Eyestylist

| Eyestylist 29th June 2023

Summer showcase: a new TVR®504 edition, handmade in Japan

The Japanese artisan label’s new release is a 10th Anniversary version of the popular 504

If you’re a fan of this label, you’ll know the 504, an iconic shape inspired by a 1940s archive frame: for the brand’s 10th Anniversary, the style returns in a new configuration with smart new hinges and striking metal cores. First introduced in May 2013, TVR®504 has already been made available in over 80 colours and seven different sizes. For summer 2023 — having been unavailable for over a year — the model is now also thicker than before in a 6mm Zylonite with a structure and angle offering a very solid feel. Above: the new version of the 504 featured in a classic black with lightweight polarised lens clip with vintage filigree design

“Quality handcrafted eyewear is our DNA and we are proud to re-introduce these iconic vintage styles to a new generation of eyewear customers…” Sawada-Yaemon – Master Craftsman for TVR®

TVR® OPT – the 504 optical style (above) and exclusive ‘Anniversary’ case and accessories (below)

Tradition is fundamental in the making of the TVR®504. Each piece is made by hand by skilled Japanese master craftsmen using the traditional measurement method called ‘Datum expression’ — a fading methodology that has been used to produce spectacles since the 1950s in Japan, and remains a cherished form of art that TVR® OPT continues to uphold; other complicated processes in spectacle making are also part of the artisan process at the Japanese label, including hand-cutting, moulding, as well as reexploring the beauty of long-lost details for the frames.

The new model also boasts meticulously decorated new metal cores. As one of the first brands to reintroduce the highly detailed core in the temples in 2015 (feather core details seen in Yamada Mitsukazu x TVR® YM-001, YM-002, and YM-003 collections respectively), the latest cores reference the dragon from the Myōshin-ji Temple in Kyoto in Japan. The design depicts the dragon known as the happonnirami no Ryū, also known as ‘Dragon Gazing in All Directions’ from the painting by Kanō Tan’yu: a veritable artistic feast for the eyes! Find out more at www.tvropt.eu 

| Eyestylist 27th June 2023

Summer showcase: VUE DC and the beauty of volumes

The latest collection at the French brand, VUE DC offers fantastic sculptural shapes and colours with a bold energy

Original, bold and loud in volumes, French independent eyewear brand VUE DC continue to put to work the intrigue of a 3-dimensional, art informed eyewear style, with metal and acetate styles “carved like sculpture”. The styles play with depth and light to create curves and volumes – high-impact bevels elevating the every day into art. Above: MAN, a new version of an aviator in 6mm Mazzucchelli acetate, and M12, a beautiful oversized metal variation of the DUC frame by the brand 

M12 and M13 by VUE DC – the colour palette includes bright primary tones and more classic subtle colours

Models like M12 and M13 are examples of how this sculptural style can be represented in metal, with a stylistic creativity like that of the acetate frames and exciting colours with the brand’s signature handmade raw and matt finish.

PAN by VUE DC – an example of the stylistic feel of the acetate eyewear collection by VUE DC

Oversized, angular and with fine details – the 3 traditional style rivets appear on both sides of the front of the pantos inspired PAN frame – the model combines soft curves and angular surfaces in a design that experiments with volumes and colour, transparency and light.

The VUE DC collection is made exclusively in Oyonnax, France. To see the complete collection visit https://vuedc.fr

| Eyestylist 23rd June 2023

Radford x SALT. Optics: limited-edition technical eyewear

Radford and SALT. Optics have come together to produce an high-tech limited edition eyewear collection this year, and the results are exciting

SALT. Optics – the Californian eyewear label – have a brand new collaboration that we can’t wait to see close up: the eyewear company has joined with Radford Motors to produce two limited edition sunglasses (each available in four unique colours). The designs are the result of a careful study into automotive eyewear of the past, carefully evolving that heritage by manufacturing with the highest quality materials available today: Japanese aerospace grade titanium – a material type which provides excellent strength to weight ratio, giving bold frame structures a featherweight feel.

“We wanted to explore the intersections of automotive, pop-culture and eyewear heritage. We looked at key moments in both racing and pop culture…” SALT. Optics

RADFORD x SALT. Optics – the new collaborative sunglasses are highly technical – model RS-600

The titanium is hypoallergenic and is engineered to maintain excellent optics. The SALT. team explain that the proprietary titanium thickness transitions and bevel placement provide stability where it is needed most, securing the lens in the frame. This means that any stress from the frame is not transferred to the lens, greatly enhancing the optics for driving.

Radford x SALT. Optics – stunning details have been developed for this edition of two sunglasses – the automotive-inspired side shields are also produced in titanium

SALT. also brings its proprietary lens offering to this refined and luxurious product, with the aim of offering optimised vision and a balance of colour, contrast and light transmission proposed as an ideal combination for driving.

The two Radford x SALT. Optics models – RS-500 and RS-600 – have been produced exclusively in Japan. Radford Motors Type 62-2 inspired the colour palette, including the Limited Edition John Player Special (JPS) and the gold leaf colours are Pantone matched to the cars. The frames come with a genuine perforated leather case with velvet interior and custom eyewear cloth.

About Radford – Radford Motors (originating from the British Coachbuilders of the same name, created in 1948) has been reignited by former world champion F1 racing driver, Jenson Button, car builder/TV host Ant Anstead, and businessman Roger Behle. In 2021, they launched their first car, the 62-2, inspired by the Lotus Type 62 Racer. Find our more at www.saltoptics.com / https://radford.co/

| Eyestylist 22nd June 2023

Summer showcase: The Artemis by Struktur

Fresh for summer days: the distinctive sculptured look of a Struktur frame, in a beautifully natural matt lemon colour, lends itself perfectly to a warmer climate

While summer is for sunglasses, your optical frame could be more playful for the summer season too: fresh and bright, a match for lighter, cooler apparel, a little bit more relaxed than darker, denser specs, a design that jumps out and feels lively and new: a frame like The Artemis at Struktur, with a structured, sculpted acetate construction and colours that feel summery and lighter in the heat. Above: the model wears The Artemis style by Struktur

The Artemis by Struktur – pretty and bright – the colours include mouthwatering tones of watermelon, lemon and curaçao

The shape fuses vintage inspiration with a modern iteration of round eyeglasses; the combination of an acetate front and titanium temples ensures lasting comfort through the lightweight feel of the design.

Struktur Eyewear is a French eyewear label producing its frames at SOLF Production in Normandy, a traditional – and growing – eyewear factory that was first created in 1966. Find out more about the eyewear brand at www.struktur-eyewear.fr 

| Eyestylist 20th June 2023

Karin Stehr, True Eyewear

Karin Stehr is an eyewear consultant with a passion and enthusiasm for independent design labels, much like our own. A former optical store owner, she has a wealth of knowledge about specialist optical retailing and loves the idea that she is able to inspire other opticians to fall in love with the independent eyewear collections – as she has. Her next unique launch are guided tours of the optical shows….

How have you developed such a passion for independent eyewear? Before starting in the eyewear business, I worked in a container leasing company. It was a great international atmosphere, but containers are just often dented, rusty or dirty. As a person with a sense of aesthetic and style, I couldn’t do that forever. When my husband wanted to start his own optical business, I knew: this was the right place for me. I had no idea about the profession at the time, but beautiful glasses fascinated me from the beginning. As early as 1989, we bought several independent brands for our new shop.

Tell us about the shop you owned. Why did you sell it? In 2005, I founded our second shop, Bellevue (Hamburg, Germany) because I wanted to focus exclusively on independent eyewear. For many years, this was my absolute dream job. I had a team that covered all the professional skills. I was able to live out my passions, my creativity and my strengths in customer advice, marketing and purchasing.

Of course, administration, controlling and organisation were also part of my tasks right from the start. In the last few years, however, I had to invest more and more time and energy in these areas of work. At some point I realised that as an entrepreneur I no longer felt as free as I had in the past. In the end, Covid-19 was not the reason, but it was the occasion to rethink my life planning. I wanted to start again and use all my experience, my contacts, my whole network within the independent eyewear segment as a basis for my new consulting work. I wanted to really enjoy my work again. Pictured above: Karin Stehr wearing Gotti frames (www.gotti.ch)

Bellevue, specialists in independent eyewear: Stehr founded the shop in Hamburg in 2005

What are you working on now? I inspire and advise independent opticians to create their own individual and unique collection of independent brands. Today, it’s about having and communicating a distinctive positioning. If you have a personal affinity for it, independent labels are ideal for this.

Do you have an affinity with particular brands? Why are they so special? Of course, over the years I have come to know and appreciate some brands and the people behind them very well. I have a very trusting, friendly relationship with some of them. No matter whether they are designers or the creative heads of their companies: they are all passionate about what they do and extremely consistent in the implementation of their vision.

I know many others more fleetingly and always have the same spontaneous impression. They are creative, demanding people. They have a broad horizon, are open and communicative. I am very happy that I can now get to know many more of these exciting people through my new work.

How do you inspire other people to have the same passion as you regarding creative, artisan eyewear? I think there are many more opticians who would love to sell independent labels as well, but don’t dare to throw out the supposedly safe, well-known fashion brands. Many also have the desire to no longer be dependent on the global eyewear industry, to have a different, more attractive offer than the neighbouring shops. I show them the versatility, the stylistic range, the authenticity of the independents. This makes it possible to put together an individual selection of collections for each shop, perfectly suited to the location and the customers.

It is particularly inspiring to get to know the people behind the brands and to be personally introduced to their history, design philosophy and future prospects. That’s why I’ll be offering guided tours of the major trade fairs in future, which I’ll tailor perfectly to requirements beforehand. This way, even newcomers can quickly and deeply immerse themselves in the independent cosmos. Every personal trade fair conversation with a founder, owner and/or designer, and even more so every visit to a headquarters or even a production facility, inspires and inevitably leads to wanting to share this exciting background with one’s customers.

What frames do you wear personally, and has your eyewear journey along the way included many different styles of frames? Are you wearing bolder frames than ever before? I am one of those eyeglass wearers who has a large personal collection and wears them all. In total, I have, reasonably correctly glazed, about 30 pairs of glasses and 20 sunglasses. There is at least one of every brand I have had in the store during that time.  I have collected them for about 20 years, some of my earlier treasures are unfortunately now lost.

Besides the basics in black, grey and silver, I like to wear more unusual shapes, materials and colours. I choose my frame daily to match my clothes and mood. I love bold styles, but with my relatively small and narrow face, I don’t like a look that is quite so radical on me.  In suitable weather, I almost always wear a La Loop glasses chain so I have my sunglasses with me all the time.

Give us your top tip on what you believe is super hot in 2023? It took a few months, but now I love the revival of flat, angular shapes, especially in sunglasses. I still have a cool red and white Face a Face, which is about 15 years old. I’m having them re-glazed now! To find out more about Karin’s work at True Eyewear visit https://true-eyewear.de