Design + Inspiration

Trends: Relax into summer colours

Last minute inspiration to elevate your style

The sunny season is upon us, and UV protective sunglasses – with quality lenses – should be top of mind. For style and colour, the season is unconventional and eclectic, offering a broad spectrum of eyewear shapes and influences (in particular the 1990s- and 2000s-inspired), in alluring colours which offset classics and soft and soothing multi-colored combinations – tones of fuchsia, raspberry, and bright orange, alongside a broad palette of natural greens and sky and ocean blues which bring a boost of energy and stylish fun. Above: Night 2 by FACE A FACE – a charismatic matching of bright tones, www.faceaface-paris.com

Marni sunglasses: the Cumulus Cloud

In its collaboration collection with RSF (RetroSuperFuture) the model Cumulus Cloud captures the quirky essence of the Italian fashion brand. Inspired by pop culture, with its bold colours, streamlined shapes and shiny plastic materials, Cumulus Cloud is distinguished by an oversized silhouette and a rounded design with broad lenses encased within octagonal rings and set within a cool wraparound acetate structure. The style is pictured in a bright orange acetate with black detailing and purple ‘pop’ lenses. www.retrosuperfuture.com

Market by Erker’s 1879: oversized in a bold aqua inspired hue

‘Spiramint’ is a completely new colour added in the handcrafted summer collection at Erker’s 1879. The glam square shaped model Market is pictured in the tone, which is set off with a contrasting and elegant dark-toned lens. www.erkers1879.com

Keaton by Paradigm – in colour “sky”

Model Keaton, in colour “sky” in the Paradigm collection is a smart example of the trendy ‘sea and sky’ tones available in eyewear for the season. This cool, easy rectangular design is a tribute to the actress, Diane Keaton. www.paradigmeyewear.com

Izipizi – bio-based Summer Capsule ‘Sweet Sunset’ – G in tone-on-tone ‘green bay’

A universal model from the French brand Izipizi, the fresh green colours are particularly sought after this season, especially with the trendy tone-on-tone effect that makes this look so modern. The colour ‘green bay’ is described by Izipizi as “a soft pastel green, refreshing like mint lemonade on a ver hot day”. www.izipizi.comWritten by Clodagh Norton – all rights reserved

Erker’s 1879: summer modes

Stylish STL Flag collection, by the heritage brand from Saint Louis

An impressive 21 new styles have been added to the Erker’s 1879 STL Flag range, in acetate and surgical stainless steel, with a multitude of colour combinations. The brand’s ability to reproduce a refined vintage aesthetic, in frames which are crafted for long-term use, comes through in striking design work and a leaning towards classical, minimal shapes. Above: the Paige sunglasses combine a barely-there lightweight construction with a high bridge and polarized lenses, created for everyday wear

Erker’s 1879: long-lasting, functional and flattering

Each frame goes through a 48-step manufacturing process involving handcrafting and hand polishing to create a smooth and silky finish. Fitted with authentic rivets and hinges, the styles also feature a gold emblem on the temple tips signifying the piece of history the frame was inspired by. Some frames have an engraving of “1879” on the inside of the right hinge, and all sunglasses include a light etching of the Erker’s 1879 brand name on the lens.

Every detail counts: Erker’s 1879 select high-quality acetate materials, including the classical tone “Tokyo tortoise” and a soft and subtle “matte demi”

A family business since 1879, the Erkers take inspiration from the generations that came before, looking into the past to build the future. Building upon the actions of their ancestors, the family’s history remains at the forefront of each new design. With a heritage that dates back an incredible 143 years in St. Louis, Erker’s latest STL Flag collection represents a further tribute to the city that started its special world of optics. To see the new STL Flag styles, visit Erker’s 1879 at www.erkers1879.com For more about Erker’s 1879 at Eyestylist, visit https://www.eyestylist.com/2021/05/crystal-eyewear-classic-erkers-1879/

Article One: heirloom eyewear

Small batch acetate frames – made in Northern Italy

As acetate becomes increasingly scrutinised for quality and longevity in carefully crafted design, independent labels that treasure the most elegant materials and champion craftsmanship, with genuine focus, remain at the forefront of the eyewear world.

Article One – a small independent label based in Michigan (USA) – produces its collection in Italy, selecting its acetates from the best suppliers and focusing on organic tones that feel natural and timeless offering beautiful, hand-finished effects. Founder Wes Stoody told Eyestylist:  “As a brand, we stick with timeless silhouettes, designing independently of mainstream trends. One way we are able to leave our mark and show off the handcrafted nature of our eyewear is through intricate and unique beveling…we want our frames to feel as if they are sculpted by artisans, which is accomplished by exposing the smaller details of the frame.” Above: from the current collection, the Joslin offers a ‘forever’ shape in subtle crystal tones

Cat’s eye model Joslin by Article One: a small, feminine design, with subtle angles
Asked to explain what it means to to work with a small batch family production in Italy, Stoody highlights the roots of the brand and his trust in old-fashioned values and human connections. “We work with small, family owned factories for the same reason we work with independently owned optical shops – we care about knowing the people we work with. Our relationships at every level of our business are truly what drives us.”
Article One: carefully selected acetate in classic colours and transparencies – with visible hardware

“Just like we care about the connections we make with our factories and retail partners, we believe our customers care just as much. We attempt to spotlight the hands that craft our frames because we want our customers to feel a sense of authentic connection with us as the Italian craftspeople producing their frames….” Wes Stoody, Article One

Murphy by Article One in ‘whiskey rose’ – the frame shape is wayfarer-esque

The newest styles in the collection, of which there are nine, offer lots of variety for different looks, with a common thread in terms of careful details and tasteful minimal colour choices which are predominantly natural, from tortoise, blue grey and cola to whiskey rose.

Shooting the frames on real people, the recent campaign illustrates the new designs and their natural colours and shapes. “The campaign is centered on the sustainable and regerneative farm known as Solarpunk Farms” explains Stoody. “This communal living space founded by Spencer Scott and Nick

Article One: the recent campaign was shot on location at Solarpunk Farms

Schwanz is an attempt to showcase how communities can live in harmony with nature in a sustainable and egalitarian world. The shoot resulted in more than beautiful and vulnerable photography, but also a story and lesson that inspired the entire Article One team.”

Sanford by Article One, in colour “cola”: bevelling along the rim and brow brings out the handcrafted feel of the frame which offers a universal fit

About the brand: Article One was founded by Wes Stoody in 2016. They are proponents of supporting independent optical retailers, giving back to the community, and thoughtful timeless design. “The care put into each frame, results in quality you can feel.”

Portrait photography by Allie Leepson and Jen McClary at Solar Punk Farms – For more information about the Article One Eyewear Collection visit https://articleoneeyewear.com – 

ARTICLE ONE features on the front cover of the EYESTYLIST bulletin about fine acetate frames. Read the bulletin: https://www.eyestylist.com/trend-bulletin-issue-6/

L.G.R x Maria de la Orden striking sunglasses

Upbeat Limited Edition created with the Spanish designer

L.G.R has created a Capsule Collection of two brightly colored sunglasses in collaboration with Maria de la Orden, taking as a reference the L.G.R model Dalia: vibrant and rich and produced in fun contrasting colours, the sunglasses are perfect for the season as an eye-catching fashion piece.

In this collaboration, classicism and modernity embrace and coexist with good taste and elegance: the bold colours of the sunglasses are inspired by the exciting fabrics of Maria de la Orden’s clothing collection. With careful attention to the materials they are handcrafted in Italy from cellulose acetate – used for its inherent durability and flexibility allowing the frames to adapt to the wearer’s face over time. For this collaboration, L.G.R states that the cellulose acetate of the front and contrasting temples has been carefully hand polished to ensure a silky and shiny finish. The name of the collaboration “L.G.R x MDLO” is stamped inside the left temple.

REGRIND: an innovative approach to circular design

This month, Erik and Emilia Lindmark, co-founders of EOE Eyewear, have launched a new recycled eyewear material at www.regrind.se. The material is made from old or unused glasses, is certified and patented and promises a new alternative for the optical industry to champion circular design. Eyestylist spoke to the team in an exclusive interview following the launch. 

REGRIND has been several years in the making. How did you first come up with the idea, and what were you wanting to achieve? Everything started when we noticed that opticians and eyewear brands had so many old frames and obsolete stock. We felt that we couldn´t keep making products that just go out into the world, without taking responsibility for what happens to them; I guess our connection to “the potential” of circularity was very strong. The world today is constantly urging for virgin material no matter what kind of industry. We act like there are endless resources. We want to change that. By using our acetate, eyewear brands will by default become circular and thus save at least 35% of co2 including transport for a start. When we are at a fully developed supply chain we can save up to (amazingly) 70% co2.

What is your impression of the material today in terms of the look and feel, the overall aesthetic and colours? The inspiration comes from the Northern nature and surroundings and then we added a tech twist to the expression. It’s like a fusion of ideas, with nature under an x-ray machine…the result is a new “twisted” interpretation of nature. A lot of expressions in nature are fascinating… lightning, metallic bugs, celestial phenomena like the Northern Lights or a sparkling night sky. Above: the couple behind REGRIND, Erik and Emilia Lindmark – they have developed the material with a team of scientists and engineers.

REGRIND: the ISCC Plus-certified recycled material is now available to eyewear producers and designers – many colours and patterns have already been created

Describe some of the challenges of developing a new material from old glasses via the circular REGRIND process. How have you overcome the difficulties? The biggest challange was to really make sure it could be done, haha! We needed to find a way of separating the metals from the acetate, to be able to get a clean material that could go back into production. But also to be able to secure that this would be something that would be interesting for the eyewear industry; it certainly feels like that, since more and more are talking about sustainability. This is also a way for eyewear producers and brands to save money from obsolete stock meanwhile saving the planet. We have an experienced R&D team in Sweden, the country is of course known for its innovation and expertise in developing materials (wood and steel).

How have you achieved certification and a patent and what does this mean for you? It means so much for us. To be able to show transparency and at the same time gain legitimacy towards our industry is of utter importance. This is for real and we as owners are very much involved in the core business. Our natural energy source is hydro power since Sweden has a lot of that, so we take what’s most natural to us. We have achieved that certification through a series of extensive and thorough audits in order to track the whole supply chain and material.

In 2022 you are able to make the recycled material available to eyewear makers and designers and you have launched a website from where they can purchase the materials, is that correct? Yes every brand or producer can buy our acetate sheets from REGRIND.se

What experience have you so far of working to produce the material for other manufacturers or retailers? We have been developing a Circular Collection for Synsam and Elementra for Fielmann – as a start. Doing this, we have secured a circular process. Every store has a recycling bin where consumers can hand in their old eyewear. And after that Regrind will use it as raw material.

Finally, do you expect rapid growth in recycled materials and do you see potential for even further developments for REGRIND in the future? Yes, we believe our industry will have to adapt to our new future, the same future we see changing the car and fashion industries. We need to take a technical leap into a circular future. We are also developing our process in order to make it possible to extend it to other common materials within our industry. The colour development in our acetate will be something else in terms of fashion or style in comparison to what we are used to seeing or have seen before. Find out more at the new website: www.regrind.se