Eyestylist

| Eyestylist 12th December 2023

10 questions: Elena Serrano Pelaez, Optica Rosal 21

On a mission to allow as many people as possible to see themselves through stunning frames, Elena Serrano Pelaez founded Optica Rosal 21 – a curated, unique and ambitious eyewear boutique based in Oviedo, Spain. Eyestylist speaks to the entrepreneurial, passionate founder…

1. Tell us a little bit about the road you took to establish Optica Rosal 21? From the first steps I took, my passion for design, fashion, and art has been unwavering. My godfather played a crucial role in intensifying these emotions, guiding me through art exhibitions and fashion shops when I could barely spell my own name. As a teenager, the desire to establish my own business and share my feelings with open-minded individuals already burned within me. Passing optical shops, a fascination with the intricacies of the nose prostheses that enhance vision compelled me to dedicate my life to designer eyewear. This bold decision, made 18 years ago, marked my leap into entrepreneurship. Selling my dream to the bank, I secured the funds to establish my vision—a unique optical design shop challenging the norms in the North of Spain. Fortuitously, the local emphasis on quality and added value became my advantage. The love for my job, coupled with curiosity, instinct, and a passion for travel, allowed me to broaden my horizons beyond Spain and create a distinctive optical design shop.

2. What is it about your business that sets it apart from the rest? My motto, “Think outside my house,” holds great importance to me. While I avoid scrutinising my competition, my eyes are wide open to global developments. I am a perpetual learner, observing, absorbing, and seeking inspiration everywhere I go. This approach fuels my daily commitment to enhancing my shop. Unlike many opticians hesitant about change, I actively embrace it. I seek shifts within our business and, more significantly, in external factors like fashion, music, and street culture. Simultaneously, I invest in personal growth through continuous participation in workshops and training. This enriching process allows me to adapt and mould my shop in response to constant evolution.

3. What is your favourite era / genre of design and why? My affinity for women’s glasses from the ’70s, characterised by oversized frames, smooth shapes, and gradient lenses, reflects my admiration for their femininity, humour, and power. Brands and designers inspired by that era always capture my attention. The trend for men emerged in the late ’80s and early ’90s, featuring small, round, oval, or geometrical frames. Iconic frames, like those designed by Matsuda, gained fame through the film industry, enhancing the personality of male actors in movies like Alien and Interview with the Vampire. Above + below: Elena Serrano Pelaez founder of Optica Rosal 21

4. How do you identify and define your customer base? My customers are individuals who appreciate being different and unique. While some lean towards modern styles, a significant portion prefers classic aesthetics. They seek frames that stand out, avoiding common choices. Trusting our carefully curated selection of brands, they value the time and professional dedication we invest in their choices. Whether avant-garde or classic, they desire an extraordinary frame that aligns with their personal style. The process of choosing new glasses involves comprehensive guidance, addressing potential insecurities. We precisely explain how their chosen frame will enhance their image, reflecting our shared appreciation for design, high quality, and craftsmanship.

5. Is there a specific process you take to select the brands or frames you stock in-store? Categorising customers into four types, each associated with a specific brand, demands excellence in quality and service. These brands must evoke genuine enthusiasm, leading to a personal connection where I fall in love and experience butterflies in my stomach. Equally important is their DNA and storytelling aligning with mine.

6. What pair of frames, if any, illustrates your personality best? Evolution is a constant in my personality, reflecting in my choice of frames. Currently favouring vibrant colours—a departure for me—oversized frames remain a consistent preference. If I were to define myself with a brand, it would undoubtedly be Theo. Like Theo, I am not merely fashion; I am simultaneously very fashionable. Our evolution over the years respects core values while adapting to changing times.

Exterior of Optica Rosal 21

7. Do you think social media is an integral part of owning an eyewear boutique these days? In my opinion, social media is the primary window that opticians have in 2023. It offers a platform to communicate and inform customers, showcasing my identity and values—a personal brand. The dedication to this endeavour involves regular collaboration with my social media coach, ensuring I stay abreast of the latest trends and evolutions. My advice emphasises quality over quantity—favouring fewer but genuinely interested and loyal followers who, in turn, become advocates within their social networks. This approach fosters organic growth, focusing on genuine connections.

8. Would you rather: coloured or monochrome frames? Colour holds immense power for me, defining individuals. Encouraging customers to shift from neutral to powerful colours or glasses with colour accents involves a process that challenges them to see themselves without filters. Collaboration with brands strong in colour facilitates this shift, and successfully convincing a customer to embrace a brightly coloured frame brings me immense satisfaction.

9. Do you have any exciting news or updates on the horizon? This question excites me, coming at the perfect time. I am convinced that Spain is ready for more high-end optical boutique shops, led by opticians with a clear vision. Rejecting the conventional image of medical professionals, I emphasise showcasing passion and personality in this beautiful profession. Consequently, I created a platform for opticians eager to elevate their practices. I am proud to announce the participation of a European university certifying my efforts. Through direct mentoring, I aim to guide shops and opticians toward enormous change and progress, sharing the experience and knowledge accumulated over the last 18 years.

10. What is the big dream for Optica Rosal 21? The grand dream for Optica Rosal 21 is to see people from Oviedo and beyond adorning themselves with beautiful designer frames, understanding the transformative effect and benefits of high-quality eyewear. I aspire for Optica Rosal to be recognised for enhancing the aesthetics of individuals, providing not just unique eyewear advice but making a style statement. Dreaming big extends to my academy, with a focus on elevating the quality of the optical business in Spain. I genuinely believe that exceptional service and the offering of high-quality brands will reshape public perceptions of our profession. In conclusion, my promise is that by infusing fun into the eyewear buying process and emphasising business development over routine operations, we can trigger a transformative shift in how customers perceive our profession, leading to the growth of our businesses. In essence, 1+1 equals 3. Visit the Optica Rosal to get inspired at https://opticarosal21.com

Images by kind permission of Elena Serrano Pelaez, Optica Rosal 21. This interview feature was written by Victoria G. L. Brunton exclusively for Eyestylist.com. All rights reserved.

| Eyestylist 6th December 2023

opti 2024: sustainability and innovation

The Munich fair takes place in January, with a programme of events centering around sustainability, innovation, and future trends

The international optical show – opti 2024, which takes place in a few weeks in Munich from 12th to 14th January, is preparing an event for a broad range of optical players and their products, with focus on key topics such as sustainability and innovation for the future. The show organisers will offer a Myopia Hub, Sustainability Hub and a new Trend Hub, in which future-oriented trends of the industry will be presented via the “Trendradar by opti”.

At the edition, the opti team is looking forward to hosting its inaugural opti Sustainability Award created for opticians, and honouring leading examples of sustainability in ophthalmic optics. In the fields of social, economic and ecological issues, relevant initiatives of the companies such as the design of their premises, approaches to avoiding microplastics, use of alternative energy resources, climate-neutral projects, diversity and much more are areas that have been monitored and studied in detail to arrive at a shortlist and winning retailer. The jury for this Award includes experts from IG Nachhaltigkeit. Above: the opti fair will take place over four halls in 2024 / photo: © GHM – the opti Sustainability Award will be presented at a special event on the Friday of opti in the Sustainability Hub

Rolf: Enya in the 3D printed wire collection, one of the latest additions at the Austrian label

A wide selection of independent brands focused on sustainable design are exhibiting at the event in Germany: they include innovators in natural materials, 3D printed frames and avantgarde sustainable design such as Rolf, Götti Switzerland, MYKITA, Vava Eyewear, neubau, You Mawo, LEINZ, Hoffmann Natural Eyewear, Andy Wolf, Sea2see, and Weareannu. JUNK PLASTIC REHAB are billed to feature this year in the Opti Boxes.

The new Logo Collection: a recent release by Gigi Studios from Barcelona

The fair promises a dazzling eyewear showcase of leading fashion brands, luxury collections and independent eyewear of all stylistic genres – from across Europe and further afield, including the very popular Spanish brand Gigi Studios (new Logo Collection), RAEN from the US, Orgreen Optics from Denmark, J.F.REY, FACE A FACE and Lafont Paris from France and RES/REI and BLACKFIN from Italy.

Junk Plastic Rehab: creativity in plastic waste

The 3rd opti BOX AWARD is a popular event for new emerging labels in the industry who apply to exhibit in one of the opti boxes. The start-up companies in this area are always a talking point at the event, and a popular must-see for those visitors seeking a full experience of how frame design is evolving in all its aspects, creative, technical, sustainable and high-tech. This year they include Junk Plastic Rehab (pictured above), Baselli swiss made, and LARS Brillen from Bern, who won the OPTI BOX Award in 2023.

Leinz Eyewear: Berlin’s spectacular 3D printed design label – a winner of the opti BOX award in 2022

opti will host over 400 exhibitors in 44,000 square metres, with representatives from all areas of the optical sector including manufacturers of lenses, contact lenses, machinery and eyewear and accessories.

Opti 2024 takes place on Friday 12th January to Sunday 14th January at the Munich Messe (trade only). To find out more details visit www.opti.de  Eyestylist will have more tips and recommendations to share on opti prior to the event in January.

| Eyestylist 4th December 2023

Frames of 2023: Rigards x Uma Wang UW14

“Opulence that’s hidden, like frescoes inside a grotto…”  — Angelo Flaccavento; UMA WANG Fall/Winter 2023-2024 Paris Fashion Week

For those who follow the work of Rigards, the UW14 is one of 2023’s must-try pieces. Its somewhat exotic Buddhist art inspiration – the flying apsaras at the Mogao Caves – are supernatural figures with swirling draperies and flowing sashes, all details of which informed both the organic lines of the bridge of the spectacles and the two detachable chains, which not only transform into an eyeglass necklace, but can also fasten onto the temples to appear like pseudo rope chain earrings. Above: Rigards x Uma Wang UW14

RIGARDS x Uma Wang

To complement the frame’s distilled silhouette, strong-but-light titanium is used to achieve a structure that is lithe and graceful. The colours of the metal, of which there are four, are completely restrained in delicate matt finishes.

RIGARDS x Uma Wang – the frame has an unusual dipped bridge design and nose pads that are directed upwards from the lower rim of the round eye shapes

RIGARDS has collaborated with Uma Wang through multiple editions in a variety of materials which have included stainless steel, natural stone inserts, titanium, aluminium and wood. The two brands have developed a synergy in their spectacles collaboration which produces one-of-a-kind, natural eyewear designs with a consistently remarkable appearance, colour and finish. Find out more at www.rigards.com / www.umawang.comCopyright by kind permission of Rigards and Uma Wang

| Eyestylist 29th November 2023

Colour trends on Eyestylist: greens and browns are in

As the temperatures drop and we head towards the December holiday season, green and brown eyewear tones for men are enjoying a special moment

Whether it’s the ongoing love of nature-inspired colours in the world around us (leaf, stone, woodgrain, horn and earthy hues) or fashion’s influence – deep tones of green and brown for eyewear make an exquisite match for the menswear collections (tops, trousers, trainers “beef and broccoli” style) we’re seeing right now, and those warm heavier fabrics, cosy fleeces and thick knits in store. Above: in the Seraphin collection by OGI Eyewear, model Brookside illustrates how winter apparel can be perfectly styled with a new frame in tones which fuse with the overall look – think tortoise, brown, khaki, mocca and many close variations of these greens and browns. www.ogieyewear.com

Pacific by SALT. Optics

SALT. Optics perfectly replicates natural tones of the Californian scenery in the colour palette of their acetate styles. Model Pacific by SALT. Optics in Whiskey is informed by the grand scale of the beautiful Coast Mountains; the Pacific provides a bold oversized rectangular style that serves anyone looking to make a structured statement while maintaining a tailored silhouette and professional look. Handcrafted in Japan utilizing functional rivet hinges, the highest quality 8mm Japanese acetate, and featuring proprietary colours only found at SALT. www.saltoptics.com

Clyde in mocca by Götti Switzerland

Model Clyde is a 3D printed Polyamide frame in the Dimension collection at Götti Switzerland, with rounded edges and a narrow profile. The mocca colour appears frequently in the Götti Switzerland eyewear collections. www.gotti.ch

Wodso by MOREL France

For the Wodso style, MOREL places focus on craftsmanship and seamlessly combining three materials into a premium finish. The wooden temples incorporate a slim metal blade and acetate sleeves, offering a masculine, comfortable, well-crafted product. www.morel-france.com

Señor SNR by Oliver Goldsmith Sunglasses

The ‘Señor SNR’ sunglasses by Oliver Goldsmith Sunglasses bridge the gap between classic and contemporary, the subtle sixties styling carry it effortlessly into any twenty first century wardrobe for guys with a love of good design.  The frame is timeless and comfortable and the colours deliver as a compliment to this season’s most fashionable men’s apparel. Colours we’d recommend include Tortoise Split, Tokyo Tokyo (pictured) and the beautiful green variation, Seafoam + Champagne – www.olivergoldsmith.com

Larch Sun by Andy Wolf – the green tone is one that most people can wear and it is overtaking some more usual winter tones in eyewear right now

Andy Wolf’s focus on the big and bold looks with wide temples – for men and women – is further enhanced with a palette of warm or wintery colours such as green and brown – sun model Larch or optical style frame 4621 are good examples in this range of frames that are working this modern look and vibe. www.andy-wolf.com

This feature was written by Clodagh Norton for www.eyestylist.com – Copyright protected.

| Eyestylist 28th November 2023

TVR®OPT: first rimless edition featuring Sterling Silver

Eyestylist Exclusive : The Japanese eyewear label has created a rimless edition in sterling silver, designed by Tsubota Masato – details in the collection are inspired by ancient Egyptian Hieroglyphics alongside Art Deco elements

After years of planning and meticulous production, TVR®OPT has revealed this month that they are unveiling their TVR®OPT Rimless Collection (TVR®536), the brand’s first ever rimless eyewear made in premium sterling silver. The collection is the result of a collaboration between TVR®OPT and Tsubota Masato, an eyewear designer who has many years’ experience designing for both Japanese and American eyewear brands. The release of the edition coincides with the 10th anniversary of the sought-after Japanese eyewear label.

TVR®OPT sterling silver rimless eyewear; details have been inspired by Art Deco references and Egyptian Hieroglyphics

“I have been seeing people wear rimless for over 40 years, and I felt it would be something interesting to bring back into the TVR®OPT Luxury collection. The idea was sparked when Onami-san spoke to me saying that he wanted something luxurious and timeless.” — Tsubota Masato, designer

The Japanese eyewear designer Tsubota Masato joined the TVR®OPT Japan team in 2012, and has been responsible for the redesign of most of the TVR®OPT collections since the beginning. With his expertise and experience, he has managed to reimagine Japanese archive pieces for modern day eyewear connoisseurs, all around the world.

TVR®OPT rimless edition: the result of a long and painstaking process of research and expertise in craftsmanship

As part of the rimless design concept, TVR®OPT Japan wanted to bring back a classic eyewear temple design from 2006 especially for this collection. With Tsubota Masato, who designed rimless eyewear at the time, they have developed a newly crafted design which also explores the original details, preserving the essence of the frames of that earlier time.

Masato made several adjustments to the original design, including re-detailing the temple tips with a special coloured material (Black Clear) at the end tips. This feature includes a TVR®OPT logo engraving in sterling silver, enhancing aesthetics and shifting the balance of the glasses toward the tips of the temple arms, improving overall stability.

Sterling silver has been selected for several reasons, not least its elegance and long lasting appeal. TVR®OPT has also opted to add an extra clear coating to protect the sterling silver from damage, ensuring it will shine for a long period of time.

The new designs are available in four shapes: round, orbal, octagon or square. For more details about the different features of the frames visit www.tvropt.com

On the origins of rimless glasses: rimless glasses developed from the 1900s Pince-nez designs, also known as three-piece style eyeglasses. As the Oxford Pince-nez became less practical over the years, rimless eyeglasses took their place by the 1920s as a go-to choice of eyeglasses. Luminaries like Teddy Roosevelt started wearing the Pince-nez when he became president in 1901, and he is cited as the first president to be photographed in a pair of glasses as spectacles during a period where eyeglasses were considered a remedial tool instead of a style statement. The Irish poet William Butler Yeats (1865 to 1939) also wore signature temple-less pince-nez glasses. and was famously photographed in them. In 2017, one of his pairs of pince-nez sold for EURO 10,000 at auction in Co Kilkenny.

To find out more about the new releases at TVR visit : www.tvropt.eu