Eyestylist

  | Eyestylist 26th November 2019

Winter sunglasses: Lapel by TBD Eyewear

TBD Eyewear (The Bespoke Dudes Eyewear) has a reputation for Italian design style at an affordable price, with sunglasses priced at under 200 euros. Like their bestselling unisex style, The Cran, a frame we have tried and tested (https://www.eyestylist.com/2019/01/the-cran-by-tbd-eyewear/) model Lapel offers an “easy” design for men with a vintage-infused, slightly squared shape suited to all kinds of faces. With a flattened top that has become a hugely popular detail for the current season across collections, the frame now comes in amber tortoise, honey or green tortoise, shades which are beautiful through winter, paired with decent UV protective lenses in well-selected tones of tobacco or bottle green.

Neopolitan influencer, style expert and founder of TBD, Fabio Attanasio, wears model Lapel in Amber

The TBD brand has dedicated itself to providing reliable delivery through its online service, and for those who seek a quick shopping option (pre-Xmas!) their frames arrive quickly and easily (delivery guarantee of 2-5 days). Founder of the independent label Fabio Attanasio is a well-known face in menswear, and his blog continues to be a faithful supporter of  good design, craftsmanship and tailoring across the men’s fashion industry and a great source of information on tailoring and artisan accessories. Find out more about the blog at http://www.thebespokedudes.com/en For the sunglasses and eyewear collections visit www.thebespokedudeseyewear.com – sign up for the newsletter for special offers. CN

  | Eyestylist 21st November 2019

Rigards x Uma Wang exclusive collaboration

Sources of inspiration include ancient mosaics, 19th century eyewear + Gaudi’s Sagrada Familia in Barcelona

A second collaboration series between artisan fashion designer Uma Wang and the avant-garde eyewear innovators from Hong Kong, Rigards caught the attention of Paris Fashion Week at the fashion designer’s much talked about RTW Spring 2020 catwalk show.

The two designs – UW5 and UW10 – are intentionally closely linked to the previous models, with an aesthetic derived from 19th century eyewear.  Above: backstage at Uma Wang, Paris Fashion Week – collaboration design UW10

UW10 (The Shanghai)

UW10, (a codename for the 10th anniversary of Wang’s brand) was undertaken as a follow-up design to the successful prior collaboration design, the UW1.

Conceived from a thread that runs through Wang’s latest collection (the golden age of Pompeii), Rigards’ Ti Kwa says they “zoomed in on the smallest element of the decorative arts of the Roman Empire, extrapolating it into something uncommonly inventive.”  An eco-friendly bio-acetate is used for the side shield inspired by ancient mosaic glass tiles—” these are as vivid now as they were 2000 years ago, relicts of Pompeii preserved by Vesuvius and the passage of time.”

Rigards x Uma Wang : UW10 (The Shanghai)

A further historic inspiration came from the extraordinary stained glass windows at Barcelona’s Sagrada Família, conceptualized by the great Antoni Gaudi and designed and produced by artist Joan Vila-Grau, a highlight of Kwa’s recent tour to Barcelona.
This frame, nicknamed “The Shanghai”, honors another artistic treasure, particularly dear to Wang. The exquisite Old Shanghai Art Deco stained glass windows are a legacy of the once-flourishing, now forgotten Jesuit Tushanwan Orphanage and its exceptional young foundling apprentices. The frame is produced in five spectacular shades, each one a literal rendering of seeing the world through tinted specs.

Rigards x Uma Wang UW5

With an aesthetic derived from 19th century eyeware, UW5 (The Victorian II) reflects the design vocabulary of UW3, a prior collaboration with a minimal silhouette.
The so called “owl-eye” style has been increased in size and thus works ideally for wider faces. “Building with copper allows the application of our exclusive, proprietary ‘Time Machine’ hand-aging process,” says Ti Kwa. “What emerged wer the most beautiful examples of metal coloring—expressive, painterly patina that further enhance the personality of the frames, as though weathered by the passing decades.”

Rigards x Uma Wang, backstage

Uma Wang’s Pompeii inspired show took place in Paris in September featuring the collaboration frames with Rigards on the catwalk.  For more information about the two brands visit www.rigards.com and www.umawang.com CN

  | Eyestylist 18th November 2019

MYKITA, Bangkok

Industrial elements, custom-designed furniture, and colour and texture inspired by the Thai capital. A new MYKITA store has opened its doors in Bangkok, developed by the in-house architectural team at the German design house. Located in the Sindhorn village development in the Pathum Wan district, the shop defines the brand’s high-tech aesthetic in an open, minimal space with distinctive mirrored walls and delicate green foliage.

MYKITA Bangkok opened November 2019

The ground-level space has the familiar white interior and wall. Pale green touches are added on the expanded metal ceiling, eyewear storage trolleys and the metal detailing on the oak furniture. On approaching the shop, the entrance to the in-store optical lab is visible through floor-to-ceiling glass front, providing a showcase for the handcraft and high technology that defines MYKITA’s Modern Manufactory.

MYKITA Bangkok stocks the full collection of optical frames and sunglasses including the designer collaborations with Bernhard Willhelm and Maison Margiela. A Zeiss Vision Center provides comprehensive vision care. Sindhorn Village (Room C115/2), Soi Langsuan, 10330 Bangkok www.mykita.com

  | Eyestylist 15th November 2019

Jono Hennessy Studio (485): Florescence collection

Florescence collection released: Jono Hennessy’s lively colours and patterns are an inherent feature of his new collections, inspired by the brilliance and delicacy of flourishing blooms. Colorful and playful with Liberty print fabric laminations and tone on tone combinations, the line also gives space to fashionable blocked tones. Mixed material designs in stainless steel and custom acetate are also a key feature.

Inspired by the 70s dancefloor, the modern square shape of Studio combines sharp edges in a bold metal front in IP plated colour with a custom glitter temple. The palette is expressive and typical of Hennessy’s creative studio. It brings fronts in gold, black, red or a lovely pale mint together with the glitter infused stone-toned temples. An oversized shape is perfectly tailored for retro impact and highlights the trend towards larger metal proportions in the latest collections as we head towards a new year. The Florescence collection is available from Sunshades, Australia. Look for the brand at selected optical retailers. Find out more: www.sunshadeseyewear.com.au

  | Eyestylist 14th November 2019

Kerin Rose Gold: a-morir is 11 years old

Designer to the stars Kerin Rose Gold says she is celebrating 11 years of a-morir, her creative eyewear, accessories and ‘objets d’art’ business in New York. Photography (above): Sophy Holland

I understand you are celebrating a milestone after a very busy 10 years! What does that feel like and has it been an exciting time for you? The 10th year went by so fast, and the studio has been busy! Believe it or not, we’re on our 11th year. a-morir started casually and took off unexpectedly, it’s been hard to keep track. I kept meaning to plan some sort of celebration or dinner for my closest friends and biggest supporters and I just confirmed an 11th birthday party at the beginning of December. I have also created an online-only collection named after some of my best friends. I’m also preparing for a digital sample sale that include some one of a kind pieces from my archive.

Is all your work in eyewear today? While eyewear is where I started and remains a-morir’s ‘heartbeat’ I’ve had the pleasure of expanding. I had been doing custom crystal work for my big eyewear clients like Rihanna and Lady Gaga, and that half of the business has expanded beyond celebrities to private clients and large corporations. I’ve had the pleasure of working with J.Lo, Missy Elliott, Serena Williams, Cardi B, Lizzo and Halsey on non eyewear projects.

I’m also releasing accessories and art ‘objets’; a-morir started out of things I’d made for myself – which I still do in my free time. When my friends have seen those pieces, they’ve asked to purchase them as well.

Choi – Crystal – a-morir style

One of my favorite recent ventures has been working with clients on custom eyewear pieces. I go back and forth with clients via email; if they are in NYC they come to the studio for a design session. A  week later they get a custom piece shipped to their private address.

What is your fondest memory in the last years? There are many! I suppose highlights include a shout out from Rihanna on TV and being selected by Vogue Italia as a new talent in 2011. Today, every time someone orders one of my pieces online I still get a thrill. I’ve recently launched the first ever bridal eyewear line – it came with a beautiful profile on Vogue.com!

Are you located exclusively in NYC or are you travelling a lot for shows and commissions? I’m lucky that I get to stay in NYC. Nearly all of my creative collaborators and companies I work with are based here. The studio is skilled at shipping our pieces to anyone who isn’t. At the beginning of my career, I was based in a luxury accessories showroom in Europe and moved on to the Paris fashion tradeshows; I was receiving a lot of email inquiries from boutiques around the world and selling to them, but I wasn’t finding buyers at the tradeshows or in showrooms who were interested in what I was doing. Around the same time, I grew tired of doing large collections twice a year and I took a risk and went back to the way I was doing things when I first started; it has been better for me to design when I am inspired and release pieces through my website. I now try to travel just for fun. This leaves me stimulated and invigorated when I return home and get back to work.

Lena by a-morir: from the Bridal Collection

How will you celebrate your 11th “company” birthday? With the December party…and a Zine produced with my wonderful husband. It’s a limited edition ‘self published DIY magazine’ to share our story. I see it as a ‘loveletter’ about the last 11 years.

Have you got plans for the next few years that you can talk about or is it top secret? Some things are top secret, but I look forward to finding new ways to push the boundaries of my eyewear, expanding the bridal line, creating more eyewear x jewelry sets, and doing more fun collaborations! I love the teamwork involved in collaboration, and look forward to doing fun things with brands and boutiques that I love. I’ve also finally teamed up with a wonderful lens laboratory who are handling prescriptions for my collection, and that part of the business is taking off. The lenses are beautiful and I’ve had a lot of clients get extraordinary pieces filled in their eyeglass prescription; seeing the frame transformation and how they are worn is a thrill!

Ayesha crystal fringe collector showpiece

What is your focus in your design work today? Tell us about the highlights in the collection for 2019. Now that I’ve gone back to my roots, I’m excited to be experimenting with over the top avantgarde pieces again. One of my most favorite recent designs is the Ayesha. I’ve had the honor of working with Preciosa Components, and am obsessed with their black plated chain. I wanted to make something extravagant out of it and this is what I wound up with! I originally said it has 75 feet of chain, (approx. 25 meters) per piece but I think it may be more. I’ve sold more of those than I have some of my more conservative releases from the same collection.

You are dressing many celebrities. What is the best thing about working closely with celebrities? Superstar celebrities have access to everything in the world – I’ve seen it first hand – knowing that they have chosen to wear something from ­a-morir is flattering because they don’t have to. I’m not giving them anything for free and I’m not paying them for endorsement – they’re doing it because they love the design and trust in my creativity and artistic process. What I do isn’t limited to celebrities, that’s also important; I have a handful of wonderful private clients in NYC and abroad. They tell me what they want and trust me to execute their vision. For more details about a-morir, visit www.a-morir.com / www.amorirprojects.com CN