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Danish design: Falvin Eyewear

Falvin’s Signature Eyewear – launching for the Spring/Summer season – combines Danish design expertise and exquisite Japanese crafting in contemporary shapes in lightweight titanium. The frames celebrate a passion for a Copenhagen landmark – the Crystal – a building from which founder Birgitte Falvin takes inspiration, for an eloquent direction in line and form. Above: released at the German trade fair opti last month, the new Falvin model Stellar. New additions are coming for the Mido trade fair, Milan. The brand exhibits in the prestigious Lab Academy ( Pav 6 / Stand LA 47) where up-and-coming designers and innovators showcase their collections.

Model Stellar (above and in featured video) is a contemporary version of the traditional cat’s eye frame, offering a supreme level of comfort and a statement shape in the state-of-the-art material. Using techniques that can only be mastered by hand, the beautiful two-tone base silhouette offers a luxury expression with black, white or champagne Wesselton diamond settings to create a personalized look. A trained jewellery designer, Birgitte Falvin has studied this element for the finishing of her distinctive eyewear, creating a one-off luxury detail that is both gentle yet sparkling – to catch the beholder’s eye.

The innovative diamond setting is of the highest quality, assembled by a top jeweler in Denmark, appointed by Falvin Eyewear. Find out more about the luxury designs for men and women by the Danish label at www.falvineyewear.com  CN

Brand to watch 2019: Huma Sunglasses

Consider the eyewear accessory here to stay – a much underplayed fashion item in the past, start-ups and fashion industry creatives have refocused on this element of eyewear to fit perfectly with our insatiable desire to create an individual “style of our own”.

Milan’s Federica Moretti launched Huma Sunglasses + accessories in 2017. Inspired to reflect and embrace the creativity and extravagance of the fashion industry, the hat designer came up with a new eyewear collection idea in a range of clean, “basic” sunglass designs (made in Italy) to be worn with “captivating” decorative accessories – with special fastenings that clip onto temples.

Huma sunglasses with beaded chain

These decorative elements can be worn depending on where your mood takes you. The choice includes small jewellery items that fasten to the ring in the temple, crystals, silks, and decorative stones, through to extravagant slightly humorous acrylic “hair pieces” for those who choose to dress to be seen.

Moretti’s imagination has literally run wild with the hair extensions producing an eccentric look in crazy colours. In contrast, some of the designs are subtle and delicate designed as chic jewellery embellishments, perfect for evenings out, special occasions or a gift for the accessory enthusiast with a taste for all things new and different. For more details about Huma and designer Federica Moretti visit Huma Sunglasses on Instagram: @humasunglasses. Available at I Visionari in Florence https://ivisionari.com/collections/huma CN

Exceptional design at opti

Growing in size and stature, the 2019 edition of opti – the German trade fair – offered a vast experience of eyewear from all corners of the earth. It’s hard to know where to start and where to look, and 3 days was barely sufficient to discover the most interesting design directions and innovations of the year.

Our focus was drawn particularly to artisan works addressing a purposeful design thinking, where natural materials are highlighted, incorporated with other materials, and inspiring an extraordinarily interesting study into surfaces and finishes – as in other design disciplines.

Above: Rigards – by Ti Kwa – continues to explore new ways to work with unusual materials. Their gorgeous copper patina finishes are now available in a variety of ‘rust’ and jasper/jade colorations and combinations with the signature miniature lock-in sun clip. Pictured – Model RG1911CU / for Ziggy Chen. www.rigards.com

Izorne Deseraiki Icon – a new release from Nina Mûr

In a new departure, using wood and metal, Spanish label Nina Mûr pays homage to deconstructivism and the maximum exponent of this movement in Spain, The Guggenheim Museum in Bilbao. The collection consists of two models, Mikel and Izorne (above) in three versions. Following their much loved Memphis inspired collection with Abet Laminati, the Deseraiki launch represents a mature and refined release marked by constructive nuances, textures and materials. www.ninamur.com

Square is a look for 2019: Esaedro by Pugnale – Priscilla collection

Italian label Pugnale has an interesting collection for 2019, following their excellent collaboration in 2018 with architect Hani Rashid. The extensive range this year includes multiple materials such as buffalo horn, leather, mother of pearl and precious silks and several eye-catching pieces such as the square Esaedro which has a metal insert on the bridge. www.pugnaleeyewear.com

Icons Line by Hapter (octagonal model IL03 – collection RBBR002 with rubber finish) – inspired by early 19th century spectacles

Hapter from Italy has an exciting year ahead. A patented hinge – the 8-GON hinge – previewed at opti for the very first time – is to be introduced through the collections. Their extraordinary work with surfaces – in tactile rubber and carefully selected fabric – continues to place them at the forefront of the design led companies in eyewear. www.hapter.it

Rolf Spectacles – Skyline collection

In the fast growing field of 3d printed eyewear (there are already more than 40 3D printed brands we are aware of), opti offered an expansive overview of the current directions: from the sculptured “creative” look of Impressio (www.impressio.lu) to the minimal luxe of Gotti Dimension (www.gotti.ch) high-precision range in Polyamide and Rolf Spectacles’ new 3d printed titanium Skyline collection – which is printed, with additive manufacturing techniques, in Germany and hand finished in Austria. Rolf’s second Skyline edition offers fine silhouettes in natural colours with textured surfaces that are perfectly in tune with the focus on tactile, “raw” earthy finishes. www.rolf-spectacles.com

We are Annu – Round S in nude with temple choice – raw, gold or black Photo by @marjabayer

The opti boxes are always an ideal location to find new ideas. The collective ‘We are Annu’ were a highlight amongst the start-ups with their paper clip inspired glasses made “half by machine and half by hand”. The innovation lies in the easy modular construction of the frames – made of 3D printed nylon fronts with titanium wire temples (in 3 colour choices) and put together with a simple screwless hinge concept; not forgetting an attentive focus on fit with customizable nose pads and temples. It comes as no surprise that an independent optician is among the co-founders. More details at: www.weareannu.com

Eyestylist.com will identify other key trends discovered at opti in the edits we have coming up through Spring 2019. opti munich returns in January 2020  – save the date -10th to 12th January – www.opti.de CN

Sahra Lysell: colorist, Ørgreen Optics

Sahra Lysell is the Senior Colour Designer at Ørgreen Optics in Copenhagen. She has been with the company for over 20 years.

How did you become a colour specialist – has colour always been a part of you and your personality? I have a degree in fashion design, but I have always had a very strong intuition regarding colour and had an interest in how different tones work as an expression for emotions, our state of mind, and culture in society. I feel fortunate to have been able to make a career out of working with colour and to be part of a company that understands it  is a very powerful communication tool.

Does colour affect you in your daily life? I believe so – it is a big part of my decision-making in all parts of my life. For example, most of the art in our apartment was chosen for the colours and combinations of colour. I am drawn more by that than by the theme or the artist. My favourite painting is by the Danish artist, Michael Kvium. Called Pale Eyed View, it is a picture of a man standing in a red sea. The red is a mix of red, orange and purple. This painting taught me to use hues that are difficult to define. The colours are interesting, and often flattering on the face.

Ø16 Ørgreen+Yuniku 2.0 – typical bright hue from the Danish brand where Sahra works

On a daily basis, I find colour plays a role in what I do. I love to cook, and I love to play with colours when making food. It is very rare that I serve a dish where the special hues of Mother Nature don’t emphasize the experience. Purple for beetroot, orange for carrots, red for tomatoes, and the colour of a perfectly grilled steak, red in the middle, then rose and at last crispy brown on the edge. I can also see my 3 year old daughter is inspired to eat certain things due to the colour itself. She loves red ice cream! I could serve her beetroot ice cream and she would go for it just because it would be an amazing red!

“I have always seen things in colour, my brain works in a very visual way. If we are working on a new collection at Ørgreen, people always wants key words to work from, but I need to start with three colours! For me, this sets a mood, starts an emotion, and then I can get to work….”

In my office, I have three pictures of Mexican cemeteries; it may sound morbid, but the pictures are amazing and show bright, colorful graves and cathedrals that celebrate the story of a life. I have always had these pictures to remind me about differences in cultures and how there are so many colour stories to be told!

Inspiration at work in the studio

As a person, are you more about bright statement colours or quieter softer tones? Or do you wear colour according to your mood? I use colour according to my mood, and I love combinations of soft tones with a touch of something bright. For me, it is always about balance. When I choose colours or clothing, I like to mix the extravagant with the down-to-earth, masculine with feminine, or past with present. As I mentioned earlier I love big colorful paintings, but also black and white photos. My favorite tones change depending on the subject..whether I am considering fashion, art, furniture or nature.

What is the key to colour in fashion?  I guess that every one of us owns a personal approach to colour; this comes from how you understand society and what people are craving for – positivity, seriousness, provocation, purity, innocence… all of these things are influential. A strong intuition is essential.

Find out more about about Ørgreen Optics and their new collections at www.orgreenoptics.com CN

Monoqool for opti 19

As innovation in 3D printing moves forward with leaps and bounds, in eyewear, new design directions focus on the extraordinary lightness and comfort of the Polyamide material and, increasingly, its adaptability to produce different, more creative eyewear designs. Specialists in 3D printed frames, Danish company Monoqool continues to work in this field with a particular focus on the perfect balance of comfort and astute contemporary style. With an architectural aesthetic and an underlying passion for Danish design, Monoqool has taken their collection forward with combination styles featuring Polyamide fronts and fine metal temples in a palette of eye-catching modern colours from ochre and violet through to a light, dusty green.

Above: The spectacular Ragnarock Museum of Rock in Roskilde (http://museumragnarock.dk/besoeg/), Denmark was selected as the venue for the Spring/Summer campaign. The setting is a colourful, unusual building designed by Cobe Architects (http://www.cobe.dk) – inspired by the 70s looks of Danish designer Verner Panton (http://verner-panton.com), who shocked the world with his colourful space age design. 

Balanced design: a Polyamide front with slim metal temples

For SS19, the Danish brand launches 12 eyewear shapes and four new sunglasses. “We aimed for a mix of frames, from the colourful and extraordinary to the classically cool,” says Allan Petersen, founder of  Monoqool. “Four new colours are added to the already considerable line of 3D printed frames.”

New hues from Monoqool: Big Love in burnt ochre

The line up of frames features the popular Monoqool Slider series with a flat horizontal temple and screwless hinge. The Slider frames are made in ultra lightweight 3D printed polyamide material, which results in a frame weighing only 4 grams. It is in the Monoqool DNA to make frames with a high degree of comfort and which are easy to adjust and give a perfect fit – as well as offering contemporary design and an accomplished attention to detail.

Exploring 3d printed design: trend-focused cut-out effect

Monoqool will exhibit the new collection at opti Munich in Germany from 25th to 27th January 2019. For more details about the latest designs, visit their website at www.monoqool.com. CN