Eyestylist

  | Eyestylist 18th February 2025

Mido 2025

The busy Milan event this month saw new momentum in eyewear innovation and design driven change in the industry with regard to environmental issues – independent eyewear brands exhibited bold, creative concepts, new sustainable ideas and a considered approach in many cases to quality design and traditional craftsmanship 

Mido 2025 has been billed as an outstanding success: in the words of Lorraine Berton, President of MIDO and ANFAO, an edition that was all about “business, networking and fresh ideas”. For those seeking inspiration, innovation and design ideas, the event served up a huge opportunity to review new directions, material developments, sustainable progress and style ideas in many different segments of eyewear design, including sport, fashion and luxury.

Independent brands and creative designers offered an extraordinary breadth and quality of design, with  a large number of these companies and new emerging labels exhibiting in the Academy and Start-up area this year. Above: Nina Mûr’s outstanding new Pearl Eyes collection features sinuous shapes and organic lines. The frames incorporate a unique element – authentic certified river pearls are embedded in each design

Nina Mûr – Pearl Eyes – model Chiara in a striking red tone

Pearl Eyes by Nina Mûr offers an uninhibited artistic expression, fusing playfulness with elegance and exploring new possibilities through striking natural materials, always in line with the sustainable ethos of the brand. www.ninamur.com

Mosaico 163 by Lamarca

Colour stories at Mido were intriguing, with many new colour directions emerging in different ways depending on the materials and textures explored. Colours with obvious links to fashion and the Pantone colour of the year for 2025 – Mocha Mousse were prevalent, as were bright vibrant tones offering individuality and exciting expression.  All the classic eyewear colours are also well represented this year with tortoise tones, Havana, brown hues and lots of new greens proposed across the board. We noted  a very attractive terracotta tone appearing frequently, as well as other natural hues inspired by nature, natural textures, minerals and marble. There were multiple examples of playful work on surfaces, texture and contrasts between shiny and matt finishes, once again.

The frame pictured above is a new round style in the Mosaico series at Italian brand, Lamarca Eyewear. The colour combination in Mazzucchelli acetate plays with classic tones and trendy crystal grey, www.lamarcaeyewear.com

Ørgreen Optics – Aries 3D Ring

Ørgreen Optics showed a bold sunglasses collection, offering a revitalised approach to colour and lens innovation. Known for its minimalist design and technical precision, Ørgreen is now setting its sights on redefining how its sun collection blends style and functionality. The new palette features a trio of concepts: Essentials, timeless classics such as matte black and deep brown; Accented Colours, versatile yet muted tones like soft blue; Seasonal Highlights, trend-driven hues, including sage green and vibrant pink. www.orgreenoptics.com

Moiry sunglasses by Glacier Optics

Featured in the interesting Start-Up area of the Mido show this year, the independent label Glacier Optics showed an inspiring collection of sports frames. First launched in 2020, the frames have been designed specifically for mountain activities and developed for use in the Alps. All the parts and accessories have been carefully sourced locally in Switzerland, France and Italy and the frames have a distinctive design and quality of style thanks to the co-founders’ decade-long experience working in the outdoors industry and a particular passion for and expertise in snowboarding and skiing. Find out more about the brand at www.glacieroptics.com

ROLF won a CSE award for their innovation in 3D-printing with a biogenic material produced from castor beans

Austrian eyewear innovator ROLF took away another CSE award at the Mido event, winning the European category for their 3D printed sustainable eyewear collection. ROLF continues to offer a wide selection of frames in natural materials including wood and stone, produced to the highest levels of craftsmanship and design quality. www.rolf-spectacles.com

Hibang from Taiwan: eyewear produced from fishing nets and debris – the brand has established a circular system so that the frames can eventually be recycled after use

Mido saw collection presentations by many new and emerging companies with a particular specialisation and design direction. They included Hibang from Taiwan, a small label which has already won an iF Design award for their screw-free “modular” style  frames, made with parts that can easily be swapped and replaced without tools, extending lifespan and promoting sustainable design. All the frames are produced in a sustainable material created from discarded fishing nets.

According to the organisers of MIDO 2025, this year the three-day international event welcomed over 42,000 attendees, from 168 countries, and 1200 exhibitors (of which about 930 were international) in 7 pavilions and 8 exhibitions areas at Fiera Milano Rho.

Eyestylist was privileged to return to the Mido event this month and learn about important developments in design, technology and sustainable eyewear. This article is a first commentary on what we have reviewed at Mido. Further highlights on the collections in 2025 will be featured on Eyestylist.com in the coming weeks and months. Mido 2026 takes place from 31st January to 2nd February 2026 at Fiera Milano Rho. Find out more about Mido at www.mido.com

  | Eyestylist 13th February 2025

100% Optical 2025

The London eyewear event (trade only) takes place from 1st to 3rd March 2025; the number of independent brands showing has increased for 2025 with confirmed bookings from new exhibitors, MYKITA, DITA, Clayton Franklin and L.G.R

100% Optical is set to take place at the beginning of March, with new owners CloserStill Media at the helm for the 2025 edition. 100% attracts optical retailers from around the country who visit the show to source new services and products including eyewear, contact lenses, lenses and technology. This year the event has confirmed a large number of returning eyewear brands, including Bevel, Blackfin, Danielle Rattray, Design Eyewear Group, Götti Switzerland, Kirk & Kirk, Kodes Accessories, Morel, Ørgreen Optics and Sea2see – among others.

For 2025, the Love Eyewear Awards, which are a popular element of the show, will feature awards covering a diverse range of categories, including New Designer 2025, Sustainable Frame of the Year, Eyewear Retailer of the Year, and Eyewear Accessory of the Year, as well as Best Use of Social Media entering as a new category. The winners will be announced on the first day of the show (1st March 2025) during “an evening of celebration and entertainment.” Above: Ørgreen Optics participate at 100% Optical in London; they have just launched the new campaign 1415, with a concept inspired by the brand’s historic roots in Copenhagen – www.orgreenoptics.com

Götti Switzerland – Precious Objects collection

Among new designs at Götti Switzerland, the Precious Objects collection has been conceived as a line which sets a new standard for the highest level of Japanese craftsmanship and fine materials to create an innovative symbiosis of traditional manufacturing and innovative design. These luxury frames and new designs across the Götti Switzerland ranges will be on show for opticians at 100%: www.gotti.ch

Aliseo by Sea2see  – sustainable eyewear with properties of lightness and durability – the frames have new shiny and matt finishes, fresh colours and gradient effects as well as easy-to-wear shapes with flattering silhouettes

Sea2see have launched a new collection called Breeze Ultralight – which will makes its debut in London in March. All Sea2see frames are made in Italy using recycled marine plastic. The brand is the only one in the eyewear business to run its own non-profit organisation called the Sea2see Foundation which is dedicated to collecting waste from the sea to reduce plastic pollution. Since Sea2see was founded in 2015 by Francois van den Abeele, the Foundation has extended its work to remove plastic from the Sea2see to Senegal, Ghana and Madagascar. www.sea2see.org

Leavitt by Morel in full tortoiseshell acetate
Just released and part of a series of new French eyewear designs made in the Jura, model Leavitt by Morel offers vintage overtones and comes in several trendy combination colours or transparent varieties, as well as tortoise. This is a frame with a sleek design and round classic shape, produced to offer contemporary features such as flexible hinges and excellent comfort on the face. Find out more about Morel at www.morel-france.com
Bird Eyewear – a new project with the World Wide Fund for Nature (WWF) and the Royal Society for the Protection of Birds (RSPB). Styles made in a plant-based patented material
For 2025, UK based Bird Eyewear launches two unique performance frames with the World Wide Fund for Nature (WWF) and the Royal Society for the Protection of Birds (RSPB). These frames highlight this brand’s commitment to sustainable fashion and wildlife conservation while raising awareness and funds for two endangered species.
The Puffin frame, developed with WWF, supports the conservation of the Puffin, a species facing a potential 90% population decline within the next 30 years. With the UK being home to over 10% of the global puffin population, Bird Eyewear have created a stylish frame that captures the essence of this iconic bird’s distinctive black, white, and orange plumage. Meanwhile, The Swift frame, created in partnership with the RSPB, aims to protect one of Britain’s most iconic aerial silhouettes. Swift populations have experienced significant declines due to habitat loss and decreased breeding success. This frame features a design inspired by the Swift’s distinctive profile and speed, representing the importance of preserving these remarkable birds. These frames and other main line designs by Bird will be on show at 100%. www.findyourbirds.com

100% Optical is described as the largest optical event in the UK. The show brings together professionals from across the UK to learn, network and discover the latest products, technologies and solutions on an international stage. The event takes place at ExCel London. To register visit www.100percentoptical.com/

  | Eyestylist 12th February 2025

Finnish designer Vincent Catani collabs with Eric Marquez

The collab – entitled Chromatic Aberration – features a collection of hand-painted limited edition sunglasses and cases

The frames and cases in the unique collab are handpainted with artist Eric Marquez’s dynamic, minimalist designs, blending traditional Japanese elements with chicano aesthetics. Presented by Vincent Catani as wearable art, each piece comes with a handpainted case and an exclusive certificate of authenticity.

Based in Copenhagen, Denmark, Vincent Catani is creating frame collections which are the result of a  passion for eyewear developed over many years. The son of an avid eyewear collector, Catani has created a collection of frames “to elevate the individual’s wardrobe” with designs that offer lasting appeal, crafted in Japan. Above: Vincent Catani’s limited sunglasses created as a collaboration with the artist, Eric Marquez – ‘Chromatic Aberration’ – the name represents contrasting colours coming together in harmony

Chromatic Aberration by Vincent Catani and Eric Marquez – an eyewear designer and artist in collaboration

Eric Marquez is an emerging artist whose work fuses postmodern ideas with super flat aesthetics, inspired by a love of manga and Murakami. Rooted in his Chicago heritage and the vibrant culture of LA, the artist creates bold graphic compositions weaving contemporary energy with the rich narratives of his upbringing. 

Find out more at www.vincentcatani.com

  | Eyestylist 9th February 2025

Blackfin at MIDO

Sunglasses re-edition reexplores statement-making concept

The Italian eyewear brand Blackfin is announcing new versions of their ARC and SLOT styles at the Milan fair this weekend, reimagining the two styles and giving them a new refinement and character. For the new styles, the lines have become more angular and defined and the shapes optimized for a premium fit, with the idea of creating a very precise balance between aesthetics, comfort and functionality. The two styles are called ARC-R and SLOT-R. Above: ARC-R from Blackfin – launching at MIDO this weekend

Blackfin Slot-R sunglasses

For the two models, the range of colours selected reflects Blackfin’s desire to give the styles a new look. Five hues are offered including Blackfin Black, Olympic Blue and Iridescent Grey, an unexpected shimmering finish that fades subtly between grey and green and violet and lilac. All the styles have smoke grey lenses. The  company has also produced two numbered Special Editions – in colourways with the description ‘Lunar White Gold and Obsidian Black Gold’ – both of which have been treated with state-of-the-art Nano-Plating PVD coating. For more information visit www.blackfin.eu

  | Eyestylist 7th February 2025

Linda Farrow: Simon Jablon on luxury eyewear and a special appearance at Mido ’25

In an exclusive interview and an all time first on Eyestylist, Linda Farrow’s son, Simon talks about the UK brand and its heritage as well as announcing a very special guest appearance for the MIDO event 2025: his mother will be at the show to meet visitors as the brand launches the Iconic collection, a stunning design collection with a campaign featuring Linda Farrow as the model.

LINDA FARROW has an incredible history dating back to 1970, when your mother first created the brand. How have you built upon that extraordinary legacy since you reintroduced the brand in 2003? My mother redefined the eyewear industry elevating sunglasses and optical glasses into a statement accessory. She challenged conventions and pushed creative boundaries with her designs. Upon relaunching the brand in 2003, we were able to revitalise the eyewear market by steering away from the generic designs we saw everywhere else by re-introducing some of her more unique vintage pieces. As the company has grown and we continue to introduce trend lend designs we are very careful to stay true to the brands original DNA – timeless elegance with a modern twist. Today we honour her legacy by combining bold innovation with a commitment to enduring sophistication and high quality. Above: Linda Farrow and Simon Jablon – Linda Farrow stars in the new campaign for the Iconic collection

From left to right: Julian Jablon, Linda Farrow and Simon Jablon as a young boy

What do you remember most about your mother’s passion for eyewear design when you were younger, and – during her career – was she an entrepreneurial creative as well as artist/designer? My mother was a visionary designer who saw eyewear not just as a practical necessity, but as a creative canvas, and pioneered the concept of designer sunglasses long before it became an industry standard. Her passion wasn’t just about creating beautiful frames, but about making them a bold form of personal expression that challenged traditional design conventions. She understood the intersection of fashion, art and functionality long before it became a mainstream concept. Her designs were not just about aesthetic appeal but about creating pieces that told a story, that made the wearer feel inspired and empowered. She was both an artist and a business woman who understood how to turn her creative vision into a ground-breaking brand that stood the test of time.

Archive picture of Linda Farrow working  in her studio

What was the biggest challenge in re-building the brand in 2003, and how have things over the years from your personal perspective, I’m sure there have been some challenges as well as good times? We had to reposition ourselves in a competitive and overly commercialised market, demonstrating that we were more than just another eyewear label, but a design-driven brand with a rich heritage of innovation. As the brand evolved, we encountered challenges in maintaining our design integrity while adapting to changing consumer preferences. The most critical aspect of our rebuild was preserving my mother’s original vision of innovative, boundary-pushing design while creating a sustainable, modern fashion brand.

Linda Farrow continues to be singled out as an example of a highly successful family-owned independent eyewear label…with a global following. How much do you value “independence” in the current climate and in an optical world which is dominated by massive players and mass production? Our independence allows us complete creative freedom. Our design philosophy is to actively challenge conventional and mass-market eyewear designs through bold experimentation and risk taking. Our commitment to innovation is exemplified by working with unusual material such as buffalo horn, sterling silver or palladium, each carefully selected to push the aesthetic and technical boundaries of luxury eyewear.

With so much focus on craftsmanship and artisan techniques – and particularly Japanese expertise, what for you are the really exciting developments achieved in your collections in the last few years? Mention any particular steps you have taken in terms of adding to the already luxurious quality and innovation-led design work found across the Linda Farrow collections…we know much thought and passion goes into developing product at this high level? Renowned in the industry for their meticulous precision and exceptional technical expertise, we can guarantee unparalleled luxury and craftsmanship in all our Japanese hand-crafted frames. As we ensure to prioritise quality, all LINDA FARROW’s frames are precisely cut, finely polished and assembled, hence why our lead time is longer.

Surrealist collection – Autumn/Winter 2025

Collaborations have been a fascinating part of the LINDA FARROW story, and you have worked with some spectacular fashion designers. What have been highlights for you in your wonderful collaborative design collections and do you enjoy working with brands and exploring new synergies? Our collaborations have been instrumental in expanding our creative horizons. We focused on strategic collaborations with design powerhouses such as Dries Van Noten, Magda Butrym or The Attico, which helped us reconnect with fashion-forward consumers and introducing LINDA FARROW to new global audiences, while maintaining our distinctive identity. Our recent license deal with Jacquemus represents a particularly exciting milestone. Seeing our sunglasses featured prominently in their fashion shows and adorned by celebrities has been a remarkable validation of our collaboration approach.

What will you launch at MIDO this week and what do you look forward to most about this international show? We look forward to showcasing our new Surrealist AW25 collection as the reaction so far from the previews has been fantastic. The main thing is that Linda Farrow herself will be joining us at the show, her first time returning after many years. This event represents a unique opportunity for some of our favourite clients to meet and greet my mother directly, the pioneering visionary behind the brand. This will coincide with the launch of the Iconic collection for which she is featured as the model. For more information visit www.lindafarrow.com – an exclusive interview by Clodagh Norton for www.eyestylist.com. All images were kindly provided by LINDA FARROW.