Eyestylist

| Eyestylist 9th February 2018

Karmoie dedicated to eyecare programmes

Improving lives with better vision

Geographically, Norway and Fiji would seem to have nothing in common, yet they are intricately linked with eye care projects. When Kirsten and Lars Iversen started their eyewear company – Karmoie – in 2010, their goal was to create a brand that was also committed to sustainability and social issues. This visionary perspective connected Karmoie to Eyejusters, and now the Norwegian brand donates corrective glasses to people around the world. The project had great appeal to Kirsten and Lars, with the realisation that there are approximately 700 million people who live without the glasses that they truly need. These circumstances can result in poorer education; restricted work; lost opportunities; and an estimated global economic loss of over £200 billion per year. (Top image: Lars and Kirsten Iversen)

Lars on the Island of Cicia with a woman in her new glasses

The association with Eyejusters has enabled Kirsten and Lars to work on projects in Morocco and Uganda, plus travelling to South Sudan and Fiji to see first hand how the clinics work. They have discovered the experience to be inspirational; invigorating; heart-warming; and emotionally rewarding as well. “We have interesting stories,” related Kirsten, “like when we were on one of the smallest islands in Fiji, and met a woman who had broken her glasses irreparably a few years ago. She hadn’t been able to see an optometrist and get new glasses, so she tried to manage without. To see the emotion on her face when she could see again with glasses was really moving.

Kirsten on Fiji Island of Cikobia explaining how to do the eye test

“On Cicia in Fiji, we worked with teenagers, and one girl wanted glasses, but didn’t need them. She tried to fool us during the eye test! She was hanging around the compound, so we asked her to help us out as an interpreter. She was smart, kind and graceful, and the patients responded really well to having one of their own be such an active part of the eye care team. We were able to shift her desire for her own pair of glasses, into an interest for eye care and performing vision tests.” Kirsten and Lars noted that in South Sudan and Fiji, the logistics, infrastructure and access are the main challenges. The Eyejusters system is easy to teach, and that has motivated local aid workers to pursue more eye care training.

Lars making a delivery on Cikobia

“To Lars and I, gratitude and giving back go together. Honestly, knowing how blessed you are without wanting to show generosity in return feels shallow. We wanted giving back to be an intrinsic part of our product, rather than dependent on our financial success. We donate one pair of corrective glasses for every pair of Karmoie frames or sunglasses we sell. Creating your own company and starting up can at times, be quite exhausting. The fact that we can feel good about what we do, and how we give back is invaluable when it comes to motivating us to push through when it gets tough.”

Handcrafted minimalism by Karmoie

Karmoie designs are created in Norway – in an Oslo atelier – inspired by beautiful, crisp, Nordic nature and Scandinavian minimalism. Karmoie was awarded the Butterfly Mark, a prestigious acknowledgement powered by Positive Luxury, for their commitment to protect the planet’s resources. www.karmoie.com  JG

| Eyestylist 7th February 2018

Vera Wang Luxe Sun – Farah in sun-kissed apricot

Contemporary travel opportunities bring the sunshine much closer during long, grey, cold winters. Vera Wang ensures you are sunshine ready with a striking new collection of Winter Luxe Sun Styles. There are five beautiful sunglass designs, with diversified shapes and lovely colours. Particularly outstanding is Farah in glossy acetate, and especially geared to a holiday mind-set in soft Apricot, with Gradient Peach Mirror Lenses, and a voluminous shape. The intricate temple detailing is a process that is a modern take on an icicle pattern. Small, hand-cut metal pieces are adorned with hand-applied Swarovski crystals for shimmery sparkle. Farah is also available in Black with Grey lenses, and a delicious Mint Green with Gradient Moss lenses. Luxurious, fresh and dramatically chic! www.kenmarkeyewear.com JG

| Eyestylist 5th February 2018

Spiritual Renaissance by Blackfin

“Sometimes you need to get away from it all to make peace with reality”

Looking beyond. Always. This is Blackfin’s inspirational vision for life and eyewear. Now they take a new path: the search for the self, and looking at the world in new ways with open eyes  – in their new campaign – Spiritual Renaissance. Blackfin then expresses these discoveries with unique eyewear creations. To capture a natural backdrop that reflects the inner journey, the Italian brand chose the contrasting topography of Lanzarote – both magnificent and magical – with its ragged cliffs, lava rocks, desert wilderness and rolling ocean waves. (Top image: Brighton – Spiritual Renaissance by Blackfin)

Marrowstone by Blackfin

Blackfin embarked on this campaign as a way to look into its company values; with the refusal to reject all that is standardised; striving for excellence; and never accepting conventional definitions. The frame designs – stunningly photographed by Giovanni De Sandre – visually illustrate the raw, rugged beauty of Lanzarote. The natural setting with its prolific extremes is effortlessly and simply transformed into eyewear that is totally streamlined, and unrestricted from all that is superfluous. Crafted from the purest titanium in Blackfin’s studios, the frames are superbly lightweight, yet strong and durable – just one of the attributes of premium, quality titanium. Sunglasses and optical styles demonstrate the versatility of titanium, with dramatic frame shapes that portray quiet luxury and sophistication.

Silverdale from Blackfin’s Spiritual Renaissance Collection

Nicola Del Din,, CEO of Blackfin stated: “In 2018, keeping faith with our pay-off  ‘Looking beyond. Always’ we want to look beyond from a more inner, almost spiritual point of view. In recent years, the world has forgotten many essential ethical values, which it is trying to rediscover with considerable difficulty…in some cases, in a completely unnatural way. Blackfin has never lost those values, nor has it ever betrayed them. With the new campaign, we want to emphasise the importance of a general return to the true essence of things.” www.blackfin.eu JG

 

| Eyestylist 1st February 2018

Opera: Passion, Power and Politics at the V&A

Four hundred years of operatic passion and European history highlight the spectacular exhibition currently on view at the Victoria & Albert Museum in London. The exhibition – in collaboration with the Royal Opera House – is a splendid, intriguing journey that explores opera on a grand scale. This is the first exhibition staged in the new spacious, subterranean Sainsbury Gallery at the V&A. Opera: Passion, Power and Politics is a musical journey to seven cities, and focuses on seven operatic premiers. It explores how the social, political, artistic and economic factors interact with great moments in opera history, to reveal a story of Europe over hundreds of years.

Draft of part of Cherubino’s Act I aria ‘Non so piu cosa son’ (K492 no. 6) from ‘The Marriage of Figaro’, 1786 (ink on paper) by Mozart, Wolfgang Amadeus (1756-91); British Library, London, UK/Bridgeman Images

Never a fan of headphones, this exhibition totally changed my perspective. The sound experience is exquisite – with world-leading performances dynamically changing as the visitor explores cities and objects. The result is an evocative and fully immersive sound performance. The seven cities and premieres in the exhibit include: Venice with Monteverdi’s L’Incoronazione de Poppea in 1642, which made its initial appearance during the Carnival season in Venice, and transitioned opera from private court entertainment to the public realm. The opera tour then continues to London and Handel’s Rinaldo in 1771, one of the first Italian language operas performed in London, as the city emerged as a global trade centre.

“Milano”, from the series “Fratelli d’Italia” (2005-2016) Matthias Schaller

Mozart’s Le nozze de Figaro premiered in Vienna in 1786, an opera that is much loved to this day. A piano on which Mozart played when visiting Prague is also on display, the first time the instrument has left Prague since the 18th century, to be shown for this exhibition. Verdi and Milan are synonymous, and the composer’s superb Nabucco premiered at La Scala in 1842. Verdi was a master of the chorus; and Va pensierfo (Chorus of the Hebrew Slaves from Nabucco) became Italy’s unofficial nathional anthem.

Manet, Edouard (1832-1883): Music in the Tuileries Gardens, 1862. London, National Gallery

During the reign of Emperor Napoleon 111, opera in Paris had immense status, and in 1861 Wagner’s Tannhâuser premiered and polarised audiences…as only Wagner can. However, Wagner’s vision for the art form proved inspirational for future writers and artists. The beautiful city of Dresden, with its history of artistic expressionism, was the setting for Richard Strauss’s premiere Salome in 1905. The opera was based on the play Salome, written in French  by Oscar Wilde. The final opera explored is Shostakovich’s Lady Macbeth of Mtsensk, that opened in St. Petersburg in 1934. It was banned under political censorship in 1936, and Shostakovich never wrote another opera.

George Frederick Handel (1685-1759); (Terracotta) by Louis François Roubiliac, (1702-62); Pre-1738, The Fitzwilliam Museum, University of Cambridge,

Opera: Passion, Power and Politics introduces more than three hundred amazing objects from the V&A collection, along with creative stage sets; manuscripts; costumes; paintings; important international loans; and compelling not-to-be-missed footage of seminal opera performances. The exhibition is marvellous and mesmerising, for opera fans and the non-opera going public alike. Opera: Passion, Power and Politics in collaboration with the Royal Opera House, and sponsored by Sociétié Génerale continues until 25th February 2018. vam.ac.uk/Opera JG

Top image: Eva Gonzalés (1849-83) oil on canvas, c. 1874 Paris Musée d’Orsay, gift of Jean Guérard, 1927 Musée d’Orsay, Paris France/Bridgeman Images

 

| Eyestylist 31st January 2018

#cfw: Ørgreen’s 3d printed frames

Copenhagen Fashion Week is underway, and as always, the Danish brand Ørgreen has something special to show. Its new 3d printed collection with Yuniku is presented in a spectacular design window by GamFratesi at the flagship store in Store Regnegade 1, a street that boasts some of the city’s most fashionable shopping destinations.

A unique installation for Copenhagen Fashion Week

Drawing attention to the exclusive customised collection which currently has 12 models in six colours, the GamFratesi installation takes inspiration from Pablo Picasso’s diverse and eclectic approach to portraiture, never rendering one face in the same way. The accentuated quirks of Picasso’s portraits—evident in the portrayal of his muses Dora Maar, Olga Khokhlova, and his daughter, May—work to celebrate the diversity amongst people: their unique shape, size, and spirit.

The installation at Ørgreen : inspired by Picasso, designed by GamFratesi

The partnership between Ørgreen and Yuniku is an extension of Ørgreen’s desire to provide diverse product range choices for a wider spectrum of consumers, always with respect to a Nordic aesthetic, and with an eye for the newest technological innovation.

Meaning “unique” in Japanese, Yuniku celebrates the uniqueness of the human face with a special scanner that measures facial features. By taking the lifestyle of the consumer into account, lenses are individually designed while the frame is 3D printed around the individual’s visual needs, all in all matching vision, face and personal styling. More details at www.orgreenoptics.com CN