Eyestylist

| Eyestylist 22nd November 2022

Eyewear trend: TVR 532 round glasses

A stunning rendition of the round classic frame – made in Japan

TVR® OPT has revisited the stylish allure of small round glasses that dated back to the 1920s for its latest TVR®532 Classic Circular collection, released this Autumn / Winter 2022 in celebration of the brand’s 10th Anniversary. A popular shape in the early 20th Century, round glasses remain a desirable shape to wear. They are one of the top shapes of this year, and will continue to be into 2023.

Combining functionality and style in a bold design aesthetic, TVR® OPT took to the drawing board inspired by three vintage frames from the 1960s archived away in its Sabae factory in Japan. From one piece of history to another and reviving the past for the present, the company combined inspiration from the stylish details of all three to achieve what they call “the perfect design” for current times.

Timeless and always iconic, circular glasses have been a staple statement look for well-known architects and artists, including Chinese-American architect, I.M. Pei, Swiss/French architect, Le Corbusier and English painter and print maker, David Hockney. The round design is considered one of the most classic shapes of eyeglasses of all time, dating back to the days when the rounded lenses were only used for corrective purposes (not fashion!). Round glasses are an excellent complement for all face shapes, thanks to their curvature, symmetry and styles, intellectual overtones. Find out more at www.tvropt.eu and www.tvropt.com

| Eyestylist 18th November 2022

SALT. Optics: Benjamin Montoya and Trevor Dylan Kelley

The energetic California-based team at SALT.Optics have opened their first retail store in Studio City (CA) this year. We searched down Benjamin Montoya and Trevor Dylan Kelley – the designers behind the brand – for a chat about all things eyewear at a special moment in the independent brand’s story and evolution.

What is the current focus at SALT. Optics? At SALT. authenticity is paramount. We want it to run through all aspects of the design and development process. From the inspiration behind the styles, to the integrity of the materials, and the function of the final product; authenticity informs each step and choice along the way.

How have the collections evolved in the last years and through the difficult times of 2020/21? Well, in this current global situation every industry is feeling a crunch on raw materials and production. Even in a pre-Covid world though, eyewear requires such a long lead time to produce. The process of bringing a style all the way from design concept to a frame on a shelf can easily take up to a full year. If you don’t truly know why you’re making a frame and what customer that frame is meant to serve, then you can find it may be lost before you even launch it. With that kind of investment of both time and resources, you really need to have conviction for what you’re making.

The SALT. team has opened a new retail space is located at The Shops at Sportman’s Lodge, 12833 Ventura Blvd, Studio City, CA 91604

We have noticed some really beautiful new details appearing in the frames. What is your hope with these elegant additions? Thank you! We’re glad you noticed them. The idea is to offer a timeless, original style that delivers the highest optical experience possible. We love heritage eyewear, but it’s not enough to just keep making what has worked in the past. We want to honor what has come before, but also elevate it with design features and quality materials such as custom stamped core wires, proprietary colors of Japanese acetate, and functionally engraved Aerospace grade titanium. Timeless doesn’t have to mean boring. This should be a product that you are excited to wear a few decades from now.

Is California still at the very heart of the brand? How does your retail / optician background continue to influence the collections at SALT.? We both live, work, and raise our families here in California, so it is a big influence on our day to day lives. That is inevitably going to make its way into anything we do. However, SALT. is really only one-half California, with the other cornerstone being Japan. Aspects of Japanese culture such as integrity, discipline, and respect very much inform the SALT. design process. We spend a lot of time in Japan each year to ensure that the production of our frames and our partnership with the factories is as excellent of quality as possible.

Close up: SALT. frames on display in the new retail space

Our backgrounds in eyewear will always inform our process and priorities in design. As opticians, we were frustrated that it seemed many designs were based on looks and not optical performance. Our goal is to combine the two. There are a number of features that are built into the design to ensure that integrity of the lens, and the Japanese material selection and manufacturing support this. Each piece of SALT. eyewear is specifically crafted to help the dispensing optician provide the most elevated product possible and deliver the highest optical experience to the end consumer.

SALT. Optics; the frames are inspired by details in nature – the nature campaigns at SALT. feature photographic works of art

What activities are important to you for the brand close to home? We believe the most impactful way to share the brand philosophy is to experience it in person. As such, we recently opened the first flagship SALT. retail store here in California. We love speaking about the brand and our philosophies around eyewear, but it’s amazing when someone can walk into our space and experience the passion, expertise, and quality of SALT. without having to be told about it. That’s a really exciting thing to see.

What are your plans coming up into 2023? We’ve got a lot planned for next year, new product we’re very proud of, and a major collab that we can’t wait to tell you about. SALT. is growing and evolving in very exciting ways. Stay tuned!

To read our feature on the new SALT. store, visit https://www.eyestylist.com/2022/10/salt-optics-opens-first-flagship-store/ – to find out more about SALT. Optics visit www.saltoptics.com

| Eyestylist 16th November 2022

Buffalo horn by Götti Switzerland: new structural designs released

Two new styles in the Götti natural horn collection are bold and elegant, with an attractive hand-polished sheen

Released for November, the new styles Bautista and Bloom are the latest natural horn additions from the Swiss eyewear label, specialists in the production of fine quality glasses in natural, 3D printed, titanium and acetate materials. With sculpted structures that are thick and bold, the frames are instantly recognisable as natural horn designs, offering one-off colorations and patterns typical of the traditional eyewear material. Above: the Bautista model in buffalo horn – Götti Switzerland

Bloom in natural buffalo horn: Götti Switzerland

The finish of the material is enhanced through hand-polishing to leave a subtle glossy finish that is sophisticated with a classical style.

Buffalo horn frames by Götti are a traditional feature of the company’s collections, and have come to be recognised for their particular elegance and refinement bringing together carefully sourced buffalo horn (ethically sourced from domestic animals) and the expertise of artisans working to emphasise the natural qualities of the precious horn material, crafted with the utmost care, to make the frames. Find the styles at www.gotti.ch

| Eyestylist 15th November 2022

JF Rey: perfectly round glasses, deconstructed

The round glasses style JF3024 is a highlight in the new Autumn/Winter collection at the French eyewear brand

The French eyewear label is highlighting their new optical model – JF3024, which plays with the iconic round shaped eyeglass classic, by removing some sections of the thick, flat bold rims. The result is an impactful shape, with an avantgarde air. The colour palette adds to the distinctive graphic effect, with a choice of tones from intense black (our favourite) to refined multi-coloured acetate patterns. Above: JF3024 in multicoloured pattern effect, a completely different look and feel to the matt black version 

JF3024 – a slightly raw, industrial finish on the black version

The architectural structure created with the cut-out sections which create empty space around parts of the lens are particularly dramatic in black (above).

JF3024 in black with the metal sun clip in place

Made in France in the Jura workshops used by the French brand, the new bold eyeglasses are also proposed with a sun clip (with Category 3 sun lens) which gives an extra futuristic signature to the style – instantly transformed into sunglasses. For more information about the new designs, first launched at Silmo 2022, visit www.jfrey.fr

| Eyestylist 13th November 2022

Royalty in eyewear: Oliver Goldsmith Sunglasses

With the latest series of ‘The Crown’ airing on Netflix this month, we were reminded of some of the most striking iconic frames worn by Royalty – designed by the British eyewear brand, Oliver Goldsmith Sunglasses. 

Celebrity and sunglasses go hand in hand and Oliver Goldsmith has been pivotal in framing some of the most famous faces on the planet.  The Royal Family have always played a special part in the historic make-up of the Oliver Goldsmith story; from Princess Caroline of Hanover to Grace Kelly (Princess Grace of Monaco) who famously had a vast collection of OG sunglasses, and a little closer to home – exceptional loyal support by the British Royals; Princess Margaret, Lord Snowdon, Princess Diana and Prince Charles, now King Charles III. Above: Be-Be sunglasses by Oliver Goldsmith sunglasses – as worn by Princess Grace – the sunglasses were featured in a book called ‘Grace. Princess Grace of Monaco. A tribute to the life and legacy of Grace Kelly.’ A double page spread features her Ogle (sunglass style pictured below), Be-Be and Ritva sunglasses created by Oliver Goldsmith Sunglasses

From the archives: front cover of Weekend and Titbits (1984): Charles wearing the Carl sunglasses and Diana in the oversized Berwick sunglasses by Oliver Goldsmith Sunglasses
Original catalogue entry of the Carl sunglasses, as worn by King Charles (then Prince Charles)  in 1985

Princess Diana had many defining moments when it came to her fashion choices, and even today she is referenced time and again. “Her style, vision and the brave and dynamic sartorial choices she made make her one of the most recognised women on the planet and we are proud to have framed her so regularly,” says Claire Goldsmith.  In fact, Claire (Goldsmith) regales in the stories of her childhood; her mother dancing round the kitchen in a pair of broken sunglasses; when she asked who they belonged to, her Mother replied that they were Princess Diana’s – her father (Ray) had been asked to go to the Palace to fix them!

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Chas in Dark Tortoiseshell, one of the many OG sun styles worn by Princess Diana – the iconic frame is available in the Oliver Goldsmith sunglasses collection today

In 2021, Vogue (UK) wrote an article focusing on Diana’s eyewear choices and in it she is predominately wearing Oliver Goldsmith sunglasses (https://www.vogue.co.uk/fashion/gallery/princess-diana-sunglasses).  They included her firm favourite, the famous white aviator, Berwick https://www.olivergoldsmith.com/product/berwick/, which is still in the Oliver Goldsmith Sunglasses collection – and coming back soon in a wash of new colours – to Nisha (designed in 1987), Monaco and Chas (an old favourite).

Diana also wore ‘Rio’, another style that will be coming back into the collection soon. Carl is available as a bespoke archive piece, but as with all the archival frames at the company, anything and everything can be made to order on request! To view the latest collections at Oliver Goldsmith Sunglasses visit www.olivergoldsmith.com – Special thanks to Zoe Cosby at Oliver Goldsmith Sunglasses for researching the Royal styles for Eyestylist.com