Creative spirits

Super Duper Hats

1st December 2014 There was a time when no fashionable man or woman would leave home without a hat. Fashion principles relaxed, and hats became a choice rather than a style must-have. However, the fashion pendulum swings, and nowadays there is a definite revival of both men and women wearing hats. Great designs in marvellous fabrics have accelerated the trend, and the Italian designers at Super Duper Hats set the pace with their spot-on stylish creations.

 

Arabesque by Super Duper Hats
Arabesque by Super Duper Hats

The discovery of a unique hat blocker by the Italian design trio Ilaria and Veronica Cornacchini who are sisters, and Matteo Bioli, kindled the idea for Super Duper Hats. Their goal is that every hat is authentic – handmade to the finest standards in superior quality materials, using only traditional processes.

 

Beret Chic - Felt Pet Blue by Super Duper
Felt Chic – Pet Blue by Super Duper

The fabrics are beautiful –  the winter collection features soft felts, bright wools and countryside herringbone tweeds. Summer materials include straws and elegant cottons. Recently they launched a new collection – Super D – that features young, jazzy and colourful styling.

 

Super Duper Hobo Hat Box
Super Duper Hobo Hat Box

Super Duper Hats are sold internationally, and can be found at 10 Corso Como in Milan, Harvey Nichols in London, and Dee Cee Style in Zurich, and elsewhere. The unique, spirited designs at Super Duper make wearing hats fun and fashionable once again. www.superduperhats.com JG

 

Adrian Marwitz

1st November 2014  The lustrous lightweight metal Titanium was the benchmark idea for Adrian Marwitz to pursue his teenage dream. “The idea came to me when I was seventeen. I dreamed about making frames in this material and having them handcrafted in Germany,” recalls Marwitz. But before Adrian realised his ambition, he trained as an optician in Berlin, where he was born. With heritage eyewear genes already in Adrian’s DNA – his grandfather founded Marwitz Eyewear in nineteen eighteen, and his father is Hans-Joachim of Conquistador – perhaps it was inevitable that Marwitz would follow an optical path. However, like many offspring of established families, he wanted to strike out on his own, and started his company eighteen months ago.

 

Streamlined Titanium Eyewear by Adrian Marwitz
Streamlined Titanium Eyewear by Adrian Marwitz

“Unfortunately, I never met my grandfather, he died the year before I was born. However, I liked his philosophy of focusing on quality and good shapes. That concept, plus my love of travel definitely influences what I design. Italy, Asia, Thailand, Japan – different countries and cultures are inspiring. I recently went to Scotland and I loved the beautiful landscape – but the weather is not very good! I also visited a Scottish distillery and tried whiskey; you feel the Scottish life!” Marwitz also finds London exhilarating. “I love this city,” he says enthusiastically, “with all its different cultures and wonderful food.”

 

Stranger No. 1 in Olive Green Titanium by Adrian Marwitz
Stranger No. 1 in Olive Green Titanium by Adrian Marwitz

An unusual influence that motivates Marwitz designs is shoes. “Yes, shoe  shapes, including Dutch shoes, are inspirational, and I like to play with colours, but in everything I do, I like minimal style, pure and uncluttered.” Streamline shapes are the Marwitz signature, everything handmade in Germany, so he is hands-on for quality and precision control. Are there other items or different materials in which he would like to work? “”That is an interesting question! People frequently ask if I will make acetate frames, but I think it might be a mistake. My brand is getting known for high-quality Titanium. Sometimes I think I would like to make furniture – that could be very interesting, perhaps to make a Titanium chair. Maybe in the next few years, I’ll do something totally different!” www.adrianmarwitz.com JG

Photo of Adrian Marwitz exclusively for Eyestylist by Gilles Stüssi All Rights Reserved

l.a.eyeworks

Barbara McReynolds and Gai Gherardi Co-founders/Co-designers

1st October 2014 Creative colour vibrations, unexpected shapes, and innovative materials have characterised l.a.Eyeworks for thirty-five years. Barbara McReynolds and Gai Gherardi are genuine pioneers in eyewear – they launched their first collection in 1979 – long before eyewear had achieved the stylish accolades that glasses now enjoy.

 

Magda 1990 l.a.Eyeworks Art Deco Influence
Magda 1990 l.a.Eyeworks Art Deco Influence

When McReynolds and Gherardi decided to embark on eyewear design, they believed it was time to open up a new kind of conversation about glasses. Their philosophy is that frames are more than just something you wear. Eyewear also expresses individuality and personal expression. McReynolds and Gherardi are purists in their approach to eyewear – each design is hand-drawn – the first step on a path of meticulous production. They use only the finest materials that are shaped by a combination of technology and hand-finished crafting.

 

l.a.Eyeworks U-turn 2004
l.a.Eyeworks U-turn 2004

The designer’s restless imaginations and ability to absorb from their surroundings has resulted in an expanding legacy of glasses that balance innovation with wear-ability. They recall: “Seeing Andy Warhol’s work in the 1960s was such an incredible revelation to us. Warhol’s ideas gave us permission to break the rules. Watching a video with the legendary jazz singer Anita O’Day was the inspiration for another design.”

 

Do McReynolds and Gherardi have a particular l.a. Eyeworks moment or experience that is especially memorable? “We’re easily overwhelmed when we think of all the incredible opportunities we’ve been offered and the moments of transformation we’ve witnessed. Different memories flash across the radar at different times. The other day, we recalled the marvellous story a customer told us about walking on the Great Wall of China, and spotting something colourful on the ground. On closer inspection, that “something” was an l.a. Eyeworks cleaning cloth!”

l.a.Eyeworks Garza 2013
l.a.Eyeworks Garza 2013

What do McReynolds and Gherardi feel are the biggest changes in eyewear during a thirty-five year period? “Without a doubt, from design to production to communication, rapid evolutions in technology have challenged the possibilities for making glasses. Some developments – like eyewear as some kind of venture capital enterprise – are not so interesting to us. Nevertheless, the ‘basics’ of glasses as apparatus, sensitivity to the future of fashion, great storytelling, and the principles of good design have never really changed.”

 

Vaporetto 2014 l.a.Eyeworks Signature: Vibrant Colour
Vaporetto 2014 l.a.Eyeworks Signature: Vibrant Colour

As the year-long anniversary celebrations commence, already the exciting news includes l.a. Eyeworks induction to the prestigious CFDA – Council of Fashion Designers of America. A new website is to be launched this autumn, and the latest collection previewed at SILMO is a tribute to Gai and Barbara’s creativity and signature flair for colour. Autumn 2014 also unveils a new series of l.a. Eyeworks “Uncensored Visions” – dazzling portraits that feature a sensational group of performers and models wearing iconic l.a. Eyeworks designs. McReynolds and Gherardi’s creative vision has established an exciting eyewear legend. www.laeyeworks.com JG

Photo of Gai Gherardi exclusively for Eyestylist.com by Gilles Stüssi All Rights Reserved

Tim Van Steenbergen

1st September 2014 Belgian designer Tim Van Steenbergen discusses with Eyestylist his collaboration with avant-garde eyewear brand theo and his fashion inspiration.

How did the collaboration develop between your label and theo eyewear? “I met Mik, the son of theo’s big boss Wim Somers in 2008 at a fashion show, in a well-known concept store in Moscow called Cara & Co, where both theo glasses and my clothes are sold. Once back in Antwerp, the first appointment was quickly arranged.”

What do you find the most interesting about creating eyewear – and the most frustrating – if anything! “I find it very interesting how you can reach a wider audience with eyewear, and that audience is willing to step out of its comfort zone. It’s apparently easier to choose a more extreme pair of glasses than it is to wear an eye-catching outfit. For me, eyewear is also a way to complete a silhouette. I can create a total look. The most frustrating yet fascinating – is how a garment never has a fixed form, while with designer eyewear, the form of the frame never changes. The disadvantage is that afterwards you can’t change it any more to make it fit. You see, it works in both ways.”

Regal Eyewear - Tim Van Steenbergen for theo
Regal Eyewear – Tim Van Steenbergen for theo

What is your favourite material in which to design clothing – and eyewear? “I tend to use classic materials like horn or tortoise, but it becomes interesting when combining these materials. Then you create something exciting. In my clothing line, I do the same. I use different kinds of classic textiles to create interesting forms.”

Autumn/Winter 2014/15 Fashion Design by Tim Van Steenbergen

You have created other accessories in addition to eyewear – bags, shoes, and jewellery. Are there other items you would like to design? “I don’t like to tie myself down to one discipline. After all, you can translate ideas into so many things. It’s just a matter of interpretation. The message is most important!”

Do you have any favourite inspirations? “To live, to love, to travel…I find inspiration in a mix of things. I’m like a sponge. I absorb everything I see. And then I let it seep through in my designs.”

Magic and Mystery - Shadows by Tim Van Steenbergen for theo
Magic and Mystery – Shadows by Tim Van Steenbergen for theo

You have designed for the Opera – is there a particular opera for which you would like to design the costumes? “Madame Butterfly! I would love to create the costumes for this romantic opera that makes everybody cry! Pure emotion! For the moment, my next sunglass collection together with theo eyewear is ready to be launched later this month at SILMO. So keep an eye out for them!” www.timvansteenbergen.com www.theo.be JG

 

 

Coppe+Sid

Cosmopolitan Eyewear by Coppe+Sid

1st August 2014  Coppe Gualtiero and Sid Fiz talk to Eyestylist about their designs.

“We have been active in the optical industry for over twenty years. Our worldwide travel experience was an inspiration for us when the idea of creating Coppe+Sid emerged a few years ago. We wanted to create something of an exceptional quality with no compromise for our optician friends. When Coppe+Sid was born five years ago, there was no business planning, just a passion to create beautiful eyewear with the best materials in the best factories possible. Handcrafted in Italy is at the heart of our collection, and we are always inspired by looking at the rich and colourful past. Whether it is an old movie, architecture, fashion or a beautiful classic car that inspires us, we try to bring that forward to relate to today.

 

"We love acetate - it has soul."
“We love acetate – it has soul.”

“We love acetate – it’s tactile and versatile – it has soul. We never work with mood boards or look at colours and think what is in this season. The “IN” season shape or colour is what we like to get away from as far as possible.We create modern classics, with no logo, made by the finest craftsmen. Our customers are people who appreciate quality and understand the artisanal work involved in producing Coppe+Sid. Our showroom in London has allowed us to work more closely with consumers and this is a great experience for us, to see customers and experience their feedback. We like to see the smile when they are fitted with a Coppe+Sid frame and hear the compliments! It is an absolute joy and an affirmation we are doing the right thing by pushing the boundaries when we create.

 

Coppe+Sid
Lisbon by Coppe+Sid – Cosmopolitan Eyewear

“In the last few years, we have seen a movement towards more artisanal craftsmanship – something of an old school production concept. At the same time, the new 3D printing is pushing the boundaries forward. It’s very interesting that on one hand we see a harking back to the old times, but also we see technologies developing eyewear that are looking to the future. Eyewear is an integral part of fashion – we look at iconic figures such as Michael Caine, John Lennon, Audrey Hepburn…can we imagine them without their glasses and sunglasses? Can we imagine Jack Nicholson without his sunnies? In relation to today’s world, specs are simply cool. Geek chic is here to stay. Glasses act as a face accessory – to hide – or to dress up and transform yourself. They are no longer just a pair of glasses. Consumers are aware of the powerful transformation the right pair of glasses have on the wearer.” www.coppeandsid.com JG

Photos: Exclusively for Eyestylist by Luca Santocono All Rights Reserved