Eyestylist

| Eyestylist 15th October 2020

Autumn/winter colour: Morgana by Tree Spectacles

As the seasons change, rich acetate colorations of magenta, cinnamon, rust, berry and maize, and a touch of pattern offer flattering looks with a wintery vibrance. At Tree Spectacles, the Acetate Bold Series by TREE Spectacles conveys both colour and a soft touch of decoration – similar to a marbling effect – with delicate transparent pastels through to intense 1970s inspired reds, browns and soft aubergine hues. The line is produced in two classic materials, eco-friendly acetate and advanced Japanese titanium.

Morgana by Tree Spectacles: colours in sync with autumn/winter trends

Tree Spectacles is a small brand from Belluno in Northern Italy an area of outstanding beauty known for its spectacle making traditions. Their versatility in working with a wide selection of fine materials and their desire to achieve artisan perfection in everything they create has helped them to evolve as one of the leading family-owned eyewear companies in the region today. www.treespectacles.com

| Eyestylist 14th October 2020

Kirk & Kirk : bold + colourful for ’21

Supersize styles in confident colours, from the UK design label

The colours just keep coming at the British eyewear company, Kirk & Kirk, whose latest additions in the Centena collection offer extra large sizes in bright, exciting statement colorways. The Kirks say that they are responding to a demand for larger sizing (adding eye sizes 59 and 60) with, in models Angus and Guy, an elevated choice of bright acrylic translucent tones – beyond the mainstream styles in brown and black. Above: Model Guy in the Centena collection. This square and angular men’s frame has a distinguished double bridge detail and thick temples. These frames come in a choice of ten technicolor tints.

All about style: Angus from the Centena Collection by British label Kirk & Kirk – in colour ‘jade’

Model Angus has a square eye shape with flat brow line. Created in acrylic in small traditional spectacle-making factories in France, the frames are very light to wear. By using a 10mm thick material the frame has the extra advantage of hiding “even the most challenging of lens prescriptions” to ensure a strong fashion vibe as well as real comfort. Read about the latest updates here https://www.eyestylist.com/2020/09/kaleidoscope-of-colours-kirk-kirk/ and find out more at www.kirkandkirk.com

| Eyestylist 12th October 2020

The Purists Club, Vietnam

New interior at The Purists Club in Ho Chi Minh City champions luxury and handcrafted eyewear design

Niche accessories specialists The Purists Club in Vietnam have renovated their Ho Chi Minh boutique to add “exclusivity and a niche environment” for the presentation of its extensive luxury eyewear brands. Currently The Purists Club own two stores (in Hanoi and Ho Chi Minh City) and stock a selection of global eyewear brands including Kuboraum, Tavat Eyewear, Rigards, Chrome Hearts and Matsuda.

Vietnam – new interior at The Purists Club

Created as a space to welcome their dearest customers and friends, with a warm and engaging atmosphere to bring people together, the new interior space has a vintage-inspired design concept. “We found a vintage boutique style is ideal to connect people together,” said Tung Duy Nguyen, “a style that evokes nostalgia, and that has a lasting quality in a world that gradually becomes flashy…people can feel at home here, sitting and talking to strangers like members of their family, and sharing stories with each other.”

Asked about the Vietnamese market, Nguyen told Eyestylist that customers in Vietnam today are loyal to brands, they are well informed and open to what is new and different. “In our city we have around 10-20 ’boutique’ fashion and style stores, stocking big brands as well as niche quality labels like NYC perfumery, Le Labo Lab.” At The Purists Club, customers can order a made-to-measure suit as well as selecting eyewear or a watch. “This means that we have customers who engage and visit more than 3 times for a fitting; they therefore have an excellent chance to have a closer look at our eyewear collections and learn about craftsmanship and the work that goes into a pair of our bespoke horn frames. By offering these services together, we have created a dynamic and lively atelier environment in our city; the customer feels comfortable and enjoys the time they share with us, and this means they are happy to spend time with us and pay us visits when they want, irrespective of their product needs.”

The new store – operated by Hai Au Tran, with Tung Duy Nguyen, is located at Villa 37 Xuan Thuy, Thao Dien ward, District 2, Ho Chi Minh City. www.thepuristsclub.com

| Eyestylist 7th October 2020

3D printed + steel: Gotti Switzerland Dimension LITE

Combining materials with expertise

Gotti Switzerland’s economy of style and focus on the minimal aesthetic takes a new leap forward in the Dimension LITE collection and the combination of two outstanding materials, 3D printed Polyamide and filigree stainless steel. Above: Pasha – one of the  three styles (the others are Pata and Pine) which make up the new Gotti Dimension series combining Sandvik stainless steel with a 3D printed Polyamide front – made in Switzerland.

Pata by Gotti Switzerland in colour ‘stone’ – a modern hexagon shape

The frame designs in the LITE line, such as Pata above, use a screwless hinge which attaches to the polyamide element with a click and offers stability and strength in a design that comes in a wide selection of interesting organic tones, from natural elemental colours such as stone (above) and slate, to fruit or plant-inspired hues of berry or moss.

Gotti’s Dimension collection is a tour de force of 3D printed design and performance, with a highly studied approach to comfort as well as finish and details such as matte surfaces with a distinctive velvety look. For more details about the stylish and sleek Dimension LITE collection, visit www.gotti.ch

| Eyestylist 5th October 2020

Accidental Icon

“I started Accidental Icon because I was having trouble finding a fashion blog or magazine that offered an urban, modern, intellectual aesthetic but also spoke to women who live what I call “interesting but ordinary lives..” 

Lyn Slater – otherwise known by her Instagram and website handle Accidental Icon – is a true modern-day Renaissance Woman. A former social worker, an academic, a blogger, stylist and an influencer with a following of over seven hundred thousand on one hand whilst being a truly authentic, feminist and all-round strong woman on the other. Slater exudes all of the brilliance and indulgence of what we know to be ‘an influencer’ in this day and age, yet sheds all the negative connotations that are thought to be indistinguishable with the online segment of the fashion industry and social media. She concerns herself only with originality, intelligence, serendipity and self-empowerment, encouraging and inviting other women like her to “share the pleasures of everyday life and living” as she does.

When and how did you first develop an interest in fashion and how has that journey taken you to this point in your career? I really have not had an interest in fashion but more in the power of clothing to express identity. If you are following trends and concerned with “what’s fashionable” at any given time, you are conforming to what others think your identity should be, and I’m not about that. So, for me clothes are like an artistic tool that allows for creative expression – something that I’ve been doing all my life, even as a child. I was a social worker and academic until I started this project in 2014 – which was the first time I had anything to do with fashion as a system – from that point I just did what I usually do; wear clothing that tells stories about who I am, remember this is all about relationships, act as if you know nothing, ask many questions and be generous.

Accidental Icon: one of fashion’s most credible and finely dressed influencers

Your personal collection of eyewear and accessories is extensive as well as diverse – what particularly, if anything, draws you to choosing a piece to wear and / or to purchase? Something that is well-constructed, it is timeless, ageless and increasingly genderless. There is an element of craft involved. However, my style changes all the time depending on the context I’m living in at the moment, what is going on in my work and personal life and how I think I want to show my creativity to the world. There are times I want big and bold and others I may want something more subtle. I also choose from the inside out and what I want to say at the moment with my style. I’ve never followed norms about anything as they are usually set by those in power to control you. So, it’s really just me being me and expressing who that ‘me’ may be at any given time in my life.

Do you have any thoughts, both positive or negative, on social media and its impact on the society and the people of today? That would be a book – In simple terms it is one of those things that is both, by that I mean it has some productive and democratic uses and some negative uses and impacts. For example, if it were not for social media someone like me would never have gotten past the “gatekeepers” of fashion. It can also do things to your brain which are not productive and erodes critical thinking and analysis. Mainly people allow social media to be in charge of them and lead the way. Social media is a tool and you need to be in charge of how often you turn to it, why you are drawn to it (inspiration or distraction), how you use it to communicate and how you want to be impacted by it.

Accidental Icon: a fun, colorful and experimental style

I have noticed you mentioning your evolving love affair with a slow-paced lifestyle – in regard to slow living, what are your thoughts on slow-fashion and leading a less environmentally impactful lifestyle? Do you have any thoughts on sustainability within one’s own life?  This public health crisis has really been a wake-up call regarding economic inequality, and I add ‘Black Lives Matter’ and the political mess my country is in into that list. Fashion Revolution Week and my quarantine started at the same time and I followed all the talks and workshops in London rather than those in New York – there is a higher level of thinking and creativity in my opinion outside the United States. I really deepened my commitment to slow fashion and sustainability during this time especially because the way it was presented in London was all about how creative and exciting the clothing could be. I am really liking the idea of intersectional environmentalism, which simply stated is caring for people, the planet and yourself in everything you might buy, eat, consume (including social media). It’s a good way forward for me as a way to incorporate sustainability into my everyday life.

What advice would you give to your younger self in embarking on a career within the industry of fashion? For me this is a difficult question to answer because of the great importance of context – when I was young the world was dramatically different than it is now, so, my younger self could not make use of the advice I would give today. For young people today “a career in fashion” is a moving target in that it is constantly being impacted by huge forces like we have seen with the pandemic, economic and environmental challenges, technology, etc. What that means is that it is constantly being re-designed – every aspect of it, technology proficiency is a must. I’d tell them to ask themselves why they wanted to be in fashion to begin with, if it is to express yourself creatively, I would say be a generalist – learn and practice skills that enhance creativity across many platforms, not just fashion – choose some applicable skills you want to get really good at and study and practice them.

To join the hundreds of thousands already finding inspiration in Lyn Slater’s esteemed, curated, individual and experimental lifestyle head to https://www.accidentalicon.com/about/ An interview by Victoria Brunton exclusively for Eyestylist.com.