Eyestylist

| Eyestylist 8th February 2013

Theo’s Tips for Valentine’s Day

Red Frames  – Romantic and Radiant!

8th February 2013 Iconic Belgian eyewear company theo has a special bond with Valentine’s Day – a theo year starts on 14 February! To celebrate, theo has launched dashing frames in sizzling red, including Coconut 8 (above) with its daring shape and bi-colouration. Sure to please your beloved!

 

Theo by James Von Vossel
Theo by James Van Vossel

Theo has also collaborated for the third time with designer James Van Vossel. His latest creation is frames with integrated nose pads (above). Out of one thin metal plate, Van Vossel cut a shape in which he already provided a nosepiece. Then, he bent the nosepiece backwards, so there is no frame between the lens and the nose. An innovative masterpiece! James 6 is a trendy round shape and in bright red – brimming with colour vitality. www.theo.be JG

| Eyestylist 7th February 2013

Garrett Leight on La Brea

7th February 2013 Take a peak at the latest eyewear emporium in L.A…a new GLCO (Garrett Leight) store that will be the mothership of this growing L.A. specs label headed by the son of the founder of Oliver Peoples, Larry Leight – or the “Prince William of the LA shades scene!” as ‘Urbandaddy’ cutely calls him! With its slick but laid back ambiance, the design of this cool glasses destination perfectly reflects the core values of this young, energy-infused label that focuses on classic design and fine quality.

Classic design from GLCO: model Harrison
Classic design from GLCO: model Harrison

Garrett explains the new location: “We needed to be in West Hollywood because there is a demand for our product there. The individuals that hang out in this neighborhood are most in line with the characters that are attracted to our brand DNA, and overall it makes the Garrett Leight experience more central to the city of Los Angeles.

“We now have the shop in Venice Beach on Abbot Kinney Blvd. called A. Kinney Court and the new La Brea store. My goal is to continue loving what I do on a daily basis, which is creating brand equity by maintaing our integrity and respect for design, quality, style, and value.

“I am a one-step-at-a-time person, and any brand is a reflection of its leader. Right now we are continuing to hire great people to join the team, building a great office for ourselves in downtown Los Angeles, and developing my vision for the future of the optical industry. America and Asia are a major focus for us this year. Europe is also strong for us.”

So the expansion continues? “Expansion is always a part of the plan, GLCO is trying to change the world.” And clearly that is a serious promise of exciting things to come. We are watching. CN

GLCO, Garrett Leight, La Brea, 165 S. La Brea, Los Angeles www.garrettleight.com

For more on Eyestylist on Garrett Leight designs click on www.eyestylist.com/2012/07/when-paris-meets-los-angeles/

| Eyestylist 5th February 2013

Eyestylist visits Linda Farrow, London

5th February 2013 Last month, Eyestylist.com met Simon Jablon, Creative Director, Linda Farrow and Tracy Sedino, Press & Marketing Director, at Linda Farrow HQ in London to discover what they have in store for 2013. This was an interesting and new experience as we were not very familiar with all the different collaborations that Linda Farrow is currently working on, and we also had an opportunity to see the extensive Linda Farrow Luxe line, which includes both sunglasses and spectacles, produced in titanium and featuring 18 to 24 carat gold plating.

Linda Farrow Luxe S/S13
Linda Farrow Luxe S/S13

“Linda, my mother started the company in the 70s,” explained Jablon. “At that time, she was producing incredible, innovative designs that have gone down in eyewear history; she was working with fashion houses like Pucci and Yves St Laurent.We brought the company back to life 10 years ago this year with vintage Linda Farrow, when we discovered my mum’s archive and things just took off from there. We launched our first collaboration with Eley Kishimoto. Now we are working with a variety of established and new emerging names, including Erdem, Jeremy Scott, Agent Provocateur and The Row, and the Linda Farrow Luxe collection is as strong as ever.”

Fashion is the central focus for this growing company, which was one of the first to take eyewear on to the catwalk. “We wanted to be a fashion accessory company, producing eyewear that is iconic, as my mother did. But we wanted to create something different and greater opportunity for designers to create from scratch. When we first brought the collections onto the catwalk, it was quite new, and stimulated editorials about eyewear that the press just wouldn’t have bothered with before then.”

Linda Farrow Luxe S/S 2013
Linda Farrow Luxe S/S 2013

For the Linda Farrow collaborations, Jablon is committed to pushing the boundaries and realising new ideas. “We are doing a lot of things that nobody else is doing. Some of the designs are harder to create than others but our production in Japan and France is next to none and we have access to some of the best materials, including luxury  leather and Mazzucchelli acetates produced exclusively for us.”

Linda Farrow Collaborations / Agent Provocateur - model AP51
Linda Farrow Collaborations / Agent Provocateur – model AP51

Jablon and Sedino talk with excitement about 2013 and what’s coming up as they increase their focus on retail. ” We have a new website and new stores opening, from Hong Kong to London. Linda Farrow Luxe is growing, and we are releasing more than 100 styles each season, featuring collaborations with some of the most prolific designers of today.”

Our tour of the showrooms, even with press samples missing as they had been sent off to Paris, was inspiring, with so many ideas and innovations on the table. Eyestylist will share more Linda Farrow favourites as Spring approaches. CN     http://us.lindafarrow.com/

For more on Linda Farrow with Erdem S/S13 collection, reviewed on Eyestylist, visit:  www.eyestylist.com/2013/01/the-super-brights-2013

 

 

| Eyestylist 1st February 2013

Fashion and Technology at MFIT

Fashion’s Dynamic Relationship With Technology

1st February 2013 The Museum at The Fashion Institute of Technology in New York City always has captivating exhibits. Their current show – Fashion and Technology – is a triumph in exploring the link between these two dynamic elements. Many may be surprised to discover that technology and fashion have been inexorably entwined for more than two centuries. Fashion and Technology features more than one hundred items from the museum’s costume, accessory and textile collections, spanning two hundred and fifty years, and displayed in chronological order. With a focus on technological innovations that have had an impact on the production, materials, aesthetics, and function of fashion, Fashion and Technology includes objects as diverse as an afternoon dress circa 1860, produced using synthetic dyes that resist fading.

 

"The Cyber Suit" by JeanPaul Gaultier 1996
“The Cyber Suit” by JeanPaul Gaultier 1996

During the 1930’s new innovations in zipper technology allowed courtiers to use this modern closure in their design. A stunning example is an evening dress by Charles James (top photo) into which James skillfully incorporated a spiral zipper, thus adding complexity to its construction. Fast forward to 1996, and there is Jean Paul Gaultier’s jumpsuit in multicoloured nylon and spandex, with an Op-Art cyber graphic print (above). Nowadays, designers are collaborating with a diverse range of artists, scientists and engineers to create clothing that pushes the boundaries of fashion further than ever before. This new wave of so-called “technofashion” is challenging the way we engage with clothing, and how fashion itself functions within society. Fashion and Technology is a beautifully curated show that illustrates the far-reaching effects of technology and fashion. Through 8 May 2013. www.fitnyc.edu JG

Photographs courtesy of The Museum at FIT, New York

 

Martim

Paulino Spectacles

There is a wide choice of round spectacles for men at this time; I particularly like the small metal circular ones with a 1920s feel, and the soft coloured acetate ones, such as this style by newcomers, Paulino Spectacles. Crafted in a small traditional spectaclemaking establishment in Portugal, this one takes the classic design and gives it a special two-tone colour makeover. The photo does justice to the spectacles in that the attractive translucent colour of the acetate material is well represented. A smart choice for men and a label to watch out for this year. www.paulinospectacles.com CN