At Die Brillenmesse in Stuttgart, Eyestylist experienced the new collection launched earlier this year by Stefan Flatscher and Uwe Pinhammer – FHONE. The designers believe that “fashion inspires and evolves,” and model Bell is a striking example of modern minimalism and classic retro. Quality acetate is silhouetted into a chic little perfect panto shape, featuring sea-tones that resemble a symphony – where a sandy Caribbean beach meets the tropical ocean. For more information on this finely crafted collection, visit www.fhone.com JG
Eyestylist

Fhone

Jacques Marie Mage
From the Vanguard Collection by Jacques Marie Mage, Hortense is named after the stepdaughter of Emperor Napoleon 1, Queen consort of Holland. Made in Italy, with proportions and a finish that are impeccably thought out, this luxurious wide rectangular design is created in 10mm block black and clear cellulose acetate with custom double laminated and thermoformed temple construction and a superb walnut wood insert. A 6 base mineral glass lens completes the picture of quality and attention to detail. Find out more about the Los Angeles based label at www.jacquesmariemage.com CN
Exceptional Eyewear
Artfully crafted by independent designers who have a passion for fine materials, gorgeous colours, and technical directives celebrate eyewear. Visit REVIEWS for frame designs of distinction. Meet a Canadian designer, and discover a unique boutique in London. In CITY GUIDES a stunning fashion exhibition is reminiscence with history. It’s all on Eyestylist – beautiful, desirable eyewear and accessories.
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Anna-Karin Karlsson with Le Snob
Collaborations have come into a new realm in the last months. Creative independent eyewear designers are uniting with terrific independent fashion partners, and raising the bar beyond the traditional eyewear collabs. One such union? Swedish designer Anna-Karin Karlsson and Le Snob’s co-designers B. Akerlund and Robert Lussier, who have created a cool, covetable cat’s eye, with iconic elegance.
A rather gorgeous exaggerated upswept shape with round lens, the Black Swan sunglasses have flip-down front pieces, a concept that can be traced back to the lorgnettes and make-up glasses of the 1950s/60s. Pictured above: Model Guinevere by Tim Walker for Le Snob. Guinevere wears the new Black Swan shades.

Le Snob, set up by co-designers B. Akerlund, stylist, and Robert Lussier, formerly Creative Director at Vuitton and Dior, presents a street-sharp collection of haute utility, luxury leathers, canvas, eyewear and “gilded” gear, under the concept of “snobbility” – rhyming with mobility and nobility, proposing a superbly original take on innovative luxury. A relatively new entry in fashion, the brand is making a powerful debut in the fashion industry with the addition of big names such as Tim Walker shooting Guinevere Van Seenus in their latest campaign. Le Snob Black Swan sunglasses ($865) and other styles in the collection are available online at http://shop.lesnob.com/shop/le-black-swan CN

Historic Fashion Rediscovered
The Fabulous Wardrobe of Countess Greffulhe
Her wardrobe – as well as her life – was the toast and talk of Paris. Elisabeth, Countess Greffulhe (1860-1952) was the epitome of elegance, with an exquisite, enviable wardrobe, the focus of a stunning exhibition at Palais Galleria in Paris. She was an avid patron of the arts, promoting and encouraging James Whistler; Auguste Rodin and Gustave Moreau; and the ballet impresario Diaghilev and his Ballet Russes. The Countess was also a supporter of composer Gabriel Fauré, and his Pavane was premiered at a garden party in the Bois de Boulogne that she organised. In addition, she produced and promoted operas including Wagner’s Tristan and Isolde and Twilight of the Gods.

Proust immortalised her for posterity as the Duchess of Guermantes in Proust’s novel A La Recherche du Temps Perdu (In Search of Lost Time). The Countess captivated Parisian society with her tireless activities and her glorious wardrobe. She was a fascinating, slender figure in an alluring cloud of tulle, gauze, chiffon and feathers, or in her velvet coats and kimono jackets. The Palais Gallieria displays fifty dresses worn by the Countess, designed by grand couturiers including Fortuny, Worth, Lanvin and Babani.

There are evening and day dresses, coats, accessories, portraits, photographs and films. The exhibition is a marvellous invitation to go “in search of lost fashion”, and to become acquainted with the divine Countess, whose image was inescapably linked with her luxurious wardrobe. La Mode Retrouvée (Fashion Regained) Dresses of Elisabeth, Countess Greffulhe opens 7th November and continues until 20th March 2016. www.palaisgalliera.paris.fr JG
Top image: Photographie de Otto, la comtesse Greffulhe dans une robe de bal, veers 1887 Copyright Otto/Galliera/Roger-Viollet

























