conscious consumption

The Berlin brand is advocating thoughtful purchases, a longer product life and company commitment to prolonging the lifespan of eyewear through their MYCARE service – this programme of activity comes in the light of their also winning Responsible Company Award at SILMO 2023

MYKITA, the Berlin innovation-led design brand, is pushing for a more considered approach to eyewear shopping, and greater focus on longer lasting, quality frame design. In this light, the brand is highlighting their MYCARE service which includes frame maintenance and refurbishment, customised adjustments, and professional eyewear cleaning.

Product aftercare is available free of charge at MYKITA Shops worldwide to ensure MYKITA eyewear feels new for as long as possible, and looks, fits, and functions the way it was designed.

Moritz Krüger, MYKITA founder and creative director made a statement following the win at SILMO: “MYKITA is committed to generating positive change and meaningful innovation for the wellbeing of people, protecting the planet, with eyes set on bright future for generations to come. To receive this prize is a tremendous validation of our path and efforts, and a strong encouragement to heighten our efforts and continue to push further on social and environmental responsibility.”

Alongside product lifespan, MYKITA also underlines their ecological and social responsibility developed over the past years. From becoming the first eyewear company to completely switch its acetate material purchasing to the recycled Acetate Renew, the firm have also established a closed-loop supply system for stainless steel, their most frequently used material. Today, 90% of MYKITA’s purchased eyewear materials are already recycled and 100% recyclable. For more details on responsibility at MYKITA: https://mykita.com/de/mykitahaus/about/responsibility/