Eyestylist

  | Eyestylist 27th January 2026

Mido 2026 Preview: spotlight on Independent eyewear design and innovation

Mido returns to Fiera Milano, Rho (from 31st January to 2nd February 2026) for three days of design and innovation showcases, networking, education and business-development opportunities. The event, which is the 54th edition,  will see a vast presentation of eyewear brands from around the world, with opportunities to discover the whole spectrum of products relevant to 2026 and seasons ahead. 

Event organisers highlight the different areas of the fair for visitors: the heart of Hall 1, the Fashion Square, will be completely updated for this edition. In Hall 4, the square will feature an installation dedicated to the Italian DaTE Eyewear event and the square in Hall 6 will host the new edition of the eyewear exhibition, The Lens of Time.

The Design area returns to Halls 2 + 4: ‘growing’ exhibitors and new entries will be showing in this area, including some brands previously featured in the Academy. This year the Academy, in Hall 6, described by the organisers as “an accelerator for young brands” will host over 90 companies. The ‘Start Up’ area will see the participation of about 20 new companies presenting projects and products with focus on innovation in design.

The exhibition, “The Lens of Time” will be a highlight this year in Hall 6: originally launched in Venice, this exhibition dedicated to the history of eyewear, and conceived by ANFAO, will be on show at Mido with a new format for the international visitors at the fair. The exhibition traces the evolution of eyewear from its origins to the present day, highlighting its cultural, artisanal and stylistic value. After Mido, the exhibition will move to Rome and the Palazzo Piacentini, headquarters of the Ministry of Enterprise and Made in Italy, with future plans of moving abroad. Find out more about the original exhibition here:  https://www.eyestylist.com/2025/05/the-lens-of-time-venice/

In 2025, Mido recorded 42,000 people attending the international event in Milan through three days, visiting from 168 countries, and more than 400 accredited national and international journalists.

For the 2026 edition, a MIDO App is now available to download for exhibitors and visitors to manage the show experience with ease and efficiency.

Above + below: Eyestylist details a few of the new and innovative designs which will be shown for the first time when the event opens on Saturday.

Above: Faboor will exhibit in Hall 2 (stand S38) at Mido – with an engineering-driven approach to eyewear design, Faboor frames are made from solid ERGAL 7075 (a high performance aluminium alloy) with anodised finishes – the brand is manifesting a bold creative direction for 2026: expect a a strong concept-driven collection, www.faboor.it

NINA MÛR – model Beatrice will be unveiled at MIDO this coming weekend

The design label, NINA MÛR will release eight new models at the event, as well as showcasing new materials, one of their consistent and most uniquely explored design qualities. The frame above is called Beatrice, and is pictured in Warm White / Blue Klein. NINA MÛR continues to apply new ideas to eyewear design through new interpretations of sustainable materials like ply wood, unconventional frame shapes with an organic appearance, and a deeply creative colour palette that explores colour depth and contrast with virtuosity. The brand is exhibiting at stand AY33 / LAB ACADEMY. www.ninamur.com

Model Ueno by Lafont is one of several new designs launching this coming weekend

Lafont Paris will present new models for Spring/Summer at Mido, including the women’s model Ueno, a combined frame characterised by elongated lines, and a pure and balanced aesthetic. The subtle interplay of metal cutouts on the front enhances the look. Made exclusively in France, the Lafont Paris collections continue to uphold the artisan excellence and detail precision of authentic French production through partner Thierry s.a., the renowned family-run eyewear maker in the Jura region. Lafont Paris is exhibiting in Hall 2 – Stand V41 Z42. Find out more at www.lafont.com

PRESS Eyewear: the Carved Collection will launch in Milan – pictured, model Trane has a high bridge and beautiful eye shape with double rim detail

PRESS Eyewear will launch a new sun/optical collection for Spring/Summer 2026, produced in titanium and handcrafted in Japan. A tribute to America’s truest musical art form, jazz, and some of the world’s most iconic musicians, the Carved Collection embodies the signature character and style of the New York eyewear brand, paying rigorous attention to quality and technical sophistication while really making an impact through remarkable construction, material combinations and distinctive yet timeless colour combinations. Find PRESS Eyewear in Hall 4 – Stand Q20.  www.presseyewear.com

Gamine New York is celebrating 10 years with new striking  releases for Mido – “celebrating the spirit of individuality…”

Gamine New York will launch a limited edition, two signature models and 5 new titanium styles at MIDO this year. The brand first launched at the event in 2016, and for this special occasion, they are moving out of the Lab and into Hall 4 (stand P09 Q10). Gamine.nyc

Chiara 2861 by J.F. Rey

French eyewear producer J.F. Rey’s press preview for the Milan event is extensive, with an array of women’s optical designs in beautiful colours and transparencies, bold multicoloured sunglasses (such as the decorative model Chiara above) and a popular signature men’s collection. The women’s sunglasses are really distinctive for Spring/Summer 2026, bringing multiple colours into play along with layering effects and gradients. The J.F. REY stand will be located in Hall 4 – Stand L11 L13 M12 M14. Find out more at www.jfrey.fr

Mido takes place from Saturday 31st January to 2nd February 2026. Find out more about what’s on over the 3 days at www.mido.com

This feature offers a small taste of the new designs coming to Mido, Milan this coming weekend. We have lots more editorials and features coming up on the new releases. An Eyestylist feature by Clodagh Norton – not using AI. All rights reserved. Copyright protected.

  | Eyestylist 24th January 2026

Ørgreen Optics 2026

Ørgreen Optics’ sun + eyewear collections premiered at Mido, Milan: the frames, across collections continue to lean towards a contemporary vision where fine materials meet trend-driven shapes and an expertly created palette of colours under the direction of eyewear colourist, Sahra Lysell

The highlighted collections from the portfolio include “Sheet Titanium”, marking a return to refined proportions and clean definition in the shapes and design work. For this season, thinner lines and lighter profiles have been achieved in this collection and while it maintains its signature minimalism, certain silhouettes are characterised by slightly more volume, though they remain held within precise and controlled proportions to ensure a timeless aesthetic. Above: Imaginary Lines by Ørgreen Optics – model “Full Stop 3D Ring Sun” – “bold geometry, technical excellence”

Sheet Titanium, Daytona Drift

In the “Quantum High” range – known as one of the most popular high-quality 3D printed eyewear lines featuring polyamide and durable beta-titanium –  are imagined as a sculptural 3D form. Their three-dimensional surfaces integrate the minimal titanium temples to maximize both lightness and comfort.

The Acetate collection at Ørgreen is trend-driven this season, drawing on Sahra Lysell’s colour palette and the presentation of soft and light tints, adding nuance and atmosphere described as “a calm contemporary ease”. The shapes are expressive thanks to the material while remaining wearable with a comfortable fit.

Acetate
Confident acetate design ‘Mad Man’

The collections (including the 3d Printed Quantum High, Acetate, Acetate Cut and Imaginary Lines) are presented in a campaign entitled ‘Twenty-Six Rolls’. This photographic project originated from a moment of creative spontaneity where exactly twenty-six rolls of film were used to document the collection. The team explains that within the world of analog photography, numbers and dates are never accidental; they serve as permanent anchors for a specific moment in time. This campaign is designed to reflect that sense of intentionality, by celebrating the impulse and independence that define the Ørgreen brand. www.orgreenoptics.com

Discover more about Sahra Lysell’s work in colour by clicking on the featured link in the Eyestylist Archive: https://www.eyestylist.com/2022/09/orgreen-optics-the-power-of-color/

  | Eyestylist 21st January 2026

opti 2026: innovative eyewear and bold launches across the fair

The show in Munich saw the presentation of a good selection of new collections by international brands and designers, as well as providing education, conversation and trend insights for visitors and exhibitors; the show recorded an increase in visitors overall and an increase in the number of international visitors at the weekend event of over 5%

opti, which took place from Friday 16th January to Sunday 18th January 2026, offered several special collection launches and an array of products for Spring/Summer 2026. Alongside the large eyewear producers, independent eyewear brands showed off their design innovations and new ideas, as well as launching some outstanding human-made photographic campaigns.  Events at the fair included a presentation and “trend walk” by Selin Olmsted from New York who outlined her thoughts on eyewear design trends and material directions for 2026 and beyond.  Above: a new campaign by PONTET Eyewear, who launched their stunning French-made metal collection at opti – the pieces have unique details and a delicate sculpted effect in some parts of the designs including the nose bridge; some large statement shapes are featured, reminiscent of the glamorous oversized style of PONTET Eyewear’s acetate designs,  www.pontet-eyewear.com

MYKITA Lite – a minimal wireframe aesthetic in neon

At MYKITA, in optical, LITE POWDER saw the introduction of Neon Pink, a fresh colour accent within the powder-coated wireframe series. The pink tone is interesting, providing a wearable super bright shade for the face. Elsewhere on the MYKITA stand, tones were natural, soft and muted – and incorporated translucent effects and very minimal colour proposals. www.mykita.com

ROLF Substance – Aura Collection – 3D printed with graphic decoration

The new Aura Collection in the 3D printed Substance range at Austrian eyewear brand, ROLF integrates an innovative surface treatment that adds depth and contrast to the shapes. Three graphics – ranging from intense colour applications to fine linear structures – create a new and diverse expression: bold or understated, and always harmoniously coordinated. www.rolf-spectacles.com

LOOK: “less is more” – the new ALUMIX 70715 series

LOOK has previewed ALUMIX 70715, the latest series in the ICONS collection, and an innovative expression of the brand’s premium product line. Four fresh, contemporary masculine designs are distinguished by their very thin profiles, clean lines and a modern colour palette, where neutral hues intersect with subtle, elegant contrasts. The collection is envisioned for those who prefer a minimalist, timeless glasses style. www.lookocchiali.it

Model Mara in the Haute Contour collection by Götti Switzerland – premium acetate eyewear

Model Mara is part of the new Haute Contour fashion collection from Götti Switzerland – launched at opti. The frames in the collection combine qualities of timeless elegance with craftsmanship. Each pair of glasses is hand-polished and made from high-quality acetate – harmonious lines, and soft curves are distinguishing features of each frame, produced via a combination of state-of-the-art technology and traditional crafting by hand. www.gotti.ch

Withers by KALEOS: a modern interpretation of an aviator, featuring photochromic lenses

An extensive collection for women was revealed by KALEOS at opti. Described as an ode to the creative process itself, the frames and sunglasses showcased bold shifts in direction, large and very small, compact designs, and shapes of all type, with angles or with silhouettes that felt more organic and progressive. www.kaleoscollection.com

This year the Award for the OPTI BOX  start-up/emerging label went to a kid’s/baby eyewear brand called Manti Manti – https://manti-manti.com

In 2027, the opti event will take place in Munich from 29th to 31st January. Find out more at www.opti.de

This feature gives a small taste of 6 brand new collection releases at opti this year. We will be rolling out additional content about the new collections in the days/weeks ahead.

  | Eyestylist 19th January 2026

Eyestylist’s 4 favourite booth designs at opti 2026

Stand design with a greater focus on sustainability and the use of cost-effective materials has visibly evolved in the last years in the optical world and companies and visitors we spoke to were enthusiastic about the more sustainable and innovative concepts on display. Reusable modular designs that can be customised reduce waste and highlight the innovative spirit and individuality of a company – and their brand values.

The Rolf stand, which was first launched at opti in January 2025, is welcoming and approachable with an open-plan modular design which uses minimal materials and interchangeable graphics and plants, making it easy to update and pack away or transport. The Rolf team designed the concept in-house. Find out more at https://www.eyestylist.com/2025/01/award-winning-natural-eyewear-brand-rolf-heads-to-munich/above, the ROLF stand at opti 2026, customised with a new campaign for the launch of substance aura – www.rolf-spectacles.com

Götti Switzerland: this year the brand presented the new collection Haute Contour inside their converted shipping  container

For some years, Götti Switzerland has combined the use of a container – designed  as an exhibition space and painted black – alongside an open plan area for meeting and greeting customers. The frames displayed in the container are arranged so that the feel of the space is that of a gallery. Additional displays in the ope plan space next to the container  showcase the eyewear beautifully using back-lit wall stands matching those inside the  container. www.gotti.ch

You Mawo: a fascinating architectural structure for the brand’s 10th anniversary

Celebrating 10 years, the 3D printed eyewear company You Mawo launched a new stand concept this weekend, bringing  the wow factor to opti. The organic shape of the “layered” architectural concept and its striking natural colour – was one of the highlights of the show. On the inside of the stand, a 10th anniversary “exhibition” showcased the German brand’s  early 3D printed prototypes and frames from various collections through the years. The folded form of the booth provided an inspiring backdrop for the launch of the new collection, Formation. www.youmawo.com

The Raydiant stand at opti – a recycled shipping container

3D printed eyewear brand, Raydiant also showcased their collection in a customised shipping container, with a display of frames on the exterior and an interior offering modular seating for meetings. Repurposed shipping containers have become quite popular as a sustainable choice for architectural use – both in commercial projects and domestic  builds where architects are stacking them to create a wide range of buildings. Raydiant Eyewear is an innovator in the field of 3D printed eyewear showcasing a magnetic clip system. Their latest collection features a noteworthy high-quality surface pattern effect. https://raydiant.de

This feature was written by Clodagh Norton. Not using AI. Copyright applies.

  | Eyestylist 14th January 2026

Paloceras: 3D printed limited collections “made in Helsinki”

The brand has created its own “MicroFactory” in Finland to be able to support new forms, bespoke work and artist-led collections

Paloceras has created a new set-up for the small-scale production of some of its most creative models, and invested in new technology by Genera, a pioneer in the development of 3D printing systems – from Austria.  Describing it  as a “MicroFactory”, the eyewear brand has successfully implemented the technology for printing the coloured material alongside a complete system for hand finishing (as well as polishing/tumbling)  the frames in the traditional way allowing for complete control in-house. Alexis Perron-Corriveau, Design Director told Eyestylist: “The MicroFactory is for the production of a part of our collection: the manufacturing of the more experimental pieces. Hydroceras, and  two other projects coming up – obviously this is separate from our main line and the Pebble Sun and Optical collections. We received a grant from the Finnish government and we were able to install the machines in September – and hired a full-time  industrial designer who has expertise in 3D printing….it’s super interesting for us as we are not limited by traditional manufacturing techniques. We can  do crazy frames and a lot of things are possible with this. It gives us another edge. In  our core acetate collections we are also using some technologies that have just been developed – that’s the press moulding of the acetate to create inflated shapes. With the new investment and the MicroFactory, again we feel we are able to do something very different, pushing eyewear design even further. We can say we are already planning to acquire an additional new machine from Genera  that will allow us to use custom colours on the spot.”

Paloceras production in Finland: “in the coming years, you will see production of this type becoming more common…” Alexis Perron-Corriveau

Paloceras will exhibit officially for the first time at MIDO 2026. The team told Eyestylist that they have a major new launch coming as well as other new projects to be revealed in the next weeks. They said: “We are looking forward to meeting our retail customers, some who we have never met face to face. We are both  looking forward to meeting people who are interested in our product as we believe  it is so different from anything that is exhibited at Mido or Silmo. So we will be excited to make new connections and show the product and see people smile.”

About Paloceras – Founded in Switzerland with creative roots in Finland and Portugal, Paloceras is an independent eyewear house set up by Alexis Perron-Corriveau, Design Director and Mika Matikainen, Creative Director. As praised by Vogue, Elle, Grazia, and Elite Daily, each Paloceras creation blends digital precision with hand-finished craftsmanship and draws on a rich visual language shaped by nature, memory, and quiet rebellion. Find out more: www.paloceras.com