Eyestylist

| Eyestylist 23rd March 2026

A-Morir makes ‘Anime-Eye’ statement sunglasses

Unveiled this month in New York: Chibi – a collector’s piece for 2026

Kerin Rose Gold has unveiled her latest eyewear creation this month, a ready to wear concept “at the intersections of joy, rebellion, inspiration and aspiration”! The oversized ‘anime’ eye (inspired by Japanese animation) is meticulously designed and handcrafted out of four premium acetates with a smoke lens pupil. Inlaid crystals accent the irises like the reflection of surreal sun beams, and the custom shape “joyfully thwarts facial recognition technology” says the designer – with pride.

The anime eye shape, inspired by Japanese animation, is always full of character and distinctive highlights. In Kerin Rose’s sunglass design, the shape and colour combinations reflect the signature audacity of the New York designer with the stylised black upper lashes and bold colour expression transforming the frames into a fresh, playful piece of wearable art. Above: the Chibi sunglasses in purple by A-Morir

A-Morir Chibi – a new original design by Kerin Rose Gold

Each frame comes with a branded cushioned leatherette pouch, cleaning cloth, certificate of authenticity and care card. Just 50 pieces of each colour have been produced. The frame has been launched on the A-Morir website (https://shop.a-morir.com)  and for optical retailers via Julia Gogosha – https://templeofframes.com.

About the brand / a-morir pioneered the 21st century trend for embellished eyewear by combining bespoke production and premium materials with sophisticated design. What began as custom work for musical artists and performers in 2008 has evolved into a true luxury brand seen on global stages and editorials around the world.

| Eyestylist 19th March 2026

Eyewear designer Nirvan Javan works with Alfredo Häberli

The designers have created a 3D printed collaboration collection

Developed to mark the 10th anniversary of the brand, NIRVAN JAVAN, this new collaboration collection pays homage to the two designers’ shared home city, Zurich.  The frames are described as following a strictly defined formal language, drawing on essential elements. Typographic principles and urban geometry serve as references: five geometric base shapes are varied, with that are proportions finely adjusted, and details providing interesting accents. Much like font design or typesetting, “the magic” of the frames is described by Nirvan Javan as “lying in the nuances”.

Designed, developed, and produced in Switzerland, these 3D printed models aim to marry technical consistency with creative finesse. Clean lines in 3D printing, seamless transitions, and a coherent materiality define the aesthetic while titanium temples merge with the organic fronts. Above: Nirvan Javan and Alfredo Häberli

Nirvan Javan x Alfredo Häberli

Swiss-Argentinian designer, Alfredo Häberli is renowned in the design world for his wide-ranging work, which includes furniture and lighting as well as everyday objects. As a designer he follows a clear aesthetic rooted in his personal credo: “Observing is the most beautiful form of thinking.” With his first eyewear designs, created in close collaboration with Nirvan Javan, a long-held passion project found its expression.

The collaboration between Nirvan Javan and Alfredo Häberli embodies an understanding of design as a cultural practice and exchange, locally rooted, yet internationally resonant. Find out more at www.nirvanjavan.com

This feature was written and published by Clodagh Norton. Eyestylist.com reviewed the collection first-hand pre launch at opti Munich in January 2026. All rights reserved.

| Eyestylist 18th March 2026

Ransome + Jenkin: an independent eyewear label by British experts

Renowned spectacle maker, Lawrence Jenkin and Hampstead-based optometrist + spectacle maker, Jack Ransome launch small-batch artisan eyewear collection, founded on a shared passion for classical eyewear design and craftsmanship

The new venture, which proposes a collection of beautifully crafted classically styled cellulose acetate frames offers independent opticians a rare opportunity to provide eyewear customers with a quiet form of luxury eyewear, designed exclusively in London. Born out of the experience of two different generations, and bridging the gap between bespoke eyewear and mass production, the frames are distinctive in their proportions and fine timeless shapes, and carefully considered in every aspect, including comfort and fit.

Lawrence Jenkin, who during his career has worked at Anglo American Optical (his father’s company) and Algha Works (East London factory for Savile Row – https://www.eyestylist.com/2020/02/savile-row-london/),  is known as a legend in the world of frame-making. A designer, optician and craftsman, his work blends contemporary aesthetics with deep technical knowledge of eyewear construction. He has designed and created frames for celebrities around the world, among them Elton John, Christopher Reeve, Dame Edna Everage and Cher. Jenkin continues to share his knowledge and spectacle-making skills with young designers, RCA students and well-known optical ‘creatives’ across the optical field.

Jack Ransome, who became friends with Jenkin through their shared love of handmade eyewear, is an optometrist ‘with a craftsman’s heart’ – and owner of Ransome Optical. His passion for clinical excellence and craftsmanship bring a fresh vision to the profession in the UK, uniquely representing the new generation. Jack is the maker behind David Hockney’s distinctive yellow spectacles made in his practice located in Hampstead (https://www.ransomeoptical.com).  Above: portrait of Lawrence Jenkin and Jack Ransome (image courtesy of Ransome + Jenkin)

The new collection is designed in London and made in a small factory in Italy – Image: Ransome + Jenkin

Through collaboration with lifelong friend Jeremy Baines, the new Ransome + Jenkin collection is produced in the Solmar Eyewear factory in the foothills of the Dolomites, where traditional craftsmanship and technical expertise continue to be carefully preserved. Produced in fine cellulose acetate, and a palette of colours that explores restrained classic hues alongside a bold “Bow red” and softly tinted green opal, each piece can also be customised relatively easily for individual wear and the ideal fit. Details such as 1950s inspired custom-engineered hinges and rivets enhance the character of each crafted design.

The new collection, which was shown for the first time at the 100% Optical event (a trade-only event) in London in March, launches with six classic shapes, including a striking cat eye called Angel, a distinguished iteration of the classic round shape called Brixton, and a spectacular half moon with arched bridge called Bow. Find out more about this new eyewear collection at www.ransomeandjenkin.com

This article was written by Clodagh Norton – all rights reserved.

| Eyestylist 17th March 2026

100% Optical 2026: a meeting point for the UK optical community

The UK optical industry event took place from 28th February – 2nd March at ExCel London – highlights included the 100% Studio, sponsored by Nikon Optical UK and featuring a host of independent labels including Linda Farrow, Tavat, ORGREEN Optics and Blackfin – as well as the annual Love Eyewear Awards

According to the show organisers, the event was attended by over 11,000 visitors of which 55% came from independent practices. This year’s figures were similar to those of previous years. Over 5000 brands were showcased in total across eyewear, contact lenses, lenses and technology products, and the education programme was said to be extremely popular and well attended.

The Love Eyewear Awards ceremony took place on the first evening of the event. Independent brands featured in the awards included Talla, with their style Belvedere, in the Men’s Sunglasses category, Clayton Franklin 659 in the Men’s Frame Category and Tohu Bohu by LAFONT in the Children’s Eyewear Category.  The Focal Rooms won the Eyewear Retailer of the Year. Above: the 100% catwalk continues to be a popular feature of the show

RES/REI, exhibited by The Eyewear Company – elegant bevelled acetate designs, made in Italy

Independent brands from around Europe were represented across the event, via distributors and stands in the 100% Studio. The independent eyewear showcase included Lafont Paris, RES/REI, Tree Spectacles, Hoffmann Natural Eyewear, GOTTI Switzerland, ORGREEN Optics, MOREL, TAVAT Eyewear and many more. A new high-quality UK brand – Ransome and Jenkin – was launched at the event (www.ransomeandjenkin.com).

The brands presented collections for Spring/Summer 2026 and in some cases the new styles coming for Autumn/Winter 2026. Key trends for the summer, including  oversized sunglasses, geometric frames, smaller shapes and designs with colourful tinted lenses were well represented while an eye-catching selection of beautifully crafted spectacles and sunglasses pointed to the consistent appreciation of fine eyewear design and luxury in the top independent practices in the UK.

Tree Spectacles at 100% Optical – 2026 Edition

In 2027, 100% Optical will take place from 27th February to 1st March. Organised in partnership with the Association of Optometrists (AOP), 100% Optical will continue to provide a platform to discover the latest in eyewear, contact lenses, technology, and business solutions. The event will also continue to offer opportunities to earn CPD points through a world-class programme curated by Dr Ian Beasley (AOP). Find out more at www.100percentoptical.com

| Eyestylist 14th March 2026

Paloceras x S/S 2026 haute couture presentation by Robert Wun

Paloceras designs singular frame exclusively for Robert Wun’s Paris haute couture runway

The 3D printed design, which has a futuristic face-hugging wraparound shape, produced in three colours, was created as an integral part of the couture silhouette by Wun. Developed and hand-finished in Helsinki at the eyewear brand’s new MicroFactory, (https://www.eyestylist.com/2026/01/paloceras-3d-printed-limited-collections-now-made-in-helsinki/) the frame itself was conceived by Paloceras Design Director Alexis Perron-Corriveau, with collaborating designer Paris Koutsavelis – and produced under the direction of Erwin Laiho, Industrial Designer and Paloceras MicroFactory Lead with finishing carried out by Laiho to ensure material precision and coherence with the garments shown on the runway.

The initial intention for eyewear originated within Wun’s collection narrative. Paloceras was invited to design the piece as part of the overall look, with the eyewear conceived to belong to the outfit itself rather than function as an accessory or afterthought.

In their statement about the design, the Paloceras team added that there will be no commercial release of the catwalk frame itself, although elements developed through the project “may inform future work by Paloceras.” Above: the striking 3D printed couture frame, designed by Paloceras for Robert Wun – image courtesy of Paloceras.

Find out more at www.paloceras.com

This feature was written by Clodagh Norton on 14th March 2026. All rights reserved.