Joan

l.a.eyeworks

Barbara McReynolds and Gai Gherardi Co-founders/Co-designers

1st October 2014 Creative colour vibrations, unexpected shapes, and innovative materials have characterised l.a.Eyeworks for thirty-five years. Barbara McReynolds and Gai Gherardi are genuine pioneers in eyewear – they launched their first collection in 1979 – long before eyewear had achieved the stylish accolades that glasses now enjoy.

 

Magda 1990 l.a.Eyeworks Art Deco Influence
Magda 1990 l.a.Eyeworks Art Deco Influence

When McReynolds and Gherardi decided to embark on eyewear design, they believed it was time to open up a new kind of conversation about glasses. Their philosophy is that frames are more than just something you wear. Eyewear also expresses individuality and personal expression. McReynolds and Gherardi are purists in their approach to eyewear – each design is hand-drawn – the first step on a path of meticulous production. They use only the finest materials that are shaped by a combination of technology and hand-finished crafting.

 

l.a.Eyeworks U-turn 2004
l.a.Eyeworks U-turn 2004

The designer’s restless imaginations and ability to absorb from their surroundings has resulted in an expanding legacy of glasses that balance innovation with wear-ability. They recall: “Seeing Andy Warhol’s work in the 1960s was such an incredible revelation to us. Warhol’s ideas gave us permission to break the rules. Watching a video with the legendary jazz singer Anita O’Day was the inspiration for another design.”

 

Do McReynolds and Gherardi have a particular l.a. Eyeworks moment or experience that is especially memorable? “We’re easily overwhelmed when we think of all the incredible opportunities we’ve been offered and the moments of transformation we’ve witnessed. Different memories flash across the radar at different times. The other day, we recalled the marvellous story a customer told us about walking on the Great Wall of China, and spotting something colourful on the ground. On closer inspection, that “something” was an l.a. Eyeworks cleaning cloth!”

l.a.Eyeworks Garza 2013
l.a.Eyeworks Garza 2013

What do McReynolds and Gherardi feel are the biggest changes in eyewear during a thirty-five year period? “Without a doubt, from design to production to communication, rapid evolutions in technology have challenged the possibilities for making glasses. Some developments – like eyewear as some kind of venture capital enterprise – are not so interesting to us. Nevertheless, the ‘basics’ of glasses as apparatus, sensitivity to the future of fashion, great storytelling, and the principles of good design have never really changed.”

 

Vaporetto 2014 l.a.Eyeworks Signature: Vibrant Colour
Vaporetto 2014 l.a.Eyeworks Signature: Vibrant Colour

As the year-long anniversary celebrations commence, already the exciting news includes l.a. Eyeworks induction to the prestigious CFDA – Council of Fashion Designers of America. A new website is to be launched this autumn, and the latest collection previewed at SILMO is a tribute to Gai and Barbara’s creativity and signature flair for colour. Autumn 2014 also unveils a new series of l.a. Eyeworks “Uncensored Visions” – dazzling portraits that feature a sensational group of performers and models wearing iconic l.a. Eyeworks designs. McReynolds and Gherardi’s creative vision has established an exciting eyewear legend. www.laeyeworks.com JG

Photo of Gai Gherardi exclusively for Eyestylist.com by Gilles Stüssi All Rights Reserved

The Hypnotic Eye

Theo Creates The Unexpected

1st October 2014 Theo can always be relied upon to surprise, tantalize, and push the boundaries. That is their unique signature. The new Hypnotic design is actually a piece of jewellery, and it’s easy to fall under the spell of this lovely object in stainless steel and palladium, or gold coated. At first, the wearer could imagine it being a brooch – however, the featherweight design can also be a necklace, and there is a ribbon included, so the possibilities are limitless.

 

Hypnotic H1  in gold by theo
Hypnotic H1 in gold by theo

This is a special Limited Edition by theo, with only one-hundred pieces made of each striking model, and each piece is numbered on the reverse, as well as on the box – the “little black box” providing an exclusive touch. Beauty, individuality and originality – a theo triumph! www.theo.be JG Top photo: Hypnotic H2 in Palladium 

Scapa

Face à Face Paris

Tortoiseshell and Turquoise combine to provide a spontaneous and charismatic design – Scapa – from Face à Face Paris. Tortoiseshell is spot-on trend, and turquoise highlights the fine points of the frame shape, including the extended temple and bevelled temple tips. A diverse selection of colours is available. More details at www.faceaface-paris.com JG

Charlotte

Coppe+Sid

A signature trend this season is semi-rimless frames with innovative interpretations. Coppe and Sid’s new collection has desirable, statement styles with vivid colour including Charlotte (above). The acetate frames are “enriched” by a nylon string inserted in the lower or upper part of the rim. Classic yet updated shapes, a cosmopolitan approach to design, and Italian craftsmanship ensure fine quality, and Coppe+Sid’s signature Lapis Lazuli stone is deftly tucked into the end-pieces. For more C+S collection news visit www.coppeandsid.com JG

Horst: Photographer of Style

Master Photographer Horst P. Horst at V&A

1st October 2014 Fashion icons, Presidents, Hollywood stars, and avant-garde artists were all captured on film by Horst (1906-1999) – one of the leading photographers of the 20th century. A fascinating retrospective of his work – that spanned six decades – is celebrated at the Victoria & Albert Museum in London. Horst’s stylish photos, plus haute couture garments by Parisian couturiers Chanel, Lavin, Molyneux and Vionnet, magazines, film footage, previously unpublished vintage prints, and ninety-four Vogue covers are all on display.

 

Horst directing fashion shoot with Lisa Fonssagrives 1949
Horst directing fashion shoot with Lisa Fonssagrives 1949

Horst’s illustrious career straddled the opulence of pre-war Parisian haute couture and the rise of ready-to-wear in New York. He photographed – among many others – Coco Chanel, Elsa Schiaparelli, President Harry Truman, Marlene Dietrich, Noël Coward, Merle Oberon, and his photos of Lisa Fonssagrives helped to launch her glittering modelling career.

 

Summer Fashions American Vogue Cover 15 May 1941
Summer Fashions American Vogue Cover 15 May 1941

Born in Weissenfels, Germany, Horst fled Europe just prior to the outbreak of the Second World War. In 1943, he enlisted into the American Army and became a U.S. citizen. He also explored new photography dimensions with nude studies, travel photographs from the Middle East, and patterns created from natural forms, plus work for House and Garden magazine. The scope of his work is imaginatively diverse, and he creatively traversed the worlds of art, fashion, design, theatre and high society – all with superb style. Horst: Photographer of Style continues through 4 January 2015. www.vam.ac.uk JG