Eyestylist

| Eyestylist 29th February 2012

Men and Their Glasses

Tom Davies – TD Tom Davies, London, England

29th February 2012 “When designing men’s eyewear, there are obvious differences in size. Women are buying more masculine styles, but through my couture service, they are applying some basics to make them fit better. When I design for men, I think about the stability of the frame. I find that (no surprises) men treat their frames badly and certain constructions are just not suitable for men. In terms of shape, men go for flatter tops and more geometric lines. Anything that squares up the jaw and make us look more rugged is great. I would say that quality is now important to men, more than before. Overall, we are still miles behind women when it comes to brands and fashion, but it gets closer each year.

Masterful Elegance by Tom Davies

Interest in vintage depends on the man and the country. Overall, I’d say that the preference for vintage is stronger in women, but that seems mainly because men are still buying metal frames – vintage is more often about engineered design. In my collection, titanium styles are building momentum. My favourite men’s wear designer is Paul Smith – for his details and quality.” www.tdtomdavies.com JG

| Eyestylist 28th February 2012

Men and Their Glasses

Daniel Benner – Benner Eyewear, Germany

28th February 2012 “Men’s frames must not be as playful and colourful as women’s. For men, more straight and clean lines are needed. Designing women’s frames allows more creativity. Absolutely, men are more aware of fashion, brands, and quality now. I feel that men are as interested in vintage as women – there is no difference between men and women requesting vintage or classic styles.

Holey - designed by Daniel Benner - which he wears in the photo above

Men are still not as daring with colour as women. Using vibrant colour for men is still difficult. I think men’s frames will never be very colourful, but this is also good as it is a challenge for eyewear designers to create something original, and special, without using much colour, but other design elements. For my personal clothing designer favourites, I like how Desigual followed their very colourful and great women’s collection with a men’s collection, that is original but wearable. Using more patterns than colour, it’s still out of the box, without using too much vibrancy”. www.benner-eyewear.com JG

| Eyestylist 27th February 2012

Trends

Best looks for Spring: softer shapes for men

27th February 2012 With so many great styles coming out for the Spring, and some exciting shapes that show a new approach to the most familiar men’s designs, we have picked some favourites as part of this month’s special edition. These styles express a new mood, with more curves and gentle preppy styling; there are some nice aviator specs out there, and some deconstructed classics, plus frames in beautiful natural materials such as wood. Pictured above, Kilsgaard Eyewear, www.kilsgaard-eyewear.com

Augusto by Res/Rei

The aviator specs “Augusto” by Res/Rei feature an open bridge. Res/Rei is a relatively new, quality-focused Italian label, specialising in handmade frames made by artisans, some of whom have worked in the field for over 30 years. Available in London at www.mcclintock-eyewear.co.uk who are fans of the quality and design details offered in the collection. www.resrei.com

Leisure Society’s model Harvard (below) is a preppy style designed as a unisex frame  which merges modern with classic aesthetics; this is a variation of the shape originated from a style issued to troops by the army in World War II. The model is made from titanium plated in 12k, 18k, or 24k gold combined with Japanese acetate and includes a special hidden spring hinge. www.leisure-society.com 

 

Harvard by Leisure Society

 

MOD. 302 by W-Eye, designed by Matteo Ragni, offers classic design with its rectangular shape that has soft, contoured lines. This frame can be produced as sunglasses or spectacles and comes in a variety of woods, pictured here in the light grainy ‘Sapelli’. A very smart idea.

MOD. 302, W-Eye

W-Eye is an Italian company producing hand-finished wooden eyewear. For more information visit www.w-eye.it CN

 

| Eyestylist 25th February 2012

Clark

Bold and Beautiful from Face à Face Paris

25th February 2012 Graphic, technical, sleek and bold, fashionably sums up this handsome men’s design from Face à Face Paris. In grey and blue acetates, Clark  is ideal for men who desire stylish, distinctive glasses, while at the same time, an expression of classicism. The colour blue, and its many variations, is a timely trend for women – it also has impact on men’s fashion. Handmade in France, the details and finishing are superb. www.faceaface-paris.com JG

| Eyestylist 24th February 2012

Men and Their Glasses

Graz Mulcahy, Australia

23rd February 2012 “The biggest difference – I think – between designing eyewear for men and women is the fit – women have smaller heads on average than men. I also think it is harder to design for men – they won’t wear big oversized frames, and obviously not cat eye styles. I am broadly speaking of course. But men have a limited boundary in what they will wear it seems. You have to make it fit right, and make it simple and cool. I guess it’s the same in clothing. I’ve lost some of my favourite jeans and t-shirts to girls ‘borrowing them’ – I can’t say I have any of their clothes in return! I think men now care more, know more, buy more and pay more attention to brands, fashion and quality. However, I think that the collective consciousness of the world – men and women – are yearning for a better experience – people want a quality of experience in everything they do, as they now have more choice than ever.

K.M.C. Sunglasses by Graz

For vintage eyewear, I think men are even more interested than women – I think I see two men to one women sporting a well kept pair of vintage frames. Ninety percent of the vintage eyewear collectors I know are men. I only wear grey, so I have a limited choice every season for clothing, and it keeps me buying many brands. I love Margeila, I only wear Common Projects shoes, and really like Vanishing Elephant. I only notice the trends once they are here – or passed. I somehow manage to stay relevant in my design, just by nature”. www.grazmulcahy.com JG