Eyestylist

  | Eyestylist 15th March 2023

Blackfin: an enduring eyewear style

Blackfin Pacific develops a precise concept of elegance, based on classic shapes

Classic shapes and technical, minimal, lightweight design come together in a new series of ophthalmic models from Italian label Blackfin. The frames are produced in 3mm block titanium for strength and durability, and undergo a chamfering technique to create a particular refinement and slight softness in the lines and edges. The frames also benefit from minimal welds, used exclusively to mount the nose pad arms, and crafted from a flexible and adaptable material, to offer a good fit for all. Patented Swordfish temple tips can be easily adjusted to further perfect the fit. Above: Blackfin Pacific – model Big Sur, created from 3mm block titanium

Blackfin model Big Sur: new minimal frames offering iconic shapes

The model Big Sur is typical of the line, and offers an elegant panto shape, with pure timeless lines in understated colorations – produced with subtle polished or matt finishes to retain a completely luxurious effect. Find out more at www.blackfin.eu

  | Eyestylist 14th March 2023

10 questions: Kayla Heersink

Kayla Heersink a.k.a @opticali_style on Instagram is an optician with an edge. Exploring her affinity with the eyewear universe through both the history and story behind each frame, Kayla’s enthusiasm and passion is palpable in each and every image she posts. Especially enthralled by modern independent designers and forgotten eyewear gems from the past, her eye-drobe includes everything from space-age designs to single-lens oversized sunglasses and everything in between.

1. Do you remember when and why you were originally drawn to eyewear? Yes! I was prescribed my first pair of glasses in kindergarten, and I found the ‘fashion accessory’ aspects of my new medical device enthralling. I chose pink and crystal plastic frames. It was the era of embellishing the peripheral part of the lens with a tiny metallic decal, usually a monogram, so I selected a silver dog which obviously looked SO COOL. From then onwards, I was hooked for life.

2. What is your favourite fashion era for eyewear specifically? I think I would say the 1960s. It was like the Wild West, with designers trying out anything and everything. The introduction of new materials allowed designers to really get creative with colours and shapes that weren’t possible before that time. I’m thinking about the designs of Christian Dior, Pucci, Oliver Goldsmith, Anglo American Optical, Pierre Cardin, Futura by Silhouette, and Philippe Chevallier.

Christian Dior by Tura – a favourite vintage piece from the past

 3. If you were to choose one pair of glasses, vintage or modern, to describe you, which would you pick, and why? I would say the l.a.Eyeworks Bondo frame. It’s wacky, yet versatile – a real classic. It can fit in, stand out, and compel you to ask questions. 1990s conventions dictated that rimlocks should be mounted at the rear of a frame, but l.a.Eyeworks designers Gai Gherardi and Barbara McReynolds flipped that rule on it’s head and used the rimlocks as a design feature, amplifying the visible rimlock theme and even carrying a ‘spare tyre’ rim lock to hold an extra screw. For me, the spirit of this frame is unconventional, playful, and unafraid of authority.

4. Are there any current trends in the eyewear industry you’re enjoying particularly? I’m big into the new frame/clip-on combinations from GIMM eyewear, and Rigards.

GIMM Eyewear x Jean Philippe Joly

5. If you had to steal one celebrity / style icon’s frame collection, whose would you choose? Oooh tough to choose between Elton John and Lady Gaga. Maybe hers… just because they’d fit me better.

6. What would you like to see more of from eyewear designers today? It would be great to see more unique frame textures and finishes. Aside from that, I would love to see more special editions and small-batch collaborations. It’s my favourite thing to see mash-ups between my favourite companies. Examples include Blake Kuwahara + l.a.Eyeworks, GIMM + Jean Philippe Joly, Gogosha + Baars.

7. Which eyewear brands (and particular frames, if possible) are on your wish list?I would love to get my hands on a pair of the first Christian Dior frames made by Tura, with the beautiful enamelling and ornamentation. I’ve also always wanted a pair of vintage Casanova frames. I’m currently coveting the Anne & Valentin MECACOOL from the “Mecanix” collection, but I am also presently obsessed with both the P and Q series by Kuboraum. Otherwise, I can’t wait to see the Rigards x Kamonuj frame/clip model RG0318JM that took more than a year to develop.

Kamonuj x Rigards RG0318JM

8.What trends do you predict for this summer’s eyewear, if any? I can’t predict – I’m not that cool. But my hope is for juicy colours this summer, always and forevermore.

9. Are there any underdog eyewear brands you expect to rise as future industry stars soon? I’m not sure if they’re underdogs, but I see both Lapima and Vada as rising stars.

Kayla wearing Kuboraum mask design – April 2022

10. If you could create a collaboration between any brand and any person / artist / celebrity /style icon, who would you unite, and why? This is a fun topic! Maybe I would pair myself with someone. If not, I’d put together Von Miller with theo and Diane Keaton with Mykita. Both celebrities are known for wearing glasses and would be superb model/collaborators, and both frame companies have made exceptional high-fashion collaboration collections in the past.

Kayla Heersink works at her family’s eyecare business in rural Colorado, USA. Previously she has worked at Gogosha Optique and Rims & Goggles. Top image: Kayla is wearing Denfert by Paname Eyewear. 

An interview feature by Victoria G. L. Brunton exclusively for Eyestylist.com. 

  | Eyestylist 12th March 2023

High-spirited hues by Ørgreen Optics

Lightness and colour combined at the Danish eyewear brand

For the lighter days of Spring, new models by Ørgreen Optics bring together the Danish company’s mastery of functionality and comfort with contemporary colours, expressed in a unique palette designed by the colourist, Sahra Lysell. Lysell draws on many influences in the palette she explores, from the city where she lives to memorable places and experiences, references throughout her life. Above: titanium model Human, a sharp almond shape pictured in ‘matt striking purple’. The frame front colour is combined with sophisticated shiny gold temples which elevates the bright pink/purple tone

Calypso in the Havn collection
Model Calypso in the Havn collection by Ørgreen Optics: pictured, matt pink with matt rubine red

At Ørgreen, similar colours – in these examples a palette of pinks and purples – have a different look and feel in different materials, from acetate through to titanium. Model Calypso in Ørgreen’s Havn line is a stainless steel ophthalmic design – the modern colour techniques allow for the bright and daring hues – often proposed in complex combinations.

‘All I want’ by Ørgreen Optics: Lysell works with semi transparent and transparent colours for acetate – colour pictured, transparent rose violet

The new model ‘All I want’ comes in a fully transparent crystal with rose violet tint. The frame has a noteworthy patterned metal temple core with a textured surface, an eye-catching contrast with the wide acetate temple.

All I want by Ørgreen Optics: a brand new style for Spring/Summer

All the models released, whatever the material featured, have a unique aesthetic and character thanks to a balanced combination of structure, materials and studies in colour. www.orgreenoptics.com

  | Eyestylist 8th March 2023

Impressive energy and eyewear style at 100%

The London show made an impression across all categories in 2023 / new dates have been announced for the 2024 edition

100% Optical has celebrated their biggest, most successful show yet in London. Organisers reported that the 3-day event saw a 10% year-on-year increase on its previous record attendance.

For 2023, 100% attracted a diverse selection of independent eyewear brands from Europe and the US. They included long-term supporters of the fair such as Kirk and Kirk, Sea2see, SALT. Optics,  BIRD and Gotti Switzerland, alongside first time appearances from VAVA, Rolf Spectacles and Vysen. Above: close-up of Linwei Zheng’s eyewear and accessory designs, winner of the 100% x RCA competition; Zheng used upcycled rubber tubes from the inside of car tyres to make the designs

PARIS Light by Struktur Eyewear won ‘men’s frame of the year’ at 100% in the Love Eyewear Awards 2023

The Love Eyewear Awards The fair celebrated creativity, colour and design flair with the Love Eyewear Awards. There were wins for a broad selection of products this year. Highlights included Ffin Eyewear (who won two awards for New Designer and Men’s Sunglasses of the Year), and ROLF Spectacles who won the category for Kids frame of the Year with their 3d printed bean glasses. Struktur Eyewear won the Men’s Frame of the Year and model PARIS Light and VAVA for Sustainable Frame of the year with their CL0012.

VAVA Eyewear: model CL0012 – the winner in the sustainable category in the Love Eyewear Awards at 100% Optical
ROLF Spectacles: bringing bean eyewear to the youngest wearers – model Kudu won the children’s category in the Love Eyewear Awards at 100%

The continuing success of the brilliant RCA competition, in its 9th year, was a delight again at the  100% event, with very strong projects submitted by a group of outstanding students from the department of FAME_RCA  (Masters in Fashion / Footwear / Accessories / Millinery / Eyewear. The theme of the competition this year was “sunglasses that do not cost the earth” and the winner was Linwei Zheng who designed frames using rubber inner tubes from tyres – a sustainable direction that was simple and bold.

Eyewear creativity: RCA student Zirui Wang explored bamboo as a frame material for his project in the RCA x 100% competition on sustainable design

Next year’s 10th anniversary 100% Optical dates have been confirmed for 24th to 26th February 2024, while The Association of Optometrists (AOP) and Media 10 have announced that their partnership to deliver 100% Optical has been extended until 2025. For further information, visit www.100percentoptical.com

  | Eyestylist 7th March 2023

Lafont Paris: marking 100 years of history and design

Lafont Paris celebrates an impressive 100 years as fine eyewear ‘maison’

One of the leading independent eyewear brands from France, Lafont Paris is celebrating 100 years of family history and a unique trajectory from a small Paris optical boutique to a world-renowned eyewear house.

Lafont was first created by Louis Lafont in 1923, the year that saw the opening of a now iconic optical store in the historic rue Vignon. Establishing its name as an optical boutique offering fine optical frames and sunglasses, in the 1980s, Laurence and Philippe Lafont changed the course of the family business with the design of their own unique frame, the iconic Genie. Above: the interior of the historic rue Vignon boutique, which remains open to this day, and which, in recent years was extended to house the Lafont artisan production of bespoke, made-to-measure eyewear

Front Cover of Madame Figaro featuring model Genie by Lafont Paris – 1984

Today, the sons of Laurence and Philippe – Thomas and Matthieu – the fourth generation of the Lafont family, continue to head the Maison Lafont, with a bold commitment to independence as a primary pillar of the brand.

Monaco by Lafont Paris – 2023 collection
A 2015 edition of Lafont’s Genie, first created in the 1980s – the frames are still made in the traditional way in the Jura

The Lafont brothers are also building upon the eco-responsible direction of their family company for the future, while, at the same time, ensuring that the contemporary Lafont style remains colourful, original and decorative, steeped in history and the authentic chic style of Parisian design. Follow the latest news about the company at www.lafont.com